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KEN CAMDEN

Guitarist Ken Camden returns for his third solo album, continuing his explorations to seek out new techniques and sounds from the electric guitar. By utilizing both a steel slide and e-bow technique, Camden has moved into micro-tonal territory to bridge the textural gap between guitar and synthesizer while examining their inherent differences.

The palette is further broadened by introducing an organic vocal sampling machine described as a Vocaltron. Much like a Mellotron, vocal samples (contributed by Emily Elhaj and Angel Olsen) are chromatically organized in half steps from the lowest note to the highest possible. Each set is specific to the contributor's range and each note is unedited to keep all original characteristics of that particular individual's voice. This organized organic information adds a contrast to the electric guitar and synthesizer arrangements on the album.

The development of all of these systems gives Dream Memory a diversity throughout its tracks while maintaining an atmospheric bond that weaves the ideas into a thematic whole. 

TRACK LISTING

1. Adenosine
2. Time Bend
3. Renewal
4. Curiosity
5. Melatonin
6. Dream Memory
7. Brain Work
8. Asleep At The Wheel

Ken Camden

Space Mirror

    This is the second solo album from Ken Camden who lives and works in Chicago. He also plays in the Implodes sound quartet.

    Space travel is the dream of many and the reality of few. Since Yuri Gagarin ?rst shed the bonds of earth gravity in 1961, only about 500 humans have made the trip beyond the atmosphere.

    Ken Camden travels to space while still grounded on terra ?rma. His vessel of choice is a guitar and some effects with which he journeys on fantastical expeditions and surveys the biggest territory of all, the one between your ears.

    The glimmering sound ?elds he forms could be a soundtrack to an epic 60?s science-?ction ?lm, or a long forgotten grade school educational ?lm strip explaining how humans would be living on Mars early in the 21st century.

    Camden?s narrative rejects the dominant dystopian view of the future and posits that there are great voyages yet to be made in inner and outer space.

    The album forms a gravity-free environment in which the listener is suspended, enhancing an aural excursion to the outer reaches of the musical Kosmos.


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