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FUZZ

King Gizzard And The Lizard Wizard

Live At Red Rocks (Fuzz Club Official Bootleg)

    Fuzz Club's King Gizzard And The Lizard Wizard 'Live At Red Rocks' box set is a heavy-duty, 15 LP monster. Recorded over three nights of the Aussie psych-rock polymaths raining down on the Red Rocks Amphitheatre in Morrison, CO, USA, this bootleg captures nearly nine hours worth of live Gizz spread across 86 tracks and 30 sides of vinyl. Live At Red Rocks was recorded live Oct 10, Oct 11 and Nov 2 2022, mixed by the band's Stu Mackenzie and remastered for vinyl by James Plotkin exclusively for this edition.

    Each of the three nights comes in its own 5LP slipcase, all housed together in one giant slipcase alongside a 60-page hardcover book with exclusive Red Rocks live photos by Cidney Bundon.

    All 15 LPs come on 180g coloured vinyl (with a unique colour configuration for each night) in their own heavy card jacket with 3mm spine and a black poly-lined inner sleeve. The artwork for each jacket works as a puzzle and forms one giant artwork. Features collage album art and design by Elzo Durt with original elements by Virgil Finlay. Large fold-out poster included. The box-set is packaged in a bespoke foam-lined box to protect it during shipping.


    Night Beats

    Night Beats - 2024 Reissue

      Danny Lee Blackwell's Night Beats released their self-titled debut album back in 2011 and 2024 sees a long-overdue vinyl reissue hit the racks courtesy of UK label Fuzz Club. An acid drenched modern garage-rock classic in the Texan thirteenth-floor tradition, the band’s R&B-inspired Western Psychedelic sound on this 12-track set is a reckoning, a shoot-out at dawn, the ear-splitting peel-out that leaves nothing but a cloud of red dust in its wake. Following early releases in the shape of the 'H-Bomb' 45 and a split 10" with UFO Club (a collaborative project between Blackwell and The Black Angels' Christian Bland), the 'Night Beats' LP was the first full-length introduction to the band and propelled them to the forefront of burgeoning contemporary psych scene in a blaze of scuzzy rock'n'roll release. Heavy touring immediately ensued and hasn't let up in the years that followed, and the definitive Night Beats hit 'Puppet On A String' has since clocked up millions of streams and become the soundtrack to an underground, fuzz-worshipping generation.

      TRACK LISTING

      1. Puppet On A String
      2. Ain't Dumbo
      3. Dial 666
      4. The Other Side
      5. Useless Game
      6. Dewayne's Drone
      7. Hallucinojenny
      8. Ain't A Ghost
      9. Meet Mr. Fork
      10. War Games
      11. High Noon Blues
      12. Little War In The Midwest

      The Black Delta Movement

      In Acetate (RSD24 EDITION)

        THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

        IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.



        The Men

        Manhattan Fire (RSD24 EDITION)

          THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

          IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.



          The Telescopes

          Growing Eyes Becoming String Remixes (RSD24 EDITION)

            THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

            IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.






            Various Artists

            Nashville Goes Fuzz (RSD24 EDITION)

              THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

              IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.


              MELTS

              Field Theory

                'Field Theory' is the second studio album from Dublin four-piece MELTS, due for release April 12th 2024 on Fuzz Club. Recorded live to tape at Black Mountain Studios in Summer 2023 and produced by Gilla Band's Daniel Fox, it's a collection of turbulent electronic psych-rock shaped by bulldozing motorik synth lines, densely layered guitars, primal percussion and the cavernous vocals of frontman Eoin Kenny. While their highly-praised 2022 debut ‘Maelstrom’ dealt with forces on a larger scale affecting a whole city, ‘Field Theory’ explores connections on a smaller, interpersonal scale.

                The title takes the scientific term ‘Field Theory’, which describes how forces interact and influence particles around them, and applies it to the interactions between people, to the space between all of us, how people interact and affect others around them. Expanding on the album’s themes, MELTS write: “Like gravity we are drawn to and miss people and like light waves we love people and are loved. We live in orbits of each other, drawn by unseen forces. The album explores these forces, how we relate to each other, the people we live with and the people we live without. At the heart of Field Theory lies the realisation that we inhabit each other's worlds as much as our own, through a field of wide-ranging forces, as important as the ones keeping the planets in place.”

                TRACK LISTING

                1. Figment
                2. Waves Of Wonder
                3. Clouded
                4. WLDNG
                5. Shelter Of The Shade
                6. Main Sequence
                7. Altered
                8. The Never
                9. Softly Breathes

                Maquina

                Prata

                  Drawing from minimal krautrock repetition, pounding industrial techno and EBM, Lisbon trio MAQUINA. (‘Machine’) explore the boundaries of these genres with force on their second album ‘PRATA’ (‘Silver’), due out April 5th 2024 on Fuzz Club. Across the album’s six tracks, they carve out an adrenaline-fuelled sound that's equally suited to dark, sweaty back rooms and the dance floor. Though MAQUINA.’s sound might have the club in its sights – ‘PRATA’ follows their aptly-titled 2023 EP ‘DIRTY TRACKS FOR CLUBBING’ – this is an organic dance music that’s equally punk and psychedelic, played by a guitar-drums-bass power trio formation firing on all cylinders, without a synthesiser in sight. Instead, the MAQUINA. M.O. is relentless machine-like drums and primal vocal outbursts (Halison), scuzzy floor-shaking bass riffs (Tomás) and piercing guitar noise and FX (João). Having already amassed a notorious reputation in Portugal for the all-out energy of their live shows, it’s no mean feat to replicate that in the studio but on ‘PRATA’ they have managed exactly that – owing to a creative approach largely rooted in improvisation, both on stage and in the studio. Describing ‘PRATA’, recorded and co-produced by Carlos de Jesus (Sunflowers) at Arda Recorders, they write: “This album was composed spontaneously in the studio throughout the year 2023. It's music of colour, delving into depths and dimensions that resonate with scale and contrast. Pushing sounds together to make noise and pushing noise together to make sounds. Emphasising textures that evoke feelings and soundscapes rather than relying solely on textual narratives. The music breathes life into auditory canvases, painting sonic panoramas pushing into a world of tactile sensation and immersive experiences.”

                  TRACK LISTING

                  1. Kontakte
                  2. Body Control
                  3. Desterro
                  4. Denial
                  5. Subversive
                  6. Concentrate

                  The Jesus And Mary Chain

                  Glasgow Eyes

                    Marking 40 years of The Jesus And Mary Chain, ‘Glasgow Eyes’ was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s ‘Damage and Joy’, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.

                    Jim Reid says, “But don’t expect ‘the Mary Chain goes jazz.’ People should expect a Jesus and Mary Chain record, and that’s certainly what ‘Glasgow Eyes’ is. Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes. And there’s a telepathy there - we are those weird not-quite twins that finish each other’s sentences.” ‘Glasgow Eyes’ not only extends The Jesus and Mary Chain's story, but feels simultaneously like a return to roots. From the incendiary ‘Psychocandy’ debut and its classic ‘Just Like Honey’ onwards, the Reid brothers steadily became the misfits who made good without compromise.

                    STAFF COMMENTS

                    Andy says: A gentle tweak of the template brings electronic bleeps and keys to that trademark Mary Chain sound. Hear the new track and you'll be left in no doubt. JAMC Forever!!

                    TRACK LISTING

                    1. Venal Joy
                    2. American Born
                    3. Mediterranean X Film
                    4. Jamcod
                    5. Discotheque
                    6. Pure Poor
                    7. The Eagles And The Beatles
                    8. Silver Strings
                    9. Chemical Animal
                    10. Second Of June 1
                    1. Girl 71
                    12. Hey Lou Reid

                    The Exorzist III

                    Gospel Jamming Vol 1

                      I won’t revamp the credentials of guitarist Drew St Ivany (Laddio Bolocko / Psychic Paramount) here but you do need to know that he is 1/3 of The Exorzist III. If you are familiar with either of those mentioned bands (and if you are not please quickly give yourself a history lesson/catch up), the maxed energy attack they have created on ‘Gospel Jamming vol. 1’ will be aural bliss to you as it rips and explodes from the opening track ‘Jabber’. Throughout a musclebound throbbing bassline takes the lead role and anchors these hypnotic heady jams, as a vortex of pulsating guitars and driving grooves propelled by drummer Nick Ferrante that are tight and locked in (and The Exorcitz III GROOVE), it's disorientating and punishing but at the same time blissful.

                      The music created is single-minded, it exists at higher elevations of decibel, intensity, motion and spills freely over the walls of genre, lost in the joy of the classic combination of excess volume and repetition with crushing levels of heaviness all enveloped in a white noise fury. Like Glenn Branco’s wall of guitars, the shamanic cacophony of The Boredoms, psych-melters Comets On Fire and so much in between - It is punk in its fury, noise in its rash extremity, and psychedelic in form.

                      For anyone that likes to get lost in sound be forewarned: this is one of those 'peak experience' brain-melters, just light a match and see it combust spectacularly.

                      Firefriend

                      RCKNRLL

                        ‘São Paulo is one of the largest, filthiest, and most violent cities of the world. And this is the music we make here’. Captured live at the No. 74 in São Paulo – brace yourself for a one way trip to the heart of darkness. RCKNRLL is an transcendental psychedelic sonic assault, a lightning storm of guitar haze and drugged-out wailing. Mainlining an elegantly wasted take on two-chord avant garage rock that makes direct reference to Plastic Inevitable era Velvet Underground, where Yury Hermuche devotional fuzz layerd on top of Julie and Caca primal throbbing rythm - you will feel the effect as time and space start creasing and folding in at the edges. The overall music created at this venue on this night is so intense and claustrophobic that, at times it will pin you back into your seat – such is the physicality of Firefriends music. This is not just another live album - this is a mission statement. With a taste for hallucinogens and the drone RCKNRLL is completely unyielding, it offers no concessions to listeners, demanding they embrace the distortion - . Do yourself a favour. Turn the music on, the lights off, and let yourself go. RCKNRLL, FUZZ, FEED YOUR HEAD

                        Firefriend

                        Decreation Facts

                          Cardinal Fuzz and Little Cloud Records bring to you the new LP from a band we hold dear, Firefriend – ‘Decreation Facts’ – From São Paulo in Brazil and now close to two decades of creating and honing what has become their trademark, a heavy reverb, minimalistic slow-burn menace which sends chills down your bones. If you don't know Firefriend from somewhere along the last decade, you must cut a safe course through music. ‘Decreation’ is the undoing of creation, something destructive and primal and that Firefriend carry through on all the twelve songs written for this LP. Yury explained that the album "is a commentary on our 21st century, so violent and radical. We live in times of accelerated transformation. We wrote and recorded this album between the pandemic and WW3 – times of ground-breaking changes – and somehow that uneasy feeling got into our songs. Reality is the most crazy trip, isn it? And we are always trying to explore new territories: we want a new album to take you to new places, so we were chasing the sounds, structures and moods to make this a truly new album to match this wild new world’ ‘Decreation Facts’ is all this as they simply inject you with a liquid paranoia for their dark conjuring’s that is hugely dark and foreboding – Julia and Yury’s uber cool stoned and detached delivery creates a seriously dark menace with Julia’s delivery having echoes of Nico – all the while THAT claustrophobic reverb and tremolo encloses and swirls around the inside of your head and vibrates your inner core. This is HEAVY shit. Decreation Facts’ is an unsettling sonic fuck you to those that seek to destroy this planet for their love of money and power and we think it is a stunning achievement. As Terence McKenna might once have said – ‘Firefriend should be consumed alone, in the dark, in silence, with your eyes closed’. Firefriend advises, “Express yourself through any method you want. That is how you become a transmitter, generating waves that will open connections with others vibrating on the same frequencies. That energy field will change the game.” Now that is a truly psychedelic perspective if there ever was one. RCKNRLL, FUZZ, FEED YOUR HEAD

                          The Telescopes

                          Growing Eyes Becoming String

                            ‘Growing Eyes Becoming String’ is the sixteenth studio album from British noise-rock pioneers The Telescopes. Originally recorded over two sessions back in 2013 – one over a harsh Berlin winter in the Brian Jonestown Massacre studio with Fabien Leseure, and a second back in Leeds with early Telescopes producer Richard Formby – it’s a lost treasure that nearly never was. Succumbing to a hard-drive crash nearly a decade ago, the sessions were presumed lost and soon forgotten, until now. Miraculously rescued from the digital ether and finished by founding member Stephen Lawrie in his own studio over the pandemic, the album is now finally set for release via Fuzz Club and reveals another side to where The Telescopes were at in 2013.

                            Where their physical output at the time mostly consisted of experimental noise improvisations, so far removed from any obvious structure, ‘Growing Eyes Becoming String’ shows how The Telescopes – Lawrie backed by London experimental unit One Unique Signal – were actually creating more song-based music in a parallel existence. Across its seven tracks are all the trademarks of quality that longtime fans associate with The Telescopes’ music. Solid songs, melody, harmony, noise, dissonance, improvisation, experimentation and an all-embracing journey beyond the realm of natural vision.

                            “The objective with both sessions was to go in blind and be entirely in the moment”, Lawrie recalls: “There were no preconceived ideas, everything was written as it went along. Much like our drive to Berlin, through an intense blizzard with almost zero visibility, we were relying on the heightened instinct of being entirely in the now.” The result is another masterfully hypnotic set that matches its more melodic spaced-out moments against heavy drone-rock blow-outs: “Loaded with guitars, noise and melody, swirling around pounding repetition, this is a more vocal document of where The Telescopes head was at during that time.”

