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LIARS

Liars

MESS - 2024 Reissue

    Originally released in 2014, 'MESS' was the sound of Liars not only facing their fears but also chewing them up and spitting them back out in all their technicolor glory. Written and recorded by Angus Andrew and Aaron Hemphill, produced by Angus and mixed by Timothy "Q" Wiles, this record was less concerned with place compared to previous albums, and saw the band back in their own studio in LA.

    Angus explained at the time of release, "We go from one extreme to the other. Working on the last record was really doubtful and paranoid, and that's fine, but it just meant that when work started on this one, it was the exact opposite. It was way more instinctual, fun, and confident.”


    TRACK LISTING

    1. Mask Maker
    2. Vox Tuned D.E.D.
    3. I'm No Gold
    4. Pro Anti Anti
    5. Can't Hear Well
    6. Mess On A Mission
    7. Darkslide
    8. Boyzone
    9. Dress Walker
    10. Perpetual Village
    11. Left Speaker Blown

    Paranoid London

    ARSEHOLES, LIARS AND ELECTRONIC PIONEERS

      Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously. Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE. Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted. In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others. As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.

      STAFF COMMENTS

      Matt says: Acid house punks Paranoid London return with their third album, adding giants such as Bobby Gillespie and Josh Cafe to their list of collaborators. This might be the duo's biggest album to date - it FEELS like a proper long player, not just a selection of warehouse rattlers and acid burners. Nice to see long term pal Mutado Pintado return to the squad too. Excellent stuff for both bitter, cynical, aging ravers and bright-eyed young club kids alike!

      TRACK LISTING

      1. Steal &Adapt(Or)
      2. People (Ah Yeah)
      3. Start To Fade
      4. Love One Self
      5. Up Is Down
      6. Help
      7. Touch The State Of That
      8. Fields Of Fire
      9. The Motion
      10. Grndr

      TV On The Radio

      Young Liars - Vinyl Reissue

        Young Liars is the first major release by the New York City band TV on the Radio. Released in 2003 on Touch & Go Records, the EP helped establish the band's distinctive blending of electronica, doo wop, post-rock, and avant-garde styles. The release featured the single "Staring at the Sun," which would later be remixed and reissued in their full-length album Desperate Youth, Blood Thirsty Babes. It contains an a cappella version of "Mr. Grieves," which was originally a rock song by Pixies, from the album Doolittle.

        TRACK LISTING

        A1. Satellite
        A2. Staring At The Sun
        A3. Blind
        B1. Young Liars
        B2. Mister Grieves

        Liars

        WIXIW - 2023 Reissue

          WIXIW is the next album to be released in the Liars’ recycled coloured vinyl reissue series.

          Initially released in 2012, WIXIW was Liars’ sixth full-length album as a band (Angus Andrew, Aaron Hemphill and Julian Gross). Includes the hit ‘No.1 Against the Rush’, with the emotional video by Todd Cole. WIXIW somehow provided a summation of Liars’ work preceding the record, whilst also providing a complete break from anything that had been heard from the band. Recorded in L.A., the album was self-produced by the band, with additional production from Mute’s Daniel Miller and mixing by Tom Biller. It illustrated an ambiguous, fragile in-between state for Liars, being considered as both their most accessible and most challenging album.


          TRACK LISTING

          1. The Exact Colour Of Doubt
          2. Octagon
          3. No.1 Against The Rush
          4. A Ring On Every Finger
          5. Ill Valley Prodigies
          6. WIXIW
          7. His And Mine Sensations
          8. Flood To Flood
          9. Who Is The Hunter
          10. Brats
          11. Annual Moon Words

          Liars

          Sisterworld - 2023 Reissue

            Originally released in 2010, Sisterworld is Liars fifth studio album. It was their first record to be recorded in the US since 2004’s They Were Wrong, So We Drowned and was created by Angus Andrew, Aaron Hemphill and Julian Gross, along with Tom Biller who is known for working with the likes of Fiona Apple, Elliot Smith, Silversun Pickups and many more. The dynamic rock album took inspiration from fringe characters lured to LA and the resulting subcultures and alternate spaces that they generate, exploring the underground support systems created to deal with loss of self to society.


