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HEALTH

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A Picture Of Good Health

    Whereas the band’s debut album ‘Popular Music’ was broadly political, the new album takes a more personal approach with beguilingly honest and brave lyrics that are bold in both sound and feeling, whilst also retaining the core DNA of their previous material.

    Going on to speak about the album Mez says “A Picture of Good Health is not a collage of work but rather a snapshot of time; our time and the time of those around us. It’s political, but in a personal way. It’s a body of work that explores and examines the bands inner-selves through a precise period; a period that has brought pain, loneliness, blood, guts, single parenthood, depression and the need for survival and love. It is the sense and need for belonging that is the resounding endnote!”

    FORMAT INFORMATION

    Coloured LP Info: Indies exclusive orange vinyl.

    Grey Hairs

    Health & Social Care

      Having spent 2018 touring with Sleaford Mods, Hey Colossus and Brooklyn's SAVAK, Nottingham punk rock lifers Grey Hairs have announced their third album 'Health & Social Care' - a scorching reflection on balancing your creative impulses against the commitments of impending middle age. Their first output since 2016's 'Serious Business', released via Nottingham's esteemed Gringo Records, 'Health & Social Care' is an expansion of the band's sound that recalls elements of The Birthday Party, Laughing Hyenas, The Jesus Lizard or of a downer-fuelled B52s and what surf music sounds like coming from the most land-locked part of the country. In the video for new single 'Tory Nurse', directed by David Lilley, we're taken on a sloped and queasy trip through rural Derbyshire that sees the band tasked with delivering a body (later revealed to be a clown) to an undisclosed location. The fate of the clown is never revealed beyond disappearing into a hole in the ground, in a droll and absurd attempt to address the core ideas behind ‘Health & Social Care’ and the inevitable mystery of things to come. 2016’s 'Serious Business' saw a clear sharpening of the band’s focus.

      The clue was in the title. What started as an offshoot to the members’ proper bands reached that wonderful point where it becomes an entity all of its own and steers the ship as though an invisible 5th member. And that member was steering things in directions none of the others had ever anticipated. 'Health & Social Care' expands on this. Its rage is tight and deliberate and its themes more explicitly stated. This is not a bunch of guys mimicking their youth (or other people’s youth) and balancing their weekend anti-establishment anger with their job as a software developer, or vintage furniture dealer, or credit check specialist. If 'Health & Social Care' has a theme (and again the clue is in the title) it’s “how can someone be a public sector punk in 2019?”. Commendable though most political music is, it’s perhaps easier to articulate your rage at the system when you don’t spend over 40 hours a week working in it. But what if you do? What if your punk rock ethics extend to your occupation? This is a record about balancing your creative impulses with your life as you get older and the time to do either squeezes in on you. It’s a record about aesthetic punks, Dunning-Kruger syndrome in the Health service, extreme 360 degree cognitive dissonance and – most crucially – a confusion and inability to tackle these external problems because you’re so f*cked by your own personal ones

      FORMAT INFORMATION

      Coloured LP Info: Clear red vinyl.

      C Duncan’s highly anticipated third album sees the Scottish multi-instrumentalist ditch his bedroom studio and work with other producers, engineers and musicians for the first time. Packed with fresh ideas and buzzing with invention, ‘Health’ combines syncopated art-pop piano rhythms with breezy, undulating heartbreak ballads executed with acute precision. As always Duncan has contributed all the artwork surrounding the release, and the colourful and natural aesthetic is reflected in the instrumentation and lyrics.

      STAFF COMMENTS

      Barry says: Having long been a shop favourite, it was hard to imagine that C Duncan could have bettered their previous efforts, but 'Health' includes all of the melodically intricate and rhythmically interesting characteristics of their previous output, but coupled with a solemn maturity and wealth of influence no doubt gained from honing their craft in the intermittent years. Beautiful stuff.

      FORMAT INFORMATION

      Coloured LP Info: Indies exclusive green vinyl.

      Health

      Vol. 4: Slaves Of Fear

        In 2007, HEALTH walked into a windowless, sweat-stained venue in downtown Los Angeles to record its debut album.

        The band - then composed of singer/guitarist Jacob Duzsik, bassist John Famiglietti, drummer Benjamin Jared Miller and guitarist Jupiter Keyes - was locally renowned for its violent, fifteen-minute live sets. Its squalls of tribal drums, shredded guitar noise and eerily plaintive vocals sounded like nothing else in the city.

        At the time, that rank Skid Row venue known as The Smell was becoming arguably the most influential DIY venue in the world. The scene around it would launch the band to international acclaim.

        Crystal Castles remixed HEALTH’s single “Crimewave” on their own debut LP, becoming a breakout single for each act. (The group would continue that pattern on its lauded “HEALTH::DISCO” electronic remix series). Later that year, HEALTH opened for Nine Inch Nails on its “Lights in the Sky Tour,” refining its chaotic live set to command some of music’s biggest stages.

