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HERBERT

Fabulous Lover

Remember The Future EP - Incl. Pete Herbert & Rayko Remixes

Adam Wise, you may know, is Fabulous Lover and this new record marks his first for Pete Herbert's Music for Swimming Pools. It's a mature mix of 80s-inspired Balearic electro-funk with a tropical twist straight from his Bali studio. This sun-soaked collection bridges sunset vibes and dancefloor energy with 'It's Lonely At The Top' a funky opener with a squelchy bassline and playful riffs. 'Elevate' douses you in 80s synth sounds that glow warm, and label head remixes into a more buoyant Balearic house beat. Elsewhere is the gentle swagger of 'Low Bounce' and lush synth disco buzz of 'Automatic.' Feel-good grooves, for sure.

TRACK LISTING

Side 1
1. "It's Lonely At The Top"
2. "Elevate"
3. "Crush On U"
4. "Elevate" (Pete Herbert Remix)

Side 2
1. "Automatic"
2. "Low Bounce"
3. "Low Bounce" (Rayko Space Clubber Remix)
4. "Automatic" (Instrumental)

Herbert & Momoko (Matthew Herbert & Momoko Gill)

Clay

    A soulful, elastic collaboration, 'Clay' treads nimbly between the dancefloor and the more introspective moods of the early hours, both reminiscent of Herbert’s iconic album 'Around The House' while taking off in a compelling new direction. Agile and open-hearted, 'Clay' is a thrilling, sonically adventurous record from two of the UK’s most forward-thinking artists.

    Orbiting around Herbert’s fleet-footed productions and the ingenuity of Momoko Gill’s dexterous, melodic writing, 'Clay' is at once stripped-back and rhythmically complex, drawing on a variety of found sources - from japanese kotos to basketballs - to give the sound an unmistakably organic feel.

    Bringing together original sampling techniques, live improvisation and lush, expansive arrangements, 'Clay' is lifted into higher realms by Momoko Gill’s intimate vocal performance, soaring wide-winged across the album’s eleven tracks, whether on the euphoric melancholia of ‘Mowing’ or the emotive duet ‘Heart’.

    Prefaced by lead singles ‘Babystar’, ‘Need to Run’ and ‘Someone Like You’, Clay follows the 2024 release of debut collaboration ‘Fallen’ and Momoko Gill’s remix of Matthew Herbert’s ‘The Horse Is Here’. And yet, although 'Clay' marks the first full-length release between Herbert and Gill, the duo’s shared passion for pushing sonic boundaries has played a crucial role in their respective careers to date.

    For Herbert that means treating the world as an instrument, making music using everything from the sounds of a bomb exploding in Libya, a horse skeleton, a tank driving over a meal made for Tony Blair, 20,000 dogs, 245 shops and countless other noises. His album 'ONE PIG' – which follows the lifecycle of a pig from birth to plate – remains one of the most ambitious and provocative pieces of electronic music this century, cementing his reputation as an utterly singular composer, artist and producer.

    Self-taught in drums and composition, Momoko Gill’s journey to 'Clay' has been similarly experimental – cutting her teeth in South London’s multi-disciplinary music scene, embracing new challenges andcollaborating with the likes of Coby Sey, Tirzah and Alabaster DePlume. Although drums and vocals are her mediums of choice, Gill’s multi-instrumental talents were on full show on 2024’s EP as 'An Alien Called Harmony' with poet/rapper Nadeem Din-Gabisi, and she continues to hone her style in the frictions between genres.

    With an intuitive feel for one another’s sound, 'Clay' is a meeting of musical minds that resonates far beyond the sum of its parts - a startlingly fresh, beautifully conceived record from two artists who sound like they’ve been playing together all their lives.

    STAFF COMMENTS

    Barry says: Funky, organic dance music that would be just as comfortable soundtracking the post-club meetup or bouncing heads in the mid-afternoon sunshine terrace. Falling somewhere between mellow house, Balearic and downbeat, the dream collaborative efforts of Herbert & Momoko will hopefully continue beyond this stunning electro-acoustic statement.

    TRACK LISTING

    1. Calm Water
    2. Need To Run
    3. Mowing
    4. More And More
    5. Heart
    6. Animals
    7. Fallen Again
    8. Babystar
    9. Show Me
    10. Someone Like You
    11. Circle Shore

    Herbert

    Musca Remixes (RSD23 EDITION)

      THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      Matthew Herbert presents remixes by Floating Points, Seven Davis Jr and Herbert himself as part of a special 12" vinyl RSD 2023 release. The remixes are of tracks from 2021's full length album Musca, an instinctive return to the ëdomestic houseí series that started back in 1998 with Around The House and the 2001's Bodily Functions.