                            STAFF COMMENTS

                            Barry says: Deep, fuzzy psychedelic wig-outs and stark minimal drum / bass drones sit behind the stoned drawl of Telescopes' Stephen Lawrie. It's a hefty chunk of lysergic noodles and third-eye opening walls of sound, finely crafted and palpably authentic.

                            TRACK LISTING

                            Vanishing Lines
                            (In The) Hidden Fields
                            Dead Head Lights
                            We Carry Along
                            Get Out Of Me
                            What You Love
                            There Is No Shore

                            Helicon

                            Live In London

                              Recorded at a packed-out Paper Dress Vintage in London, it's a discography-spanning set that sees the band storm through tracks from their highly-praised 2023 album 'God Intentions' (which they were touring in support of at the time), as well as 2020's 'This Can Only Lead To Chaos' and their 2017 self-titled debut. Talking about the album, vocalist/guitarist John-Paul Hughes recalls: "We played a sold-out Paper Dress Vintage in Hackney, London, on Sunday 30th July 2023, as the last date on our summer UK tour. Helicon is a band built on live performance and musicianship, not fancy studio production tricks. We recorded our Fuzz Club Live Session back in 2020 but to capture the power and energy of a Helicon live show in front of an audience is a buzz. This setlist has songs from all 3 studio albums released on Fuzz Club, so it's a nice way to tie that period of work together."

                              TRACK LISTING

                              1) Dark Matter (Live)
                              2) Flume (Live)
                              3) Heliconia (Live)
                              4) Zen Roller (Live)
                              5) Devil On Your Tongue (Live)
                              6) Permo (Live)
                              7) What You Love Will Kill You
                              8) Seraph (Live)
                              9) Tae The Moon (Live)

                              Bhajan Boy

                              Shanti Shanti Shanti

                                Ajay Saggar is BHAJAN BHOY. Since his debut album was released in June 2020 (“Bless Bless”) he has been receiving critical acclaim for his recorded output and his live shows. His second album “Shanti Shanti Shanti” was initially released on a limited edition cassette in November 2022 on his own Wormer Bros. Records. However, when respected label honchos at Cardinal Fuzz (UK) and Feeding Tube Records (USA) heard it, they insisted that this mighty album deserved a vinyl release. This album is part of a triptych. The other two albums in this series (“To Love Is To Love Vols.1+2”) were released in March 2023 to universal acclaim, with publications such as Mojo and Uncut and the Wire heaping praise on the two albums. "Another fine release by Dutch musician Ajay Saggar. His basic thrust is modern psychedelia, minted from radio snippets, dubby reverb flapping, elegant guitar washing, electronic drones interwoven with flashes of mock jaw harp or sploshy drums, and a generally stoned atmosphere. And the concept is spectrally sound!" (Byron Coley / the Wire magazine...January 2023) The songs on this album are varied stylistically. Combining psych, drones, minimalism, free jazz, electronic music and dub in this work, this is another album's worth of musical joy and wonder for all to enjoy.

                                TRACK LISTING

                                Cat On Arkengarthsdale
                                Red, Green & Gold
                                Stokely's Rebellion
                                Kosmos Klub
                                Won't You Wait?
                                I Love You So
                                Van Cleef Dub

                                Crayola Eyes

                                Gushing

                                  Behind their reverb-drenched pop/psychedelia, Crayola Eyes are a Jakarta-based six-piece band consisting of vocalist and tambourine-shaker Reno Nismara, guitarists Kendra Ahimsa (aka the highly sought-after illustrator Ardneks) and Bayu Andrianto, bassist Aditya Hadisusanto, keyboardist Anindya Anugrah, and drummer Ferry Prakarsa. Their self-titled debut album titled ‘Gushing’ — co-produced with Bernardus Fritz — was originally released digitally in February 2023 and is now being issued on vinyl by their new label home, Fuzz Club. As Shindig! wrote on its release, the eight tracks on ‘Gushing’ deal in “insistent, widescreen dream-rock carving a straight highway through your third eye”. As the title suggests, ‘Gushing’ is intended to capture the band's nature in creating and delivering songs without compromise and restraint. It can also be seen as a manifestation of their stance to be in control of their own music, to create what they want to create. The result is an album of varying styles yet still bonded by Crayola Eyes' fundamental particularity, which makes for an authentic creation that can be enjoyed by everyone. A song of ascension. A wall-of-sound whirlwind. An homage in overdrive. A bittersweet, conversational number. A kaleidoscopic string section. A head-on collision between krautrock and good ol’ rock & roll. A trip to the sinister outskirts of late ‘60s psychedelia. A stripped-down ballad. It's all on there on this deeply engrossing debut. 

                                  STAFF COMMENTS

                                  Barry says: Euphoric ambience, soaring baggy melodies and echoic vocal flourishes from Jakarta's Crayola Eyes. Swimming with influence from the classic school of psychedelic rock but ligtened with a melodicism you rarely hear pulling through such heft. For me, the perfect temper to the weight of fuzz-heavy psych.

                                  TRACK LISTING

                                  Teaching Of Truth
                                  Blacker Than Coal
                                  Spectrum (for Sonic Boom)
                                  Love Traffic
                                  Pocket Moon
                                  Crayola Eyes
                                  Grass Lick
                                  Today's News, Tomorrow's Films

                                  The Jesus And Mary Chain

                                  Munki - 2023 Reissue

                                    To celebrate the album’s 25-year anniversary, The Jesus And Mary Chain reissue their long-sold-out sixth studio album ‘Munki’. 

                                    Originally released June 2nd 1998 on Sub Pop / Creation Records, ‘Munki’ was – up until the Mary Chain’s reformation in 2007 – an experimental rock’n’roll masterclass turned swan song for the Reid brothers, whose fractious in-fighting culminated in the band’s break-up less than a year after its release. It was perhaps fitting, then, that ‘Munki’ is argued by some as the definitive Mary Chain record in the way it seemed to chart the full array of musical directions the band had ploughed over the five records that came before.

                                    The decision to bookend the album with Jim’s rousing sing-along ‘I Love Rock 'N' Roll’ and William’s caustic white-noise anthem ‘I Hate Rock 'N' Roll’ perfectly captures the two-fold tension at the heart of the Mary Chain at that time – a tension between noise and melody, and warring brothers. Across the album’s 17 tracks and 70-minute running time, there are the expected abrasive noise-rock epics ‘Cracking Up’ and ‘Degenerate’ by way of fuzzed-out pop hits like ‘Fizzy’ and the tender acoustic slow-burner ‘Never Understood’. Between the Reid’s Glaswegian snarls and unapologetically insolent lyrics – "I'm a mean motherf*cker now, but I once was cool”, “McDonald’s is sh*t!”, “Children are fools!” being just a few lyrical highlights – ‘Munki’ also features two great guest appearances. Mazzy Star’s Hope Sandoval returns for another Mary Chain duet on ‘Perfume’, which has a swagger that’s equal parts menacing and bittersweet, and the Reid’s younger sister Linda.

                                    TRACK LISTING

                                    1. I Love Rock 'N' Roll
                                    2. Birthday 
                                    3. Stardust Remedy 
                                    4. Fizzy 
                                    5. Moe Tucker 
                                    6. Perfume 
                                    7. Virtually Unreal
                                    8. Degenerate 
                                    9. Cracking Up 
                                    10. Commercial 
                                    11. Supertramp 
                                    12. Never Understood 
                                    13. I Can't Find The Time For Times 
                                    14. Man On The Moon 
                                    15. Black
                                    16. Dream Lover 
                                    17. I Hate Rock 'N' Roll 

                                    The Vacant Lots

                                    Interiors

                                      ‘Interiors’ is the fifth studio album by Brooklyn-based minimalist post-punk/synth-pop duo The Vacant Lots. The 8 songs on ‘Interiors’ synthesise all of the band’s past work while pushing forward into the future. It’s Jared Artaud and Brian MacFadyen’s darkest and most visionary work yet. Ethereal metallic synths and blistering electronics are driven by disco-on-downers dance beats lashed with gutter-rock guitar riffs and icy detached vocals with evocatively concise and lacerating lyrics.

                                      Recorded over many sleepless nights and amphetamine-fueled mornings in the project’s isolated Brooklyn bunker home studios, the album follows the band’s minimal is maximal aesthetic coalescing into dark bedroom anthems for loners and lovers with nods to 70s/80s punk and nightclub music ala Joy Division, Iggy Pop’s The Idiot, Depeche Mode, and New Order. On the lead single “Amnesia,” Jared Artaud says "It’s about dealing with duality and integrating the conflicting feelings within a relationship. It’s about feeling dissociative and getting burned by the fire. Then coping with how this inevitably leads to the dissolution of the relationship. This is a mantra for all the songs on the album."

                                      TRACK LISTING

                                      1. Amnesia
                                      2. Paradise
                                      3. Ashes
                                      4. Evacuation
                                      5. Destruction
                                      6. Scars
                                      7. Endgame
                                      8. Damaged Goods

                                      DAIISTAR

                                      Good Time

                                        'Good Time' is the debut album from Austin, TX noise-pop band DAIISTAR, due out September 8th via Fuzz Club. Creating a narcotic blend of noise and melody, the band takes their inspiration from the neo-psychedelic era of the 80s and 90s and pull it into the future with modulating synthesisers, heavy guitars, bouncing bass lines, and spiralling hooks. 'Good Time' was produced by The Black Angels' Alex Maas and engineered by James Petralli of White Denim.

                                        Made up of Alex Capistran (guitar/vocals), Nick Cornetti (drums), Misti Hamrick (bass) and Derek Strahan (keys), DAIISTAR formed in the spring of 2020, just weeks before the pandemic started. "To us, these songs were a glimmer of light", Capistran says: "Starting a band at the peak of the pandemic to some might seem ill-timed, but to us it was a way to escape for a moment. There was something to look forward to and we kept our heads in the future. These songs guided us through some dark times and hopefully they can do the same for you. GOOD TIME is here."

                                        TRACK LISTING

                                        1) Star Starter
                                        2) LMN BB LMN
                                        3) Repeater
                                        4) Tracemaker
                                        5) Purified
                                        6) Say It To Me
                                        7) Parallel
                                        8) Speed Jesus
                                        9) Heathens Gate
                                        10) Velvet Reality

                                        The Underground Youth

                                        Nostalgia's Glass

                                          ‘Nostalgia’s Glass’ is the eleventh studio album from cult Manchester-born, Berlin-based post-punk group The Underground Youth, due out August 18th on Fuzz Club. “Nostalgia’s Glass looks back at the music of The Underground Youth, forming new songs in a style reminiscent of the band's past”, band leader Craig Dyer writes: “The aim became to create a collection of songs that paid homage to our back catalogue and attempted to dissect not only the positive but the negative elements of nostalgia, primarily the romanticisation of the past – be it the politics of a country, the controversial legacies of film and musical icons or the sentimental idealisation of long dead toxic relationships.”

                                          The Underground Youth was started in 2008 as the creative project of Craig Dyer. The band – Craig now joined by Olya Dyer (Drums), Leonard Kaage (Guitar/Producer) and Samira Zahidi (Bass) – have now released 11 albums and 4 EPs over the years, developing their unique sound which has ranged from cinematic lo-fi psychedelia to a raw and noisy, albeit romantically melancholic, form of post-punk. Shrouded in a dark aesthetic and the imagery of various art film movements, The Underground Youth have established a devoted global following, continuously built upon by their extensive touring schedule through Europe, Asia and North America.

                                          STAFF COMMENTS

                                          Barry says: The brilliant Underground Youth return for an all-new LP inspired by their storied past, looking back on the highs and lows of a career that has seen them rise to one of the most beloved of the Fuzz Club roster. A wonderfully conceived, intensely satisfying whole.

                                          TRACK LISTING

                                          1) Émilie
                                          2) I Thought I Understood
                                          3) Finite As It Is
                                          4) Another Country
                                          5) Frame Of Obsession
                                          6) Interlude
                                          7) Nostalgia's Glass
                                          8) The Allure Of The Light
                                          9) Omsk Lullaby
                                          10) Epilogue (feat. Josef Van Wissem)

                                          Joseph Of Kirezi

                                          The Only Way Out Is Through (Bleeding Jam Vol. 1)

                                            Joseph of Kirezi were formed in Ikebukuro (Tokyo) in 2012 wherever since they have been roaming the outermost corners of the black clad psychedelic underground. So please get ready to treat your ears to ‘The Only Way Out Is Through’ – a pounding tour de force of amp destroying killer Fuzz Wah Sike Rock. If there was ever music to be played in that killer sixties exploitation movie – in that biker club scene where every one has been spiked with the brown acid and the bad trip is coming on strong – then this is the music that would be playing – a pounding and ferocious white noise psychedelic nightmare. We are not dealing with any subtle intricacies here, just the joy in the classic combination of excess volume and repetition – crushing levels of heaviness all enveloped in a white noise fury.

                                            Taking cues from kindred spirits such as High Rise, The Stooges, Black Sabbath, Hawkwind, Amon Düül II, Spacemen 3, The Heads – music for freaks in the know – Prepare to vibrate as you TURN ON , TUNE IN , FREAK OUT !

