Holy Hive released two full length albums and one EP in the short span of 3 years and then they decided to disband. In 2019, while recording their debut album world renown harpist Mary Lattimore was in NY. They got together in the studio on a whim and wound up recording their Harping EP in a few days.

They followed that up with their 2020 full length debut Float Back To You which became an instant cult classic and de­ned their unique “Folk Soul” sound. Frontman Paul Spring’s tender falsetto and maverick guitar playing over Homer Steinweiss’ incomparable drumming and production proved to be a match made in heaven and created a sound that piqued the ears and charmed the hearts of all those who heard it. By the time they started recording their sophomore album COVID, commitments, and life started taking their toll on the band.

Spring and Steinweiss took their sound and pushed it way forward on their eponymous 2nd album keeping the anchor of their sound they established while exploring where else they could take it. Unbeknownst to the public by the time that record was released the band was done and had moved on to other things individually. While fans will undoubtedly not like this news, we will all have the timeless music they made while together, and, proli­c they certainly were…

Big Crown Vaults Vol. 3 : Holy Hive digs into the treasure trove of unreleased recordings and pulls some that never saw their way to vinyl and in all honesty, this is not even half of what is in there. These recordings were made during their two album sessions largely, some were recorded before they even signed to Big Crown. The compilation kicks off with the tune that started it all on the label, their smashing cover of The Invincibles “This Is My Story” that was previously only on a 7”. “Love It Is Not Love”, “Middle Of The Night”, “Celeste”, and their cover of “Kingdom Of The Sun” all feature guest vocals by Shanny of The Shacks who had started playing bass with them at their live shows and sitting in on a lot of the recording sessions. “The Shame” features

Robin Pecknold of Fleet Foxes on bass and El Michels Affair on ‑ute, the latter also plays on “A Perfect Space”. At one point in time the would turn the live show over to Paul Spring who would perform the Irish folk tune “Red Is The Rose” in a traditional style with just him singing and playing acoustic guitar and then launch into their rendition of the song that is on Float Back To You.

That stripped down version is featured here on Vaults Vol. 3. The comp finishes poetically with “End Of Time” and it is unlikely that we will ever release the rest of what is sitting in the vault. On behalf of ourselves and all the fans we’d like to take this time to thank Holy Hive for the gorgeous music they made together. We will continue to enjoy it forever. Of course as individuals everyone involved from the core members to the people who lent their talents to certain songs continue to make music. Find them, follow them, enjoy their music.

TRACK LISTING

1. This Is My Story
2. Love It Is Not Love
3. Green Milk
4. Red Is The Rose (Folk Version)
5. The Shame
6. Swimmer
7. Celeste
8. Kingdom Of The Sun
9. Middle Of The Night
10. A Perfect Space
11. Driftless
12. End Of Time

Featuring musical contributions from Mary Lattimore, Robin Pecknold (Fleet Foxes), Anant Pradhan, Nick Movshon, Leon Michels (El Michels Affair), Shannon Wise (The Shacks), Dave Guy (The Roots), and Elliot Skinner.

In 2020 Brooklyn's Holy Hive introduced us all to something we didn't know we needed. Homer Steinweiss' thickly pocketed drumming paired with Paul Spring's ­oaty falsetto vocal produces a sound that's like a salve. It's been dubbed Folk Soul and Holy Hive not only expertly overlay the more apparent musical aspects of folk and soul but they also draw from the more profound: being able to pull traditions from the past and make them their own. When Homer wasn't playing drums for Lady Gaga or Adele or Bruno Mars, he'd produce Paul's solo folk records. Along with original bassist and frequent collaborator Joe Harrison, these sessions proved to be Holy Hive's foundation. And their ‑rst record, Float Back to You, expertly combined what each musician does best: Paul's heady, re­ective approach to folk with Homer's universal classic soul sound.

With their new record released on Big Crown, Holy Hive's beautifully simple-and-sparse Folk Soul sound is back but updated. With new in­uences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more re­ective.

The first single off of Holy Hive, "I Don't Envy Yesterdays," picks up right where Homer and Paul left off. The song weighs the question of time and the human condition a deeply thoughtful and typically tricky subject but in a light, almost easy-breezy way. Homer's drumming provides the song a space, a kind of breathing room. Written in the Yucca Valley desert before the world broke in 2020, it's no wonder Paul's voice drifts and darts on top of it all like a heat shimmer.

They describe three distinct phases when piecing together Holy Hive: this first stage was pre-pandemic in California while traveling as a group, then like the rest of us they were separated, creating together but apart, and lastly an explosion of output once they reunited in New York.

There is a natural but subtle evolution for Holy Hive on this record. Homer and Paul drew from new and maybe more obscure-yet-honest in­uences. It's still very much Folk Soul how could it not be. But, like all artists, they've taken in what they've made and how they've made it, only to push it into new places.

We know of Holy Hive's ability to lyrically convey the abstract and complex in poetic and palatable ways. But where the ‑rst record was soulfully silver-tongued with chill songs about love and affection, Holy Hive widens the lens with these novel in­uences, re­ecting the points both Homer and Paul are in their own lives. "We put the utmost importance on having lyrics that mean something to us," Homer explains. "A lot of the songs on the ‑rst record were fun, but could be kind of surface. On this record, we wanted to be more personal—we wanted to write more about life."

TRACK LISTING

SIDE A:
1. Color It Easy
2. Story Of My Life
3. Golden Crown
4. Aint That The Way
5. Runaways
6. Deadly Valentine
7. I Don’t Envy Yesterdays

SIDE B:
1. A Wind Rose
2. All I’d Be Is Where You Are
3. Great Chains
4. Cynthia’s Meditation
5. Brooklyn Ferry
6. Circling The Surface
7. Starless
8. Star Crossed