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LESS BELLS

Less Bells

Mourning Jewelry

    The second offering by Julie Carpenter’s textural orchestral entity Less Bells takes its title from a storied strain of decorative objects worn in remembrance of lost loved ones: Mourning Jewelry.

    The album shares a similar mood of devotional pageantry, stirring ornamental laments born from a need to “create beauty out of grief.” Utilising an amalgam of strings, synthesisers, and choirs, the pieces ascend and descend in grand, glimmering arcs, ebbing from passages of “baroque complexity” to expanses of haunting emptiness. Certain songs also skew more overtly western than ever before, deeply reverbed plucks of banjo refracted against glowing horizons of sunrise drone: Americana gone ambient.

    Furthering the music’s mystic intentionality, the track titles comprise “the major arcana of a tarot deck from an alternate universe,” lorded over by the “Queen Of Crickets,” ruler of “The Gates,” “The Fault,” and “The Fang.” Even so, the record requires no psychic divination to glean its fragile majesty, its muted tumult of mirage and melody. The beauty it possesses is too blatant, and bountiful.


    TRACK LISTING

    1. Brooch
    2. Fiery Wings
    3. The Gates
    4. Queen Of Crickets
    5. The Fault
    6. Plait
    7. The Fang

    Less Bells

    Solifuge

      The full-length debut by Julie Carpenter’s Joshua Tree, California ambient orchestral project Less Bells, emerges from the drama and desolation of its high desert origins.

      She cites certain compositions as being 'specifically inspired by August monsoons rolling in over the mountains, others by clear, starry nights.' Utilizing an array of electronic and acoustic instruments, including cello, Optigan, violin, voice, and modular synth, "Solifuge" conflates not only the solitude and refuge of its title but also intimacy and grandeur, fragility and force, 'building from austerity to wild overgrowth.'

      She speaks of a creative process involving cut-ups and rearranging, mapping a melody for strings only to transpose it to synth, or refashioning a rigid classical piece as stream of consciousness soundscape. Carpenter’s versatility and embrace of flux fills these songs with a living, breathing quality, restrained but responsive, adapting to shifting conditions and emotions beneath the surface. 


      TRACK LISTING

      1. Bird In Hand
      2. Forest Ghosts
      3. Desert
      4. Valentine
      5. Bombardment
      6. Golden Storm
      7. Milwaukee Protocol
      8. The Gills


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