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Adrian Younge’s acclaimed collaboration with Wu-Tang Clan’s Ghostface Killah, re-issued for the first time on Linear Labs! The sounds of classic 36 Chambers-era RZA meld with Portishead and the Italian film music of Ennio Morricone on 12 Reasons To Die, the first ever collaboration between Ghostface Killah and Adrian Younge. A daring, full-length Crime/Horror concept album, 12 Reasons’ executive producer and Ghostface’s longtime Wu-Tang Clan collaborator The RZA, referred to the album as “groundbreaking” in the hip-hop genre.

Ghostface Killah’s prominence in hip hop has grown steadily over his 20-plus year career – including high-profile appearances on Kanye West’s Cruel Summer, RZA’s The Man With the Iron Fists soundtrack and 36 Seasons, his recent collaboration with The Revelations – 12 Reasons catches the gifted MC at the height of his lyrical prowess. Composer/producer/instrumentalist Adrian Younge represents the next generation of black music producers. His aim is an organic re-appropriation of hip-hop circa the mid-90s. His previous releases, the "Black Dynamite" soundtrack album (2009) "Something About April" (2011), and "There Is Only Now" plus his collaboration with Souls Of Mischief (2012), touched on psychedelia, blaxploitation, and the cinematic soul of the 1970s. "12 Reasons" was Adrian’s first project in which he’s immersed himself in the world of hip-hop. 


Adrian Younge & Ali Shaheed Muhammad Presents

The Midnight Hour

The Midnight Hour is Black excellence: an ode to the cultural sophistication that the Harlem Renaissance established for its people. The Midnight Hour is comprised of Ali Shaheed Muhammad and Adrian Younge, alongside a tight rhythm section and a full orchestra. The album has features from CeeLo Green, Raphael Saadiq, Masha Ambrosius, Bilal, Eryn Allen Kane, Karolina and more. Adrian and Ali began working on this album back in 2013, but put the project aside as they would score the hit Netflix series Marvel’s Luke Cage (the two even perform in an episode of the upcoming second season).

The Midnight Hour is a soul/jazz/hip hop album which continues the conversations started by yesterday’s jazz and funk pioneers; those that created the bedrock of samples for hip hop producers in the 80s/90s. The Midnight Hour is sophisticated hip hop that fans will enjoy, capturing their jazz rhythm section, and a full orchestra, to analog tape. One of the seminal compositions, “Questions” originally began as an unfinished Midnight Hour demo with Cee-Lo Green. However, Kendrick Lamar heard the track and wanted to sample portions for his GRAMMY-winning album To Pimp a Butterfly (the song ultimately made it to Kendrick’s 2016 compilation Untitled Unmastered as "Untitled 06 | 06.30.2014.").

The full, completed version of “Questions” is now the lead single on The Midnight Hour. “So Amazing” is a reimagining of Luther Vandross’ 1986 single. Ali and Adrian took Luther's original vocal stems and composed new music, as if they were in the room with Luther originally. This transcendental recording is something that really makes The Midnight Hour special. 

The Delfonics

Adrian Young Presents - The Delfonics Instrumentals

The Delfonics is the quintessential sweet-soul group. Hailing from Philadelphia, the crew formed in the mid-'60s, with the definitive original lineup as lead vocalist and songwriter William Hart, his brother Wilbert Hart, and mutual high-school friend Randy Cain (later replaced by Major Harris). With the help of producer/arranger Thom Bell—and with William's signature falsetto—the Delfonics set the tone for all other sweet-soul groups that would follow. Between 1968 and 1974, the Delfonics had twenty charting singles and won a Grammy for their massive hit "Didn't I (Blow Your Mind This Time)." After five albums, the Delfonics would break up for good in 1975. Brothers William and Wilbert parted ways and over the years often toured separately with different forms of the group. But over forty years after writing his first hit, lead singer and songwriter William Hart has put his unmistakable falsetto back on analog tape and reinvented the Delfonics brand for a new generation. Los Angeles producer/composer Adrian Younge envisioned a modern-day Delfonics album and pitched the idea to William Hart, who hopped a plane from Philly to L.A. and began work on a new album. Adrian Younge is a self-taught multi-instrumentalist who traded in his MPC sampler for a carefully curated studio of authentic gear. From the very beginning, it was Younge's intention to create an old-school Delfonics vibe but offer a very hip-hop-informed perspective. There are distinguishing musical elements that Delfonics fans will recognize, like the electric sitar guitar, the French horn, string arrangements, and the tympani. This instrumental version of the LP offers fans of hip-hop and symphonic soul a chance to enjoy those musical delights, while beat-makers and MCs now have a fresh batch of beauties to explore.

