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HELLO MARY

Hello Mary

Emita Ox

    Sophomore album from Hello Mary. Produced by Alex Farrar (Wednesday). On it, the New York City trio of Helena Straight, Stella Wave, and Mikaela Oppenheimer unleash their emotions through their alt-rock anthems like flaming weapons and wield them like proud trophies of their collective tenacity. Since forming in 2019, Hello Mary have ripped into prominence with their fuzzed-out anthems, establishing a darkly playful edge all their own. Possessing a sound that pushes harder into heavy distortion and psychedelic dreamscapes, Emita Ox sees Hello Mary building out their singular universe of gutsy, virtuosic alt-rock. The band co-produced the album alongside Alex Farrar (MJ Lenderman, Indigo De Souza, Wednesday, Snail Mail) in Asheville, NC.

    On Emita Ox, Hello Mary push harder into heavy distortion and psychedelic dreamscapes, as they build out their singular universe of gutsy strain of rock. The LP’s labyrinthine production reflects how the band’s musical tastes have expanded from Elliott Smith and Radiohead to encompass experimental post-rock acts like Black Midi and Swans.

    The members’ contributions to the songwriting and production bleed into each other, but the album is a showcase of their individual strengths: Straight’s ethereal vocal melodies and gritty guitar riffs, Wave’s emotive vocals and knotty drum patterns, and Oppenheimer’s diabolical basslines and experimentation with electronic production

    TRACK LISTING

    1. Float
    2. 0%
    3. Three
    4. Down My Life
    5. Knowing You
    6. Heavy Sleeper
    7. Footstep Misstep
    8. Courtesy
    9. Hiyeahi
    10. Bubble
    11. Everything We Do

    Hello Mary

    Hello Mary

      Hello Mary - which was produced by Bryce Goggin (Pavement /Luna) - references alternative rock of the nineties alongside Elliot Smith and Jeff Buckley as influences, heard most vividly on the album’s simmering closer “Burn it Out,” but their contemporaries are bands like Palberta, Spirit of the Beehive, and Palehound, artists who don’t shy from unusual time signatures, careening feedback, and unconventional harmonies, all for the sake of surprising a listener. The album’s “Looking Right Into the Sun,” a song most honestly described as “delightful,” is driven by a tight and dynamic rhythm section that gives way to Straight’s crystalline and confident falsetto. The debut album was written during a period of immense uncertainty. “We were battling things personally, the world was battling COVID,” Wave says. So there’s a darkness to it that isn’t apparent on first listen. Yet prioritizing sensation over narrative cohesion opens up the ability to make even the most lyrically devastating songs pleasurable.

      On the psychedelic “Spiral,” Straight and Wave harmonize to dazzling effect on the chorus, while Oppenheimer’s driving bassline tethers them to earth. “Is it a coincidence? You’re hanging out all night, while I’m on the other side,” they sing to an unknown other. “We’re singing about the paranoia that comes along with relationships, the sense of jealousy that feels like you’re on the outside of things,” Stella says. Relatability gives way to absurdity, too, an example of which arrives in the form of “Special Treat,” which opens with disarming harmonies that might recall a schoolyard taunt, or something more sinister, like the summoning of a coven. The earwormy “Rabbit” is, at its core, a straight ahead rock song that features one rock-star-esque guitar solo.

      TRACK LISTING

      1. Stinge
      2. Looking Right Into The Sun
      3. Rabbit
      4. Droopy Eyes
      5. Evicted
      6. Comfort
      7. Sink In
      8. Spiral
      9. Special Treat
      10. Burn It Out


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