“My auntie asked me what’s my path?” spits Lord Jah-Monte Ogbon on his debut from the celebrated Lex Records. The lyric relatably references the crossroads he’s at in his current life, especially as someone right on the cusp of rap stardom. “Recently I’ve been thinking more and more about what comes next in my life,” the artist reveals.

It’s fair to say Ogbon’s Lex LP features less of the shit-talking court jester of old. Instead, there’s more of an imperfect man re-examining past mistakes so he can avoid any future forks in the road. There’s a particular focus on over coming heartbreak, inspiring Ogbon to admit he’s haunted by an ex so badly he now needs to call up the Ghostbusters for assistance.

Since emerging in the late 2010s, Lord Jah-Monte Ogbon has consistently lit up America’s underground rap scene and this is thanks to a refreshingly honest writing style. Amid the exquisitely wavy strings of 2021’s 'The Missing Link / The Sneaky Link', for example, he rapped: “Everyone thinks they’re play er, until their bitch doesn’t come home.” Biting and snappy, the nasally vocals carry the playful verve of comedian Richard Pryor bravely excavating personal Demons to solicit giggles.

All this brash, wry Redman-inspired storytelling continues on the new project. Its first single is titled 'I’m Signed to Lex, Now I’m Up' – a name that mirrors what a big moment releasing a project on the label that once housed MF DOOM represents for Lord Jah-Monte Ogbon’s legacy. “I’m really driven by being able to level up and give my family more financial freedom,” he hopes.
And, if auntie asked what his path was right now, what exactly would the rap per say? Lord Jah-Monte Ogbon concludes: “Auntie: this rapping thing feels like it’s finally about to pay off!”

TRACK LISTING

1. I’m Signed To Lex Now I’m Up
2. You Know My Love Language Right?
3. Flewed Out, All Expenses Is Paid For
4. Tia Mowry (The Rich TT)
5. Butter Leather Weather
6. Drunk Nights In Edgewood (IMYSM)
7. 360 Photo Booth
8. I’m Getting Too Famous (This Time Last Year)
9. Okay, I Know Who My Twin Flame Is
10. Bedford Avenue (Skit)
11. So You Really Don’t Miss Me?
12. Let Me Reflect / Uber From O’Hare
13. Texting This Fine Shit For A Month
14. Instagram Highlights
15. Nah, You’re Mad Extra
16. King Of Charlotte (I Feel Like Trolling)
17. Lord Jah-Monte’s #1 Supporter (Skit)

“I've always dreamed of making an album where I could bring together artists I deeply admire, curating voices, energies, and sensibilities that have inspired me,” says Brussels-born producer and multidisciplinary artist ShunGu of his new record, Faith in the Unknown. “It took time, and it grew into something very human, rooted in trust, patience, and creative risk. These songs are conversations, not just between me and the artists, but between worlds, eras, and ways of feeling.” That spirit of dialogue and discovery is what defines Faith in the Unknown. Emerging from years of steady, meticulous work in the underground, the album is both a bold statement of identity and an invitation into Shungu’s world. Across 14 tracks, each a self-contained vignette, ShunGu guides the listener through shifting moods and perspectives- moments of intimacy, defiance, reflection and release, coalescing into a much larger story. His distinct touch threads through the surefire cast of collaborators - Pink Siifu, Liv.e, Fly Anakin, Chester Watson, Fatima, Maxo, Navy Blue, Dreamcastmoe, Ruqqiyah, Zekeultra and Goya Gumbani — each track unfolding as a new dimension in the same universe. ShunGu has long been a boundary-pusher, known for weaving jazz-inflected samples, skilfully constructed textures, and MPC-driven grooves into production that feels timeless yet untethered. With Faith in the Unknown he pushes further still: a project as much about collective energy as it is about personal vision. It’s a leap into uncertainty, carried by trust in the process and the people involved. From the lo-fi beat tapes that first won him a cult following, to collaborations that span the globe, Shungu has forged a body of work rooted in exploration and community. Faith in the Unknown crystallises those qualities into his most ambitious statement yet; a record that doesn’t just blur boundaries between genres, but asks what happens when vulnerability and experimentation are treated as shared ground. The result is a record that trades in subtlety. Each artistic contribution adds its own shade to the larger mosaic, pulling the listener deeper into an expanding narrative. If Faith in the Unknown has a message, it’s that art can thrive in uncertainty - that in the spaces where trust, risk, and vulnerability intersect, something entirely new can emerge.

