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Gnod

Hexen Valley

    Birthed in the bohemian enclave and epicentre of strange vibrations that is Calderdale in West Yorkshire, Hexen Valley’s story began in summer 2021 when a new formation of Gnod came together in a co-op house at the 200-year-old Nutclough Tavern. As always, the line-up of the collective shifted and morphed to fit circumstances, and soon they embarked on intensive jamming that was eventually captured by Sam Greenwood in Hebden Bridge Underground studios.

    Inspiration struck not only from the chemistry of the four musicians in this confined room but all around - the band’s Paddy Shine cites the likes of shop noticeboard messages and pub conversations in Hebden as lyrical sparks; channeling by his reckoning the ‘valley fever’ that exists somewhere in the chasms and contrasts between the amazing light and vivacity of the valley summit and the comparative darkness of the towns below.

    Meanwhile, musical shapes were making themselves known seemingly of their own volition, from ‘Still Running’, which takes shape across a sonic hinterland between Daydream Nation-style kineticism and sludged-out aggression to ‘Bad Apple’ - an entirely spontaneous piece of potent and angular post-punk intensity. Perhaps most surprisingly of all, Lou Reed’s tour-bus favourite ‘Waves Of Fear’ is hammered out with fearsome gusto into a salvo of first-take catharsis and alchemy, fit to transcend all or any oppressive atmospheres that surround.Hexen Valley is the sound of a band whose fearsome intensity is only matched by their evolutionary drive.

    It’s Gnod at full power, and it’s a haunted place you might struggle to leave

    TRACK LISTING

    1. Bad Apple
    2. Spotlight
    3. Skies Are Red
    4. Antidepressants
    5. Still Runnin’
    6. Waves Of Fear

    Gnod

    La Mort Du Sens

      If one overarching feeling has dominated the last two years on this orbiting rock, it’s uncertainty. A sense of an old order in ruins, and nothing lined up to replace it. With societal strife, psychic warfare and sheer boredom assaulting us from all fronts in this still-fresh decade, co-ordinates have been hard to place forging a path forward. Therefore, who better to turn to as a soundtrack for this tumultuous new era than Gnod - longtime chroniclers of discord.

      “The Death Of Meaning” is the translated rendering of the new Gnod album’s title, and this also reflects its creation. As Paddy Shine of Gnod notes: “I think the title sums it up well because this album was coming together at a time when confusion was king for us all - still is. I think we can all relate to that. This record is a really strange beast because of the big change that happened between mixing and recording. I think the title really does sum up the vibe of ‘What the Fuck’? Maybe we should have called it that!”

      Wielding the taut, stripped-down and bludgeoning sound that had evolved on 2017’s ‘Just Say No The Psycho Right-Wing Capitalist Fascist Industrial Death Machine’ and 2018’s Chapel Perilous, Gnod initially recorded the tracks for ‘La Mort Du Sens’ with key soundman and collaborator Raikes Parade in ‘an old mill in Manchester’ around the Christmas period of 2019. “It’s the first album in a while where we kept it in-house and DIY, and we wanted it to be as ferocious as our live sets have become” says Paddy, “We banged it all down live - two drummers and a load of cabs in a room pushing each other forward”

      Nonetheless, the arrival of the pandemic in early 2020 took the record on another course, adding to a turbulent and cathartic vitality that electrifies the likes of the caustic Melvins-in-hell assault of ‘Pink Champagne Blues’, the uncompromising percussive battering ram of the twelve-minute ‘Giro Day’ and the post-punk angularity of ‘The Whip And The Tongue’ with a fearsome elemental charge. “The world changed two months later so we were mixing this old world record in the new world and a lot of the vox got laid down during lockdown” reflects Paddy. “‘Pink Champagne Blues’ is a burst of total nihilist abandon and the lyrics wrote themselves in the midst of a dark wintry night of the soul”

      Masters of an approach which manages to be both unmistakable and unpredictable. Gnod are now well established as prophets of the dispossessed. ‘La Mort Du Sens’ is no less than another relentlessly invigorating stop-off on their wild ride to who knows where. “It’s all about the energy” reckons Paddy. “We never really know what’s coming next. It just organically shifts around, and I think we are getting better at not analysing where it’s going and just going with the flow”

      “Got No Obvious Destination, innit”.

      STAFF COMMENTS

      Barry says: One of the most unstoppable forces in music is back with the incendiary genius of 'La Mort..' Unsurprisingly, utterly essential.

      TRACK LISTING

      01. Regimental
      02. Pink Champagne Blues
      03. The Whip And The Tongue
      04. Town
      05. Giro Day

      Gnod

      Easy To Build, Hard To Destroy

        We just wanted to jam really and see what happened” reasons Paddy Shine of GNOD fourteen years on from their inception in Salford. “That led us down the road of constructing a vibe or an atmosphere for playing live. We played a lot of squats, house gigs and parties in the early days. We lived in each others pockets - shared ideas, books, films etc. We just got on one. Some heads came along for the ride. Good times.” This momentum gathered quickly into a band with formidable psychic power, captured in style on Easy To Build, Hard To Destroy - a compilation of tricky-to-find, obscure and unreleased material from the heady early days of the band, all released on vinyl for the first time. It’s the sound of an uncompromising devotion to rapture through noise and repetition, a portrait of a band whose anarchic approach and raw intensity any other outfit would be frankly terrified to follow onstage. Captured in the hypnotic rhythmic drive and intimidating atmospheres of tracks like ‘They Live’ and ‘Inner Z’ (both only previously available on Myspace) is a mantric energy which take a jumping-off point from the Krautrock, Japanese rock and underground American psychedelia the band were hammering at the time, as well as the droogy nihilism of The Stooges debut. Yet these feral experiments reach far beyond into a headspace that acknowledges no boundaries, rock orthodoxy or genre constriction. “We’re always searching for new music, new thoughts, new experiences” says founder member Chris Haslam, “That drove us a lot in the early days, and still does” A full decade, countless enlightened minds and scores of ruptured speaker cones later, the GNOD journey continues unabated - onward to fresh creation and new annihilation.

        STAFF COMMENTS

        Barry says: Aaah, Gnod. I honestly love everything they've ever done, and this gives a perfect insight into the genesis of their own particular brand of narcotic psychedelia. Lysergic grooves, crushing sludge and cacophonous noise all play a part here, as perfectly balanced back then as it is today. Absolutely essential.

        TRACK LISTING

        01. Elka
        02. Inner Z
        03. They Live
        04. 5th Sun (Chaudelande Version)
        05. A Very Special Request
        06. Deadbeatdisco!!! Part 1
        07. Deadbeatdisco!!! Part 2
        08. Frostbitten 


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