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L-SEVEN

Shed Seven

Changed Giver (RSD24 EDITION)

    THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.






    The Lemonheads

    Fear Of Living / Seven Out

      The Lemonheads’ long-awaited return, a slice of perfect pop, with a grittier Evan Dando at the helm.

      Playing all the instruments on the lead track, the new single was recorded and produced by Apollo Nove in São Paulo, Brazil.

      Evan is currently working on the first Lemonheads songs since 2006.

      This limited seven-inch is backed with another piece of carefully selected outsider pop, a cover of Eugene Kelly’s (Vaselines and Eugenius) bittersweet ‘Seven Out’, on which Evan is joined by Jeff Berg on bass and Erin Rae on backing vocals.

      Good Morning

      Good Morning Seven

        After signing with Polyvinyl in 2021 and releasing the critically acclaimedalbum Barnyard (as well as the two double singles Mollyduker / KeepIt & Out to Pasture / Misery), Australian duo Good Morning returnwith their aptly titled seventh album, Good Morning Seven. On GoodMorning Seven, Stefan Blair and Liam Parsons share some of their mostbeautifully complex and ambitious work to date - a double album thatinvites the listener into a world of unwavering tonal depth and sonicmasterpieces. Produced & engineered by the band in their Melbournestudio and mixed in Joshua Tree, CA by the band with help from TylerKarmen (My Morning Jacket, Sharon Van Etten, Devendra Banhart),the album features stand-out tracks such as the breezy “Excalibur” andthe lush and sweeping “Toy.”

        In addition to being streamed over 300 million times around the globe,Good Morning has been featured in publications such as Billboard, TheFADER, SPIN, and many others. In 2018, their song “Don’t Come HomeToday” was sampled in A$AP Rocky’s track “Kids Turned Out Fine,”introducing the band to an entirely new set of listeners. The band hasplayed to sold-out crowds around the world, including festivals such asRoskilde, Nine Lives Festival, Tropicalia, and others

        TRACK LISTING

        1. Arcade
        2. Ahhhh (This Isn't Ideal)
        3. Monster Of The Week
        4. As The Dogs Were Playing
        5. The Worm Turns
        6. Dog Years
        7. Queen Of Comedy
        8. The Lake
        9. Diane Said
        10. One Night
        11. Excalibur
        12. Real I'm Told
        13. Just In Time
        14. Toy
        15. Jelly Legs
        16. Dogs On The Beach
        17. The Fear!

        New one from Mark Seven's Parkway Records camp and it's a dazzler from The Whole Truth who are a truly great addition to the modern funk and boogie scene!

        Coming in three subtly varying flavours, "Lord, Quench My Soul" is based around a catchy gospel-tinged vocal hook: 'fill my cup!'. The original mix is possibly the most stripped back affair, allowing cascading synth lines to drip through squelchy boogie beats and that rubbery yet rugged bass. While the club mix decorates the mix with bolshy piano chords, the OG utilizes phazed guitar chops to equally great effect. On the garage mix, we see the bassline replaced by a more soundsystem-hefty option, as lead lines hover overhead suspended on dub delays. The production and instrumentation is superb throughout, with Mark's flair on the mixing desk sure to impress more intrepid listeners on repeat plays. Top draw Parkway Records tackle, delivered direct your lugholes! Most recommended.


        TRACK LISTING

        A1. Lord, Quench My Soul (Original Mix)
        A2. Lord, Quench My Soul (Club Mix)
        B1. Lord, Quench My Soul (Garage Mix)

        Shed Seven

        A Matter Of Time

          ‘A Matter of Time’ sees Shed Seven look back to their roots, drawing inspiration from the records and sounds that ignited their passion for songwriting over 35 years ago. Delivered with a renewed and youthful enthusiasm they have created without a doubt some of the very best songs of their career.

          STAFF COMMENTS

          Barry says: Featuring a few big-name collaborators and the classic Shed Seven lineup, 'A Matter Of Time' is the perfect return to form for a band who've been around for close to four decades. A wonderfully brazen, soaring selection of heavy-hitting melodies.

          TRACK LISTING

          1. Let's Go
          2. Kissing California
          3. Talk Of The Town
          4. Let's Go Dancing
          5. In Ecstasy (ft. Rowetta)
          6. Tripping With You (ft. Laura McClure)
          7. Let's Go (Again)
          8. Real Love
          9. F:K:H
          10. Starlings
          11. Ring The Changes
          12. Throwaways (ft. Peter Doherty)

          *Deluxe CD Tracklisting:
          1. Let's Go
          2. Kissing California
          3. Talk Of The Town
          4. Let's Go Dancing
          5. In Ecstasy (ft. Rowetta)
          6. Tripping With You (ft. Laura McClure)
          7. Let's Go (Again)
          8. Real Love
          9. F:K:H
          10. Starlings
          11. Ring The Changes
          12. Throwaways (ft. Peter Doherty)
          13. Thrownaway
          14. Watch Out World
          15. Feels Like Heaven

          Smoke Fairies

          Carried In Sound

            Following on from the release of their highly praised 2020 LP ‘Darkness Brings Wonders Home’, which was applauded by the likes of Mojo, Clash Magazine, Q and many more, alt - folk duo Smoke Fairies return once again to announce the details behind their sixth studio album ‘Carried In Sound’, previewed by the wondrous new single “Vanishing Line”.

            Continuing to pursue more of that warm and ethereal aesthetic the pair have cultivated since their earliest beginnings, “Vanishing Line” makes for a wonderfully warm and emotive introduction to their next full length release. Accompanied by a cinematic video, the new offering tackles the difficult and intimate feelings loss and grief can have on a person and those around them.

            A sense of inner strength dominates the new record. In keeping with the times that bore it, ‘Carried In Sound’ isn’t afraid to discuss darkness but everywhere there is a longing for light. “Although the album has themes of sadness on there, it’s looking at those things from a place of strength, ” says Jessica.

            "We're really excited to announce a new record, carefully home crafted to represent our core sound, with notes of reflection, grief and joy, we hope you find it an emotive, rewarding experience to listen to."

            To celebrate the release of ‘ Carried In Sound’, Smoke Fairies will also embark on an intimate five date tour across the UK taking in spectacular churches and ruins.

            STAFF COMMENTS

            Barry says: Smoke Fairies are back! While their latest clearly wades in the same waters as the rest of their superb canon, it seems like they're drawing from a wider influence pool. With their trademark alt-folk veering in parts into deep psychedelia and airy melacholic country. Lovely stuff.

            TRACK LISTING

            1. Vague Ideas
            2. Vanishing Line
            3. Carried In Sound
            4. There Was A Hope
            5. Seek It With Me
            6. Sticks And Stones
            7. Part Of It All
            8. 2022
            9. Perseus
            10. Come To My Mind
            11. Seek It With Me (instrumental) 

            Lee Perry & The Upsetters

            Double Seven

              This classic album from 1973 saw its creator, Lee 'Scratch' Perry exploring synths and starting to develop his Black Ark sound - the enigmatic producer was at the time in the process of building his famous studio and honing his ideas about dub as a musical form.

              The LP opens with the eerie “Kentucky Skank”, Perry's ode to KFC, complete with frying chicken sounds, spliced between winding tapes, a ghostly trumpet, and futuristic moog synthesizer, overdubbed at London's Chalk Farm studios.

              U Roy's “Double Six” and I Roy's “High Fashion” & “Hail Stones” illustrate just how strong The Upsetter's deejay material had become, while versions of the Chi-Lites' “We Are Neighbours”, Sam & Dave's “Soul Man” and a re-working of Al Green's “Love and Happiness” (retitled “Jungle Lion”) all betray the funky soul influence that was increasingly shaping his work.

              The backing tracks illustrate the producer at his best; the audio spectrum is fully differentiated while spatial placement an important component - something it would take years for him to achieve at the Black Ark.

              TRACK LISTING

              Side A
              1. Kentucky Skank - The Upsetters
              2. Double Six - U Roy
              3. Just Enough To Keep Me Hanging On - David Isaacs
              4. In The Iaah - The Upsetters
              5. Jungle Lion - The Upsetters
              6. We Are The Neighbours - David Isaacs

              Side B
              1. Soul Man - The Upsetters
              2. Stick Together - U Roy
              3. High Fashion - U Roy
              4. Long Sentence - The Upsetters
              5. Hail Stones - The Upsetters
              6. Ironside - The Upsetters
              7. Cold Weather - The Upsetters
              8. Waap You Waa - The Upsetters

              Felt

              Ignite The Seven Cannons -2023 Repress

                Anyone who’s been living on the grapevine these past few years must have heard the rumours about the coming of the FELT reissues – well they’re here.

