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LAME-O RECORDS

Lily Seabird

Lightspheres On Their Way

“Sometimes life gets so dark, it starts to feel like a bad trip,” Lily Seabird reflects on the seasons that led to the making of her new record, 'Lightspheres on Their Way'. Seabird’s third record in as many years for Lame-O Records deals in mortality and reverence for the innately human, piecing her troubadour-ish folk to a grungy rock sentimentality. Though born from a period of reckoning and renewal, Seabird orients 'Lightspheres on Their Way' around a holistic realism that buoys the spirit, with loose, earthy arrangements that meet intensity and depth with both twangy spaciousness and searing drive.

Across the record’s nine tracks, the Vermont-based singer and songwriter orbits around the concept of “lightspheres,” a catalysing presence or force that visits time and time again and shifts stories, feelings and trajectories. “A lightsphere can be so many things” says Seabird, “ an actual light like a star, the sun, a UFO; headlights, a flashlight in the night; but also life, living things, people, relationships.”

Though 'Lightspheres on Their Way' marks a moment of ascension for Seabird’s songwriting, she asserts that “the most emotional parts of the record are instrumental.” The Crazy Horse stomp of 'Portal to the Past' and others stretch into spacious, jammy interludes and outros where Seabird and Rick Soszynski revel in fuzzy, gritty guitars. They act as moments of emotional decompression, like rolling down the windows and surrendering to the expanse of the open road. 'Lightspheres...' is a testament to the depths one can reach in their art when you stop trying to tell the story of what happened to you, and instead start talking about who you are.

TRACK LISTING

1. The Pulley
2. Bindlestiff
3. Election Day
4. Pennsy
5. Portal to the Past
6. Blackstar
7. Slipswitch
8. The Afterglow
9. Lightspheres on Their Way

Golden Apples

Shooting Star

Following the "rich jangle and big, well-developed songs" (Bandcamp) of 2023's 'Bananasugarfire', Edling sought to deconstruct his creative process by centering collaboration instead of a more solitary pursuit in songwriting, even as personal matters made isolation a more natural instinct. He describes taking time to make notes of the ways, timing and forms in which songs came to him in the process of demoing the record, and regularly questioning if his approach was like that of “watching a pot of water boil” or waiting for a bolt of light to appear in the sky. In many ways, 'Shooting Star' is an appeal to the muse, a record of “songs about writing songs” born from Edling’s desire to trust his instincts despite the posturings of inner demons and creative roadblocks, and to celebrate the little wins along the way.

The result is a sprawling new work packed to the brim with playful eccentricities and dynamism, one that owes as much of its inspiration to mid-century folkies like Michael Hurley and Karen Dalton as it does to alt rock of the nineties like Yo La Tengo and Stereolab. Shooting Star is a constellation of influences, experiences, reckonings–with the state of the world, with others, with creativity, with oneself–with no two songs created in the same way. Instead of holing up in a recording studio, the creation of the record was formed by a patchwork of collaborations in a variety of recording locales, all which were later alchemized by mix engineer Matthew Schimelfenig

TRACK LISTING

1. Another Grand Offering For The Swine
2. Noonday Demon
3. Mind
4. Ditto
5. Freeeee
6. Divine Blight
7. Happy
8. Feliz
9. Breeze
10. Fantasia
11. Songs For The Record Exchange
12. How Long Must I Stay In This Place?


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