TRACK LISTING

1. Written Down (feat. Pink Siifu)
2. Talk To The Mass (feat. Fly Anakin, Goya Gumbani & Fatima)
3. Serti Dial (feat. Navy Blue)
4. Did You Hear The News (feat. Ruqqiyah)
5. Faith In The Unknown (feat. Maxo)
6. Stay Alive (feat. Pink Siifu)
7. Last Time (feat. Liv.e)
8. Thin Line (feat. Chester Watson)
9. Pray 4 My Friends (feat. Dreamcastmoe)
10. Butterfly (feat. ZEKEULTRA)
11. It Echoes And Sings Like You (feat. Fatima)
12. The Wind Must Have Heard Your Voice Once
13. The Devil Might Want Me Gone (feat. Pink Siifu & Maxo)
14. All I Need Was A Little Bit (feat. Pink Siifu)

Autodidactic musicologist and sample collagist U turned his archival eye on the melting pot of ‘80s post-punk with his debut ‘Life Isn’t A Fountain?’ EP for Lex. He follows up with an experimental exploration of regional identity with 'ARCHENFIELD', a deeply personal collection of ambient music and found sound that examines the relationship between geographical space and aural histories.

To construct this record U mined a wealth of recorded material relevant to the area. With a nod to traditional music, he takes samples from these records and creates beautifully atmospheric sound pieces that are often mixed with painstakingly researched snippets to create a stirring reflection on local history and broader themes of how we interact, or even fail to interact, with English folklore today.

Pressed on 180g vinyl, the album comes with a 24-page visual companion that expands on its themes and folk stories through imagery and narrative, echoing the album’s soundscape. : The Caretaker, Oneohtrix Point Never, JG Bie[1]berkopf, Maxime Denuc, Leon Vynehall

TRACK LISTING

1.Urchins
2.Is It A Kind Of Dream?
3.Avenbury Organist
4.Half Moon
5.The Bitter Withy
6.He’s Found It
7.SPOOKS!
8.Cold Lazarus
9.Black Vaughan
10.In Flanders, Again
11.Buried Treasure
12.Sin Eater
13.Ariconium
14.Lost To The Plough

The 3rd instalment of the heavily sort after Lextended series on M.A.D EDITS. As always its vinyl only and as always they sell out quickly so be quick. No one does edits like our boy Lex.

TRACK LISTING

A1. A Walk On Air
A2. Anybody Out There?
B1. Pale Tears
B2. The Way We Trip

Repress of the hugely successful collaborative album between super producer Danger Mouse and Underground rap legend DOOM. The album features notable guest spots from Talib Kweli, Ghostface Killah and pre Gnarls Barkley, CeeLo Green. The album also features skits and contributions from Cartoon Networks’ Adult Swim characters Aqua Teen Hunger Force, Sea Lab 2010, Space Ghost and more. The album was a critical and commecial success and the iconic UK version of the vinyl designed by longterm Lex collaborator EHQuestionmark has been long sought after. The reissue is presented in the exact same spec as the original double vinyl including the custom made frosted plastic outersleeve, spot flouro and metallic pantone printed printed inner sleeves. The album also originally debuted at #2 on the Billboard independant albums chart. Subsequent releases from Danger Mouse include Gnarls Barkley, Gorillaz & Broken Bells as well as production work for Beck, A$AP Rocky and Black Keys. Subsequent releases from DOOM include 2009’s BORN LIKE THIS and collaborations with Jneiro Jarel and Bishop Nehru and Madlib as MADVILLAIN “It’s like a match made in heaven” Hip Hop DX “Insanely inspired...this stellar collaboration threatens to give underground synergy a good name” AV Club

TRACK LISTING

1. El Chupa Nibre
2. Sofa King
3. The Mask Ft. Ghostface Killah
4. Perfect Hair
5. Benzie Box Ft. Cee Lo Green
6. Old School Ft. Talib Kweli
7. A.T.H.F
8. Basket Case
9. No Names
10. Crosshairs
11. MInce Meat
12. Vats Of Urine
13. Space Ho’s
14. Bada Bing