                During the ‘80s Felt made ten albums and ten singles for the Cherry Red and Creation labels. This beautifully produced series examines the work of one of the greatest underground groups of modern times. These records, unavailable for many years, have been remastered and revisited by Lawrence, and he has fashioned the ultimate definitive collections.

                Produced by Robin Guthrie of Cocteau Twins and featuring the skyscraping vocal of Elizabeth Fraser on the mighty Primitive Painters. Felt found themselves at the top of the independent charts. Unhappy with the overall sound though – it was as if some of Lawrence’s best songs were lost in an “ethereal swirl.” John A. Rivers has been given access to the original master tapes and six songs have been remixed. Also – side 2 has been focused, edited and “made symmetrical.” Finally these songs can be heard as intended by Felt. It has become at long last a cohesive whole.



                TRACK LISTING

                Disc 1
                1. My Darkest Light Will Shine (Remixed)
                2. The Day The Rain Came Down (Remixed)
                3. Scarlet Servants (Remixed)
                4. I Don’t Know Which Way To Turn (Remixed)
                5. Primitive Painters
                6. Textile Ranch
                7. Black Ship In The Harbour (Remixed)
                8. Elegance In D
                9. Caspian See (Remixed)
                10. Southern State Tapestry

                Bonus 7" (Comes With Deluxe CD)
                1. Mexican Bandits
                2. The World Is As Soft As Lace

                Penguin Cafe

                Rain Before Seven…

                  Penguin Cafe return with new album Rain Before Seven.. A sense of optimism infuses Penguin Cafe’s fifth studio album, not the braggadocious, overconfident kind, but more a blithe, self-effacing optimism in keeping with the national character. Even when all signs point to the contrary, it operates within the certainty that things are going to be alright. Probably.

                  The title comes from an old weather proverb with the rhyming prognostication — fine before eleven — hinting at a happy ending, irrespective of the science: “I found it in a book and I'd never heard it before,” says Arthur Jeffes, leader of Penguin Cafe. “It has faintly optimistic overtones and I quite like it. It's fallen out of usage recently but it does describe English weather patterns coming in off the Atlantic.”

                  From the widescreen reverie of opener ‘Welcome to London’ with its cheeky nod to Morricone to ‘Goldfinch Yodel’, the self-described “Maypole banger” at the denouement, there’s a welcome sense of sanguinity, always with an undercurrent of exotic rhythmic exuberance. Playfulness pervades, with a titular nod to A Matter of Life… from 2011, the last album title that concluded with an ellipsis. That Penguin Cafe debut is the bridge between the legendary Penguin Cafe Orchestra, led by Arthur’s father Simon Jeffes, and the muchloved descendent, led by Arthur.

                  “Stylistically it's really satisfying to get back to playful rhythms and instruments,” says the younger Jeffes, who kept the group’s debut from 12 years ago in mind when writing the new album. “Certainly when starting out, I became aware that we’d stopped using quite a few of the textures that had been there at the beginning—and it was certainly there in my dad's earlier stuff. So there's a lot of balafon and textures from completely different parts of the world, musically and geographically: ukuleles, cuatros and melodicas that you can hear.”

                  Encouraged by co-producer Robert Raths, the rhythmic elements of Rain Before Seven… have never been more to the fore and, at times, even hint at the electronic. ‘Find Your Feet’, for instance, is underpinned with more than just a pulse. Mixed by Tom Chichester-Clark, it brings to the musical melange what Arthur describes as a “near electronic feel”. He adds, excitedly: “There are elements of fun here which we haven't really done with the last three records.” Another ebullient highlight is ‘In Re Budd’, dedicated to the late ambient godfather Harold Budd, who Arthur discovered had died on the day he’d been writing the celebratory ear worm with a deceptively tricky syncopation. Played on an upright piano with some “prepared” felt to accentuate the bounce, Jeffes feels a track with an Afro Cuban Cafe vibe would appeal to Budd’s contrariness.

                  And then there’s the aforementioned ‘Welcome to London’, which got its name as the world started to open up and people were finally allowed to fly again. Jeffes, who touched down on home soil for the first time in a while, was struck by its cinematic John Barry-esque qualities as he took a taxi into West London from Heathrow with the mise-en-scène of the opulent twilight. The optimism is there, and maybe a little caustic irony too. “Robert [Raths] added a layer of nuance which I think is interesting, because many Londoners are not from London originally. So you pitch up to London as an outsider, and you haven't really found your tribe yet, you get mugged… and then ‘Welcome to London’ takes on a more sarcastic resonance.”

                  TRACK LISTING

                  Side A:
                  1 Welcome To London
                  2 Temporary Shelter From The Storm
                  3 In Re Budd
                  4 Second Variety
                  5 Galahad
                  Side B:
                  6 Might Be Something
                  7 No One Really Leaves…
                  8 Find Your Feet
                  9 Lamborghini 754
                  10 Goldfinch Yodel

                  Paul Simon

                  Seven Psalms

                    Recorded entirely on acoustic instruments and predominantly performed by Paul, ‘Seven Psalms’ showcases Simon’s craft at its finest and most captivating, simply with his voice and guitar.

                    TRACK LISTING

                    The Lord
                    Love Is Like A Braid
                    My Professional Opinion
                    Your Forgiveness
                    Trail Of Volcanoes
                    The Sacred Harp
                    Wait

                    Six By Seven

                    System One (RSD23 EDITION)

                      THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                      Limited double coloured neon vinyl limited to 500 copies for RSD. Side A&B on magenta vinyl and Side C&D on orange vinyl. This is an album of melodic beat driven songs recorded in Chris Olley's home studio just before lockdown. The sonic driven guitars of six by seven now meet the neo-kraut grooves much more than ever before, to create an intense collection of songs which remind you of both of Can and The Cure and have a distinct heartfelt lo-fi Mark E Smith vocal. It's a big, expansive sound wrapped around Olley's trademark melancholic songwriting.



                      TRACK LISTING

                      A1. When You Decide A2. I Forgot Who I Am A3. Vitriol A4. Dangerous World B1. Pure 60 B2. What You Waiting For B3. There's A Devil In Need B4. System One B5. Your Disguise Has Worn Thin C1. I Feel It C2. Conceal My Enemy C3. Perfection C4. Ghost Songs D1. Doing What Is Right D2. Rival

                      Chris & Cosey

                      Elemental Seven - 2023 Reissue

                        Chris & Cosey’s Elemental 7 – available here for the first time in 40 years - is the soundtrack to the film of the same name (on Cabaret Voltaire’s Doublevision video imprint) that saw the duo working once more with John Lacey – Lacey had previously worked with Cosey in COUM Transmissions and introduced Chris Carter to the collective. The album’s highlight and one of their best loved songs, ‘Dancing Ghosts’, sounds as fresh and relevant today as it must have on its original release.

                        TRACK LISTING

                        Side One:
                        1/ Dancing Ghosts
                        2/ Temple Bar (Edit)
                        3/ Meeting Mr. Evans
                        Side Two:
                        1/ The Final Calling
                        2/ Sidereal
                        3/ Invisible Spectrum (Edit)
                        4/ Well Spring Of Life

                        Forty Seven Times Its Own Weight

                        March Of The Goober Woober

                        Dynamite Cuts gives you for the first time on 7" two phenomenal, headhunter's style funky jazz gems, taken from the mega rare, hard to find indie Texan Funk LP, by 47 Times its Own Weight from Fable records, back in 1975

                        TRACK LISTING

                        1. March Of The Goober Woober
                        2. Cumulo Nimbus

                        Modern maneuvers in machine music courtesy of the Weapons Of Desire arsenal. Solo outing from S. Crosbie who is based in Brighton and runs both Dark Arts and Novac Music labels. He treats us to a fine selection of stripped back warehouse tools. Utilizing nowt but a drum machine and a few choice bits of tone generation he manages to conjure up a primal yet mechanized collection of tracks for late night gremlin abuse.

