The house remixes coming from Chicago and New York dominated the airwaves at first, eventually gaining genre status by the later part of the decade as international house or just international for short. At the time this would have been synonymous with house music everywhere else in the world. After a years of these tracks getting remixed by the touch of the local talent, International no longer fit the description of what the music was and Kwaito became the sound of the streets. In the studio, Kwaito was the sound of the next generation of producers that was coming up under the disco legends of 80s. In total it took less than 5 years total for the sound to evolve. It would be in this transition period between International and Kwaito, with the help of the new wave of studio talent, that we find the ingredients that gave birth to a short lived yet unique African house sound.
After a long career with the soul group The savers, Morgan Kwele cut two solo records under his own name in the late 80’s. Without much success and after being dropped by EMI, Morgan was picked up by Peter Snyman and Independent Sounds of Soweto. At the time it was becoming a premier label for the emerging house sounds. M’du and Joe Nina would both end up working at Snyman’s studio, and it would be their collaborating project La Beat that would launch their respective careers further. For his new album Morgan would team up with legendary producer and long time friend from the 70s Koloi Lebona. they would work together once more and record what most likely became Morgan’s final album. The title track Vakonwana became the lead single, with the original bubblegum version on the A-side for the old timers and the club version on the flip for the late nite parties.
STAFF COMMENTSMatt says: Brilliant, and overlooked moment of South African house / bubblegum unearthed by La Casa Tropical - TIP!
B1. Vakonwana (club Mix)