      TRACK LISTING

      A1: Fantasy (Floating Points Remix)
      B1: Might As Well Be Magical (Seven Davis Jr. Multiverse Edit)
      B2: Fantasy (Herbert’s Greenery Dub)

      Matthew Herbert

      The Wonder OST

        1862, 13 years after the Great Famine. An English Nightingale Nurse Lib Wright (Florence Pugh) is called to the Irish Midlands by a devout community to conduct a 15-day examination over one of their own. Anna O’Donnell (Kíla Lord Cassidy) is an 11-year-old girl who claims not to have eaten for four months, surviving miraculously on “manna from heaven”. As Anna's health rapidly deteriorates, Lib is determined to unearth the truth, challenging the faith of a community that would prefer to stay believing. Matthew Herbert is an award-winning composer. His artistic works extend from celebrated albums (Bodily Functions, One Pig) to scores for Oscar winning films (A Fantastic Woman, The Cave), including music for theatre, TV, video games, books, Broadway shows and art installations. He has performed as a DJ, as a solo artist, in venues from the Sydney Opera House to the Hollywood Bowl. He has remixed iconic artists including Quincy Jones, Serge Gainsbourg and Ennio Morricone; and collaborated regularly with acts from Björk to Dizzee Rascal.

        TRACK LISTING

        1. Calling
        2. Bent
        3. Frustration
        4. Shame
        5. Bent Again
        6. Thaumotrope
        7. Booties
        8. Collapse
        9. Revelation
        10. Until She Dies
        11. Kiss Her Again
        12. Going To Live
        13. Fiesta (Burning Remix)
        14. Reunion
        15. Credits

        Nightports With Tom Herbert

        Nightports With Tom Herbert

          For fans of: Arthur Russell, Ben Frost, Murcof, Hildur Guðnadóttir.

          Nightports is based on a simple but unbreakable rule of restriction: only sounds produced by the featured musician can be used. Nothing else. These sounds can be transformed, distorted, translated, processed and reprocessed, stretched, cut, ordered and reordered without limitation.

          Nightports w/ Tom Herbert is the third in a series of albums from musician-producers Adam Martin and Mark Slater to be released on The Leaf Label, following 2018’s Nightports w/ Matthew Bourne and 2020’s Nightports w/ Betamax.

          Tom Herbert made his name as the bass player in Mercury Music Prize-nominated bands Polar Bear and The Invisible, and has become an in-demand collaborator and session musician, including work with Adele, Lana Del Ray and most recently The Smile. Having honed his craft holding the low-end down in some of the most forward-thinking British groups of recent times, and also appearing on some the biggest tracks of the last twenty years, Nightports w/ Tom Herbert brings Herbert’s command of the double bass into the spotlight.

          As with all of Nightports’ work, the album rewards close listening. They stay true to their manifesto in maintaining the essence of the original recordings. The processing never masks the organic source material,at times demonstrating the physicality of the instrument with detailed recordings of complete takes - the sound of the room, the creaking of strings and Herbert’s measured breathing. At other times they build more abstract, atmospheric layers from the parts.



          TRACK LISTING

          1. A1. Hibernal
          2. A2. Eye To Eye
          3. A3. Defeat
          4. A4. October
          5. A5. Inhabit
          6. B1. Arcs
          7. B2. Lumin
          8 B3. Hydrodynamica
          9. B4. Vacancy
          10. B5. Given

          Herbert

          The Shakes

          “The Shakes” is Matthew Herbert’s first album under the name Herbert since 2006’s dark orchestral disco fantasy ‘Scale’. The album deals with intensely personal issues such as raising young children against a backdrop of an increasingly unstable world. Herbert himself suggests that the record can be seen as a treatise on how “music helps to motivate, provide respite and divert us from the challenges of the everyday” and that it is “electronic music for the soul.”

          In many ways, 'The Shakes' is a sequel to Herbert’s much-lauded 'Bodily Functions' album and is the latest in a series of albums that stretches back nearly 20 years to his minimalist house classic '100lbs'. It follows a vinyl-heavy trio of underground releases last year (Part 6,7,8) and is Herbert’s attempt to “seduce the listener back to the dancefloor”.

          Musicians featured on The Shakes include Dave Okumu (The Invisible, Jessie Ware) on guitar, Sam Beste (Hejira, Amy Winehouse) on keyboards, organ, saxophonist Ben Castle (Quincy Jones, Radiohead), trombonist Alistair White (Van Morrison, Blur) and Chris Storr (Beyonce, James Brown) on trumpet. Vocalists on the album include Rahel Debebe-Dessalegne (Hejira, Nitin Sawhney) - who sings on 'Middle', 'Smart', 'Ones', 'Know', 'Silence' and 'Warm' - and Ade Omotayo (Kindness, Amy Winehouse) - who sings on 'Battle', 'Strong', 'Stop', 'Bed', 'Safety' and 'Peak' - and notable highlights include Herbert’s Grandfather’s piano and a piano from Wormwood Scrubs on 'Smart', the sounds of UK protest marches ('Strong') and the sound of used bullets and shells bought from eBay on 'Safety'. Most notable of all however is Father Wills, the vast church organ of St Jude’s church in Hampstead that provides the huge depth and scale on much of the album. Who’d have thought that the church organ and techno went so well together?


          TRACK LISTING

          1. Battle
          2. Middle
          3. Strong
          4. Smart
          5. Stop
          6. Ones
          7. Bed
          8. Know
          9. Safety
          10. Silence
          11. Warm
          12. Peak


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