                        It's all acidic squelch, drum box thud and black arts sonic shamanism - right up the strasse of your local rave mutant! Recommended and in limited supply - move quick on these joints! 


                        STAFF COMMENTS

                        Matt says: Tony Aslam gets busy in the barracks once again. Rousing warehouse general S. Crosbie to draw up some heavy weapons. A Brighton native with his own control factions; his guest appearance on WOD packs a serious punch.

                        TRACK LISTING

                        A1. Figure 3
                        A2. Bridge & Tunnel
                        A3. Seven Dials

                        B1. Next-door
                        B2. Shifty

                        Smoke Fairies

                        Singles

                          The band first entered a recording studio to record their debut single 'Living with Ghosts' in 2008, since then school friends Jessica Davies and Katherine Blamire have penned and recorded 18 singles as part of their incredible body of work.

                          This collection of singles is released on double-LP and CD and comprises all singles the band have released since that debut 7”.

                          “Singles” also features for the first time on CD and on an album the tracks 'Gastown’ and ‘River Song’, these Jack White produced tunes were originally released on double a-side 7” as one of Third Man Records’ infamous Blue Series with Jack joining the band on drums and guitar, the tracks have been live favourites and copies of the limited edition 7” still change hands for £100s of pounds.

                          TRACK LISTING

                          A1 Living With Ghosts
                          A2 Frozen Heart
                          A3 Sunshine
                          A4 Gastown
                          A5 River Song

                          B1 Hotel Room
                          B2 Strange Moon Rising
                          B3 Storm Song
                          B4 The Three Of Us
                          B5 Let Me Know

                          C1 Eclipse Them All
                          C2 We’ve Seen Birds
                          C3 Shadow Inversions
                          C4 Christmas Without A Kiss

                          D1 Out Of The Woods
                          D2 Disconnect
                          D3 Elevator
                          D4 No Matter How This Goes, Just Make Sure That You’re Kind

                          Timothy Leary & Ash Ra Tempel

                          Seven Up - 50th Anniversary Edition

                            After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series.

                            “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik – the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.

                            We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

                            As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):

                            “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards… 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues !

                            Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.

                            The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic.7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers.The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions.

                            In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.

                            In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

                            Timothy Leary & Ash Ra Tempel – “Seven Up”
                            TIMOTHY LEARY - voice
                            BRIAN BARRITT - voice
                            MICKY DUWE - voice & flute
                            LIZ ELLIOTT - voice
                            BETTINA HOHLS - voice
                            PORTIA NKOMO - voice
                            HARTMUT "HAWK" ENKE - bass, guitar & electronics
                            MANUEL GÖTTSCHING - guitar & electronics
                            STEVE A. - organ & electronics
                            DIETMAR BURMEISTER - drums
                            TOMMY ENGEL – drums
                            DIETER DIERKS - synthesizer & Radio Downtown


                            TRACK LISTING

                            Space (16:03):
                            Downtown
                            Power Drive
                            Right Hand Lover
                            Velvet Genes
                            Time (21:15):
                            Timeship
                            Neuron
                            SHeeee

                            700 Bliss

                            Nothing To Declare

                              700 Bliss is the forward-thinking duo of DJ Haram and Moor Mother. Their first full length for Hyperdub is an album of noise rap that ties together the raw edges of club music and hip hop with punk energy, jazz, house-party catharsis, percussion-heavy analogue sound design, and cheeky skits, ranging from experimental rap tracks with rolling hi hats and lyrical bravado, to poetry set to noise and sound collage.

                              Moor Mother and DJ Haram started collaborating in 2014 and eventually formed 700 Bliss, a blistering live act in Philly's DIY scene, releasing their 2018 debut, Spa 700 on Halcyon Veil / Don Giovanni Records. Since that time, both artists have grown global followings. Moor Mother is a prolific solo artist and collaborator, writer, and member of Black Quantum Futurism while Haram has been curating and creating radio shows, DJing, and producing (including an EP for Hyperdub in 2019).

                              ‘Nothing To Declare’ is a smart, danceable revelation, a chiseled soundscape of dive bombing bass, piercing bleeps, crunchy distortion, and wavering synth lines. Welcoming in a variety of voices from their extended, cross-genre scene, 700 Bliss also bring along a cast of collaborators, including vocalists Orion Sun, Lawfandah, Ase Manual, and Ali Logout (from the band Special Interest), plus Palestinian producer Muqata'a, and writer M Téllez who delivers a surreal sci fi monologue over a pounding kick drum on ‘More Victories’.

                              ‘Nothing To Declare’ is a deeply layered rewriting of hip hop and electronic music that gives more with each listen. You won't hear another rap album like it in 2022.

                              TRACK LISTING

                              A1. Nothing To Declare
                              A2. Totally Spies Ft Lafawndah
                              A3. Nightflame Ft Orion Sun
                              A4. Anthology
                              A5. Discipline
                              A6. BlessGrips
                              A7. Easyjet
                              A8. Candace Parker Ft Muqata’a
                              B1. No More Kings
                              B2. Capitol Ft Alli Logout
                              B3. Sixteen
                              B4. Spirit Airlines
                              B5. Crown
                              B6. More Victories Ft M. Téllez
                              B7. Seven
                              B8. Lead Level 15 Ft Ase Manual

                              Nick Cave

                              Seven Psalms

                                ‘While in lockdown I wrote a number of psalms, or small, sacred songs—one a day for a week.

                                The seven psalms are presented as one long meditation—on faith, rage, love, grief, mercy, sex and praise. A veiled, contemplative offering borne of an uncertain time. I hope you like it.’

                                Nick Cave.

                                Bruno Nicolai

                                La Dama Rossa Uccide Sette Volte (The Red Queen Kills Seven Times) (RSD22 EDITION)

                                  THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                  'The Red Queen Kills Seven Times' blurs the line between thriller and horror. The cult success it enjoys can be attributed to its aesthetics that encapsulate the essence of the Italian thriller. Bruno Nicolai's score for The Red Queen Kills Seven Times flawlessly brings together the pop and underground music sensitivity of the 1970s with the gothic nuances of the plot thanks to a clever use of harpsichords. The result is a pivotal score, not just because of the importance of the film itself, but for the whole golden age of the soundtrack genre. Exquisite, sweet and sensual lounge tracks are counterbalanced by tense, deranged and suspense-filled dodecaphonic highlights and by obstinate bass lines that become the perfect soundtrack for the Red Queen's murders or the victims' desperate getaways.

                                  The album is part of CAM Sugarís PAURA, a series of standalone soundtrack releases that follow the same-titled compilation which explores rare and unreleased horror gems from the label archive. This new limited 50th anniversary blood-red vinyl edition of this cult, sought-after soundtrack - a masterpiece of Italian Giallo cinemaóis fully remastered from original tapes, includes two bonus tracks and is destined to become a staple for the collectors of the genre and for the fans of the golden age of Italian and horror cinema, making it an essential release of Record Store Day 2022.

                                  Six By Seven

                                  Then, Now And Neil

                                    A double album compilation of two double CDs called: 'Neil Young's Shirt' and 'Now And Then' which were released on Bandcamp during mid 2020 and early 2021. Although Chris Olley's songwriting is obviously heavily influenced by the legendary Talk Talk albums 'The Colour Of Spring' and 'Laughing Stock', 'Then, Now And Neil', makes sure the songs and sounds are not just content with the slow burning melancholy of the Talk Talk albums, but that they build up and have the added aggression of the distinct Six By Seven post rock style which earned them such accolade in the 2000's. Although there are shorter more rocking songs and a couple of trademark lyrically twisted ballads, most of the songs on this album sound like mini-symphonies as they extended and are allowed to evolve and build into epic soundscapes. As one fan recently wrote on six by seven's Bandcamp site: "Another brilliant collection from start to finish. The whole album is just beautiful. 2020-2021 has had some of the absolute best music ever released under the name Six By Seven."

                                    TRACK LISTING

                                    A1. Look At You 08:00
                                    A2. Can You Wait? (You Sick Old Man) 12:03
                                    B1. Liar 06:39 B2. Spirit 12:56
                                    C1. Whitstable 03:27
                                    C2. I Can't Make You Love Me 12:50
                                    C3. Neil Young's Shirt 03:51
                                    D1. Allman Brothers (Live Transmission) 16:22
                                    D2. Mobile Phone 03:25

                                    The White Stripes

                                    Seven Nation Army (The Glitch Mob Remix)

                                      The first official vinyl release of the unforgettable worldwide stadium anthem remix - both editions of the 7" are limited.