Adrian Younge Presents

The Electronique Void (Black Noise Instrumentals) 2

    Adrian Younge calls The Electronique Void an academic album, by which he means it is both instructional and informational. The science of love, its formulas and if-then constraints, causal relationships and observable properties, is best taught experientially, but learning it hurts so, so bad. Music, especially electronic music, reliant as it is on abstraction and unrepentant as it is about hijacking your physiological responses to tempo and rhythm and dynamics, is a way to get there without going through it. Electronic music as practiced and developed by pioneers like Dick Hyman and Raymond Scott and Wendy Carlos is precise and intentional. In making his first electronic album, Younge took his cues from them, reminding a contemporary audience what a synthesizer, deep in its heart, really could be. This study of how music crafted with synthesizers can tap into raw human emotion is sure to excite long-time fans of Younge as well as devotees of electronic music. Adrian Younge now presents what is sure to be one of his most sought after instrumental releases, The Electronique Void: Black Noise Instrumentals

    Adrian Younge

    The Electronique Void : Black Noise

    Electronic music as practiced and developed by pioneers like Dick Hyman and Raymond Scott and Wendy Carlos is precise and intentional. In making his first electronic album, Younge took his cues from them, reminding a contemporary audience what a synthesizer, deep in its heart, really could be. The lady of The Electronique Void, only ever seen through a man’s eyes, who’s being told what to do by him, sounds trapped by her history and by her position, her ancestors’ trauma echoing through her lineage and booming out of her as a phobia, distrust, misapprehension, rational response to a fucked up situation. Waterson’s text here seems to say that if his character could go back in time, catch her before the damage was done, she would be able to love. And that’s reasonable. Don’t get hooked. Don’t do wifey shit for a fuck boy. Don’t let it go to your head, no. It’s also possible he has no idea what he’s talking about. The lessons for men in The Electronique Void are unspoken but plain as day. This music is an urgent tutorial. Adrian Younge looks at us and sees the frontline of a crisis, something we only have time to triage right now. This isn’t romantic and it isn’t about settling down. This is the fight of our lives: how to love.

    Adrian Younge Presents

    Twelve Reasons To Die II - Starring Ghostface Killah

    Fans who have been waiting for the past 2 years can finally rejoice - Adrian Younge and Ghostface Killah's 'Twelve Reasons To Die II' is finally here. To up the ante this time Ghostface has added a very important lyrical companion to the mix; Raekwon. The chemistry cemented two decades ago on Rae's classic 'Only Built 4 Cuban Linx' is as strong as ever. On the topic of chemistry executive producer and Wu-Tang patriarch The RZA returns to Part II as the story's narrator.

    The storyline for Part II is vividly brought to life with the help of Younge's never-endingly evocative and unique brand of cinematic, psychedelic soul. The music - on which Youngehiimself plays upwards of 10 instruments on certain songs - was recorded strictly on analog tape, to bring out the true grit of the 70s era that provides the 'Twelve Reasons' backdrop.Twelve Reasons To Die II is another heavy feather in the caps of all involved, especially Younge and Ghost, who again poured their skills an intellect into thie dramatic and engaging tale. It all fits perfectly into the Wu-Tang family tree as well as Younge's always-expanding musical universe, which now proudly relies on Linear Labs to house it.



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