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HANK

Hank

Twist Grip / Spiralic

    Rooted in London’s DIY scene and with a steady run of compelling singles and unpredictable live shows, Hank have gained a reputation for being “one of the best alternative acts in London right now” (So Young). On record, they slip between noise and melody, intimacy and dissonance, drawing comparisons to forebears like My Bloody Valentine, The Breeders and Beck, while their live performances only serve to elevate these contrasts. The past few years has seen formative performances at DIY parties and support slots alongside Been Stellar, Catcher, DEADLETTER, HighSchool, Mannequin Pussy, RIP Magic, Sorry, and Sunken, with this summer seeing them play their first headline shows across the UK as well as appearing at festivals including Left of the Dial and The Great Escape.

    Their debut EP 'Twist Grip' set the tone, produced by Jamie Neville (Mark William Lewis, PVA) and featuring guest spots from Asha Lorenz (Sorry) and Ben Romans-Hopcraft (Warmduscher), it earned quick attention with Still Listening Magazine naming it their EP of the Year for 2024. Their second EP ‘Spiralic' came just six months later; again working with Neville, it showed their first EP was no fluke. From the expansive opener “Stand On Yr Star” to the probing “Temp Fix” (featuring Lola’s longtime friend Theo Bleak), Spiralic explores vulnerability, memory and unease through a circular motif of resurfacing thoughts (hence the title).

    To close the year, both EPs are being released on vinyl for the first time, being collected as a mini-album as the third in the exciting series of Dinked’s exciting new ‘Early Doors’ series limited and exclusive pressings for the best new bands around. This special edition is also being expanded with second EP’s previously unheard title track “Spiralic” being added; a meditation on repetition, confrontation and escape which features both Sorry’s Asha Lorenz and Marco Pini (also RIP Magic, Slow Dance), the latter also designing the beautiful sleeve art that extends the record’s spiral theme into its physical form.

    TRACK LISTING

    Side A
    A1. Angel Says
    A2. Pull It Off
    A3. DYLM
    A4. RanThruBlue

    Side B
    B1. Stand On Yr Star
    B2. Temp Fix
    B3. Trusted
    B4. Dogstar
    B5. Spiralic

    Hank Mobley

    Mobley's Message - 2024 Reissue

      This is tenor saxophonist Hank Mobley’s first release on the Prestige label, after one previous Blue Note release. Here he is joined by Donald Byrd (trumpet), Barry Harris (piano), Doug Watkins (bass) and Art Taylor (drum) with a guest appearance from Jackie McLean (alto saxophone) on one track. As one might expected, the program is quite 'be boppy' with the band running through bop standards like Bud Powell « Bouncing with Bud », Monk’s « 52nd Street » and Parker’s « Au Privave ». Mobley’s supremely confident solos are highlights of these tracks and he swings through the rather plain arrangements of « Bouncing with Bud » and « Au Privave », with exceptional phrasing and melodic finesse, through Byrd’s and Harris’s solos as satisfying as well.

      TRACK LISTING

      Side A
      1.Bouncing With Bud
      2.52nd Street Theme
      3.Minor Disturbance

      Side B
      1.Au Privave
      2.Little Girl Blue
      3.Alternating Current

      Hank Jackson

      Untitled

      Hank Jackson has been behind some of the most inventive techno to have left NYC in recent years, releasing music on his compadre Anthony Naples label, Proibito and Mister Saturday Night. If you're after a twisted NYC take on classic Chain Reaction and Monolake, then this is strongly tipped. One dancefloor(ish) number complimented by two abstract, atmospheric numbers. "Gacx" is the lead track, and one that'll (probably) garner most dancefloor play. It's a swirling, fragmented piece of celestial techno that should pique the interest of Huerco S fans as it's side chained atmospheres are permeated by stuttered concentric beats. "Snake Pit" and "Oebbbbbb" see the producer delve into the circuits of his synthesizers, churning out some proper analogue phlegm and mainframe juices as he rips apart circuit boards and CV inputs with abandon. Proper ear-grabbing music by one of the new school. TIP!

      TRACK LISTING

      A1. Gacx
      B1. Snake Pit
      B2. Oebbbbbb

      Hank IV

      III

        I don’t care how many goddamn cute hobo bands there are out there right now. Not two runny shits. There’s something Hank IV knows that few other current “of interest” bands realize, and it’s a painfully simple thing: guitars were meant to sound like this, not that (pick something). That’s as plainly as it can be put. This is twin-guitar punk rock in a class of its own, driving more than dueling and hot-sauce-free. I’d say 'power with taste' but then I’d have to kill myself. I will say that III is Hank Baby’s third and finest album yet and they are, in short, a band whose every move is worthy of your utmost attention.

        'For this record (their second for Siltbreeze), Thee Hanks opted to spend zero dollars and buried themselves deep inside their very own Shill Building studio for a good, long while. Sightings became scarce. Promises of “work” being “done” were made but who really knew what was going on? To be fair, The Shill has its fair share of distractions. Imagine Plato’s Retreat, except like a basement in the Tenderloin. I think they only went outside for sandwiches from the East Coast West Deli on Polk Street, like that one time in the street when Bob McDonald told me about that Venom single he owns for the seventeenth time. Pffft… Bob, playboy, inventor (of “The Full Compliment”) and as powerful and confounding a front-man as you’re likely to find ambulating in today’s scene. Hawnk Quatre (as they’re called in France) is both an exercise and exorcism for this hardcore guy from Bum Kon all grown-up. “Anyway, the result of their self-imposed exile is this album bearing the aroma of fuck you coupled with a faint flutter of fuck me. It’s eight songs in 25 minutes of loud, angry, intelligent, rock ’n’ roll punk and it’s from San Francisco. Beyond that, the rhythms actually have a rhythm—a loud, all-rock rhythm, in fact. It’s shocking and practically akin to reinventing the wheel ’round these un-rocking parts. Great—and now the world’ll probably explode. Do I gotta pick a cut to exalt? “Down in the Dumps” springs forth. Hopefully the punks follow suit. Portfolio played it for me when I visited and he just sat back, smiling. I was too. It was creepy.” —Mitch Cardwell “Hank IV plays desperate man-style punk in the vein of Minute to Prayera Flesheaters. Throw in some of the sociopathic scorch of The Pagans and touches of earlier Siltbreeze satellites like Thomas Jefferson Slave Apartments and you got a great pro-rock primitive, one that combines accelerated jams with gut-busting vocals and the kinda furious delivery that makes it sound totally non-contemporary'. —Volcanic Tongue.


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