                                      Six By Seven

                                      The World Loves Me And The Feeling Is Mutual

                                        In many ways "The World Loves Me And The Feeling Is Mutual" is the sister album to "The World Hates Me And The Feeling Is Mutual" but this record is a different beast. With the World Loves Me, Six By Seven return to the sound which gained them such great press and high accolades in the late 90's. Huge build-ups, feral guitars, and emotional lyrics are combined to create a sonic tension and release which is still unmatched by any other band claiming to be doing a similar thing. Six By Seven were making this type of music long before Sigur Ros or The National turned up. This record, perhaps more than any other, embodies this sound again

                                        TRACK LISTING

                                        A1. What You Say, Ain't What You Do 08:30
                                        A2. Carry Me Home 04:32
                                        A3. The Way I Wanted You 03:51
                                        A4. Give Us A Chance 03:04

                                        B1. Impress 04:09
                                        B2. Resurrection (I Came Alive) 16:10.

                                        L-Seven

                                        L-Seven

                                          This is a compilation of the foundational Detroit post-punk group from 1980-83, featuring unheard studio and live tracks, unseen photos, and miscellaneous archival material. 

                                          TRACK LISTING

                                          1. Mental Game
                                          2. Flowers Of Romance
                                          3. Mr. Hell
                                          4. Maniac
                                          5. Rapping Tune
                                          6. Human Truths
                                          7. Don't Be Lame
                                          8. Brixton Shuffle
                                          9. Sixty Six Days
                                          10. Lost In Paradise
                                          11. London Dungeon
                                          12. Klickety Klack
                                          13. Over Under Sideways Down

                                          Seven Wonders is a 14 track snapshot of the experimental Soul and Jazz scene burgeoning in Australia today.

                                          Recorded at Plug Seven Studios in Melbourne in collaboration with Wondercore Island, the compilations main aim was to capture spontaneous musical moments that reflect the diversity of sounds, and quality of musicianship in Australia today, with very little interference from microphone to tape to the record in your hands..

                                          Seven Wonders contains a super diverse cross section of artists, with well over 50 individuals putting in their time & creativity to bring this to life. It's a record that truly highlights the grass roots soul movement blowing up day to day in Australia.

                                          Recorded largely over two weeks, the majority of the tracks on Seven Wonders were captured in one take, bottling the raw energy and virtuosity of Melbourne's most accomplished, established and emerging players. There's an antipodean take on P-Funk from Laneous, characteristically enigmatic vocals from soul singer Allysha Joy and a free-flowing instrumental from Sampa the Great collaborator Dave Godriguez, aka GODTET. Several tracks include production and background instrumentation from Hiatus Kaiyote's rhythm section Perrin Moss and Paul Bender... and way way more.

                                          STAFF COMMENTS

                                          Millie says: A whole lot of talent being showcased here from Soul and Jazz musicians in Australia in this refreshing compilation featuring some favourites at Piccadilly such as 30/70 and GODTET.

                                          TRACK LISTING

                                          1. Sweet Water (feat. Rita Satch) - Barney McAll
                                          2. Everything I Need - Daniel Merriweather
                                          3. Sooki The Love Dog - Laneous
                                          4. Womans Choir - GODTET
                                          5. Custard Shoulder - WVR BVBY
                                          6. Dempsey Roll - Superfeather
                                          7. Improvisation #2 - Greg Sheehan, Vinod Prassana & Perrin Moss
                                          8. For Yu Sakamoto - James Macaulay Quartet
                                          9. True Realm Of The Coin - The Rookies
                                          10. Waiting - Jazz Party
                                          11. Drifting - 30/70
                                          12. Odyssey - Raw Humps
                                          13. Work (feat. Ijale) - Mohi & Thedieyoungs
                                          14. Bones (feat. Tariro Mavondo) - I Hold The Lions Paw

                                          In the making of their new album Darkness Brings The Wonders Home, Smoke Fairies drew inspiration from mysteries both real and imagined: sea monsters, flocks of crows taking flight in extravagant formation, strange creatures dwelling in the mud near their new South London abode. With their mesmeric vocal presence and starkly poetic lyrics, singer/multi-instrumentalists Katherine Blamire and Jessica Davies embed all that odd magic into songs that speak to the realities of modern times—isolation, insomnia, an overall unease with the state of the world—and ultimately uncover an unlikely sense of hope.

                                          “Times of darkness are when people are often the most imaginative,” says Davies in reflecting on the album’s title. “It helps you to see all the wonders of the world you hadn’t noticed before—the things you’ve been blind to because you’ve been on autopilot for so long.”

                                          Produced by Phil Ek (Fleet Foxes, The Black Angels, The Shins), Darkness Brings The Wonders Home merges Smoke Fairies’ musings and meditations with a decidedly guitar-driven sound, the duo’s unearthly harmonies endlessly floating atop lead-heavy riffs. Over the course of a rigorous month-long session in Seattle, Smoke Fairies adopted a purposely intimate approach to achieving that singular sonic tone.

                                          ‘We spent a long time trying to fathom the direction we wanted to take on this album. At times the options seemed overwhelming, but as new songs started to form we realized we needed to take them back to our core sound – our interplaying guitar parts’ says Davies. “So then we had to really step up and do it ourselves, without relying on a band to fill anything in, which was quite a challenge—physically, mentally, everything.”

                                          While Smoke Fairies initially intended to return to the earthy folk of early work like 2011’s Through Low Light and Trees, the duo soon found themselves assuming a new boldness in their guitar style and, in turn, pushing into much wilder terrain. In doing so, Blamire and Davies spent much of their time perusing the guitar shop near Ek’s chosen studio, experimenting with countless guitars and amps to augment the album’s sonic palette. “It was like being in a sweet shop, getting to try all these guitars we’d normally never be able to afford,” says Blamire. “We ended up making friends with guitars we never thought to use before, like this weird vintage Kay that sounded great but was so hard to play—to the point where there were days when our fingers were bleeding, or we had blisters in places you didn’t even know you could get them.”

                                          Opening with “On the Wing,” Darkness Brings The Wonders Home quickly proves the power of matching that pummeling guitar work with Smoke Fairies’ finespun songwriting. With its woozy intensity and spellbinding rhythms, the song also introduces one of the album’s most prominent themes: the often-futile attempts at true connection at a time when the most impetuous behavior tends to prevail. “When we were little my brother wrote a poem about waking up and finding he’d changed into a swan overnight, with feathers growing out of his arms,” says Blamire of the song’s inspiration. “To me that’s an interesting metaphor for how people can grow into becoming quite flighty, where they’re never really able to settle in one place or with one person.”

                                          An album deeply informed by aberrations of nature, Darkness Brings The Wonders Home delves into a different kind of fascination on “Out of the Woods”—a song sparked from Smoke Fairies’ study of the overgrown pond behind their house. “There’s something magical about all these weird things living out there in the mud,” says Blamire. “We started to project onto that, like the idea of something unexpected and good coming from the mud of your emotions.” Another song attuned to the fear of the unknown, the hypnotically ominous “Chew Your Bones” mines inspiration from the titular beast of Sarah Perry’s novel The Essex Serpent and from a local urban myth involving a character called The Croydon Cat Killer. “For years people thought someone was going around killing cats—they put a proper police force on it and everything, and then realized it’s just foxes,” Davies notes. “I’d also recently read an article about how some people feel uncomfortable with the idea of bringing kids into the world at the moment,” she adds, “We needed to write about the growing feeling that the world is on the verge of real change, there is the sense that there is this scary, unknown future lurking just beyond us ’.

                                          Despite its many wanderings into otherworldly territory, Darkness Brings The Wonders Home remains rooted in real-life anxieties, particularly on tracks like the fluttering and urgent “Don’t You Want to Spiral Out of Control.” “The modern way of interacting around love seems too empty to me—it feels like it makes us into much colder people than we ever were before,” says Blamire. “It’s like we’re missing that spontaneity, the ability to bind together over something more than an image on a screen. That song came from wanting to just shake people and go, ‘don’t you want to spiral out of control again? Don’t you want to just let loose?’”