‘Born Like This.’ is MF Doom’s last solo album. Featuring Ghostface Killah, Raekwon and seminal American poet and writer Charles Bukowski with beats from J Dilla, Madlib and ol’ Metal Fingers himself. “I’ve been a fan of Bukowski for a while. It was a friend of mine – damn, I forget the n*gga name – from Life Sucks Die, it’s a graffiti magazine but it’s real kinda edgy, out of Minneapolis. They did an interview with me and then me and Andrew [Broder] was friends ever since then. He said, ‘Your shit reminds me of this dude Bukowski, you gotta read his stuff.’ I was a little apprehensive at first, ‘cos I was like, ‘What kinda weird shit is this?’ Then he gave me a book, The Most Beautiful Woman In Town, and after that I just got into it. “So for this album, to celebrate all us writers, emcees, if you look at it, it’s a lot of words that we say, and we all write those words: if it was written down on a piece of paper it could be a short story or like a good book. So I saw where Andrew was coming from where he sees the similarities. In tribute to Bukowski I said let me get him as a guest appear ance…” DOOM as quoted in HHC.

“Whatever caused DOOM to scale back his output and go off the grid, he’s only come back from it sharper, stronger, and more powerful than before.” Pitchfork

“DOOM still has the sickest vocabulary, broadest frame of reference, and densest, most quotable rhymes in hip-hop… he has created an album of sublimely half-assed super-geni us.” Onion AV Club

TRACK LISTING

1. Supervillain (Intro)
2. Gazzillion Ear (Prod. J.Dila)
3. Ballskin
4. Yessir! (Feat. Raekwon)
5. Absolutely (Prod. Madlib)
6. Rap Ambush
7. Lightworks (Prod. J.Dila)
8. Batty Boyz
9. Angelz
10. Cellz
11. Still Dope
12. Microwave Mayo
13. More Rhymin’
14. That’s That
15. Supervillanz
16. Bumpy’s Message
17. Thank Yah

Fly Anakin is a rapper and producer who approaches his craft in a way few contemporaries can.

Vigilant yet unorthodox, DIY-minded yet prolific, the Richmond, Virginia multihyphenate's razor-sharp lyrics, ear for soulful production, and collaborative synergy are the result of over a decade of fundamental mastery. Described by Madlib as "one of the illest MCs," the Mutant Academy cofounder was in his pocket well ahead of his acclaimed solo debut, Frank (2022). After years of consistent releases with his collective, Anakin broke major ground in 2020 with his and Pink Siifu's joint project FlySiifu's, followed by their $mokebreak EP in 2021. A student of the East Coast's golden age, Anakin transmutes its spirit into music that's both classicist and pioneering, having worked with the likes of Freddie Gibbs, redveil, BbyMutha, and MAVI. With the release of a Mutant Academy debut album completed, and his solo album (The) Forever Dream imminent, Anakin has cemented his place as a leader in rap's underground Renaissance.

(The) Forever Dream commemorates a new era of freedom for Anakin, who rarely approaches bodies of work without a preconceived concept. Executive produced by Quelle Chris, the project, which features the likes of Denmark Vessey, The Alchemist, BbyMutha, and Pink Siifu, includes songs that Anakin believes are some of his most experimental and ambitious. "The album is me and Quelle kicking it, smoking, learning each other, and playing video games," he says of the project's inspiration and recording process. "It was time to make some mindless music, to tackle production I would've otherwise picked up." The long anticipated project comes after years of Anakin and Quelle developing a strong rapport, stemming back to 2019. "Quelle is one of the best collaborators ever--he's not biased but he knows what he likes, open minded but stubborn at the right times," Anakin says of his collaborative relationship with the Grammy nominated producer. "On the low we just alike but polar opposites, we can do no wrong together."

Born Frank L. Walton, Jr., Fly Anakin grew up in Richmond's Hillside Court projects and describes his upbringing as equal parts "peaceful and chaotic." Anakin came up on a rich diet of cartoons and the music of prolific MCs, and cites his older brother, a rapper, as his biggest musical influence. "I saw what he did as wizardry," Anakin, who has always been propelled by keen imagination and a sense of curiosity, remembers. "So I started writing, by the age of 13 I was recording music." In 2010, Anakin and Henny L.O. started Mutant Academy, which has since grown to include Big Kahuna OG, Ohbliv, Ewonee, and Foisey among its ranks. Anakin's collective, which makes a nod to the X-Men franchise, was formed as a vessel for his creatively gifted friends to join forces. "Everybody around us was making videos, making beats or rapping, and we picked up the people we stuck with the most," he says of its formation. "We're literally like a family now." Since then, Anakin has released over a dozen collaborative projects with Mutant Academy members, with Open House (2014), Backyard Boogie (2018), At the End of the Day (2020), Skinemaxxxsides A and B(2023)as notable standouts. Teaming up with PinkSiifu during the COVID-19 pandemic, projects FlySiifu's (2020) and $mokebreak (2021) marked a turning point for Anakin. Beyond consistently producing for Mutant Academy, his innovative, sample-averse approach began to push forward artists like BbyMutha and Monday Night. That traction led to the critical reception of the Lex signee's solo debut Frank (2022), which earned him recognition as "the best pure rapper in the scene" by Pitchfork. "That album was my baby and I neglected it for so long because of what was happening in the world," Anakin says of the album, which receivedseveral Album of the Year accolades. "I never asked for that one to be the one, but it's the one."