            TRACK LISTING

            1. Scissor
            2. No Barrier Fun
            3. Here Comes All The People
            4. Drip
            5. Scarecrows On A Killer Slant
            6. I Still Can See An Outside World
            7. Proud Evolution
            8. Drop Dead
            9. The Overachievers
            10. Goodnight Everything
            11. Too Much, Too Much

            Liars

            Liars - 2023 Reissue

              Liars fourth album is next in the band’s recycled coloured vinyl reissue series. Originally released in 2007 and recorded on the heels of 2006’s ‘Drum's Not Dead’ somewhere between LA and Berlin, the album marked another bold transition for the band.

              They took a more practical approach for this album, one based on traditional song structures and instrument usage, with Angus explaining at the time of release that “I’d never felt like a songwriter ‘til this album.”

              TRACK LISTING

              A1 Plaster Casts Of Everything
              A2 Houseclouds
              A3 Leather Prowler
              A4 Sailing To Byzntium
              A5 What Would They Know
              A6 Cycle Time
              B1 Freak Out
              B2 Pure Unevil
              B3 Clear Island
              B4 The Dumb In The Rain
              B5 Protection

              Liars

              Drum's Not Dead - 2022 Reissue

                ‘Drum’s Not Dead’ is the next instalment of the Liars’ reissue series, where every two months an album from the back catalogue is being released on recycled coloured vinyl.

                Originally released in 2006, ‘Drum’s Not Dead’ is Liars’ third album, following up 2004’s ‘They Were Wrong, So We Drowned’. Once again, the album shattered all past reference points and preconceptions of Liars. Partly inspired by a relocation from New York to Berlin, the album finds Angus Andrew, Aaron Hemphill and Julian Gross taking another seismic step forward, switching continents and seizing new musical territory.

                The album’s title and several track names refer to two fictional characters: Drum and Mount Heart Attack. For the band they are like Yin and Yang, each a state of being. Drum is assertive and productive, the spirit of creative confidence. With two drum kits integral to many of these percussive, propulsive, highly rhythmic convulsions, Drum came to be acknowledged as a fourth member of the band. Conversely, Mount Heart Attack is the reaction to Drum’s action, the embodiment of stress and self-doubt. Both became key elements in the creative process.

                “Liars have had the last laugh: ‘Drum’s Not Dead’ is a majestic victory lap, and on all levels, a total f**king triumph.” - Pitchfork

                “Liars have achieved a captivating level of sonic brilliance that deserves to be listened as an entity and not in scant sessions of personal musical ambivalence.” - Treble

                “Liars have delivered just what you need... even if you don't realize it yet.” - Tiny Mix Tapes

                TRACK LISTING

                Be Quiet Mt. Heart Attack!
                Let's Not Wrestle Mt. Heart Attack
                A Visit From Drum
                Drum Gets A Glimpse
                It Fit When I Was A Kid
                The Wrong Coat For You Mt. Heart Attack
                Hold You, Drum
                It’s All Blooming Now Mt. Heart Attack
                Drum And The Uncomfortable Can 
                You, Drum
                To Hold You, Drum
                The Other Side Of Mt. Heart Attack

                Liars

                They Were Wrong, So We Drowned - 2022 Reissue

                  They Were Wrong, So We Drowned is the new instalment from the Liars’ reissue series, where every two months an album from the back catalogue is being released on recycled coloured vinyl.

                  Originally released in 2004, Liars’ second album scrutinises pagen worship rituals in punkflore fashion with its title alluding to the horrors and injustices of witch-hunts conducted throughout history. Each song is a page from a story that frontman Angus Andrews crafted from his in-depth look into fairy tales and folklore, illustrating a conflict between witches and a scared Christians village. They Were Wrong, So We Drowned was a creative transition and saw the band severing their ties with a scene they inaugurated on their debut album, and had decidedly, outgrown by the second.