                                          Throughout Darkness Brings The Wonders Home, Smoke Fairies adorn their observations with so many exquisite flourishes: the swinging melodies and elegant shredding of “Elevator,” the girl-group harmonies and spiky riffs of “Disconnect,” the delicate tension between taut guitar lines and swooning vocals on “Chocolate Rabbit.”

                                          For Smoke Fairies, Darkness Brings The Wonders Home signals a strengthening of the inextricable bond they’ve forged through the years. “So many of the songs are about these feelings of disconnection, but the irony is that Jessica and I have each other, and that means so much more than any of the other relationships that come and go,” says Blamire. And because of that connection, the two found the courage essential for bringing such an emotionally trying album to life. “I think what we’re attempting to show is that, in all this chaos that’s so tumultuous and overwhelming, there are always ways to change your perspective,” says Blamire. “Making this album, we conquered so many worries and doubts and felt so much stronger at the end—we went right into the darkness, and somehow brought something incredibly positive out of it.”


                                          STAFF COMMENTS

                                          Barry says: Smoke Fairies follow up 2015's 'Wild Winter' with this chunky, grunge-tinged opus. Swimming guitars and those unmistakable vocals soar over a groove-led background, showing influence from both gothic rock and 70's progressive, 'Darkness Brings The Wonders Home' does exactly that, and with aplomb.

                                          TRACK LISTING

                                          1. On The Wing
                                          2. Elevator
                                          3. Disconnect
                                          4. Coffee Shop Blues
                                          5. Left To Roll
                                          6. Out Of The Woods
                                          7. Chocolate Rabbit
                                          8. Chew Your Bones
                                          9. Don't You Want To Spiral Out Of Control?
                                          10. Super Tremolo

                                          Forty Seven Times Its Own Weight

                                          Cumulo Nimbus

                                          Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums on Fable by Austin bands 47 Times its Own Weight, Steam Heat and Starcrost. With only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all 3 have gone on to become highly sought after by collectors and DJs around the world.

                                          We meet with Michael at our UK offices and over several hours he tells us the highs and lows of running Fable Records, leaving no stone unturned and with success and tragedy in equal measure. We also speak with members of all 3 bands, and they share with us interesting stories and cool anecdotes of the wild times in the mid '70s when their records were made. We acquire informative press cuttings and some awesome posters & flyers, and all of this we publish in a booklet included with each LP which are housed in a US-style tip-on sleeve. Jazzman Records - We Dig Deeper.



                                          TRACK LISTING

                                          1. Weedhopper
                                          2. March Of The Goober Woobers
                                          3. 47 Tears
                                          4. Jig
                                          5. Halyards
                                          6. Cumulo Nimbus 

                                          Mana

                                          Seven Steps Behind

                                            Since Danielle Mana's 2017 debut EP for Hyperdub, ‘Creature’, which was a taut, evocative suite of beatless, almost neo-classical electronics, we now find his music has caught an alien virus and started hallucinating. On ‘Seven Steps Behind’, the borders between reality and the weird have collapsed on each other, and with each listen through its zigzagging course, you’re rewarded by its strange twists and turns. ‘Seven Steps Behind’ is an electronic album that doesn’t always sound electronic; a great deal of the record has been created to sound like prepared pianos, harpsichords, cellos and flutes. At other times, sampled acoustic instruments and specially recorded sessions have been processed through software and careful editing. It’s this sophisticated layering of contrasting versions of the same sources that help give this record its uncanny balance.

                                            The album also plays with your sense of time in its mostly drum-free hall of mirrors, pulling from minimalism, chamber music, dark jazz, and synthesiser experiments. Mana’s singing voice also makes it’s debut here, albeit adorned by abrasive FXs. His lyrics are encrypted in noise, in fitting with the music’s chimeric character, casting images for the listener to decipher. His heavily manipulated voice enters on second track ‘Myopia For The Future’, sounding something like a singing motorbike pitched over bouncing ostinatos, or on ‘No Body’s inhuman, word-less range, where it’s impossible to tell where the human finishes and the machine starts. Or in the case of ‘Leverage For Survival’ it’s animal and machine. Here, as with the album’s eponymous final track, a sensory assault subsides to reveal a heart-wrenching melancholy that anchors the record. Listening to ‘Seven Steps Behind’ is like stepping into a dream, with all the curious emotions and buried meaning that involves. Yet for all its restless, shifting energy it manages to hold both dissonance and melody in sweet proportion.

                                            TRACK LISTING

                                            A1. Risk Taking
                                            A2. Myopia For The Future
                                            A3. Talking / Choking Ft. Yendry
                                            A4. A Note To The Limits
                                            B1. Swordsmanship
                                            B2. Leverage For Survival
                                            B3. Symphony Of Regulation
                                            C1. Solo
                                            C2. No Body
                                            C3. Instinction
                                            D1. Soaking In Water
                                            D2. Seven Steps Behind

                                            Through his output both as a sound artist and through his eclectic Dekorder record label, Black To Comm (Marc Richter) has established himself as a singular voice of new music. His Thrill Jockey debut, "Seven Horses For Seven Kings", is Richter’s most direct and visceral to date.

                                            A relentless sonic explorer, he approaches the studio as his instrument, using sampling, analogue production and digital manipulation to sculpt audio fragments into surprising new shapes. Samples from Richter’s contemporaries like German composer Nils Frahm are bent and compounded with elements of early recorded music and medieval song, creating pieces that transcend time and genre. Richter blurs the lines between organic instrumentation and digital production to the extent that the two become inseparable.

                                            "Seven Horses For Seven Kings" was completed during a particularly prolific period for Richter. Working on a broad range of commissions since his last album - from writing for film and theatre works to composing for art installations, apps and sleep music - generated a flurry of new ideas and influences. Extensive touring would equally come to inform a key shift in Richter’s music, simulating the raw, unpredictable energy of live performances on record. While rhythm has been largely absent from previous Black To Comm releases, here the music seems totally bound to it. The album’s breathtaking pace drives Richter’s music to new levels of intensity.

                                            'Black To Comm is... like an abandoned museum of late-Twentieth Century instruments whose exhibits are still running at half power.' - New Yorker


                                            STAFF COMMENTS

                                            Barry says: Pulsing doom-laiden ambience, rickety industrial echoes and foreboding strings form the backbone to Black To Comm's most evocative and absorbing work to date. Stunning stuff.

                                            TRACK LISTING

                                            Asphodel Mansions
                                            A Miracle No-Mother Child At Your Breast
                                            Lethe
                                            Ten Tons Of Rain In A Plastic Cup
                                            Licking The Fig Tree Threshold
                                            Fly On You
                                            Double Happiness In Temporal Decoy
                                            If Not, Not
                                            The Deseret Alphabet
                                            Semirechye
                                            Rameses II
                                            Angel Investor
                                            The Courtesan Jigokudayu Sees Herself as A Skeleton In The Mirror Of Hell

                                            First new album from Alan Sparhawk’s Black Eyed Snakes in 17 years.

                                            Starting abruptly, mid-downbeat, the Black-Eyed Snakes' new release opens up like walking into the room where the grit and groove has already been rolling, for who knows how long. In 1999 and 2001, the Snakes released two full-length recordings that would lay the foundation and frame to what would become a unique and dynamic live force. Their shows are legendary - a chaotic swirling stomp, based on the most primitive elements of electric blues and punk. The band has become a wide regional favorite, playing festivals and bars and multiple tours in the US, UK, and Europe, sometimes opening for artists like Wilco and T. Model Ford.

                                            The new record, "Seven Horses" is the culmination of a simple but visceral path cut with blood, sweat, loud guitars, and dancing. Singer/guitarist Alan Sparhawk, who is also in the band Low, howls through the squelch and bash, sometimes to rally the congregation as on "Church Song" and sometimes the voice of pleading despair as on "Don't Kick Me Out." Influenced by legends like The Staple Singers, John Lee Hooker, Fred McDowell, and Ali Farka Toure, the songs jump out of the speakers raw and heavy, inviting the listener to pull up a chair, sit in with the band and let the blues flow through them.