                                            TRACK LISTING

                                            A1 - The Only Way Out Is Through - Part 1
                                            B1 - The Only Way Out Is Through - Part 2

                                            Night Beats

                                            Rajan

                                              As Night Beats, Texas-born, LA-based artist Danny Lee Blackwell creates music like one might assemble a puzzle. The Western psychedelic auteur builds his work from one moment, an initial spark, that must fit a certain criteria: it must give him goosebumps. If that sensation arrives, Blackwell will pursue the idea relentlessly until he has a new song; if not, he moves onto the next moment, constantly looking for the perfect molecule of a song.

                                              On his sixth Night Beats album, 'Rajan', the songwriter is at his strongest, creating works that shine with captivating melodies and hypnotic rhythms, but are underscored by subtle choices of craftsmanship that can only be achieved after countless hours in the studio. Blackwell creates a work that lands somewhere between Spaghetti Western film score and psych-pop opus, a career-defining album that reveals much about Danny Lee Blackwell’s artistic philosophy while keeping that ever crucial air of mystery intact.

                                              STAFF COMMENTS

                                              Liam says: This is another lovely slice of psych-tinged Americana from Night Beats. Hypnotic melodies, humid fuzz pedals and plenty of wigging out, this is perfect for cruising the open desert highway - or alternatively the perpetual grey of the Mancunian Way...

                                              TRACK LISTING

                                              1. Hot Ghee
                                              2. Blue
                                              3. Nightmare
                                              4. Motion Picture
                                              5. Anxious Mind
                                              6. Thank You
                                              7. Osaka (feat. Ambrose Kenny Smith)
                                              8. Dusty Jungle
                                              9. Cautionary Tale
                                              10. 9 To 5
                                              11. Morocco Blues

                                              The Men

                                              Fuzz Club Session

                                                Hot off the back of this year's critically-acclaimed new album 'New York City', Brooklyn punk institution The Men are back already with a Fuzz Club Session album due out digitally and on limited double LP vinyl June 23rd. Recorded live to tape at Brooklyn's Serious Business Studio by Travis Harrison, the live session sees the Men storm through three tracks from 'New York City', one from 'Devil Music', a cover of English punk band Blitz and nine-brand new tracks that have never seen the light of the day until now, ranging from blistering noise-rock and cathartic rock'n'roll to lo-fi country-rock and hypnotising drones. This is the 20th release in the Fuzz Club Session series from London-based label Fuzz Club, which has previously hosted the likes of A Place To Bury Strangers, Night Beats, Holy Wave, The Entrance Band and more.

                                                TRACK LISTING

                                                1) Big Hair - Live
                                                2) Through The Night - Live
                                                3) Nothing - Live
                                                4) Give You What You Came For - Live
                                                5) Attack - Live
                                                6) Fire - Live
                                                7) Heart Strings - Live
                                                8) Trapped Inside - Live
                                                9) Right About You - Live
                                                10) Driver - Live
                                                11) Shake It - Live
                                                12) Anyway I Find You - Live
                                                13) River Flows - Live
                                                14) Sacred Ground - Live

                                                Sharron Kraus

                                                Kin

                                                  Over the years Sharron Kraus’ musical career has pulled her in many directions and seen her collaborate with artists, poets, writers and researchers, creating soundtracks, podcasts, musical accompaniments and responses. She is an intuitive improviser, a compelling performer and a weaver of musical spells. The spine supporting this body of work is songwriting, though, and it is to this most natural combination of words and music that she always returns. If prose writing is a tool for analysis and working out what we think, because of the emotional dimension music introduces, songwriting is a tool for working out how we feel. KIN, her newest album, is a collection of songs written during and partly in response to the pandemic and the relative isolation it plunged us into. Kraus dives into deep explorations of themes of kinship with other humans as well as the natural world, and of what happens when those kinship bonds are severed or abused. Sonically the album is on a continuum with her previous solo album, Joy’s Reflection is Sorrow, with its layered synths and recorders, and sits somewhere in the space between Jane Weaver’s electronica and the psych/folk of bands like The Left Outsides, Modern Studies.

                                                  Moonwalks

                                                  Western Mystery Tradition

                                                    ‘Western Mystery Tradition’ is the third studio album from Detroit, MI via Brooklyn, NY outfit Moonwalks and is due for release May 26th via Fuzz Club. A departure from the band’s DIY psych-rock roots to a more mature and polished sound, the album was produced by Mattiel’s Jonah Swilley and recorded in May 2019 at Detroit’s acclaimed (and rumored haunted) Masonic Temple with Bill Skibbe (Jack White, The Kills) in a lodge belonging to the Free Masons’ Detroit chapter. “Western Mystery Tradition was conceived in the winter of 2019 amidst a polar vortex in Detroit, Michigan”, Moonwalks recall of the record’s origins: “At the time and in between touring, we lived together in a house on the west side that lacked a working stove and had no power in half of the building. The band - trapped indoors due to temperatures in the negatives and massive amounts of snow - drew inspiration from our isolated state amidst a bleak Michigan winter.”

                                                    Moonwalks consists of Kerrigan Pearce (drums), Jacob Dean (guitar), and Kate Gutwald (bass). Originating in Detroit's DIY scene, the trio started out playing in warehouses and makeshift venues across the city. Since then, they’ve gone on to tour extensively throughout North America and Europe supporting acts like The Murlocs, Metric, Julian Casablancas & The Voidz, Thee Oh Sees, The Liminanas, and The Mystery Lights to name a few. 

                                                    TRACK LISTING

                                                    1. Intro
                                                    2. War On Nothin'
                                                    3. Natural Possession
                                                    4. Cherry Shade
                                                    5. Jodi's Shoes
                                                    6. Outer Limits
                                                    7. Crown Of Roses
                                                    8. Joy Of Geraniums
                                                    9. Cream Of The Country
                                                    10. Into Time
                                                    11. Heavy Tears 

                                                    Dead Sea Apes

                                                    Rewilding

                                                      DEAD SEA APES are back with a passion to deliver their most essential and cohesive album to date. Formed in 2009, DEAD SEA APES have become a fixture of the psych scene, sharing stages with the likes of Part Chimp, The Heads, Acid Mother Temple and Mugstar while producing a distinctive body of work, ranging from psychedelic punk to experimental dub, from freeform jams to constructions of loops and drones. Following a slew of collaborations and split releases, REWILDING sees them return to a power trio of Brett Savage (guitar), Jack Toker (bass) and Chris Hardman (drums). From the chaotic blast of opener ‘Denialist’, beaming out like a maniacal emergency broadcast, through to the monolithic pounding of the title track, REWILDING is unrelenting, taking in blown-out guitar wails and jet black psych noise while the irrepressible rhythm section moves from claustrophobic motorik beats to a thunderous rolling juggernaut. These blackened pearls have been recast and refined over the course of the past three years, strung out deeper than the night and now embodying our present uncanny, disorienting times, as we emerge into an altered world to find Mother Nature reasserting herself while the human madness intensifies, locally and globally. Savage and uncompromising, this is DEAD SEA APES at their most direct and visceral. 

                                                      Helicon

                                                      God Intentions

                                                        A masterclass in cinematic psychedelia, ‘God Intentions’ is the third studio album from Glasgow outfit Helicon and is due out April 28 on Fuzz Club. Their most ambitious and collaborative album to date, it was recorded at Dystopia, Glasgow with producers Luigi Pasquini and Jason Shaw, mastered by RIDE’s Mark Gardener and includes contributions from the Rhona MacFarlane String Quartet, Lavinia Blackwall (Trembling Bells), Mark O’Donnell (Tomorrow Syndicate), Sotho Houle (French avant-garde violinist) and Anna McCracken. Talking about the new record, guitarist/vocalist John-Paul Hughes says:

                                                        “‘God Intentions’ is inspired by my brother Gary's story and a few other influences. It's a journey through regret, redemption and resurrection. Our familiar darkness is there, but the record carries a fresh and uplifting positivity. I had a clear idea of how I wanted it to sound and feel long before it began. We're so pleased we achieved it. We managed to hold true to the idea whilst allowing the string quartet, Sotho, Lavinia, Anna, Mark, Jason, Luigi and other collaborators the space to put their mark on it. The album art, by San Francisco-based collage artist Nina Theda Black, captures the depth and breadth of themes and sounds we brought together to create a kind of motion in your mind.”

                                                        TRACK LISTING

                                                        1. Dark Matter
                                                        2. Flume
                                                        3. Château H
                                                        4. Heliconia
                                                        5. Disobey
                                                        6. Zen Roller
                                                        7. Whiplash
                                                        8. God Intentions
                                                        9. Last Tango In Glasgow
                                                        10. Tae The Moon
                                                        11. Starlounger 

                                                        Naujawanana Baider

                                                        Khedmat Be Khalq

                                                          Iconoclastic Afghan-American street music project Naujawanan Baidar makes its long anticipated return with "Khedmat Be Khalq," its third album and first new release in three years. Originally planned as a "studio debut" in the classic sense, a veritable avalanche of setbacks tangled and delayed the recording process over a span of several years as compounded tragedies - both international and personal - disrupted the project's intended transition from simply being a ramshackle demo/home-recording outlet for founder N.R. Safi (The Myrrors, et al) into a properly working band. At the end of the day the process of assembling what would eventually become "Khedmat Be Khalq" became a lot like that of the previous two releases: gnarled and sun-baked tracks cut up and collated into a blown out collage of sound. If there is any obvious difference this time around it is perhaps to be found in the increased focus of the material. Whereas the group's previous two projects ran the gamut from sparse acoustic improvisations to tape-loop-inspired noise, "Khedmat Be Khalq" presents a more unified hybrid of Afghan folks styles and electric energy, further exploring Safi's "maximalist minimalism" approach. Tape-saturated and over-amplified Afghan rubab, armonia, and ghichak meet pounding multi-layered rhythms that at times hint at 1970s-1980s industrial music or the heady throb of German krautrock groups like Faust or Amon Düül. Perhaps nowhere is this unique combination more striking than in Naujawanan Baidar's swirling re-arrangement of the Afghan folk classic "Raftim Az Ayn Baagh" that closes the album. The rubab melody that serves as the song's core is warped into something that in all honesty wouldn't sound particularly out of place spun between early Savage Republic and Crash Worship. Lyrically the album moves away from the more abstract and impressionistic style of Safi's earlier material towards a concrete attempt to address the struggle of the Afghan masses from the complicated perspective of the international diaspora. The songs here work to draw out and examine the contradictions and challenges faced by a people once again locked in the talons of a sociopathic religious fundamentalism, connecting the country's position to the current global fight against imperialism, militarism, and resurgent fascism, and attempting to recover obscured historical fragments and lessons surrounding the proud radical history of Afghanistan's diverse population over countless decades of intensive struggle. It is here that Naujawanan Baidar's "street music" aesthetic blossoms into a sort of avant garde agitprop - a militant soundtrack angling at a revolution.

                                                          Richard Olson & The Familiars

                                                          Richard Olson & The Familiars

                                                            Welcome to the debut album by Richard Olson & The Familiars, A LP full of dreamy harmony laden melancholy and, dare we say it, Singer Songwriter Pop Music – though Pop Music in the sense that each track is a gorgeous ear worm that you can wrap yourself in and within. Richard was a member of the now-legendary Eighteenth Day Of May, before forming The See See who would then evolve into the much loved and revered The Hanging Stars.

                                                            On Richard’s debut LP we are treated to a record full of lush harmonies, acoustic guitars and strings as well as Richards most personal and reflective writing, Songs that are full of a hazy warmth and yearning that superbly capture the feel and sound that lies somewhere between The Byrds (think Easy Rider) and The Clientele. The plaintive gorgeousness of opening track ‘I Can’t Help Myself’ reflects the heart-rending, deep feeling that flows throughout the whole of Richard Olsen and The Familiars debut LP.

                                                            Richard has a great, expressive voice, capable of switching from harmonious and melodic to world-weary within a single song. Air is especially affecting and effective - gorgeously near-ambient kaleidoscope vibe of whispered vocals with pedal steel and slide guitar. ‘I’m A Butterfly’ blends a sumptuous bouncy riff with harmonica and tambourines into hazy dream of pop perfection. Inside Sunshine is the perfect song to close the LP, lilting into the sunset as Richard creates an wonderous retro hued filter - a filmic paean to love with Luke Barlow’s flute playing adding to the trance created.

                                                            10 000 Russos

                                                            Live In Berlin

                                                              Porto-based trio 10 000 Russos will release their new ‘Live In Berlin’ double LP on March 24th 2023 via Rubber Duck, a new live album imprint by Fuzz Club Records. The record captures the band storming through their subterranean motorik psych-drone live at Berlin’s Astra Kulturhaus on October 16th 2021. Recorded whilst out on a European tour, ‘Live In Berlin’ finds 10 000 Russos performing their 2021 ‘Superinertia’ LP in full the album’s five songs expanded and taken to even more transfixing and hedonistic heights in a live setting. These shows were 10 000 Russos’ first with the new, more-electronic line-up and sound, with newly-recruited synth player Nils Meisel making his debut on the ‘Superinertia’ LP and completing the line-up alongside founding members João Pimenta (drums/vocals) and Pedro Pestana (guitar). Across the hour-long set, Pimenta’s deadpan sprechgesang vocal and machine-like percussion, Pestana cascading psych guitar-loops and Meisel’s repetitive synth basslines all combine on a performance that will pull you into a trance at times and get you on your feet at others. 

