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June 8th, 1984, a deadly F5 tornado nearly destroys the town of Barneveld, Wisconsin, killing 9 people, injuring nearly 200, and causing over $25,000,000 in damage, only five months later Nenad Markovic was born in Belgrade, Serbia. May 3th 2000, a rare conjunction of 7 celestial bodies (Sun, Moon, planets Mercury–Saturn) occurs during the New Moon, few weeks after that in his room on the 10th floor of a new belgrade skyscraper nenad made his first steps into the wild blue yonder. December 27th, 2005 – Astrophysicists from the Max Planck Institute for Extraterrestrial Physics in Garching near Munich measure the strongest burst from a magnetar. At 21:30:26 UT the earth is hit by a huge wave front of gamma and X-rays. It is the strongest flux of high-energetic gamma radiation measured so far. September 23th 2008, in the Akihabara area of Tokyo, Japan, a 25-year-old man stabs seven to death and wounds 10, before being arrested, that night nenad adopted his pseudonym 33. 10. 3402 (33th of october threethousandfourhounded and two) Jun 11th 2009, a Texas mother was hit by lightning while standing in her kitchen inside her Texas home. Witnesses say the lightning came through a light fixture and struck her chest and exited her foot. Her 9-year-old son franticly called 9-1-1 to save her life. She had to spend three days in the hospital. Few months later nenad performed for the first time under the name 33 10 3402 along with Dj Brka in “The Wash” club. From that time on, nenad had numerous gigs in prominent Belgrade clubs. Dec 8th 2010, with the second launch of the SpaceX Dragon, SpaceX becomes the first privately held company to successfully launch, orbit and recover a spacecraft. The same year nenad become resident in famous balgrade club “20/44”. Nenad is not responsible for many of these events, nonetheless,he is constantly on the move.


Barry says: Another outstanding release from Markovic for Prins Thomas' Internasjonal imprint, with clattering percussion, sleazy samples and tropical atmospherics. Thumping house kicks mix with snappy sine waves and glitzy Rhodes keyplay. As funky as it is relaxed, this is a cohesive and well realised Septology, perfect for the front room, or the ballroom.

Emperor Machine

2500 Vol 2 - Inc. Wolf Muller Remix

Emperor Machine, everyone's favourite synth-fetishist returns to Intersnasjonal with the second half of his retro futurist masterpiece '2500'. Continuing the floor-filling, wall shaking, bleep blasting form of Part One, Mr Meecham goes for the jugular from the get go, laying the wall-flowers to waste with the A-grade audio Weedol of 'UMO'. An insistent bass pulse and clattering industrial drum pattern bore a massive hole in your cerebellum, creating the space for the wriggling acid line and needle-point tone offense to turn you into a shoulder rolling rave gremlin. Things take a turn for the cosmic on A2 cut 'Back To Bali', as Andy soars through the night sky on a wave of kosmische sequences, proggy guitar and hypnotic percussion. Speaking of cosmic, Dusseldorf Power Ranger Wolf Muller makes an appearance on the B1, sticking his sonic screwdriver into the heart of 'Africa' and turning out a thoroughly wonky breakdance scrambler packed to the brim with mechanical funk and fire ant garble - top stuff. Emperor Machine returns to close the set out with his own twist on 'Africa', a B2 V2 complete with bubbling synth bass, errant laser fire and More Cowbell! Twisted disco for the medicated masses!

A brilliant new outing for Midnight Dicers / Samy Morpheus on Prins Thomas' Internasjonal up next, full of exactly the sort of lumbering sycopated shuffle we've come to know and love from both Internasjonal and Full Pupp. We kick things off with The Smagghe & Cross remix, slowly blooming from a satisfying bassy analogue swagger into a towering stack of detuned synths blasting out the harmonic octaves. It's a technique that is well known, and for good reason, giving the approaching melody to shine without requiring too much embellishing, and in this instance it works perfectly to leave space for growth without assaulting the senses. The OG leans a little more towards gloomy rock, with hazy distorted guitars and echoing spoken-word accentuating the driven rhythmic foundation. The Prins Thomas rework kicks off the flipside, taking the swirling guitar riff from the original and weaving it through galloping bass octaves and rapidly decaying kicks. Snappy snares build up into a chaotic scattered dancefloor pre-drop before fading out once again into a swirl of cosmic detritus, taking us into the dub rework closer.  


Barry says: Another killer from Internasjonal, mixing cosmic swirls, off-kilter dancefloor hustle and psychedelic deep house. Superb.

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