                  “This isn’t yesterday’s post-punk today…this isn’t yesterday’s anything. They Were Wrong is disorienting, challenging, and highly experimental.” — MAGNET

                  “…a headphone masterpiece.”— FADER

                  TRACK LISTING

                  1 Broken Witch
                  2 Steam Rose From The Lifeless Cloak
                  3 There's Always Room On The Broom
                  4 If You're A Wizard Then Why Do You Wear Glasses?
                  5 We Fenced Other Gardens With The Bones Of Our Own
                  6 They Don't Want Your Corn, They Want Your Kids
                  7 Read The Book That Wrote Itself
                  8 Hold Hands And It Will Happen Anyway
                  9 They Took 14 For The Rest Of Our Lives
                  10 Flow My Tears The Spider Said

                  Liars

                  The Apple Drop

                    The Apple Drop is the 10th studio album from Liars. Recorded in Australia with avant-garde jazz drummer Laurence Pike and multi-instrumentalist Cameron Deyell, mixing their raw, organic live instrumentation with Angus’s solo tinkering at the computer, resulting in an album that blurs boundaries between the archetypal band structure and experimental electronics. The album feels distinctly and recognisably Liars, yet also fresh and singular. Rich textures overlap with engulfing ambience, before giving way to eruptive blasts of noise, crackling electronics and thrashing drums. Includes the single ’Sekwar’. 

                    STAFF COMMENTS

                    Barry says: Having drifted between bonkers noise and galloping avant mayhem, it's a delight to hear Liars honing their sound down to a pitch-perfect mix of more outsider math rock with the streamlined, jagged groove giving definition to proceedings. Endlessly listenable, and constantly inventive grooves.

                    TRACK LISTING

                    A1 The Start
                    A2 Slow And Turn Inward
                    A3 Sekwar
                    A4 Big Appetite
                    A5 From What The Never Was
                    B1 Star Search
                    B2 My Pulse To Ponder
                    B3 Leisure War
                    B4 King Of The Crooks
                    B5 Acid Crop
                    B6 New Planets New Undoings

                    Liars / Tropical FXXX Storm

                    LAMC 18

                      The eighteenth edition in Famous Class’ LAMC split series featuring an unreleased A-side track from one of the label’s favorite band’s, backed with a B-side track from a lesser-known artist handpicked by the A-side group. The series gets its name from the epic Less Artists More Condos concerts that the late ARIEL PANERO threw in New York, showcasing amazing bands in some strange and unique venues. Ariel’s driving force was a desire to get the bands he believed in the recognition he felt they deserved. This series simply tries to honor that idea. Features LIARS "Total 3 Part Saga" backed with TROPICAL FUCK STORM’S "The Happiest Guy Around."

                      Liars

                      1/1: Original Soundtrack To The Film

                      Liars announce the release of their first original soundtrack - ‘1/1’.

                      ‘1/1’ is the soundtrack to Jeremy Phillips’ directorial debut, due to be released in July 2018. Starring Lindsey Shaw (‘Pretty Little Liars’), Judd Nelson (‘Breakfast Club’, ‘St Elmo’s Fire’) and Dendrie Taylor (‘Star Trek Generations’, ‘Twins’), the film submerges the viewer into the mind of Lissa, a 20-year-old girl in rural Pennsylvania and her struggles with sex, drugs, love and loss. Liars have created an electronic soundtrack that reflects the film’s use of mixed media abstractions and multi-film formats, which undoubtedly stands up as an album in its own right.




                      STAFF COMMENTS

                      Barry says: Liars form a strong and driven backing to Philips's first outing with their nuanced and textured touch, with clicking, syncopated percussion, shimmering ambience and haunting shards of reversed guitars and tenderly plucked acoustics. Every bit the standalone piece, and perfectly fitted to the film as well. Great stuff.