TRACK LISTING

1. Good Clothes Feat. Demae
2. Teen Summit
3. My Nigga Feat. $ilkmoney, Quelle Chris & Big Kahuna OG
4. Lil One (Intro)
5. Lil One
6. CheckOnMe Feat. Lojii
7. NOTTOOSHABBY Feat. Quelle Chris, Nickelus F & $ilkmoney
8. Lord Forgives, I Hold Grudges Feat. Denmark Vessey & Pink Siifu
9. The Times
10. Forever Dream (Interlude)
11. Forever Dream
12. Corner Pocket Feat. Quelle Chris & BbyMutha
13. Dr Phil (Skit) Feat. Sycho Sid
14. YOUGOTME!!
15. Foreverever Dream (Interlude)
16. Say Thank You Feat. Pink Siifu & Turich Benjy 

'Funeral Music', Triathalon’s fifth album, began taking shape when the band imagined what they’d like played during their memorials. Continuously referencing “play this at my funeral” throughout writing and recording, the album became a realization of this concept. Lead single 'RIP' is a 90s-influenced rock track inspired by artists like Pixies, Deftones, and Nirvana. Adam Intrator says, “The aim for ‘RIP’ was to kickstart feelings on what it felt like to listen to a late 90s rock song for the first time as a kid in your parents car in the backseat and asking to hear it louder. ‘RIP’ has a double meaning; it’s about both dying and being reborn.”

Born out of a period of heartbreak, growing pains, and self discovery, 'Funeral Music' showcases a darker, more vulnerable side of the band. With a more minimal approach, every element within the album is highlighted, from cleaner guitar tones, to live-tracked drums, to first-take vocals mixed with singular piano playing and experimental production. 'Funeral Music' not only reflects the band’s sonic shift but also reinvents the overall dynamics between their sound, energy and workflow. These songs were written, demoed, recorded and mixed in various places, bedrooms, studios and houses over the course of two years and is the band’s strongest and most cohesive work to date. workflow. These songs were written, demoed, recorded and mixed in various places, bedrooms, studios and houses over the course of two years and is the band’s strongest and most cohesive work to date.

TRACK LISTING

1. My Love
2. Chevy
3. Down
4. RIP
5. Clover
6. Funeral Music
7. Last Night
8. See You Smile
9. Melt
10. Way Out
11. Salt
12. Jordan
13. Wall
14. Your Eyes
15. Eulogy

Alex Andrikopolous AKA Lex (Athens) released his brilliant debut album Waving in 2022 on Leng and he now returns with an EP combining fine remixes of tracks from Waving alongside two new previously unheard cuts.

The remixes are undeniably special. Fittingly, the EP begins with the first of these, a sensationally sun-soaked revision of one of Andrikopolous’s most Balearic moments – previous single ‘Punta Allen’ – by former Nuphonic fusionists and FAR label founders Faze Action. The Lee brothers’ take is one of those sunset-friendly workouts that wraps glistening guitar licks, steel pan style motifs, Lex’s gorgeous lead lines, hazy electric piano solos and life-affirming keyboard riffs around rolling nu-disco beats and a new rubbery bassline courtesy of Robin Lee himself. It has the feel of a pool-side anthem in the making.

Just as potent is the typically quirky and hard-to-pigeonhole revision of ‘Prezend’ by Manchester maverick Ruf Dug. Here he offers up a genuinely revolutionary rework, re-imaging the track as a sparse-but-colourful fusion of vintage acid house bass, saucer-eyed piano riffs, dubbed-out synth sounds, jacking lo-fi drum machine beats and squelchy TB-303 tweaks. While fresh and undeniably contemporary, the remix has an alluringly nostalgic, retro-futurist vibe.