                                                              TRACK LISTING

                                                              1. Station Europa (Live)
                                                              2. Saw The Damp (Live)
                                                              3. A House Full Of Garbage (Live)
                                                              4. Super Inertia (Live)
                                                              5. Mexicali/Calexico (Live)

                                                              Golden Hours

                                                              Golden Hours

                                                                Based between Brussels and Berlin, Golden Hours is comprised of past and present members of Gang Of Four, The Brian Jonestown Massacre, Tricky, The Fuzztones and The Third Sound, to name just a few. A band with mileage and stories, they trade in rock’n’roll missives that are at times dark, tense and hypnotic, at others sweaty, relentless and danceable. Made up of Hákon Adalsteinsson (Guitar/Vocals), Rodrigo Fuentealba Palavacino (Guitar), Tobias Humble (Drums/Vocals) and Wim Janssens (Bass/Keys/Vocals), Golden Hours’ self-titled debut album is due for release March 31st 2023 on Fuzz Club Records.

                                                                Wim says of the project and its incoming debut: “The musical backgrounds of each member are pretty broad but somehow when we come together there’s a pretty clear definition of what our music should sound like. There’s a beautiful friction between the noise we produce and the love for melody that seems to overtake at just the right moment. There never seems to be a lack of ideas when we come together. In silent agreement, every idea gets tried and will be further developed into a song or skipped in a heartbeat. No time is wasted. It all happens pretty automatically.”

                                                                TRACK LISTING

                                                                1. Come And Find Me
                                                                2. Drone Club
                                                                3. The Forgotten One
                                                                4. Japan On My Mind
                                                                5. Run Man Run
                                                                6. Calling Me Home
                                                                7. Dead On
                                                                8. Not Enough
                                                                9. Keep On Dreamin'

                                                                Bhajan Boy

                                                                To Love Is To Love (Vol. 1)

                                                                  Bhajan Bhoy releases two separate albums on the same day, his third and fourth albums, and a joint release on highly respected independent labels Cardinal Fuzz (UK) and Feeding Tube Records (USA). Drawing from the deep triple bad acid well of psychedelia, Bhajan Bhoy further shifts the parameters surrounding the perceptions aligned to this genre with a beautiful and meditative set of tracks. A kaleidoscopic sonic universe within which you will find raga-esque musical excursions, meditative Dream House drone, beautiful folk inflected jams on a Laurel Canyon tip, electronic dreamscapes and heavy guitar riffola where sometimes two chords are enough. Listening to the two albums and you could imagine Pandit Pran Nath, Spacemen 3, Pauline Oliveros, and Don Cherry drinking the same Psilocybin tea beforehand, and then embarking to the studio to lay down the jams. This is the sound of freedom! Byron Coley / The Wire (January 2023) said of the previous release “Shanti Shanti Shanti” : “another fine release by Dutch musician Ajay Saggar. His basic thrust is modern psychedelia, minted from radio snippets, dub reverb flapping, elegant guitar washing, electronic drones interwoven with splashes of mock jaw harp or splashy drums, and a generally stoned atmosphere. And the concept is spectrally good!” The songs for “To Love Is To Love (Vols. 1+2)” were recorded and mixed between January 2021 and June 2022 at Soundation Studio….Ajay’s sonic laboratory. As he states : “it was a highly focused and intensive period of work for me. The pandemic allowed me to go and work in the studio all day and into the night pretty much everyday. I’d never felt more focused in my pursuit of making a set of songs. It yielded a body of work that I am incredibly proud of, and think is some of the best stuff I’ve done. I was fortunate enough to have some incredibly talented players join me on some songs (Ab Baars, Gayle Brogan, Sheila Bosco, Holly Habstritt Gaal, Mees Siderius, Arvind Ganga, Aaron Lumley, Elsa v/d Linden, Ditmer Weertman). The songs evolved in a very organic manner. The influences are there for sure…but I don’t know any musician who is not directly or indirectly influenced by their peers / record collections. Ultimately though they are BHAJAN BHOY songs…..and if you listen to them, they are definitely from within ME!. The songs are part of a journey, and that is the reason that there are two separate albums. It made total sense for these songs to appear on two separate albums (“Shanti Shanti Shanti” was the album before these ones and was the first part of this triptych).”

                                                                  Bhajan Boy

                                                                  To Love Is To Love (Vol. 2)

                                                                    Ajay Saggar is BHAJAN BHOY. Since his debut album was released in June 2020 (“Bless Bless”) he has been receiving critical acclaim for his recorded output and his live shows. On Friday 10 March 2023, BHAJAN BHOY will release TWO separate albums on the same day. These will be Bhajan Bhoy’s third and fourth albums , and a joint release on highly respected independent labels Cardinal Fuzz (UK) and Feeding Tube Records (USA). Drawing from the deep triple bad acid well of psychedelia, Bhajan Bhoy further shifts the parameters surrounding the perceptions aligned to this genre with a beautiful and meditative set of tracks. A kaleidoscopic sonic universe within which you will find raga-esque musical excursions, meditative Dream House drone, beautiful folk inflected jams on a Laurel Canyon tip, electronic dreamscapes and heavy guitar riffola where sometimes two chords are enough. Listening to the two albums and you could imagine Pandit Pran Nath, Spacemen 3, Pauline Oliveros, and Don Cherry drinking the same Psilocybin tea beforehand, and then embarking to the studio to lay down the jams. This is the sound of freedom! Byron Coley / The Wire (January 2023) said of the previous release “Shanti Shanti Shanti” : “another fine release by Dutch musician Ajay Saggar. His basic thrust is modern psychedelia, minted from radio snippets, dub reverb flapping, elegant guitar washing, electronic drones interwoven with splashes of mock jaw harp or splashy drums, and a generally stoned atmosphere. And the concept is spectrally good!” The songs for “To Love Is To Love (Vols. 1+2)” were recorded and mixed between January 2021 and June 2022 at Soundation Studio….Ajay’s sonic laboratory. As he states : “it was a highly focused and intensive period of work for me. The pandemic allowed me to go and work in the studio all day and into the night pretty much everyday. I’d never felt more focused in my pursuit of making a set of songs. It yielded a body of work that I am incredibly proud of, and think is some of the best stuff I’ve done. I was fortunate enough to have some incredibly talented players join me on some songs (Ab Baars, Gayle Brogan, Sheila Bosco, Holly Habstritt Gaal, Mees Siderius, Arvind Ganga, Aaron Lumley, Elsa v/d Linden, Ditmer Weertman). The songs evolved in a very organic manner. The influences are there for sure…but I don’t know any musician who is not directly or indirectly influenced by their peers / record collections. Ultimately though they are BHAJAN BHOY songs…..and if you listen to them, they are definitely from within ME!. The songs are part of a journey, and that is the reason that there are two separate albums. It made total sense for these songs to appear on two separate albums (“Shanti Shanti Shanti” was the album before these ones and was the first part of this triptych).”

                                                                    Ambassador Hazy

                                                                    Glacial Erratics

                                                                      Cardinal Fuzz and Feeding Tube Records are delighted to make available for you the debut release by Ambassador Hazy – Glacial Erratics – previously pressed as a private press edition of 100 records back in 2020. Ambassador Hazy is a solo recording project by Sterling DeWeese who was previously in a slew of obscure bands including Heavy Hands, Dirty Rainbow, Terrapin Gun, Madison Electric and Black Fantastic. Glacial Erratics is really a comeback record as Sterling had totally stopped playing for 7 or 8 years after he got married and started a family and the business of life took over – but the calling was always there and as his youngest began to grow – the time became available for Sterling to answer the call. First though he needed to get his ½”reel to reel 8 track back in working order and set up a studio space and fit it out with gear. It required the small matter of converting part of the basement into a studio, building the walls, and adding enough soundproofing to hopefully keep the neighbors and his wife happy – but such a thing was not going to stop Sterling. Soon he was playing again with some local musicians and recording some of those performances live to tape but the hassle of getting everyone together at the same time was hard so in the downtime Sterling began focusing on recording on his own. Thus the name Glacial Erratics was born, as it was all a bit of a hodge podge (i.e. erratic) and ended up being done over several years (i.e. glacial). Once there was enough material finished, between band tracks and solo tracks Sterling compiled them. The resulting album is a kaleidoscope of contagious hooks and artfully crafted songs, laid to tape and brought to life in brilliant colour. "Black Smoke Rising" is a blur of fuzz guitar and stuttering snare hits as Sterling tells us ‘I believe in the future – don’t take it away’ and over 14 tracks you are treated to artfully crafted acid pop gems that are riddled with potholes and weird left turns, with hooks that seem to bubble out of nowhere before receding into themselves. The lo-fi aesthetic works perfectly, with the songs benefiting from the warm fuzz tones of the instruments and vocals recorded onto that now fully functioning ½” tape machine. Sterling eventually self released ‘Glacial Erratics’ after seeking advice from his good friend Josh (Travelling Circle, Lime Eyelid) who had recently self released his LP – the record eventually reached John Westhaver (TBWNIS) who buzzed me immediately to tell me to wrap my ears around the genius wiggy pop perfection that is ‘Glacial Erratics’.

                                                                      Ambassador Hazy

                                                                      The Door Between

                                                                        Cardinal Fuzz and Feeding Tube Records are delighted to present to you the new Ambassador Hazy LP ‘The Door Between’ Following last year's much loved and long sold out ‘The Traveler’ Ambassador Hazy is back with ‘The Door Between’ (the title taken from an old detective novel) which is a perfect metaphor for album's explorations into consciousness and perception, seeing the connectedness between all things while also embracing one's solitude and separation from others. Themes that were amplified as the record was recorded alone in a basement during a pandemic. With some new mics and toys featuring on this recording, Sterling experiments a bit more with recording techniques and different sounds which bring about a more overtly psychedelic sound than on ‘The Traveler’ and with a few songs being more explicitly drug related (and or induced). The Door Between is about being an outsider, or at least that feeling of being outside of things and the ways one might find connection be that through drugs, music, love. So while Orange Halos starts the proceedings the overtly upbeat and infectious melodies we have come to know and love from Ambassador Hazy – by the time you reach ‘Going Down’ you are dropped into Martin Rev/Suicide synth/drum machine head trip. So join Ambassador Hazy – maybe crack open a beer, smoke a joint, take a tab or just sit in your favourite chair – Drop the needle on ‘The Door Between’ and let it transport you to that other place.

                                                                        Blood Quartet

                                                                        Root 7

                                                                          Pioneer of the New York No Wave with the bands Mars and Don King, Mark Cunningham has been part of the Barcelona music underground for almost 30 years, performing solo, with his own groups Raeo, Convolution, Aleatory Grammar and Bèstia Ferida, as a member of Pascal Comelade´s Bel Canto Orchestra and Superelvis, and in countless local and international collaborations. Blood Quartet was formed in early 2015 in Barcelona from a fortuitous collaboration between Cunningham and Catalan underground rock trio Murnau B An outstanding musical treat that starts from the instrumental base of the modern jazz quartet and takes it to the territory of experimentation and electronics. Blood Quartet sound more luminous and rhythmic than ever, diving into uncharted terrain. This results in an exceptional range of genres that play with the form between the classic and the contemporary, and that extend the creative spectrum of the band towards new styles, such as krautrock and North African music. The result of this process has given rise to nine themes, each one baptized with the title of a literary work by some reference writers of the members of the quartet, in order to add more roots of meaning, more shadows of influence.

                                                                          Dead Sea Apes / Band Whose Name Is A Symbol

                                                                          Pantheon Of Fuckery

                                                                            Long time in the making but good things always come to astral travellers as transatlantic soul mates Dead Sea Apes and The Band Whose Name Is A Symbol are joined together on black vinyl for the first time. Two artists that for over the last ten years (& longer) have spent their lives creating music that defies easy categorizations – psych rock / kraut rock /minimal / maximal /avant /free are phrases that only give you fleeting glimpses of what each artist represents. What we do know is that via a sprawling range of sound that is always uncompromising these two artists have pushed each other into a stunning realm of alchemy. The Dead Sea Apes create a hypnotic pulsing sound that weaves an ecstatic line starting from a raw minimal buzz and hum that takes in eastern modes and entrancing minimalism. The music is at once dissonant and hypnotic, rich with unfurling drones that dynamically ebb and flow as a searching interplay between instruments slowly emerges from a sparse open field and builds with the tension of a looming thunder storm. The Band Whose Name Is A Symbol recording is a live recording from the farmland in Richmond this year when Mr Cardinal Fuzz journeyed across the Atlantic Ocean to have his brain well and truly fried by these Ottawa Acid Punks. For this show TBWNIS was expanded to a 9 piece with the addition of Saskatoons Christopher Laramee (Shooting Guns, Wasted Cathedral, The Switching Yard..) and Mrs.Carol Lane (Resin Scraper / Beld). TBWNIS emerged to play as the Sun set over the never-ending Horizon and the Mozzies came out to play – And proceeded to lay down a barrage of high energy, free flowing ecstatic blues – like an endorphin spike into your cortex that felt like your head was sandwiched between the amplifiers as wave after wave of unrelenting free flowing orgasmic energy exploded within. Take note I was on some home made cookies that had me well and truly blasted as I merged with the universe and the vibrations emitting from the stage – it was a good place. 500 pressing – Black Vinyl with a Brett Savage Sleeve design based on the famous and much loved Bootleg label - TAKRL Love and thanks to Mike Coulis for all the efforts in putting on the live show and recordings

                                                                            Gunslingers

                                                                            Supreme Asphalt Doser

                                                                              Have no fear, you amphetamine lovers, speed freaks and sonic maniacs, have no fear not to find among these 7 uncompromising tunes the illuminated fever of what constitutes the band’s DNA in its wildest incarnation, the alchemy of a unique style beyond the genres, the irreverent dreams calcined by a sound blowtorch, by the electro shocks overheated in the traumatized adrenalin ; have no fear, you counter-cultural worshippers and hygiene opponents, you zealots of the subtle oversaturation, of the plastic from beyond the grave monstrously remodeled in deformed oddness… Have no fear, you proto-punks, Gunslingers knows no homeland, Gunslingers is everywhere for no one and nowhere for everyone. _ Opaque Dynamo ” Once again Gregory Raimo drops a hydrogen bomb of an album on us leaving alla you pampered pooches in such shock that you can’t even run home to the comfort of your mother’s boobies. Hard overdrive rocknroll is once again in store, and it’s played to such a fever pitch that those usually daft comparisons to the velvet Underground and Stooges that I have made these past fortysome years sound even more banal than they usually have.. So out-there powerful that alla those eighties hopes of ours (Halo of Flies, the Australian bands) sound pattycakes in comparison. Maybe High Rise with a tad of LSD March added? Hey Raimo, if you read this tell us how we can get a copy for ourselves. ” _ Chris Stigliano, Blog To Comm.