                                            TRACK LISTING

                                            1. Walkin'/Talkin' Blues
                                            2. Church Song
                                            3. Losing Water
                                            4. Pony
                                            5. Seven Horses
                                            6. Alright Boys
                                            7. Don't Kick Me Out
                                            8. Return Of Halfstick
                                            9. Out Of My Head

                                            77:78

                                            Chilli - Inc. Dubwood Allstars Remix

                                              77:78, the new project from Aaron Fletcher & Tim Parkin, card-carrying members of the musical kaleidoscope that is The Bees, release Chilli, the latest track to be taken from their debut album, Jellies, which is released on Heavenly Recordings on Friday 6th July.

                                              There's just 150 copies of this life affirming 7” featuring the original version of Chilli on the A side and on the flip a brilliantly nuts (and soon to be in-demand) remix by Dubwood Allstars. 

                                              Talking about the track, Aaron said:
                                              "Chilli is just us being the sort of 70’s dirty ol’ roadhouse blues band that we always wanted to be....dressed in double denim and playing in a desert bar where the chilli is hot as rockets."

                                              Here’s a quote from Dubwood Allstars:
                                              "Looking forward to seeing 77:78 ...hope they're as good as when I saw them at The Fillmore in '75, managed to capture this stomping version of Chilli on my Nagra, been in the loft ever since…”

                                              Having formed in 1994, Six By Seven have gone through various incarnations, with the only constant being singer and composer Chris Olley. They recorded three albums for Mantra Records via Beggars Banquet - ‘The Things We Make’ (1998), ‘The Closer You Get’ (2000), ‘The Way I Feel Today’ (2002) - toured extensively, had two hit singles - ‘Candlelight’ (1998) and ‘I O U Love’ (2002) - recorded five Peel Sessions and appeared on Later With Jools Holland (December 1998). Despite heaping praise on Six By Seven’s breakthrough second album ‘The Closer You Get’, the press seemed confused as to how to categorise them. The band straddled a fine line between post-Brit Pop, British rock and a much edgier kind of punk. Inspired by The Pistols and The Stranglers as well as US bands such as Sonic Youth and Mercury Rev, Six By Seven consciously wanted to write songs that would get played on the radio, as Chris Olley explains: “We wanted to fill a gap I think, fill it with the sort of music we would like to hear and buy ourselves; sort of Captain Beefheart doing pop.”

                                              Mixing misanthropic lyrics with Olley’s distinctive vocal style, the music was underpinned by malevolent, slow-burning guitars, creating a menacing, dense wall of sound. Chris Olley continues; “There is a great sense of vitriol running through ‘The Closer You Get’ both musically and lyrically.” Journalist Sharon O’Connell commented in her review for Mojo; “Few bands now have the courage to make noise as meaningful as this; it’s like warming your heart against a limited nuclear strike.”

                                              TRACK LISTING

                                              A Beautiful Shape
                                              Candlelight
                                              Crying
                                              For You
                                              IOU Love (Single Edit)
                                              So Close
                                              Catch The Rain
                                              New Year
                                              Eat Junk Become Junk
                                              Bochum (Light Up My Life)
                                              Oh! Dear
                                              Always Waiting For...
                                              Change
                                              Truce
                                              European Me (Student Radio Session)

                                              BE (Garth Be)

                                              The Seven Movements

                                                In the mystical cycles of the sonic universe, every so often Manchester conjures up, seemingly from nowhere, an absolutely mind blowing LP; up there with anyone else the world over. Following in the footsteps of Moodymann's "Black Mahogany", Trus'me's "Working Nights", Floating Points' "Shadows" and more recently, Kyle Hall's "Boat Party" and llum Sphere's "Ghost's Of Them And Now", we have this expansive, full-vision of sound presented by our fair city's very own Garth Be. I don't make these comparisons lightly, but it's rare that something quite so perfect reaches our shop - and it's with great honour that I write these notes. "Marquis" opens with delightfully radiant pads and glowing licks that wrap around a bouncy, disjointed groove which Kyle Hall would be proud of. "Dreamline" retains that jazzy bounce and bright, optimistic keyboard work; joining the esteemed ranks of Vakula and all the aforementioned cats when it comes to sophisticated organic sound palettes. Then he flips the script. "Don't Want" is a PERFECTLY constructed MPC jam which should have Andres wetting his pants and Theo scratching his head. So onto the B-side and "Housekeysonbrandy" moves towards a 2AM dancefloor, rolling a tough mechanical train wreck across deep aquatic pads. The perfect pairing of hard edged tension coupled with blissful release. Smoothly inserting another smoky sample from the archives of Afro-American heritage. "Monday Club / Tuesday Nite" is possibly the elevated 'top ring of the pyramid', and aptly titled "On and On" - you won't want this beauty to end. Simple but ridiculously infectious, think "JB's Edit" on Theo’s SS001 - it really is that good. "GYB3" is the celestial workout you've been waiting for, and oh so perfectly timed! It's like Garth's some cosmic shaman, guiding us through our trip like a seasoned galactic explorer. In his own words - 'find your place in the cosmos and unwind your mind!' I felt like I'd been on a 250mics acid trip by the end of this track. Finally we have the most delectable of outro's with "Teakayo" - again working the MPC like Shane Warne works the reverse swing. Leaving you desperate for more, BE keeps things painfully tight and succinct, not a single groove on the record is wasted, and at least three of the tracks could well be extended across a whole side of a twelve inch. It's that Madlib-styled intensity which cuts each track at its very peak, keeping you riding the wave till the very end, with absolutely no room for boredom. Unrivalled.

                                                STAFF COMMENTS

                                                Matt says: In the beginning there was Moodymann’s ‘Black Mahogany’, then came Trus'me and ‘Working Nights’, and the world of soul-infused crate-dug house music was good. Carrying on in the tradition of such luminaries we have our city's very own Garth Be, instantly making me draw comparisons to the aforementioned 'classics' of the genre, alongside more recent titles - Floating Points ‘Shadows’ and Kyle Hall's ‘Boat Party’. Distinctly informed by North England's rich dance music heritage, ‘The Seven Movements’ goes everywhere it's possible to go in seven tracks, from jazz-inflected house jams, celestial, meditative states and MPC grooves executed with all the style and finesse of a Shane Warne leg break. Garth Be is a cosmic shaman, guiding us through our trip with ease.
                                                In his own words: "Find your place in the cosmos, and unwind your mind!" When the needle reaches the end of the record, you feel like you've been on one hell of a hallucinatory journey. A glorious story which ends perfectly with him securing Piccadilly’s coveted number two spot. Garth privately pressed the album himself at the start of the year, having no idea of the Earth-shaking, bar-raising potential hidden deep within the wax. It’s been an absolute pleasure both seeing the album gather momentum, writing the first set of sleeve notes and, most importantly, inflicting its mesmerising tones on our customers! Leaving you desperate for more, BE keeps things painfully tight and succinct, not a single groove on the record is wasted and it's that Madlib-styled intensity which cuts each track at its peak, leaving you riding the wave till the very end, with absolutely no room for boredom. Unrivalled.

                                                Patrick says: We've been waiting for this to drop ever since we heard "Monday Club / Tuesday Nite" on the TP. Incredible, organic and soulful, this is the one.

                                                TRACK LISTING

                                                A1. Marquis
                                                A2. Dreamline
                                                A3. Don't Want

                                                B1. Housekeysonbrandy
                                                B2. Monday Club / Tuesday Nite
                                                B3. GYB3
                                                B4. Teakayo

                                                James Fountain / The Montclairs

                                                Seven Day Lover / Hung Up On Your Love - Northern Soul Film Edition

                                                  THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                  In celebration of the forthcoming film and soundtrack album, for the first time ever - 2 of the most iconic Northern Soul tracks ever recorded on one disc!

                                                  TRACK LISTING

                                                  James Fountain - Seven Day Lover
                                                  The Montclairs - Hung Up On Your Love

                                                  Douglas Dare

                                                  Seven Hours

                                                    London-based singer-songwriter Douglas Dare releases debut EP Seven Hours as the newest artist on Erased Tapes.

                                                    The EP was recorded in various spaces, including drummer/producer Fabian Prynn’s home-studio in South London. The four tracks are the first recordings the musicians have made together and with all songs written by Dare and all tracks engineered, mixed and produced by Prynn, it is a true collaboration.

