Tenor saxophonist and flutist Hadley Caliman was a key figure in the West Coast late 60s underground scene, whose versatile style made him a first-call collaborator across genres. A fixture of the San Francisco music scene, Caliman’s rich tone and musical creativity saw him crossing over into the city's lively jazz and psychedelic rock circles, contributing to recordings by Gerald Wilson, Mongo Santamaria, Santana, and the Grateful Dead. By 1971, he had established himself as a prominent member of this creative community, which led to his signing with Bob Shad’s Mainstream Records.
Following his 1971 self-titled debut, Caliman returned to the studio later that year to record 'Iapetus'. The session featured a heavyweight lineup of fellow West Coast fixtures, including trumpeter Luis Gasca, bassist James Leary, and a powerhouse percussion section of Woody “Sonship” Theus, Victor Pantoja, and Hungria Garcia. The album’s sophisticated modal structures were captured by pianist and composer Todd Cochran (aka Bayeté). A visionary in his own right, Cochran was concurrently establishing his own legacy on Prestige Records with two acclaimed albums, including 'Worlds Around the Sun' (1972), (featuring both Caliman and Leary), later sampled by De La Soul and Kendrick Lamar. Cochran went on to collaborate with Julian Priester on his landmark Love Love album on ECM, as well as working with Mtume, Peter Gabriel, Herbie Hancock, and Aretha Franklin.
The 'Iapetus' sessions are Fender Rhodes-heavy, with Cochran’s electric keys providing a shimmering, cosmic foundation for Caliman's inspired explorations. From the driving modal intensity of the title track to the spiritual 'Quadrivium', featuring Caliman’s superb flute work, via the funky 'Watercress', the album's profile has steadily grown over the decades, attracting an ever-increasing following among '70s jazz lovers and deep-catalog diggers. Reflecting on the group's creative telepathy in the new liner notes, Cochran writes: "We were a circle of friends, and the music was our shared language—a way to translate the high-velocity energy of San Francisco into something timeless."
This first-ever vinyl reissue of Iapetus in over fifty years has been newly remastered for the occasion. Having become increasingly rare and pricey on the collector's market over the years, this long-overlooked spiritual jazz gem is set to ravish fans of deep '70s jazz around the world.
TRACK LISTING
1. Watercress
2. Ambivalence
3. Dee's Glee
4. Iapetus
5. Quadrivium
6. Green Eyes