                                                                              Human Hand

                                                                              Tremor

                                                                                The Human Hand live combo comprises Joe Hollick (Wolf People - Jagjaguwar Records, solo), Karl Eden (John Peel favourites tRANSELEMENt) and Jonathan Dickin (MUMS, Honey Spider, Bleak) Joe and Karl met at an Acid Mothers Temple show in 2012 before realising they both lived minutes away from each other in neighbouring sleepy Lancashire Pennine villages. They performed a number of shows together as a wig-out loose improv duo channelling heavy motorik grooves, Anatolian suffused lead lines, a general layer of Northern skuzz tied together with Joe’s signature guitar work. Early HH recordings were juxtaposed by being captured at extremely low volume due to necessity as the only available opportunity was to work on material late at night to avoid waking their young children. Human Hand were augmented and given a live makeover by the addition of Jonny (MUMS, Honey Spider, Bleak) on drums, a former student of Karl’s and all round music and literary geek. The trio recorded their debut LP “Tremor” in a hasty 8 hour session, with a vinyl release on Cardinal Fuzz recordings in the UK, and Feeding Tube in the US, due September 2022. About “Tremor”: Tremor is the debut album from Human Hand: a core-trio and broader collective based in the shadow of Pendle Hill, Lancashire, UK. Recorded during two days of post-lockdown cathartic noise. Tremor was created using instant composition, 4 track tape manipulation and immediate overdubs. 500 copy vinyl release due September 2022 via Cardinal Fuzz (UK) and Feeding Tube (US).

                                                                                Plastic Crimewave Syndicate

                                                                                Space Alley

                                                                                  Plastic Crimewave Syndicate has finally returned with a wide-ranging/raging new album — recorded two years ago in an expansive, benevolent alleyway in the midst of a dark, diseased, claustrophobic time of global chaos. The new PCWS album, entitled "Space Alley," boldly travels into the relatively unexplored malevolent terrain of free doom, space/noise punk, and darkly dubbed-out library/soundtrack grooves (call it 70's crooked-cop show/freak-funk, if you must). This is all capped off with a sidelong, (beat of the) earth-harvesting modal exploration of synthed-out kraut-throb. With new bassist Rob Rodak (Dead Feathers) aboard, and guests like sax-skronk legend Taralie Peterson (Spires That in the Sunset Rise), flautist Sara Gossett (Spiral Galaxy), and synthlord Will MacLean (Protovulcan), new influences have seeped into PCWS's dystopian vision. The Syndicate have opened for revered deities like Nik Turner, Loop, Simply Saucer, Chrome, and Josefus; but now a more diverse and groovy array of past underground sounds like Skin Alley, Sound of Imker, Here and Now, Mann/Sharrock, Black Sun Ensemble, Parson Sound, and Schizo have influenced PCWS's journey. Recorded by Eric Block (Rhys Chatham, Sick Gazelle) of Rec Rooms studios, and mastered by Monster Magnet/Desert Sessions guitar god JP McBain, the mind-fry level is set to 11 ½ on Space Alley!

                                                                                  The Third Sound

                                                                                  Fuzz Club Session

                                                                                    Berlin-based psychedelic post-punk group The Third Sound (led by Brian Jonestown Massacre guitarist Hákon Aðalsteinsson) are set to release a new Fuzz Club Session LP on December 9th. Recorded live at Berlin's Marie Antoinette club, the 10-track double album sees The Third Sound perform a discography-spanning set with tracks from last year's highly-praised 'First Light' LP (2021), 'All Tomorrow's Shadows' (2018), 'Gospels of Degeneration' (2016), 'The Third Sound of Destruction and Creation' (2013) and 'The Third Sound' (2011). The session is released on vinyl, digitally and as a series of videos by Fuzz Club Records. It's number 19 in the London label's ongoing Fuzz Club Session series which has also seen the likes of A Place To Bury Strangers, Night Beats, Holy Wave, Heaters, The Entrance Band, The Myrrors, Lumerians, The Underground Youth, 10000 Russos and more. 

                                                                                    TRACK LISTING

                                                                                    Ghosts Of Memphis
                                                                                    We Will Be Together
                                                                                    Dissociation
                                                                                    Your Love Is Evol
                                                                                    For A While
                                                                                    You Are Not Here (ft. Lucy Kruger)
                                                                                    This Is The Only Way I Know
                                                                                    Half Alive
                                                                                    Nine Miles Below
                                                                                    Re-Elevation

                                                                                    White Lightning

                                                                                    Thunderbolts Of Fuzz

                                                                                      Standout favorites of Riding Easy Records’ Brown Acid compilation series, White Lightning’s stellar discography of rare and under-appreciated heavy psych, proto-metal rock gets a vital revival for new generations to learn how swinging, swaggering and often blazingly fast rock’n’roll is done.White Lightning was formed in Minneapolis, MN in 1968 by guitarist Tom “Zippy” Caplan and bassist Woody Woodrich after leaving garage psych band The Litter (themselves popular standouts from the Nuggets and Pebbles series of garage rock rarities.) Originally a power trio, the band later expanded to a 5-piece in 1969 while shortening its name to Lightning. The quintet’s brilliant and rare 1970 self-titled album on Pickwick International’s P.I.P. imprint provides 6 of the 10 tracks on Thunderbolts of Fuzz.The original White Lightning trio only released one 45-rpm single “Of Paupers and Poets” during their existence (on local Hexagon label in 1968, later reissued by major label ATCO Records in 1969.) A long out-of-print posthumous album released in 1995 gathered unreleased recordings, 3 of which are found here. This rounds out this collection of recorded highlights from the band’s rocky history.
                                                                                      Taking their name from a particularly potent type of LSD, White Lightning laid out from the start that it was not cute and cuddly 70s rock. In fact, the band’s aggressive tempos are like punk rock way before punk. However, their dirty blues groove and musical prowess shows the band was more than unrefined ne’er-do-wells, they had true versatility.

                                                                                      Drummer/lead vocalist Mick Stanhope later relinquished his drum throne to take center stage as lead singer of the expanded lineup. Throughout its initial 1968-1974 run, the band had 10 different lineups, with Caplan, Woodrich and Stanhope the most consistent members — though the band points out that no one member has played in all 11 incarnations of the group. 

                                                                                      Album opener “Prelude to Opus IV” is a wailing rocker with blazing double-kick drum, sizzling melodic riffs and Jim Dandy howls jam packed into an epic 4 minutes that serves enough testament to the band’s greatness, nothing more need be heard or said. However, the would-be hits keep coming as the Led Zeppelin meets Black Oak Arkansas thwack of “Hideaway” and “Born Too Rich” come screaming out of the speakers. “When A Man Could Be Free” shows the band could also reign in the fury, at least a little bit, for a warm Southern rock style ballad. “Borrowed and Blue” echoes the stately poetry of Electric Ladyland-era Hendrix with a dash of The Who’s rollicking psychedelia. “1930” is, quite simply, insane. Searing twin guitars with incredible fuzz-drenched tone, a warm and buzzing bass line bounce atop drummer Bernie Pershey’s unrelenting bass drum triplets while Stanhope ravages his lungs with soulful abandon. The album closes with the aptly titled “Before My Time” a barnstorming boogie rock instrumental the proves the band vanished long before receiving their due.

                                                                                      TRACK LISTING

                                                                                      Side A
                                                                                      01. Prelude To Opus IV
                                                                                      02. Hideaway
                                                                                      03. Born Too Rich
                                                                                      04. When A Man Could Be Free
                                                                                      05. 1930
                                                                                      Side B
                                                                                      06. Borrowed And Blue
                                                                                      07. They?ve Got The Time
                                                                                      08. Riders In The Sky
                                                                                      09. Fantasy Days
                                                                                      10. Before My Time

                                                                                      Breanna Barbara

                                                                                      Nothin' But Time

                                                                                        The Minnesota-born, Florida-raised, NYC-based artist Breanna Barbara’s 2nd album - ‘Nothin’ But Time - is a raw and immersive trip through the sounds of psychedelic rock and blues, anchored by her forceful vocals and unforgettable songwriting. Sporting a sound that feels classic and of-the-moment at the same time, Nothin’ But Time is the next chapter in Barbara’s exciting career, cementing her as an artist who’s committed to plumbing new emotional depths as she bursts through every sonic barrier put in her way.

                                                                                        Nothin But Time arrives following Breanna’s 2016 debut Mirage Dreams, a trio of critically acclaimed singles (most recently ‘New Moon’) and a number of collaborations with legendary trip-hop vanguard Tricky. As well as joining his US touring band as lead female vocalist, Breanna also did an official rework of his 'When We Die' track and featured on the 2021 Lonely Guest album, False Idols.

                                                                                        For the recording of Nothin’ But Time Barbara and her band returned to Nashville’s Bomb Shelter studio with Andrija Tokic (Alabama Shakes, Hurray For The Riff Raff) – with whom she recorded Mirage Dreams. With musical contributions from Jack Lawrence (The Dead Weather), Tall Juan, Derry DeBorja (Jason Isbell), and Champagne Superchillin’s Ben Trimble and Charles Garmendia, the album was put to tape in the months prior to the COVID-19 pandemic: “I’d learned so much since the last time we were in the studio that I knew I could have a stronger voice getting back into the studio again.”

                                                                                        Nothin’ But Time reflects Barbara’s headlong journey into the world of psychedelic rock and pop, mixing these heady styles with her already established hard-driving blues-rock approach with warped theremin tones as well as celestial vibes courtesy of DeBorja’s own synth wizardry, as Barbara and her band sought out to create mind-expanding music that’s also firmly rooted in the real.

                                                                                        There’s the organ-rich ecstasy of “You Got Me High” and the hair-raising, Cat Power-recalling intimacy of “Devil”; “Me Too” is a searing rumination on the patriarchy’s oppressiveness over punchy strings, while opener “Diamond Light” features rolling drums and miles-long guitar lines, as Barbara’s voice cuts through the atmosphere while ruminating on nostalgia and the perils of looking back. “We can look at things so beautifully, but in hindsight they have another facet to them,” she explains regarding the lyrical perspective.

                                                                                        Over the driving beat of “Landslide,” Barbara zooms in on the ways that fate affects our daily living, and the complications that come from taking the wheel yourself. “I’ve been trying to trust my intuition more as I get older,” she explains. “I’m very impressionable, so I find it best for me to focus when there’s nothing else around to influence my decision.” Then there’s the howling title track, which takes on the heavy subject matter of facing down death itself.

                                                                                        “Death has always been something that’s hung over my head,” Barbara ruminates while discussing the song. “The idea that we have nothing but time makes me want to throw everything in the air, but I also want to hold on to everything so tightly that I don’t want to move forward.” And ‘Nothin’ But Time’ is defined by such honest self-expressions—a fearlessness that’s at the core of her artistic outlook and overall way of being. “I’m all about not being afraid of your own voice,” Barbara states. “The way out of the hardest times is deep within you. You are enough.”


                                                                                        TRACK LISTING

                                                                                        Side A
                                                                                        1) Diamond Light
                                                                                        2) Landslide
                                                                                        3) Nothin’ But Time
                                                                                        4) Rise
                                                                                        5) Me Too
                                                                                        6) Weight Of The World
                                                                                        Side B
                                                                                        7) You Got Me High
                                                                                        8) Exist
                                                                                        9) Old Soul
                                                                                        10) Devil
                                                                                        11) Weaning

                                                                                        The Vacant Lots

                                                                                        Closure

                                                                                          Created under isolation, ‘Closure’ is the fourth album from Brooklyn duo The Vacant Lots and is Jared Artaud and Brian MacFadyen’s most fully realised work to date. Out September 30th on Fuzz Club Records, the record packs 8 minimal is maximal salvos into 23 minutes that coalesce into a stun-blast soundtrack for today’s shattered society. New York City’s artistic skyline may have changed immeasurably since the last century, yet the minimalist post-punk/synth-pop duo vividly gouge into the city’s immortal outsider spirit and underground cultural tropes, set against a pulsating backdrop of modern apocalypse.