Clustered around these two top-notch revisions is a pair of previously unreleased Lex originals. He joins forces with regular collaborator Locke once more on ‘Libre De Amor’, an infectious chunk of, low-slung dub disco marked out by weighty bass, jammed-out electric piano motifs, spacey pads, intergalactic effects and mazy synth solos. Dotted with additional percussion hits and echoing female vocal snippets, it’s one of the pair’s most potent dancefloor workouts of recent times.

To round off a rock-solid EP, the Athens-based veteran blurs the boundaries between stripped-back, late-80s house nostalgia and nu-disco. ‘Super Awake’ boasts cowbell-sporting Chicago house beats and acid house inspired bass, on to which he’s layered all manner of colourful synth sounds, jangly piano stabs and spacey electronics. Throw in some typically immersive chords and progressively more psychedelic TB-303 motifs, and you have a genuinely triumphant conclusion to a formidably floor-focused EP.

TRACK LISTING

A1. Punta Allen (Faze Action Remix)
A2. Libre De Amor (w/Locke)
B1. Prezend (Ruf Dug Remix)
B2. Super Awake

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Another amazing Dirty Blends edition with three tracks of heavy jak beat and OG Chicago warehouse flavours.

The A side kicks off with Kincaid presenting a dark and menacing composition played and created with blood and sweat behind the vintage music boxes to come with this 12 minute cranium splitter - "Circuit Collapse".

Cliff Solomon honors the timeless work of originators Boyd Jarvis & Timmy Regisford with an '85 flavoured exercise of proto-house entitled "Battle Cry". With drum machines you'd associate more with the boogie genre, plus expert keyboard sections and sound effects, this retrograded house track will definitely devastate today's dancefloor leaving people scratching their heads as to its origin.

The Jak and Lex Lathan collaborate on "The Call (On The Edge)". recorded at Nation HQ and perhaps the most twisted and discordant offering out of the three. Warped vox, detuned synths and deranged licks smothering a straight up jak beat rhythm. Seriously wild stuff for the more adventurous DJ and dancer - TIP! 

STAFF COMMENTS

Matt says: Dirty Blends can do no wrong in my book at the moment. There's no one out there daring to take on the dark passion of jak beat with such authority. With each release they seem to get closer to the spirit of Ron Hardy... if you don't know - get to know.

TRACK LISTING

A1. William Kincaid - Circuit Collapse
B1. Cliff Solomon- Battle Cry
B2. The Jak & Lex Lathan - The Call (On The Edge)

Hung's third album Deliverance follows the critically-acclaimed Devastations. Deliverance is the aftermath of celestial collisions, where life sparks and shadows roam

His deeply emotive voice is cocooned by whirlpools of soaring electronics, distorted guitars and driving rhythms sounding like the last bastion of hope crying through waves of technicolour noise. Deliverance sees Hung pushing what has been an overarching facet in all his music to the fore: hope. Rhythm, melody, voice and noise all serve to amplify hope like a lighthouse at the edge of an ocean. This is Hung's most sublime creation to date; a colossal statement given the extent of his past iconic work.

"Andrew Hung brings the noise. It's what he does best."- DIY.

"The music is as grand and wrought as the title implies."- DJ Mag.

"The cumulative effect makes for an often irresistible record of pure pop joy, which demands wider attention while broadening an already sprawling creative palette."- Electronic Sound.

TRACK LISTING

Ocean Mouth
Find Out
Too Much
Changes
Soldier
Never Be The Same
Don't Believe It Now / Love Is

Stars collapse and new worlds arise in Devastations, the bold new album from Andrew Hung.

Andrew Hung is an artist known for his breakthrough debut Realisationship, film soundtracks (The Greasy Strangler, An Evening with Beverly Luff Linn) and his collaborations (Fuck Buttons, Beth Orton and Aimée Osbourne)

His work as Fuck Buttons brought about three critically-acclaimed albums, headline slots at festivals such as Glastonbury, Green Man and All Tomorrow’s Parties. Their music sound tracked key moments in the 2012 London Olympics opening ceremony.

Hung went on to work with cult director Jim Hosking and his films “The Greasy Strangler” (winning best comedy at the Empire awards, “An Evening with Beverly Luff Linn” and “Tropical Cop Tales” for Adult Swim.