                                                    With the songs beginning as poems and short prose, Dare later improvises melodies and piano parts. This process was continued by Prynn with all the percussive rhythms coming from improvising to the original pieces. The performances were captured using a cassette recorder, keeping recording fresh as full takes had to be committed to at the recording stage. This process led to unexpected parts and ideas that now are integral to the sound and feel of the EP.

                                                    IN HIS OWN WORDS:
                                                    ‘‘I'm incredibly proud of this EP. I feel the songs have been captured in just the right way and I hope that, if only for 15 minutes, listeners will be able to escape; if they do, then I have done my job. It's a real thrill to be working with Erased Tapes, a label whose artists have inspired me from the beginning and whose ethos I share wholeheartedly. This is an exciting time to join the family and I'm truly privileged to be a part of it.’ – Douglas Dare

                                                    ABOUT THE ARTIST:
                                                    Douglas Dare is a London-based singer-songwriter, originally from the coastal town of Bridport, South West England. The son of a piano teacher, Douglas began composing instrumental music from a young age but it was not until studying popular music at University in Liverpool in 2008 that he began songwriting. Douglas’ rich and haunting vocals are combined with lyrics crafted from his own poems and short prose, a writing style that gives his intimate songs wisdom far beyond his 23 years. After supporting Ólafur Arnalds on his recent 16-date European tour, Douglas is performing at a few selected festivals and will embark on a UK tour in support of his debut release on Erased Tapes.

                                                    Warp Records are pleased to announce the release of Oneohtrix Point Never's 'R Plus Seven'. The album contains many familiar sonic touchstones for listeners who have followed the acclaimed electronic music composer’s development over the last half-decade, his Warp Records debut is a major departure from his previous work. Lopatin’s experimental inclinations lurk behind the scenes - in the concepts and procedures he adopted to create the tracks - while the music itself comes as close as he's has ever got to anything resembling traditional song structure. Which, for the producer, is only so close: The work is full of overlapping, abstract musical through-lines, puzzle-like pieces that, taken together, might allow you to glimpse an overarching tableau.

                                                    The Brooklyn-based artist has always deftly balanced the experimental with the accessible: He has released several albums under his Oneohtrix Point Never moniker on various independent labels - including the 2013 3-CD/5 LP 'Rifts', a compilation of his early work - as well as amassing a large catalogue of mini-album tape releases. His most recent disc, 2011’s 'Replica', was built around samples of television commercials.

                                                    OPN has built live soundscapes at the Museum of Modern Art; collaborated with Montreal-based ambient electronic music composer Tim Hecker on the largely improvised 2012 'Instrumental Tourist'; and recast the title track from his 2010 disc 'Returnal' as an elegant and emotive piece for piano, featuring the otherworldly voice of Antony Hegarty. Advertising powerhouse Saatchi & Saatchi tapped Lopatin for an installation event at the 2012 Cannes film fest and Sofia Coppola’s longtime cohort Brian Reitzell invited him to create original music for Coppola’s The Bling Ring.

                                                    'R Plus Seven' is disruptive and hypnotic in equal measure, and the fun of it lies in trusting Lopatin as he guides you past - and often through - its succession of walls and mirrors.

                                                    TRACK LISTING

                                                    01. Boring Angel
                                                    02. Americans
                                                    03. He She
                                                    04. Inside World
                                                    05. Zebra
                                                    06. Along
                                                    07. Problem Areas
                                                    08. Cryo
                                                    09. Still Life
                                                    10. Chrome Country

                                                    Nottingham’s six. by seven, released their first album, The Things We Make to rave reviews in 1998. Five Peel Sessions followed, an appearance on ‘Later With Jools Holland’ and much touring. The band gained a strong underground following, and released four more albums. Lead singer and creative force, Chris Olley preferred to shun the limelight, releasing internet only albums of wide ranging music and building valve distortion boxes for a number of famous bands with fellow guitarist, Martin Cooper. In 2011, Olley formed the drummerless version of six. by seven, macabrely named ‘The Death Of Six By Seven’ with long time original member and Hammond Organ player, James Flower and ex-six. by seven bass player, Pete Stevenson as well as Martin Cooper on guitar. Gigs followed and so did five singles and an album. After a wrong phone call to a music shop and a chance meeting in London, Olley found himself having a beer with ex Placebo / Boo Radleys drummer Steve Hewitt.

                                                    It turned out to be a magical and divine coming together as Hewitt said, “There’s nothing for it, I should throw my drums in the car and come up to Nottingham and get you rocking again.” What followed was four months of rehearsing old songs Olley had written over the last five years, before the band recruited producer, Dan Austin (Massive Attack, Doves, Biffy Clyro) and recorded 9 tracks at the legendary Moles studio in Bath. This July sees the release of what is arguably six.by seven’s most accomplished album. Nine songs of pure drumming dynamite, feral guitars, and a string of songs dealing with the human condition and its broken dreams. It’s a new start by a band that refuses to lie down and stop rocking.

                                                    TRACK LISTING

                                                    Change
                                                    Sympathy
                                                    Truce
                                                    More
                                                    Standing In The Light
                                                    The Rise And Fall And Decline Of Everything
                                                    Colder
                                                    Crying
                                                    Fall Into Your Arms

                                                    Ash Ra Tempel & Timothy Leary

                                                    Seven Up

                                                      "Seven Up, Ash Ra Tempel's third album is often very misunderstood by fans of their music. It's a real odd one to say the least, and if you're familiar with such albums as their 1971 debut, Join Inn (1973), or Inventions For Electric Guitar (1975, actually a Manuel Göttsching solo album) this one is quite a shock indeed. By this point, trying to figure out who was in the group has became pretty pointless. Guitarist Manuel Göttsching and bassist Hartmut Enke are still here, with tons of different vocalists, and ex-Tangerine Dream organist Steve Schroyder (he played on Alpha Centauri and guested on Zeit).

                                                      The album starts off with "Space". It's a suite divided in to four movements. It starts off with "Downtown", which doesn't sound too encouraging. It sounds like downright generic blues sung by a female vocalist, but never let that deceive you. You quickly face some truly mind blowing spacy electronic effects and noise that never lets up! It's pretty much the same throughout, although three more blues songs will follow, but as always, the blues songs never last because it sounds like the band was just so stoned at the time, they'd rather blow people's mind. I can sense quite a bit of irony in the way the band played those blues numbers.

                                                      Thanks to the presence of Timothy Leary (who was in exile in neighboring Switzerland), it's no surprise that this music is the effects of an LSD trip. The second half of the album is taken up by a three movement suite called "Time". Here's where detractors of the album finds its redeeming qualities, as this is very much like like Alpha Centauri-era Tangerine Dream. The last movement of "Time" is "She" which is basically a re-recording of "Suche & Liebe" off Ash Ra Tempel's 1972 album Schwingungen. This is a wonderful, and underrated album, which if you approach with an open-mind you'll probably enjoy it."

                                                      Get Well Soon

                                                      The Scarlet Beast O'Seven Heads - Bonus Tracks Edition

                                                        'Get Well Soon are one of Germany’s most prolific bands of the decade and certainly the most extravagant!

                                                        We would even go further and claim, that Konstantin Gropper is the Caspar David Friedrich of his generation; strictly musically speaking, of course. In case you don’t know, Friedrich was the most important romantic painter of the 19th century. Similarly, Konstantin’s musical vehicle, Get Well Soon is best known for its hugely romantic, allegorical songs, full of drama, morning mist and night skies. No gothic ruins though.

                                                        Their new album ‘The Scarlet Beast O'Seven Heads’ is one of the most sophisticated pop albums of the year. The album features 13 new, wildly imaginative and of course opulently arranged songs. It is, in certain moments, a colourful and beautiful nod to the genre we know as ‘Cinema Italiano’ (think Nino Rota or Argento), though these masters of the strange, wild and adventurous are just one of the 3,227 inspirations that went into the making of this new ornate Get Well Soon masterpiece.'

                                                        TRACK LISTING

                                                        1. Prologue
                                                        2. Let Me Check My Mayan Calendar
                                                        3. The Last Days Of Rome
                                                        4. The Kids Today
                                                        5. Roland, I Feel You
                                                        6. Disney
                                                        7. A Gallows
                                                        8. Oh My! Good Heart
                                                        9. Just Like Henry Darger
                                                        10. Dear Wendy
                                                        11. Courage, Tiger
                                                        12. The World’s Worst Shrink
                                                        13. You Cannot Cast Out The Demons, You Might As Well Dance

                                                        CD Disc 2: ITZTLACOLIUHQUI (Comes As Downloads With The Vinyl)
                                                        Lesson 1: You Are Welcome!
                                                        Lesson 2: Soon!
                                                        Lesson 3: Take Shelter!
                                                        Lesson 4: Absolution And Eternal Refuge
                                                        Lesson 5: Break The Cycle! Break Your Chains!


