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JOSE GONZALEZ

Jose Gonzalez

In Our Nature

    When José González became a household name across the world with the help of 250,000 coloured bouncing balls and a Sony Bravia television commercial featuring his spare and moving version of The Knife's song, "Heartbeats", it was the second time fame came calling and caused a truly remarkable phenomenon. While studying biochemistry at the university of Gothenburg, José's debut album "Veneer" was released in his Swedish homeland in 2003. It made him a national star. Featuring "Heartbeats" and ten other resonant, acoustic songs, "Veneer" turned José, a Gothenburg (via Argentina) native, into a Top Ten recording artist. This, his second album continues where "Veneer" left off. Another stunning collection of captivating songs.

    TRACK LISTING

    1: How Low
    2: Down The Line
    3: Killing For Love
    4: In Our Nature
    5: Teardrop
    6: Abram
    7: Time To Send Someone Away
    8: The Nest
    9: Fold
    10: Cycling Trivialities 

    José González

    Local Valley

      Few people have managed to become quite so celebrated worldwide, quite as quietly as José González has. Local Valley, his long awaited fourth album, serves as a relieving reminder that you don’t have to be loud to be heard.

      Since his debut single ‘Crosses’ back in 2003, both he and his music have remained dependably quiet and unassuming. Local Valley calmly exhibits his singular ability to communicate with such modesty and power. Beginning with the sun-dappled ‘El Invento’, the first song he’s recorded in Spanish (the native tongue of his Argentinian heritage), and ending with the intimate yet rhapsodic ‘Honey Honey’. Along the way it engages in his signature melodic and metrical hypnotism, showcasing his remarkable fingerpicking skills, while there’s further evidence of his love for music from around the world (he references an inspiring jam session in Gothenburg with Niger artist Bombino) and for the first time, the introduction of a drum machine on a few songs, further widening José´s musical spectrum.

      The record, full of his trademark bittersweet pastoralism, includes what González considers “my most accomplished songs to date”. While continuing his tradition of reinterpreting songs by other artists, with ‘Line Of Fire' he picks one written for Junip, the band he formed with friends in 1998. That the original version has now been streamed some 60 million times suggest it, like other songs he’s covered, is now part of the songwriting canon.

      Local Valley, González cheerfully acknowledges, “is similar to my other solo albums in sound and spirit, a natural continuation of the styles I’ve been adding through the years both solo and with Junip. I set out to write songs in the same vein: short, melodic and rhythmical, a mixture of classic folk singer songwriting and songs with influences from Latin America and Africa. It’s more outward looking than my earlier works, but no less personal. On the contrary, I feel more comfortable than ever saying that this album reflects me and my thoughts right now.”

      TRACK LISTING

      A1. El Invento
      A2. Visions
      A3. The Void
      A4. Horizons
      A5. Head On
      A6. Valle Local
      B1. Lasso In
      B2. Lilla G
      B3. Swing
      B4. Tjomme
      B5. Line Of Fire
      B6. En Stund På Jorden
      B7. Honey Honey

      José González

      Vestiges & Claws

        It may be seven years since he released a solo record, but José has been anything but idle in that time. He’s delivered two albums with the band Junip, his more fulsome, electronic-edged, pop project and has toured with both the Berlin/Göteborg String Theory orchestra (in 2011), co-performing 11 reworking’s of his songs, Sidi Touré and played with Malian desert blues troupe Tinariwen (both in 2012). In 2013, Hollywood came calling when Ben Stiller commissioned José to work with Theodore Shapiro on the soundtrack to his remake of ‘The Secret Life of Walter Mitty’ and most recently, he’s contributed his version of ‘This is How We Walk On the Moon’ to the Red Hot charity compilation honouring Arthur Russell. Community and collaboration are obviously satisfying in their own ways, but now José is again stepping centre stage solo, with Vestiges & Claws.

        Conceived as the natural third part in an acoustic trilogy, Vestiges & Claws is a(nother) hushed and delicate solo set that forefronts the artist and guitarist’s compellingly intimate vocal style and intricate playing technique, but it’s often strikingly rhythmic in nature and cohere’s perfectly, with hand claps and taps on the body of his instrument underlining the songs’ mantric rise-and-fall pattern, while elsewhere, over-dubbed guitar parts and multi-tracked vocal harmonies entwine to sweetly immersive effect.

        The title refers to both cultural practices and biological features that survive despite having lost their original function, and to currently useful tools, ie the “claws” of modern life.

        Vestiges & Claws was recorded almost entirely by José and self-produced, mostly in his Gothenburg home, using computer plug-ins to achieve a warm, analogue sound. He prefers working alone, mainly for artistic reasons. “There were a couple of things that enabled me to complete this record: one was curiosity, to be able to play percussion and do a lot of harmonies and also to produce and mix the album; the other was aesthetics. I love to listen to Arthur Russell and Shuggie Otis, to music that has been done mostly by one person in their solitary state.”

        As José sees it, the record is his personal, “zoomed-out eye on humanity on a small, pale blue dot in a cold, sparse and unfriendly space. The amazing fact that we are all here, an attempt at encouraging us to understand ourselves and to make the best of the one life we know we have – after birth and before death.”

        Jose Gonzalez

        Veneer

          "Veneer" encapsulates José's eclectic influences – Elliott Smith, flamenco, Joy Division, bossa nova, along with undeniable echoes of Nick Drake, Will Oldham, Tim Buckley (and even a hint of Paul Simon), yet, across an album's worth of intimate episodes José's achievement is to nod to these antecedents while fashioning a sublimely emotional signature that is undeniably all his own - a unique and compelling new addition to the singer-songwriter firmament. Using just his own dextrously finger-picked classical guitar and captivating voice - part João Gilberto, part Paul Simon – José's music is as economical as it is seductive; stark but effortlessly melodious songwriting whose confessional, gently provocative lyrics (all sung in perfect English) are, by turns, poignant, intriguing and life-affirming. Recorded with the minimum of fuss at home on basic equipment, the eleven songs that grace "Veneer", José's bewitching debut album, blend sophisticated Latin passion with almost Bergman-esque moments of luminous stillness.


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