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GORDI

Gordi

Our Two Skins

    Losing someone close to you creates an almost phantom limb-like effect. Often, it feels like they’re a phone call away. But that instant between when you reach for the phone and when your brain delivers the new reality to you is a strange, momentary eternity. It’s both an uncompromising void and maybe as close as you’ll ever come to communing with that loved one again. On her new song “Sandwiches,” Gordi harnesses all the sadness and glory of this feeling into a soaring, post-new wave anthem. One of the first true Gordi “guitar songs,” it shimmers with the lush-yet-fragile momentum of The Cranberries’ classic “Dreams.” Gordi wrote “Sandwiches” as a tribute to the matriarch of her family. Her late grandmother was, in Gordi’s words, “a great feeder of people.”

    So when she fell ill, Gordi and her mother took it upon themselves to nourish the visitors gathered around her hospital bed. As they passed around sandwiches, “someone called out that she was gone.” The gravity of the moment was poignant for its softness and mundanity. Gordi approaches the totality of a loved one’s life as measured in the small memories that stay with us. She sings, “When I think of you a movie-reel of moments plays / We’ll be in the car or after mass on Saturdays / You’ll be walking down the driveway, you’ll be in your chair / You’ll say ‘See you round’ or ‘Say your “Three”’ / And now you’re everywhere.” Gordi called on long-time collaborators and Bon Iver production duo Chris Messina and Zach Hanson to make “Sandwiches” at her family home in Canowindra, Australia — an old cottage littered with some of Sophie’s favorite pieces of musical arsenal combined with some flown in from Eau Claire, Wisconsin. The tiny farm town where her family has lived for over a century, Canowindra, and the heart of the matriarch, is embedded in this song. “Her whole life was in Canowindra…we made it in a house that’s a hundred meters from her house.”

    TRACK LISTING

    SIDE A:

    1. Aeroplane Bathroom
    2. Unready
    3. Sandwiches (Alfalfa Mix)
    4. Volcanic
    5. Radiator

    SIDE B:

    6. Extraordinary Life
    7. Hate The World
    8. Looks Like You
    9. Limits
    10. Free Association

    Gordi

    Reservoir

      On the farm in rural Australia where 24-year-old Sophie Payten - AKA Gordi - grew up, there’s a paddock that leads down to a river. A few hundred meters away sits another house, which belongs to her 93-year-old grandmother. The rest, she says, “is just beautiful space. And what else would you fill it with if not music?” And so she did, first tinkling away on an out-of-tune piano and then on the acoustic guitar she got for her 12th birthday.

      Gordi’s first foray into songwriting came in the form of performances at her school’s weekly chapel. There the chrysalis of the music she’s making now - a brooding, multi-layered blend of electronica and folk, with lyrics that tend to avoid well-trodden paths - began to form. “I often find that writing about platonic relationships,” she says, “can be a great deal more powerful than writing about romantic ones.”

      ‘Heaven I Know’, from Gordi’s debut album ‘Reservoir’, is an example of just that. With the breathy chant of ‘123’ chugging along beneath the song’s sparse melody and melancholic piano chords, ‘Heaven I Know’ gazes at the embers of a fading friendship.

      The ramifications of loss ripple throughout ‘Reservoir’, which she wrote and recorded in Wisconsin, Reykjavik, Los Angeles and Sydney. Gordi produced two of the tracks herself (‘Heaven I Know’ and ‘I’m Done’) and co-produced the rest.

      When it comes down to it, the running thread of the album is its lyrics. “Music is kind of what encases this story that you’re trying to tell,” says Gordi. Her stories are stark, honest and soul-searching. Like ‘the trifecta’ of Billy Joel, Carole King and James Taylor that soundtracked her upbringing, she’s unafraid to sit in contemplative melancholy - a place she calls, fittingly, “the reservoir.”

      TRACK LISTING

      1 Long Way
      2 All The Light We Cannot See
      3 On My Side
      4 Bitter End
      5 Heaven I Know
      6 I'm Done (feat. S. Carey)
      7 Myriad
      8 Aeon
      9 Can We Work It Out
      10 Better Than Then, Closer To Now
      11 Something Like This

      Gordi

      Clever Disguise

        There are few young songwriters the calibre of Sophie Payten. At 22 years of age, Gordi distils a broad spectrum of emotional experience into captivating, spine-tingling musical gems - a worldly vocal punctuated by wonderful arrangements.

        Gordi’s musical instincts began on the piano at an early age by virtue of her music teacher mother. Like so many of her musical heroes, she was later drawn to the earthiness of the steel string - a useful piece of armoury to have growing up on a farming property in Canowindra in rural New South Wales, Australia.

        However, the craft in her songwriting is found partly in the emotional spectrum that her tracks span. From wistful aching to spirited celebration, her lyrical journeys take us places in our memories and imaginations that belie her 22 years.

        The candour in Gordi’s songs is matched by a vocal tone that is at once fractured and brimming with richness. Combining vintage vocal layering and earthy guitar textures with delicate modern electronic production, Gordi’s sonic palette is one she can call her own.


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