Hung continued his collaborative streak through writing and producing with artist Beth Orton on her career redefining album Kidsticks (described by The Skinny as “…an exceptional return to form.”) and daughter of a rock god, Aimée Osbourne on her incredible debut album Vacare Adamaré (Released under the name ARO).

Hung now returns his attention to his own expression.

Hung’s second album Devastations is the ecstatic cry of colour found between light and dark. The album documents a transitional period in Hung’s life; a stepping out from the shadows. Hung explores the deepest recesses of his psyche and in doing so finds himself reconciling the light and dark within. Underlying the propulsive bests and prisms of noise is a melodic tenderness that weaves throughout the album; an offering hand emerging from a turbulent sky. The deepening of inner space becomes an exploration of the universal; a new beginning from the Devastations of old worlds.

The artist wrote, performed, produced and mixed the whole album himself. He also painted the self-portrait that adorns the cover of the album. The oil painting further illuminates the artist’s intentions in his work; it depicts the artist stepping out of a shadowy world, partially lit by the bright light of the sun.

STAFF COMMENTS

Barry says: Former Fuck Button Andrew Hung returns for only his second full album under his own name, though has been busy with a number of superb soundtrack outings since then. 'Devastations' is a brilliantly innovative mix of gothic synth pop, avant electronica and slow motion loungy Krautrock grooves, all topped with Hung's distinctive vocal style. Bold and exciting, and filled with moments of pure joy.

TRACK LISTING

Side A
1. Battle
2. Promises
3. Brother
4. Colour

Side B
1. Light
2. Wave
3. Space
4. Goodbye 

Realisationship is Andrew Hung's debut solo album. As co-founder of Fuck Buttons; the highly-influential noise-electronic duo, Andrew Hung has toured extensively with headline shows at the Kentish Town Forum, Glastonbury and Greenman Festivals, been featured on the 2012 Olympics opening ceremony and all three albums have featured as Best New Music on Pitchfork Media. His production work has included Zun Zun Egui's "Shackles Gift" and co-writing/co-producing the critically acclaimed "Kidsticks" by Beth Orton. He soundtracked the multiple-award winning film "The Greasy Strangler". 

TRACK LISTING

Side A:
1. Say What You Want
2. Elbow
3. No I Won’t
4. Private Commercial
5. Whispers
Side B:
1. Shadow
2. Sugar Pops
3. Animal
4. Open Your Eyes

Lex lay on some of the good stuff here with the debut LP from Fudge, a killer collaboration between dope MC Michael Christmas and production wizz Prefuse 73. Wonky beats and wild lyricism abound as the duo take us on a trip through their out-the-box inner-thoughts. "Lady Parts" came together during several sessions in the summer and fall of 2015 at Nick Hook’s Green Point studio. Ever-ready and perma-prepared like any good boy scout, Prefuse 73 brought along a hard drive full of beats. Christmas wrote to the instrumentals in the studio, and recorded the vocals the same day, as friends swung by to check it out. Some of the drop-ins at the studio ended up joining in the recording, not least D.R.A.M. who brings lifted soul vocals on “All Points South”. Though the wacky-factor is high (check out the rude, nude and lewd cover), "Lady Parts" is a subtle story, bestowed with musical intricacies and lyrical themes which only reveal themselves on multiple listens. Let this one into your life, y'all.

TRACK LISTING

Crash
Young Vet
Circuit Breaker
In My Shoes
Kids Kill
These Saturdays
All Points Feat D.R.A.M
Popstar Shit
Every Off Key Interlude
Showstopper
I Think Imma
Japanese Mall
Nothing Good
No Vibes
I Got The Good 

'NEHRUVIANDOOM' is Bishop Nehru’s debut album. Produced by Metal Fingers and featuring MF DOOM vocals on several tracks, it’s a compact nine track, 30 minute long player.

Bishop Nehru’s breakthrough mixtapes, released from the age of 15 saw him rhyming over DOOM produced instrumentals. DOOM joined the line of MCs who co-signed the young rapper including heavyweight lyricists Kendrick Lamar and Nas, who introduced him on stage during his set at SXSW as “The future of music”.

Still only 17, Bishop has wrapped up his debut album for Lex, a collaborative project with MF DOOM.

Artwork by GHOSTSHRIMP, best know for Cartoon Networks hit show Adventure Time.

TRACK LISTING

1. First Day Of Class
2. Om
3. Mean The Most
4. So Alone
5. Darkness (Hbu)
6. Coming For You
7. Caskets
8. Great Things
9. Disastrous