        In 2009, they released their second LP “GET COLOR,” a significant step up in fidelity and ambition. The heaving single “DIE SLOW” became an underground hit and remains one of the band’s signature tracks. DIY bills soon turned into festival slots at Pitchfork Fest, Primavera Sound and other marquee events. Their second remix compilation included the single “USA BOYS,” recorded with Trent Reznor and Alan Moulder.

        As they began a much-anticipated followup, however, an unexpected new project proved just as compelling. Rockstar Games, the creators of the “Grand Theft Auto” franchise (the most valuable media title in all of entertainment), approached them to score “Max Payne 3,” the latest installment of the noir action series.

        The 2012 game re-imagined the very concept of a video game score, looping electronic drones and pulsing percussion into a bleak modern shooter. HEALTH’s video game work, including the “Max Payne” single “TEARS” and “Grand Theft Auto V’s” original cut “High Pressure Dave,” won over a generation of young musicians and gamers alike, and continues to influence both worlds.

        In 2015, the band finally released “DEATH MAGIC,” its third LP, on the prestigious indie label Loma Vista Recordings. Years of work with producers Lars Stalfors (Lil Peep, St. Vincent), Andrew Dawson (Beyonce, Kanye West) and Haxan Cloak yielded the most precise and diverse album of their career, drawing on black metal, New Romance synth pop, beat music and industrial sounds alike.

        HEALTH, now a three-piece after Keyes’ departure, played prime slots at Coachella, earned a lengthy profile in The New Yorker magazine, performed alongside acts as varied as The Neighbourhood and Deafheaven and covered New Order’s “Blue Monday” for the Charlize Theron action film “Atomic Blonde.”


        Various Artists

        Not Good For Your Health: Punk Nuggets 1974-1982

          New punk compilation that features the era's definitive punk songs, including Blank Generation, Blitzkrieg Bop, and more!

          FORMAT INFORMATION

          2xColoured LP Info: 2LP 140g Coloured Vinyl.

          Health&Beauty are as proud as a dog in shoes to announce they have signed to Wichita Recordings, who will release their sixth full-length studio album, ‘No Scare’.

          Health&Beauty is the name under which Brian J Sulpizio has released music since 2003. The current lineup of the group has been playing together since 2012, featuring pianist Ben Boye (a constant collaborator since 2009, who also plays with Will Oldham, Angel Olsen and many others) and drummer Frank Rosaly (a regular collaborator with Peter Brotzmann and many other jazz and experimental music greats). This version of the group along with bassist Anton Hatwich, made up the band on Ryley Walker's ‘Primrose Green’.

          ‘No Scare’ is the most euphoric listening experience presented yet in the band’s catalogue, where darkness and light can't help but complement each other in the short comedy of the human experience.

          * First official vinyl re-issue in collaboration with original band members Charles Bullen and Charles Hayward
          * 24 bit/96 kHz re-master from original analog tapes
          * 180 gram wax housed in an expanded gatefold tip-on jacket
          * Includes booklet with track notes and archival photos

          "The Beatles of modern experimental music.” - Damon McMahon (Amen Dunes)


          With their self-titled debut, This Heat sowed the seeds of post-punk, avant rock, noise rock and post-rock. The album took the trio - Charles Bullen, Charles Hayward and Gareth Williams - two years to create, and placed them at the forefront of experimental music. The follow-up, the 20-minute Health and Efficiency, proved to be a less labored - and more conventional - record to make. Bridging the gap between the debut and their masterpiece, Deceit, the 1980 release found the band settling into a groove at their studio, Cold Storage.

          The eight-minute title track, remembers Charles Hayward, "was improvised pretty much fully-formed," and included the sound of the neighboring school's playground and the band rolling bottles around in the gallery space next to their studio. That’s where they found the maxi-single's sleeve too – Pete Cobb’s blue and white image was on display in the same gallery. As Charles Hayward notes: "Everything seemed to fall into place."

          On the B-side, the drone for “Graphic/Varispeed” came from the song "24 Track Loop" on the first album, albeit manipulated, slowed down and sped up. "In the process, we realized that we liked the morphing of the sound from one state to another as the vari-speed combed the sound across the equalization, like a microscope. So we recorded the process itself, which is what you hear here," says Hayward. The intention was for the single to be able to be played at 33, 45 or 78 RPM – which you're welcome to do with this reissue, too.

          Celebrating This Heat’s 40th anniversary in 2016, Modern Classics Recordings will re-issue the band's catalog - 1979’s This Heat, 1980’s Health and Efficiency, and 1981’s Deceit - with full co-operation of surviving members Charles Bullen and Charles Hayward. Four decades on, the tireless efforts of This Heat's process can once again be a revelation for new audiences.


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