                                                                                          Laced with evocatively concise and lacerating lyrics delivered detached and deadpan, ‘Closure’s spine-chilling onslaught of towering guitar shrapnel, ethereal metallic synth melodies and cold electronic turbulence comes infused with shades of New Order and Jesus And Mary Chain; the kind of modern disco and post-punk grooves that pillaged New York clubs in the 80s. Inevitably, the penetrating spirit of New York electronic trailblazers Suicide haunts the new record with its subterranean gravitational pull, having previously manifested physically when the two-piece befriended the late Alan Vega – leading to collaborations, support spots and Artaud now co-curating the ‘Vega Vault’ of unreleased material and co-producing and mixing the 2021 lost ‘Mutator’ LP.

                                                                                          TRACK LISTING

                                                                                          1 Thank You
                                                                                          2 Consolation Prize
                                                                                          3 Eyes Closed
                                                                                          4 Disintegration
                                                                                          5 Obsession
                                                                                          6 Chase
                                                                                          7 Red Desert
                                                                                          8 Burning Bridges

                                                                                          Wet Satin

                                                                                          Wet Satin

                                                                                            Californian duo Wet Satin (comprised of former Lumerians members Jason Miller and Marc Melzer) will release their self-titled debut album on August 12th via Fuzz Club. Taking a step away from the brain-frying space-rock/psych wig-outs harnessed in their 15 years playing together in Lumerians, Wet Satin deals in what the duo call "Kosmische Tropicale" – an expression of reverence and enthusiasm growing from a long-time shared obsession with lost Cosmic Disco, Cumbia, Afrofunk and Library Music records. “We wanted to make something fun. Not too serious, but not frivolous either. Something that paid respect to its influences by adding a square to the quilt rather than trying to make a replica."

                                                                                            Wet Satin is a new project that got underway when the pair disbanded Lumerians in 2020 and then proceeded to suddenly have a lot of unplanned downtime for some reason. Borne out of a desire to offer up a more uplifting and hedonistic respite from our reigning hellscape, Miller says of Wet Satin’s intentions: “We started writing this album during a pretty bleak and heavy time, which I guess sort of sounds like ‘we started writing this album on a Wednesday’ now, but that's sort of the point too. There's an endless buffet of suffering you have a lifetime pass to gorge yourself on whenever you want it, but there's also a lesser-known dance club attached where you can work off some of those doom calories. Music has the ability to alter your environment and take you somewhere else. We genuinely had a lot of fun writing and recording this. The process fell somewhere in between over-indulgence and necessary catharsis, but it achieved a kind of balance in the end. It's a travel brochure for a very specifically peculiar psychological terrain. We think you'll have fun there. Try the hot springs.” 

                                                                                            TRACK LISTING

                                                                                            1) WitchKraft Singles
                                                                                            2) Golden Prawn
                                                                                            3) Rainbow Glint Ft Luis Vasquez
                                                                                            4) Bad Wax
                                                                                            5) Brandy Stains
                                                                                            6) Sun Glitter
                                                                                            7) Diamond Nectar
                                                                                            8) FonzieDance4U
                                                                                            9) Colored Tongues
                                                                                            10) Erta Ale 

                                                                                            Regressive Left

                                                                                            On The Wrong Side Of History

                                                                                              In dark, troubling times, maybe the most instantly gratifying solace one can seek is a wittily barbed diagnosis of the situation. “The fox has his den. The bee has his hive. The stoat … his stoat-hole,” Stewart Lee once remarked: “But only man chooses to make his nest in an investment opportunity.” Caustic retorts like this are what fuel the debut EP by dance-punk outfit Regressive Left, ‘On The Wrong Side of History’. For pervading through their dynamic and glitching music is a duty to report unflinchingly society’s ills. They are a staunchly political group, but far from your average po-faced by-numbers punk band. There is a gristly social commentary at the band’s core, but the songs themselves are characterised by a need to have fun, to find some kind of solace and escapism from the inevitable rapture.

                                                                                              Recorded over an intense 5-day spell with in-demand producer Ross Orton (Arctic Monkeys, MIA, Amyl and The Sniffers) in Sheffield, Regressive Left’s debut EP ‘On The Wrong Side of History’ was immortalised over a handful of 11am-1am sessions in his studio. In many ways it is a time capsule of the maelstrom of ideas that got the group to this point in the first place – the infuriating, bleak political climate, and the urge to find escapism from it – consigned to vinyl in one herculean effort. Taking influence from the booming post-punk, funk and disco scenes of New York, Regressive Left’s sound is stark and danceable. Angular guitar scratches meet dirty synth basslines, whilst Simon Tyrie’s Edwyn Collins croon is chased around by effervescent drums. The banal horror of life in Tory Britain expressed with sharp and dry wit, and then set to truly barnstorming and infectious dance music

                                                                                              Due out July 15th on Bad Vibrations Records, the new EP arrives following a trio of acclaimed singles (‘Eternal Returns’, ‘Take the Hit’, ‘Cream Militia’), tours with the likes of Bodega and Folly Group, festival appearances at End of the Road, Latitude, Great Escape and Wide Awake, and a sold out headline at The Windmill.

                                                                                              TRACK LISTING

                                                                                              1) The Wrong Side Of History
                                                                                              2) World On Fire
                                                                                              3) Bad Faith (ft. Mandy, Indiana)
                                                                                              4) No More Fun

                                                                                              Flying Moon In Space

                                                                                              Zwei

                                                                                                Leipzig, Germany-based experimental group Flying Moon In Space will release their second album, ‘ZWEI’, on June 24th. Due out via Fuzz Club Records and preceded by UK and EU tour dates through Spring/Summer, the latest album from the six-piece will arrive off the back of their highly-praised and sold-out self-titled debut album and a recent remix 12" that featured reworkings of tracks from the S/T album courtesy of kindred spirits Xiu Xiu, Suuns, A Place To Bury Strangers, Minami Deutsch, Camera and Warm Graves.

                                                                                                Where Flying Moon In Space's debut album was an extension of their live shows, long improv performances that would last hours at a time, the arrival of the Covid-19 pandemic and lockdown restrictions meant they were forced to reinvent their creative approach on its follow-up. Adopting the childhood game 'Stille Post' (or 'Telephone'), the six members would each send the demos around in a circle, recording a single line or changing up the tempo, until the songs took on a life of their own.

                                                                                                These demos were then taken into a studio deep in the forests of the Czech Republic and 'ZWEI' was born. "Musically it turned out to be somehow something completely new to us. As a result ZWEI has a more structured, poppy side compared to our debut, even though soundwise we opened up to more experimental layers - using synthesisers for the first time, as well as loops and field recordings of the church and surrounding forest. I guess generally you can say that the process behind this LP was manifold - testing out personal and aesthetic borders, and carrying on our idea of what Flying Moon In Space can be sonically.”

                                                                                                TRACK LISTING

                                                                                                1) Traum Für Alle
                                                                                                2) Optimist
                                                                                                3) This Exists
                                                                                                4) Power
                                                                                                5) The Day The Sun Was Made
                                                                                                6) Illl Ill Ill
                                                                                                7) Dissoziation
                                                                                                8) Prophet 

                                                                                                A staple of the global psychedelic scene, Lover has spent nearly a decade fine-tuning a broken, abstracted form of electronica that pools together a tapestry of trip-hop, synthesised krautrock, dub and dark ambient. Utilising an arsenal of samples, drum machine, analogue synths and live instrumentation, Lover’s is a kaleidoscopic sound that’s J-Dilla, DJ Shadow and Lee Scratch Perry by way of Brian Eno, Kraftwerk and Kluster. Central to Lover’s music is a desire to explore the fringes of psychedelic music and the common threads that run through its far-reaching styles, drawing elements from the past and connecting them to the future.

                                                                                                Through the years he has released a number of studio albums and beat tapes, remixed the likes of Osees and Night Beats, been resident DJ for the Levitation and Desert Daze festivals and collaborated with the likes of Goat, Anton Newcombe, Cairo Liberation Front and White Fence. Now, Lover returns with his latest studio album, ‘Cosmic Joke’ – a series of synthesised philosophical meditations on modern life, in all its tragicomic absurdity. "'Cosmic Joke' came from observing the rising, compounded absurdity in recent years and seeing structures of normalcy dissolving. It’s my attempt to view these things as part of a higher-order process, through a metaphysical lens rather than an ideological one. It’s been an exercise in holding the paradoxical relationship of comedy and tragedy, joy and pain, growth and decay, scale and decline as part of an interlocked system that, at a deep level, is essential to how we interface with the world.”

                                                                                                TRACK LISTING

                                                                                                Side 1
                                                                                                1. Stereoscopic View (5:39)
                                                                                                2. Parallel Pathways (2:46)
                                                                                                3. Cosmic Joke (4:12)
                                                                                                4. Ultimate Reality (Question) (1:50)
                                                                                                5. Infinite Impermanence (2:33)
                                                                                                6. Order From Chaos (4:26)
                                                                                                Side 2
                                                                                                1. Integrated Paradox (2:41)
                                                                                                2. Deep Time/Complex System (4:03)
                                                                                                3. A Very Mechanized Dance (3:07)
                                                                                                4. Experiential Feedback Loop (1:50)
                                                                                                5. Corresponding Contradiction (3:51)
                                                                                                6. Reverberative Relationship (2:56)
                                                                                                7. Linear Return Cycle (3:32)

                                                                                                Night Beats

                                                                                                Live At Valentine (RSD22 EDITION)

                                                                                                  THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                                                  Newly recorded live session on coloured vinyl.

                                                                                                  Slow Down

                                                                                                  Into The Machine Haus

                                                                                                    Slow Dawn is from Ottawa, Canada and have spent the past few years honing their craft with a series of self released titles, including 2020’s Experimental Farm, a rather angst-ridden and raw display of sonic power. They are led by guitarist Dan Druff, formerly of Holy Cobras, and are rounded out by Chris DiLauro on drums and Jesse Winchester (Masss) on bass and synthesizer. The band draws influence from the darker edges of the musical spectrum and places a majority of their energy on filling empty voids with as much sound as possible. Slow Dawn is a cacophony of reverberating distortion, swirls of echoing vocals, droning horns, and a steady din of plodding drums. Whether it’s Ottawa’s grim and cold winters or simply a sign of the times, the band’s sound is quite dystopian and is marked by a sense of solemn minimalism. It would be safe to say that with Slow Dawn, the glass is rarely half full.

                                                                                                    With six songs clocking in at about 22 minutes, Into the Machine Haus moves quickly and efficiently through a range of territories that include post-punk, psych, krautrock, noise, and even a little bit of goth. It’s a unique amalgamation of sound that demands attention. The band’s influences are easily read but integrated in a way that they escape the dreaded “sounds like” tag. And, to their credit, there are no wasted moments or frivolous meanderings. Their approach is straightforward, primal, and succinct. In the case of this album, less is definitely more. (Mike Mannix).

                                                                                                    The Janitors

                                                                                                    Noisolation Session Vol. 2

                                                                                                      In March 2020 The Janitors from Stockholm had their new album written and studio time booked in the north of Sweden - ready to unleash their latest shamanic fuzz meltdowns and follow up to the Horn Ur Marken album from 2017. Then corona hit and everything changed. The band figured they would go down into their own studio to work on those tunes some more until things passed over but instead they ended up recording other songs that turned into Noisolation Sessions Vol. 1 released in 2020 including some of the best songs The Janitors ever produced.

                                                                                                      The Jesus And Mary Chain

                                                                                                      Live At Barrowland - 2022 Reissue

                                                                                                        In November 2014 The Jesus and Mary Chain celebrated three decades of their incendiary cult-classic debut album, ‘Psychocandy’, with a run of tour dates in which the infamous Scottish group played the album in full for the very first time in the band’s history. As part of the ‘Psychocandy’ tour, the Mary Chain descended on Glasgow’s Barrowland Ballroom – a legendary venue down the road from where the Reid brothers grew up in neighbouring East Kilbride – and tore through the songs that would propel them to worldwide acclaim upon ‘Psychocandy’s release in 1985.

                                                                                                        The Barrowland performance – an equal-parts deafening and blinding assault on the senses – was cut to vinyl by engineer Noel Summerville and originally released in 2015. Fast forward to 2022 and the ‘Live at Barrowland’ album is now being reissued by Fuzz Club Records. 

                                                                                                        The influence that ‘Psychocandy’ and its pioneering sonic belligerence had on popular music cannot be overstated. Taking bittersweet pop melodies and tearing them up apart through the medium of buzzsaw guitars, ear-piercing feedback and an unapologetic hostility towards their listeners, the band’s breakthrough album experimented with noise in a way that had never been done before and would inspire for generations to come. The ‘Live At Barrowland’ LP captures ‘Psychocandy’s complete 14 tracks in a live setting and in all their boundary-pushing and feedback-ridden glory. The CD and digital versions of the reissue – including the download card that comes with the vinyl – also feature seven bonus tracks taken from the prelude set on the night, including such fan-favourites as ‘April Skies’, ‘Head On’ and ‘Reverence’.

