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JLIN

Jlin

Autobiography (Music From Wayne McGregor's Autobiography)

Jlin's "Black Origami" album dropped in May last year - firing the Gary, Indiana (same location as rapper Freddie Gibbs..) based producer into the limelight and being one of the most discussed and well lauded albums of the year. Since then she's toured extensively garnering a loyal fan base and high praise from the media.

"Autobiography" is a score written in collaboration with choreographer Wayne McGregor and curated by Unsound. Serendipitously, "Company", one of Wayne's highlight performances, was the first show Jlin ever attended, and the producer has obsessed about making music for dance since then - making this release even more personally special.

The sounds, as one might expect, are mind-blowing futuristic, yet tight, controlled and succinct throughout. Apart from being informed by a wide spectrum of modern dance music (in particularly, footwork, IDM, glitch and modern dub), you can tell straight away that every nuance, thud and frequency has been well plotted by (real name) Patton. She avoids lavish, self-indulgent arrangements or random synth patterns for a precise and impacting aesthetic that owes as much to its drum programming as it does its technical prowess in the lower frequency ranges.

Jlin's whole focus is to create a rich new sonic life form, unlike anything that's previously existed; therefore, drawing comparisons with other producers is difficult. That said, tracks like "The Abyss Of Doubt" sound like a mix of Autechre, AFX, Tolouse Low Trax and Demdike Stare - and yes, it's really that good! Highly kinetic, unfathomably fresh and tailored with headphones and soundsystems in mind, this is a satisfyingly overwhelming and engrossing listen; and likely to cause as much furore as last year's "Black Origami". Totally, utterly recommended!


FORMAT INFORMATION

2xColoured LP Info: Red Vinyl Indie Shops Exclusive.

Ben Frost

Ionia / Ionia (JLIN Rework)

    Ionia is a brand new track by Ben Frost, taken from his forthcoming fifth studio album, The Centre Cannot Hold, out on Mute on 29 September 2017.  

    The Centre Cannot Hold was recorded over ten days by Steve Albini in Chicago. The music exists not in space, but in a space; it is a document of an event, of a room, and of the composer within it. It is music that is not fully controlled and appears to be anxiously, often violently competing against its creator.   

    The Ionia 12” is backed by an exclusive remix by JLIN.

    Jlin's long awaited second album “Black Origami” drop via Planet Mu. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music. “Black Origami” is driven by a deep creative thirst - 'Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound.'

    Spirituality and movement are both at the core of “Black Origami”, inspired largely by her ongoing collaborations with Indian dancer / movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival.Playing with concention throughout, time shifting / folding / disrupting effects can be heard throughout the record -especially on “Holy Child”, an unlikely collaboration with minimalist legend William Basinski. She also collaborates again with Holly Herndon on “1%”, while Halcyon Veil producer Fawkes' voice is on “Calcination“ and Cape Town rapper Dope Saint Jude provides vocals for “Never Created, Never Destroyed“. 

    STAFF COMMENTS

    Matt says: Hailing from the same town as Freddie Gibbs, Jlin's atypical brand of tribal-fused rhythmic workouts, leftfield sound design and amalgamation of footwerk energy couldn't be further from the gangsta rapper's remit; thankfully it’s every bit as good.

    As the popularity of Footwork has continued to soar, the range of sounds within the genre has expanded. From the angular, minimal beats of RP Boo to the widely admired sound of sadly departed DJ Rashad, the genre has lovingly seeped into hearts and feet worldwide whilst continuing to innovate. Until now most of the focus has been on the male DJ/Producers, but that is about to change. Gary based producer Jlin, who some of you might remember for her track “Erotic Heat” (Bangs and Works Vol.2 – Planet Mu 2011), or from her moment in the mainstream light providing music for fashion designer Rick Owens’ FW/14 Paris runway show, is stepping further into the light with a stunning eleven track debut album “Dark Energy” showcasing her unique and bold new sound.

    Gary, Indiana, a neighbouring City to Chicago, is one of those towns people overlook or perhaps expect the worst of. It's famous for the Jackson 5 and its Steel Mills, one of which Jlin works long shifts at. She says her sound and “the themes behind my tracks are all based off what my creativity absorbs, whether it be bad or good”, and the music certainly shows that intent. It's forceful, yet ripples with colour; it’s an intense, monolithic sound with rugged rhythms that stop and breathe and roll out in unusual staccato patterns. It’s a sound unlike any other out there, one that’s fiercely unique. Her track titles are as evocative as the music is intense and hint at deeper themes – “Black Diamond”, “Guantanamo”, “Abnormal Restriction”. She notes “The titles I chose are based off failing and learning.” Album track ”Expand” also features a vocal from another important female artist - respected experimental West Coast producer Holly Herndon whom Jlin has been quietly collaborating with.Her album “Dark Energy” is so called because of where it came from and how it came to be; the dark monolith on the cover also perfectly encapsulates it – “This album took my entire life to make. Every moment in my life lead up to this album. My musical sense of expression comes from sadness, and anger. I can't create from a happy place. It seems pointless in my opinion. I don't make the tracks as much as I feel them. Creating for me is about feeling and impact.”Jlin has been supported by all the key players in the Footwork scene and says she is “thankful to many.” 2015 feels like the year people are ready for a new voice in Footwork and Jlin is a true original with a hard, yet infectious style and an album that showcases it brilliantly.



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