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JOHN MAUS

It has been six years since We Must Become The Pitiless Censors Of Ourselves appeared like a thunderbolt of maniacal energy and turned everyone’s heads around. After touring in support of the album, releasing a collection of rarities and unreleased tracks, Maus receded from the public spotlight, returning to his academic pursuits. Years later, after completing his doctorate in Political Philosophy, he began building his own modular synthesizers, etching the printed circuit boards, soldering components, and assembling panels, until he had an instrument that matched his vision.

His music is a highly mutable affair. Whilst often described as retro-futurist on behalf of the 80’s drum machines and synth sounds employed, John’s music is more personal than the nostalgic re-tread implied. He’s more interested in seeking cadence, through his love of Renaissance polyphony and the experimentation behind post punk. It’s an amalgamation of musical ideas as radical as its intent.

Screen Memories was written, recorded, and engineered by Maus over the last few years in his home in Minnesota, known genially as the Funny Farm. It’s a solitary place situated in the corn plains of the rural American Midwest. The landscape is as majestic as it is austere and inevitably some of the sub-zero winter temperatures creep into the songs, as do the buzzing wasps of summer.

STAFF COMMENTS

Barry says: As soon as you get a load of synths, some electronic drums and a boatload of reverb in the mix, i'm pretty much game. What makes this even more appealing is that it sounds like it was recorded when I was 5-10. This is ace, retrotastic synth swells, twee percussives and echoes for days. What's not to love?

TRACK LISTING

1. The Combine
2. Teenage Witch
3. Touchdown
4. Walls Of Silence
5. Find Out
6. Decide Decide
7. Edge Of Forever
8. The People Are Missing
9. Pets
10. Sensitive Recollections
11. Over Phantom
12. Bombs Away

John Maus

A Collection Of Rarities And Previously Unreleased Material

    Ribbon Music releases, on behalf of John Maus, a sixteensong collection of music spanning eleven years of creative output, titled ’A Collection Of Rarities And Previously Unreleased Material’.

    Of the sixteen songs showcased, five (‘This Is The Beat’, ‘Castles In The Grave’, ‘Bennington’, ‘My Hatred Is Magnificent’, and ‘No Title (Molly)’), have appeared on previous compilations. Most notably ‘No Title (Molly)’ was originally released on a flexi disc as part of Domino/Ribbon Music's Record Store Day release ‘Smugglers Way’.

    Two songs (‘Angel Of The Night’ and ‘Lost’) have never been released on any format, nor across any media. The same cannot be said of the remaining nine songs, the majority of which initially appeared on ’Demos 2011’, a bundle of tracks originating from mausspace.com where they had been uploaded by their creator (John Maus) to be appreciated, if not reviewed, by those eager enough to search them out.

    ‘A Collection Of Rarities And Previously Unreleased Material’ has been entirely remixed and remastered and features artwork and design by Turner Prize winning artist Wolfgang Tillmans.


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