                                                                                                        TRACK LISTING

                                                                                                        1. Just Like Honey – Live
                                                                                                        2. The Living End - Live
                                                                                                        3. Taste The Floor - Live
                                                                                                        4. The Hardest Walk - Live
                                                                                                        5. Cut Dead - Live
                                                                                                        6. In A Hole - Live
                                                                                                        7. Taste Of Cindy - Live
                                                                                                        8. Never Understand - Live
                                                                                                        9. Inside Me - Live
                                                                                                        10. Sowing Seeds - Live
                                                                                                        11. My Little Underground - Live
                                                                                                        12. You Trip Me Up - Live
                                                                                                        13. Something's Wrong - Live
                                                                                                        14. It's So Hard - Live

                                                                                                        The Jesus And Mary Chain

                                                                                                        Damage And Joy - 2022 Expanded Reissue

                                                                                                          Originally released in 2017 on the band’s own label Artificial Plastic and now being reissued by Fuzz Club Records, ‘Damage And Joy’ is the seventh studio album from Scottish alt-rock legends The Jesus and Mary Chain. The long-awaited follow-up to 1998’s ‘Munki’, ‘Damage And Joy’ was the band’s first studio album in nearly two decades and contained brand new material alongside reimagined versions of songs that had been released in various forms by the Reid brothers in between the Mary Chain’s 1999 break-up and 2007 reunion. Coproduced by Youth (Killing Joke) and featuring the lead singles ‘Amputation’ and ‘All Things Pass’, ‘Damage & Joy’ also featured guest appearances from Scottish singer-songwriter Isobel Campbell (‘The Two of Us’, ‘Song For A Secret’) and American alt-pop star Sky Ferreira (‘Black And Blues’).

                                                                                                          Included in this reissue and available on vinyl for the very first time is ‘Ono Yoko’ (originally only available on the Japanese CD version of the album), as well as alternative versions of ‘The Two Of Us’ featuring Sky Ferreira and ‘Black And Blues’ featuring Isobel Campbell.

                                                                                                          As Pitchfork wrote at the time of the album's release: “It will take more than a nearly twodecade recording hiatus to diminish the band’s intrinsic ultraviolet vibe. ‘Damage And Joy’ carries the reassurance that now, more than ever, The Jesus and Mary Chain are united in holy acrimony.”

                                                                                                          TRACK LISTING

                                                                                                          1. Amputation
                                                                                                          2. The Two Of Us (feat Sky Ferreira)
                                                                                                          3. All Things Pass
                                                                                                          4. Always Sad
                                                                                                          5. Song For A Secret (feat. Isobel Campbell)
                                                                                                          6. War On Peace
                                                                                                          7. Black And Blues (feat. Isobel Campbell)
                                                                                                          8. Los Feliz (Blues And Greens)
                                                                                                          9. Mood Rider
                                                                                                          10. Presidici (Et Chapaquiditch)
                                                                                                          11. Get On Home
                                                                                                          12. Facing Up To The Facts
                                                                                                          13. Simian Split
                                                                                                          14. Black And Blues (feat. Sky Ferreira)
                                                                                                          15. Ono Yoko
                                                                                                          16. The Two Of Us (feat Isobel Campbell)
                                                                                                          17. Can't Stop The Rock

                                                                                                          Ashinoa

                                                                                                          L'Orée

                                                                                                            At times percussive and dancey, at others hypnotic and cinematic, the largely synthesiser-driven soundscapes of 'L’Orée' feel both of the past and the future. It’s the sound of two different worlds – a record capable of being as primal and ritualistic as it is synthesised and digitally manipulated. Where the band’s prior minimal Krautrock (see their 2019 ‘Sinie Sinie’ LP) might have brought to mind cold, dark post-industrial cities, ‘L’Orée’s kosmische experimentalism takes you instead on an instrumental journey through the natural wilderness via the medium of shape-shifting psychedelic electronics.

                                                                                                            That ‘L’Orée’ explores a more natural and organic sound than heard on their previous releases owes largely to the environment it was made in. Recorded in a tucked-away house in the French countryside that bordered on a surrounding forest, Ashinoa recall sessions spent soaking up their surroundings with a number of collaborators coming in and out to perform on the record: “The house we recorded the album in was kind of in the middle of nowhere, surrounded by douglas pine trees.

                                                                                                            From this proximity to the forest, we wanted to take our soundscapes to a place we’ve never been before. Before we were surrounded by concrete, and then far from it. We were looking for a new listening place, to discover new intriguing sounds. We had laid down the basis of the album and then musician friends that would visit us at the time were invited to participate in the making of the album, each one of them bringing a touch of their own.” Since forming in 2015, the French five-piece comprised of Chris Poincelot, Matteo Fabbri, Jérémy Labarre, Paul Renard and Ghazi Frini have been at the forefront of the alternative scene in their home city of Lyon.

                                                                                                            Initially associated with the city’s Misère Records movement and collective, the band have now signed to London-based label Fuzz Club Records (Night Beats, Tess Parks, The Underground Youth) for their latest. It follows the band's debut 'Sinie Sinie' LP and a vinyl-only release of the 'Koalibi' single as part of Fuzz Club's Reverb Conspiracy compilation series. Having toured around France on a number of occasions Ashinoa have also through the years shared stages with the likes of Metz, Flamingods, Tomaga, Warmduscher, Bo Ningen, Kikagaku Moyo, Minami Deutsch, The Holydrug Couple and many more.

                                                                                                            TRACK LISTING

                                                                                                            1) Vermillion
                                                                                                            2) Koalibi
                                                                                                            3) Feu De Joie
                                                                                                            4) Space Cow
                                                                                                            5) Falling Forever
                                                                                                            6) Fuel Of Sweet
                                                                                                            7) Unknown To Myself
                                                                                                            8) Selvatica
                                                                                                            9) BAde BaidebSz
                                                                                                            10) Disguised In Orbit
                                                                                                            11) Yzmenet
                                                                                                            12) Outro

                                                                                                            Kandodo 4

                                                                                                            Burning The (Kandl)

                                                                                                              RIYL: The Heads, Loop, Popul Vuh, Parson Sound, Amon Duul, Neu!, Spacemen 3, Harmonia, Moon Duo, Carlton Melton, Fripp and Eno.

                                                                                                              kandodo was invited to play at the 2015 Roadburn Festival as part of The Heads residency. Robert Hampson from Loop/MAIN was also going to be at the festival and so it seemed a good opportunity for him to join kandodo for this gig along with Wayne and Hugo from The Heads (who are also the Loop rhythm section as well as part of kandodo). Rehearsals were set up in Bristol and the gig in Roadburn was a couple of nights later and that is the recordings gathered here for "Burning The (Kandl)" with running order changed to help fit over these 2 hefty slabs of vinyl. So get ready for a total immersive trip through a psychedelic vortex . A glorious head nodding voyage into inner space where the vast churning of fuzzy guitars / keys / bass and drums phase in and out of focus with your inner core.

                                                                                                              Released in an edition of 500 and pressed on heavy black vinyl - Burning The (Kandl) is presented in a special lenticular effect outer sleeve.

                                                                                                              Black Doldrums

                                                                                                              Dead Awake

                                                                                                                Originally a duo founded by Sophie Landers (drums/vocals) and Kevin Gibbard (guitar/vocals) but now recently fleshed out to a trio with Matt Holt joining on bass, Black Doldrums deal in a dark, shoegazing psych that melds gothic post-punk with a leather-clad rock’n’roll spirit. Produced by Jared Artaud (The Vacant Lots, Alan Vega), the ‘Dead Awake’ LP arrives following two sold-out EPs (most recently 2019’s ‘She Divine’), tours around the UK, EU and US and praise from the likes of Clash Magazine, New Noise Magazine, Louder Than War, Shindig and more.

                                                                                                                Having already cultivated a die-hard following in the psych underground, Kevin and Sophie set to work on their long-awaited debut album in 2020. Their original plans were to travel to New York to record the album with Jared Artaud of fellow label-mates The Vacant Lots however the pandemic and ensuing lockdowns and travel restrictions inevitably put a stop to that. Instead, they recorded the album in London with Artaud producing and mixing the album remotely from Brooklyn. “It made for an interesting collaboration as the distance could have been an obstacle”, Sophie recalls, “but it actually helped creativity as we were more inclined to stay in touch and have really decent phone calls at length discussing the songs in a lot of detail.

                                                                                                                We really enjoyed those conversations with Jared about music and all of our influences. I think you can hear on the record that it is a full collaboration.” The more collaborative effort of ‘Dead Awake’ finds Black Doldrums switching gears and adopting a cleaner, more precise creative approach than that of their earlier material: “The idea was to be absolutely brutal with our songs and cut them down to what we only felt was necessary. Up until this point we had been experimenting and were happy with what we had created but we no longer felt the need to hide behind too much reverb and an excessive amount of guitars. It still sounds like us but it has all the elements needed to stand the test of time.” The result is an album that feels colder and more stripped back – the effects are still there but stripped down to their fundamentals so that the songs themselves take precedence over any wall-of-sound deliria.

                                                                                                                TRACK LISTING

                                                                                                                1) Sad Paradise
                                                                                                                2) Into Blue
                                                                                                                3) Sleepless Nights
                                                                                                                4) Now You Know This
                                                                                                                5) Dreamcatcher
                                                                                                                6) All For You
                                                                                                                7) Runaway
                                                                                                                8) Sidewinder

                                                                                                                Warm Graves

                                                                                                                Ease

                                                                                                                  Arriving seven years on from their 2014 debut album ‘Ships Will Come’, Warm Graves (the moniker of Leipzig-based composer Jonas Wehner) return with their second studio album, ‘Ease’, on Fuzz Club Records. This seven-year gestation between the two albums brings with it a transformation in the creative process of Warm Graves, much like the human body exchanges its cells every seven years – our human bodies being both the same and wholly other. “For me, ‘Ease’ always comes back to the idea of transformation”, Wehner says: “In this case, from struggle to ease, choirs to whispers, rush to patience, light to dark. Those 7 years didn’t pass lightly. Life took a lot of turns and I had a lot to learn. It’s all in there compressed in 9 tracks.”

                                                                                                                  Where 2014’s ‘Ships Will Come’ dealt in ethereal, dream-like atmospherics guided by an operatic choir, ‘Ease’ offers a collection of harsher, more experimental electronic works touching on dark ambient drone, austere coldwave and synthesised kosmische musik. The transitions in this new album are more violent than before, expressing the difficult personal and social upheavals of its composition period. The choir is now absent and Wehner’s own voice assumes a more central, hypnotic stance. The soundscapes of the first album make way for something darker and a concentration of melody into a single voice – a voice no longer collective, but embodying both isolation and intimacy. "I've lit my own fate", Wehner sings in ‘Sun Escape’. A fate which he firmly places under the microscope across this album.

                                                                                                                  Warm Graves was brought to life by Jonas Marc Anton Wehner in 2012. In the years following the release of their epic 2014 debut ‘Ships Will Come’, Warm Graves soon found themselves touring with the likes of Exploded View and Moon Duo and sharing stages with The Soft Moon, Crystal Stilts, Efterklang and Moonface, among many others. As well as headline tours around Europe of their own, they’ve also appeared at such international festivals as The Great Escape, ATP, Iceland Airwaves, Roskilde and Eindhoven Psych Lab. Having spent the last few years quietly working on ‘Ease’ in the shadows, Warm Graves is now emerging once again as both a live and recording force – and doing so with a new live band, new album and reissue of ‘Ships Will Come’ (also released via their new label Fuzz Club Records) in tow.

                                                                                                                  TRACK LISTING

                                                                                                                  1) Atoria
                                                                                                                  2) Black Wine
                                                                                                                  3) Neon
                                                                                                                  4) Sun Escape
                                                                                                                  5) Cara
                                                                                                                  6) Deliria
                                                                                                                  7) Nightfall/Daylight
                                                                                                                  8) Ease
                                                                                                                  9) Sound Sleeper

                                                                                                                  Flying Moon In Space

                                                                                                                  Remix EP

                                                                                                                    Following the release of their self-titled debut album in December 2020, Flying Moon In Space – a Leipzig-based group that deal in an experimental melting pot of psychedelic pop, krautrock, techno and math-rock – are now releasing a new EP made up of remixes of tracks from the debut album by the likes of Xiu Xiu, Suuns, A Place To Bury Strangers, Minami Deutsch, Camera and Warm Graves.

                                                                                                                    On the new EP, which is released digitally and on 12" vinyl by London-based label Fuzz Club, Jamie Stewart of prolific American experimental group Xiu Xiu pushes the industrial 4/4 psych of 'Faces' to IDM extremes, Brooklyn noise-rock heavyweights A Place To Bury Strangers give 'The Observer' a feedback-blasted redux and Montreal art-rockers Suuns turn 'Steam Water Solid' into an 81-second assault on the senses. Elsewhere, German group Camera transform 'Where Lovers Meet' into a piece of hedonistic synthesised krautrock and Japanese band Minami Deutsch inject the sinister 'Ardor' with a motorik dark disco groove. Closing the EP is a beautifully slow-burning and atmospheric reworking of 'Baustelle' courtesy of fellow Leipzig experimentalists and Fuzz Club label-mates Warm Graves.