                      TRACK LISTING

                      No Now Not Your Face
                      Cottagevej
                      Caused By The Glitch
                      Helsingor Lane
                      Lesson In Threes
                      Telepathic Interrogation
                      Gesta Danorum
                      Cause By The Pitch
                      The Jelling Ship
                      Shitraver
                      Drastic Tactic
                      Liquorice
                      Nøkke
                      The Finger Plan
                      Beyond

                      Liars

                      TFCF: 420 Estuary Angler Edition

                        Liars have, as a matter of course, sounded radically different with each album, pursuing new concepts and occupying diverse mindsets. On this, Liars’ eighth studio album, the bustling backdrops of Los Angeles, Berlin and New York have been replaced with a presence far more intimate and autobiographical as Liars once again boldly step out of their comfort zone into vastly new musical territory.

                        The album’s reinvention of the Liars paradigm - blurring the lines between electronic and acoustic, between the experimental impulse and the addictive pop sensibility - is evidence that Angus’ creative energies remain as healthy as ever, even given the upheaval within the group.

                        ‘TFCF’ was written and recorded by Liars (Angus Andrew). Butchy Fuego, who performed live with Liars following Julian Gross’ departure in 2014, plays drums on three tracks.

                        Liars have, as a matter of course, sounded radically different with each album, pursuing new concepts and occupying diverse mindsets. On this, Liars’ eighth studio album, the bustling backdrops of Los Angeles, Berlin and New York have been replaced with a presence far more intimate and autobiographical as Liars once again boldly step out of their comfort zone into vastly new musical territory.

                        Following an amicable parting of ways with Aaron Hemphill, Liars is now Angus Andrew, who decamped to his native Australia, specifically to a remote part of the Australian bush, to create an album unlike any Liars had attempted before.

                        The album’s reinvention of the Liars paradigm – blurring the lines between electronic and acoustic, between the experimental impulse and the addictive pop sensibility – is evidence that Angus’ creative energies remain as healthy as ever, even given the upheaval within the group.

                        TFCF was written and recorded by Liars (Angus Andrew).  Butchy Fuego, who performed live with Liars following Julian Gross’ departure in 2014, plays drums on three tracks. 

                        TRACK LISTING

                        The Grand Delusional
                        Cliché Suite
                        Staring At Zero
                        No Help Pamphlet
                        Face To Face With My Face
                        Emblems Of Another Story
                        No Tree No Branch
                        Cred Woes
                        Coins In My Caged Fist
                        Ripe Ripe Rot
                        Crying Fountain

                        Liars

                        Pro Anti Anti

                          “One of the greatest avant-pop groups of our age” - The Quietus

                          Liars’ career has seen the band rattle through pigeonholes in an attempt to avoid them all together: brittle yet taught punk funk; liminal no wave; ecstatic noise-pop; 21st-Century garage rock; post millennial post rock; delicate electronics; reaching here, where Angus Andrew, Aaron Hemphill and Julian Gross now find themselves maybe not quite at ease with the world but staring it straight in the eye while showing their teeth.

                          The single comes backed with remixes by Factory Floor, Truss and young Melbourne collective Nest Of Teens plus a radio mix from Mute’s Daniel Miller.

                          The 12” comes as a special coloured vinyl release with an exclusive B-side.

                          Liars

                          Drum's Not Dead

                            "Drum's Not Dead", the band's third album and the follow up to 2004's "They Were Wrong, So We Drowned" was partly inspired by a relocation from New York to Berlin. It finds Angus Andrew, Aaron Hemphill and Julian Gross taking another seismic step forward, switching continents and seizing new musical territory. It's also their finest and fullest album to date, shredding all past reference points. Both formats come loaded with its own cinematic sister project: a DVD with three film versions of the album, "Drum's Not Bread" (directed by Julian Gross), "The Helix Aspersa" (directed by Angus Andrew) and "By Your Side" (by award-winning filmmaker Markus Wambsganss). Each film comprises of videos for each of the tracks on the album: that's 36 videos in total. From backstage travelogues to surreal animation and mini sci-fi epics, Liars document the process of recording, touring, then visually reinventing each track. It's an ambitious and groundbreaking expansion of the album format, throwing down the gauntlet for other creatively ambitious bands to follow suit.


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