“The pieces are developed from field recordings, improvisation and spontaneity.” Formed of tracks written from 2017 to 2019, Logue represents an artist not only in command of his form but also willing to develop and evolve, ready to deconstruct and radically refocus his music to explore new contours of experimental and ambient sound-design. Some of the earliest compositions found on Logue - 2017’s “Jinja Encounters”, for example - represent Joseph’s first trips outside his homeland and the experience of new sights and new climates, full of discovery and wonder. The synth line of 2018’s “Argon” pops and bubbles, mimicking bright African melodic vibrancy while a churning, static distortion threatens to breach the surface, revealing a sophisticated, measured understanding of texture and timbral interplay. “OT”, from late 2018, jumps with joyous calls and deftly panned arrhythmic percussion, a new subtlety of light and dark gained from experience and experimentation.
Consistent across the entire album is intensely personal and powerfully intuitive expression, crossing continental divides with a singular elegance. KMRU is a young, recently debuting musician. He has self-released on Bandcamp for the past few years, and 2020 saw his first official, international releases, including the scintillating Peel album for Editions Mego. Resident Advisor listed him in their 15 East African Artists You Need To Hear article in 2018. He appears regularly at the celebrated Nyege Nyege Festival in Uganda, and has also performed at CTM Festival and Gamma Festival. Injazero Records was formed by London / Istanbul-based music producer and journalist Siné Buyuka in 2015. It has to date released music by artists such as Heinali, Matt Emery, C. Diab and Hinako Omori.
4.A Meditation Of Listening *