                                                        World's End Girlfriend

                                                        Seven Idiots

                                                          World's End Girlfriend is a Japanese composer whose work blends complex sound structures with beautiful melodies, reaching from electronic glitch to jazz-infused rock to modern classical. Captivating, enthralling and like nothing you've heard before, WEG makes for a surprising yet central addition to London contemporary music label Erased Tapes.

                                                          His brand new album "Seven Idiots" will finally be released outside of Japan this April. Shifting seamlessly from catchy pop hooks to elaborate orchestrations and brutal IDM drones, it's an irregular pop album - filled with twists and turns that will have you reaching for the repeat button. At first recorded with vocals, he took the unusual composing method of building up the songs before erasing all of their vocal parts. By dismantling and re-constructing each track, WEG has produced a genre-defying album that truly transcends categorisation.

                                                          World's End Girlfriend hails from Nagasaki Kyushu, Japan and currently resides in Tokyo. Fascinated by his father's classical music collection, he began his foray into sound at the tender age of 10, creating his early compositions on keyboard, guitar, tape recorders and computers. To date he has composed more than 600 songs, for the most part unreleased testaments of his early experimentations.

                                                          WEG first came on Europe's radar in 2002, invited to perform at Barcelona's renowned Sonar Festival. On the back of the collaborative album 'Palmless Prayer / Mass Murder Refrain' with Japanese post-rock band Mono, he embarked on extensive tours in Europe and North America in 2005, returning for an appearance at ATP Festival in 2008. Recently performing as a seven-piece ensemble, WEG's ostentious live show is currently selling out 800 capacity venues in Asia. Filmmakers seem smitten too, with the Go Shibata directed movie 'Late Bloomer' (2004) and the internationally renowned 'Air Doll' (2009) by award-winning director Hirokazu Koreeda both featuring soundtracks created by World's End Girlfriend. The music video for 'Les Enfants du Paradis', taken from 'SEVEN IDIOTS', has already received over 90.000 views on YouTube. Directed by Yohei Saito, this beguiling visual represents the high level of interest given to WEG's music, not widely available outside of Asia - until now.

                                                          Voice Of The Seven Thunders

                                                          Voice Of The Seven Thunders

                                                            Named following the rare find of an 1870's tome full of lectures on the Apocalypse, Voice Of The Seven Thunders is the new project from Rick Tomlinson - the distillation of years of divergent musical exploration that have followed his much-acclaimed Voice Of The Seven Woods debut (Twisted Nerve, 2007). Taking leave of his previous incarnation, this new project is a notable departure; with infernal and primitive energies mingling with the bucolic reveries that won him previous acclaim: this time round, multi-instrumentalist and sound sculptor Tomlinson introduces us to his fully-fledged rock group.

                                                            "Open Lighted Doorway" begins the album with a glimmer of what went before, the pastoral shades of Tomlinson's earlier recordings appearing soaked in reverb as if corrupted by time. Giving way to the monolithic "Kommune" its rhythmic percussive layers of huge primal weight and beat, and a build up of rolling guitars. "Out Of The Smoke" follows with its acerbic electric and acoustic contrasts, "The Burning Mountain" like flames erupting from an Anatolian mirage, a tide from the East; its fury subsides only for the exceptional, purely acoustic, respite offering "Dry Leaves", before "Dalälven" breaks the spell with its vertiginous howl. "Cylinders" swells from dark kosmische drones into warm opiate depths, only for "Set Fire To The Forest" to erupt like a nefarious dervish, a blinding acid haze that is quenched by final track, stripped down vocal harmony - the nostalgic, introspective "Disappearances".

                                                            Already drawing comparison with bands from the heyday of 70s acid rock and the likes of Amon Düül II, Peter Green's Fleetwood Mac, Japan's Flower Travellin' Band, the early years of Pink Floyd and the Velvet Underground's drone jams, as well as the electronic kosmische of Cluster and the unhinged organic grooves of International Harvester. The album was recorded in just three days in the spring of 2009 - featuring long-standing collaborator Chris Walmsley on drums and Rory Gibson on bass, without prior rehearsal, in Andy Ramsey's Stereolab studio with engineer Jimmy Robertson.

                                                            STAFF COMMENTS

                                                            Darryl says: A stunning album from Rick Tomlinson and his new rock band; scorched psyche, kosmische drones, nostalgic folky intricacies, and heavy doses of narcotic Eastern delight.

                                                            7 Dollar Taxi

                                                            Come And Figure It Out

                                                              Swiss indie-rock band 7 Dollar Taxi give out blasts of 60s beat music clashing with 80s post-punk, all freshly and colourfully wrapped up in a British manner and with a garage attitude that makes established bands look like greenhorns.

                                                              Sufjan Stevens

                                                              Seven Swans

                                                                THE PICCADILLY RECORDS ALBUM OF THE YEAR 2004

                                                                This is wonderful! Sufjan has created another stunning album, by blending pastoral folk songs, with a whole host of unusual instrumentation, including electric piano, xylophone and glockenspiel that at times are reminiscent of Philip Glass, occasional bursts of frantic but melodic banjo, and various brass and woodwind instruments and the whole thing is held together through out by some stunningly simple acoustic guitar and fragile, half whispered vocals.

                                                                Adequate Seven

                                                                Songs Of Innocence And Of Experience

                                                                  Paraphrasing William Blake in their album title is just one aspect of Adequate Seven's unusual penchant for strange bedfellows. Who else could blend skacore brass, bouncing grooves and hardcore vocals into such a distinctive groove-laden hardcore sound. They make it work and use influences as wide as Funkadelic, AFI and Sick Of It All to make a whole new sound. Live they've toured with Capdown, Lightyear, and Hundred Reasons. Now, fresh from touring with Fishbone, the band release their debut full length album on Household Name, a label that rarely lets you down.

                                                                  764 Hero

                                                                  Nobody Knows This Is Everywhere

                                                                    764 Hero return with their second album proper. Coming from the same area and musical spectrum as Love As Laughter, Modest Mouse, Built To Spill and Beck, the album runs the gamut from hook laden, fuzzed out rock songs to introspective ballads.

                                                                    Shantalla

                                                                    Seven Evenings, Seven Mornings

                                                                      Shantalla have been compared to the great Irish bands like Planxty, Altan and the Bothy Band and it's easy to see why. Four brilliant Irish musicians and a wonderful Scottish vocalist in the mould of Capercaillie's Karen Mathieson in Helen Flaherty.

                                                                      Jerk Magnet

                                                                      Seven Minutes In Heaven

                                                                        Having already taken over the NY punk community Jerk Magnet release this great debut, sounding like a cross between New Found Glory and Sum 41 but with more energy and bite. These young guys could go the distance, they're certainly contenders.

                                                                        Various Artists

                                                                        Freezone Seven Is Seven Is

                                                                          Volume seven in DJ Morpheus's compulsory purchase nu jazz series. 23 exclusive tracks from the likes of Fauna Flash, Landslide Feat Victor Davies, Juryman, Robert Hood, Kid Koala, World Of Apples, Dzihan & Kamen, Burnt Friedman, Nubian Mindz Vs Nu Era, Earthbound etc. VERY VERY ESSENTIAL!!!

                                                                          Six Going On Seven

                                                                          American't (Or Won't)

                                                                            This is a release which is creating excitement and a buzz around the emo rock scene. Six Going On Seven have been described as a punk rock version of The Police and I think the comparison is quite apt. Tuneful and melodic but with a punchy,punky edge.

                                                                            Ink And Dagger

                                                                            Drive This Seven Inch Wooden Stake Through My Philadelphia Heart..

                                                                              The critically acclaimed debut full-length from Ink & Dagger. The US's answer to Refused. From their explosive stage shows to their displays of intelligent "brain violence," Ink & Dagger insures their audience something completely different than the staleness and complacent efforts of their peers.


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