                                                                                                                    TRACK LISTING

                                                                                                                    1) Flying Moon In Space - Where Lovers Meet (Camera Remix)
                                                                                                                    2) Flying Moon In Space - Faces (Xiu Xiu Remix)
                                                                                                                    3) Flying Moon In Space - The Observer (A Place To Bury Strangers Remix)
                                                                                                                    4) Flying Moon In Space - Ardor (Minami Deutsch Remix)
                                                                                                                    5) Flying Moon In Space - Steam Water Solid (Suuns Remix)
                                                                                                                    6) Flying Moon In Space - Baustelle (Warm Graves Remix)

                                                                                                                    The Band Whose Name Is A Symbol

                                                                                                                    Ensemble 2016

                                                                                                                      Cardinal Fuzz are pleased to bring your way The Band Whose Name Is A Symbol – Ensemble 2016. Eight players made up the iteration of the always mutating ensemble cast, who were as follows for this recording - John Westhaver, Nathaniel Hurlow, Bill Guerrero, Jason Vaughan, Dave Reford, Scott Thompson, Mark McIntyre and Eric Larock.

                                                                                                                      The session for Ensemble went down at their spiritual home of Birdman Sound in Ottawa in August 2016 where what you hear on record was recorded direct from the floor (and mastered/tweaked by Chris Hardman).
                                                                                                                      The whole session (and note this is an edit to fit the constraints of vinyl) - flies by with a reckless, organic abandon, as at times 8 players fly off in different dynamic directions of abstract playing and improvisation with trumpet player Scott Thompson much to the fore and blowing wild. At times the feel of this recording is like a collision between a 70s album on the German Sky transported to a San Franciscan Ballroom is ’68 as the audience are peaking on ‘Orange Sunshine’ as Ensemble finishes up like a beautiful trip, well taken.

                                                                                                                      Sei Still

                                                                                                                      Fuzz Club Session

                                                                                                                        Arriving right off the back of their second album 'El Refugio' which was released in November 2021 via Fuzz Club Records, Mexican post-punk/krautrock group Sei Still are back with a 'Fuzz Club Session' LP that's due out January 21st 2022. Having upped sticks from Mexico City to Berlin, Sei Still's Fuzz Club Session was recorded live at Berlin's Monoton Studio back in October 2020 and is comprised of five tracks from the newly-released 'El Refugio' LP: 'Esperando' (later titled 'Saldados Caidos' on 'El Refugio'), 'Hombre Animal', 'Las Puertas De La Noche', 'Me Persigue' and 'Se Asoma el Sol' (later 'Solsticio'). 'El Refugio' and the session LP set to be released in support capture a new era for Sei Still. The expansive Krautrock jams heard on their 2020 self-titled debut have evolved into a dark, motorik post-punk sound that owes far more to 70s punk, goth-rock and Spanish New Wave than any kosmische travellers. The session is released on 180g black or white vinyl with a printed inner sleeve and is accompanied by a series of videos recorded during the session.

                                                                                                                        TRACK LISTING

                                                                                                                        1) Esperando (Saldados Caidos)
                                                                                                                        2) Hombre Animal
                                                                                                                        3) Las Puertas De La Noche
                                                                                                                        4) Me Persigue
                                                                                                                        5) Se Asoma El Sol (Solsticio)

                                                                                                                        Warm Graves

                                                                                                                        Ships Will Come

                                                                                                                          'Ships Will Come' is the highly acclaimed debut album from Leipzig, Germany-based outfit Warm Graves. On the LP, Warm Graves deliver surreal, dream-like atmospherics that are underpinned by repetitive, organic rhythms and echoing vocals, performed by a self-taught choir composed of a collective of friends. Across the seven perfectly structured and interwoven tracks, Warm Graves create a sci-fi soundtrack that manages to be as gorgeously mesmerising and ethereal as it is anthemic and empowering. Originally released in 2014, the album is now being reissued by their new label home, the London-based Fuzz Club Records. Having spent the last few years out of sight and quietly working on new music, Jonas Wehner’s Warm Graves have now completed their long-awaited second album which is set to be released via Fuzz Club in 2022. Until then, their fantastic debut, ‘Ships Will Come’, is now available to stream/download on all digital platforms once again and will have a vinyl reissue arriving on December 3rd. Warm Graves have previously toured with Exploded View and Moon Duo and also supported The Soft Moon, Crystal Stilts, Efterklang and Moonface.

                                                                                                                          TRACK LISTING

                                                                                                                          1) Ravachol
                                                                                                                          2) Penumbra
                                                                                                                          3) Cold Women
                                                                                                                          4) Ships Will Come
                                                                                                                          5) Best Ezra
                                                                                                                          6) Headlines
                                                                                                                          7) Rouleaux 

                                                                                                                          Electric Eye

                                                                                                                          Horizons

                                                                                                                            To quote the famous French marine explorer Jacques Cousteau, Electric Eye’s ‘Horizons’ LP sees the Norweigian psych-rock group venture into the depths of “a different kind of music, the sounds from the ocean floor.” Spending a week locked away from civilization in a lighthouse on the tiny Norweigian island of Utsira, Electric Eye’s new album ‘Horizons’ is a record “inspired by volcano eruptions, sub-sea adventures and the raw power of the surrounding sea.” The result is an album of oceanic psychedelic rock wig-outs that submerge the listener in a whirlpool of hypnotic space-rock, kosmische garage-blues, dystopian acid-prog and experimental electronics.

                                                                                                                            ‘Horizons’, their fourth full-length to date, is the follow-up to the Bergen-based band’s critically acclaimed 2017 LP, ‘From The Poisonous Tree.’ Since forming in 2012, Electric Eye have released three studio albums and two live albums and toured heavily around Scandinavia, Europe, the UK, the Middle East, Japan and the US. They’ve also shared stages with the likes of Michael Rother (Neu), Wire, Hawkwind and Endless Boogie and played at a number of international festivals, including Roskilde, The Great Escape, Eurosonic, Icelandic Airwaves and two stops at SXSW. Returning to London-based label Fuzz Club for the ‘Horizons’ LP, Electric Eye first started working on the new album back in June 2018 when they retreated to Utsira, a small island located 70km off the coast of Norway and surrounded by notoriously unpredictable and tough waters. Here, they spent a week jamming day and night in the island’s lighthouse.

                                                                                                                            “Our only audience were the seagulls and some lost bird-watchers wondering where these strange noises were coming from,” the band recall: “We were surrounded by an unusually quiet ocean, almost eyeballing us waiting for the next eruption. The wild nature was omnipresent and could not be ignored as jam sessions got more intense and songs started to materialise. In our coffee breaks we were watching documentaries like ‘Into the Inferno’ by Werner Herzog and old explorer series by Captain Jacques Cousteau and the rest of the crew at the Calypso. The epic commentaries of Herzog and Cousteau were included in the jams to add to the vibe, and some of the sounds are still present on the final record. After a week off the grid we returned to civilization with hours of recordings inspired by volcano eruptions, sub-sea adventures and the raw power of the surrounding sea.”

                                                                                                                            TRACK LISTING

                                                                                                                            1) En Bekymringsfri Koloni
                                                                                                                            2) Last Call At The Infinity Pool
                                                                                                                            3) The Sleeping Sharks
                                                                                                                            4) Our Water Is On Fire
                                                                                                                            5) Put The Secret In Your Pocker
                                                                                                                            6) Lighthouse Rock
                                                                                                                            7) Den Atomosfaeriske Elven
                                                                                                                            8) The Singularity

                                                                                                                            Nudity

                                                                                                                            Is Gods Creation

                                                                                                                              A retrospective release of recordings dating from 2005 to 2010 of orgasmic interstellar mayhem . Reissued and for the first time available domestically in the USA

                                                                                                                              In 2004, a commune named NUDITY, formed by four travellers from the astral plane, appeared in Olympia, Washington. The founding members were Dave HARVEY (guitar) and Jon Quitty QUITTNER (bass - though Josh Haynes of the mighty guitar fuzz scorchers Feral Ohms plays bass on the majority of the tracks featured here), both of whom were former guitarists of Tight Bros From Way Back When and Eryn ROSS (drums) from Growling, A couple of self-distributed Cdrs and a 12” on Discourage were a visual akin to coloured liquid sloshing around on a transparency machine and were a pure drip feed for psych /kraut and Jap Rock fiends around the world as Julian Cope and Terrascope raved about them. Alas for whatever reason no full length LP arrived from the original line up - something that at last has been rectified as now all these tracks have been brought together (along with some unreleased gems and a couple of live bonus download tracks). The sonic ear candy contained within the 4 sides of vinyl presented here go From Detroit fuzz blazing face melters to acid trippin' head swirling raga’s via The Flower Travelin’ Band and Hawkwind. Nudity were the masters and for those that missed out the first time this double album was released - Don't make the same mistake a second time.

                                                                                                                              Terrascope gushed about Nudity - "This is seriously fucking good; one of those quite literally extra-ordinary LPs that come along every once in a while which you just know instinctively are going to be dug out and played, sniffed and caressed for years"

                                                                                                                              The Underground Youth

                                                                                                                              Beautiful & Damned - Reissue

                                                                                                                                Fuzz Club Records are reissuing the ‘Beautiful & Damned’ EP from The Underground Youth, the Blackpool-born and now Berlin-based band led by musician, poet and author Craig Dyer. A homage to the F. Scott Fitzgerald book of the same name, the 4 track EP confirmed Dyer’s obsession for the darker side of literature and poetry of the last two centuries, as well as his early DIY approach. Rigorously recorded in the band’s home studio with the help of producer James Shillito in early 2014, ‘Beautiful & Damned’ acted as a preview to their 2015 ‘Haunted’ LP. It was the first TUY material featuring synth and electronic equipment and also represented a significant shift to a much darker sound and lyrical content, as anticipated by their first single/video ‘Naked’ – a fan-favourite to this day that exhibits a perfect encounter between the atmospheres of the Cocteau Twins and the early Creation Records sound. The 2021 reissue of the EP comes on a coloured 10” with remastered audio.

                                                                                                                                TRACK LISTING

                                                                                                                                1) Behind
                                                                                                                                2) Damned
                                                                                                                                3) Naked
                                                                                                                                4) Shadow

                                                                                                                                The Underground Youth

                                                                                                                                Low Slow Needle - Reissue

                                                                                                                                  To celebrate its ten-year anniversary, Fuzz Club Records are reissuing The Underground Youth’s 2011 ‘Low Slow Needle’ EP on 10” vinyl with remastered audio. ‘Low Slow Needle’s hauntingly minimal, neo-psychedelic melancholy provides a more lo-fi snapshot of the now-Berlin-based band’s earlier days – when The Underground Youth was more of a DIY solo endeavour for Blackpool-born musician Craig Dyer, as opposed to the much-adored, full-band, international touring force that it is now. Looking back on ‘Low Slow Needle’, Dyer said: “The EP was recorded in September 2011, I had just returned to the UK from St. Petersburg where Olya [now drummer in The Underground Youth] and I had just got married.

                                                                                                                                  Olya had to stay in Russia to finalise her paperwork before we would move into our first home together in Manchester. It was a difficult time, being apart after just getting married, and so I distracted myself by working on these songs that would become the Low Slow Needle EP. It was sort of my love letter to that period, looking back and also looking to the future. I worked closely with mine and Olya's friend in St. Petersburg, Daria Xenofontova, who gave her beautiful voice to my words and featured on three of the most popular songs on the EP, 'Midnight Lust', 'Addiction' and 'Blue'. These three songs still remain popular with our fans, who still request we play them live to this day.” When compared with the cinematic folk-noir heard on the band’s tenth album, the newly-released ‘The Falling’ (2021), what we find here captures a more stark and stripped-back The Underground Youth as the project was about to come out of its embryonic phase: “All five tracks were recorded in my bedroom and I really wanted to strip back the sound, to give a romantic feel of that period for me. To consider it 10 years on, it feels like the beginning to the next step of the journey, my life in Manchester with Olya, making contact with Casper at Fuzz Club and signing up with the label (this came just after the release of Low Slow Needle) and us putting together the first incarnation of TUY's live band (again this followed the release of the EP). So, in a way, this record marked the end of the first era of The Underground Youth, and in doing so, paved the way for the next.”

                                                                                                                                  TRACK LISTING

                                                                                                                                  1) Midnight Lust
                                                                                                                                  2) On Your Screen
                                                                                                                                  3) Addiction
                                                                                                                                  4) Blue
                                                                                                                                  5) Witchcraft

                                                                                                                                  The Gluts

                                                                                                                                  Ungrateful Heart

                                                                                                                                    ‘Ungrateful Heart’ is the fourth album from Milan-based group The Gluts. Whilst their previous releases traded in an explosive psychedelic noise-rock, ‘Ungrateful Heart’ sees the Italian four-piece hone in a more post-punk-indebted sound. Although no less abrasive and confrontational in its utlising of ear-piercing feedback and hard-hitting riffs, the band say that the songs here primarily take cues from the likes of Fugazi, Gang of Four, the PiL-Pistols canon and the Campana brothers’ long adoration of Italian and American hardcore punk. The album arrives off the back of 2019’s ‘Dengue Fever Hypnotic Trip’ LP and tours and festival dates around the UK, Europe and South Africa.

                                                                                                                                    Laid down over a tireless week living side by side and working in the studio around the clock, The Gluts – comprised of Claudia Cesana (bass/vocals), Dario Bassi (drums) and Nicolò and Marco Campana (vocals/synths and guitar, respectively) – recorded ‘Ungrateful Heart’ with Dutch producer and close collaborator Bob de Wit (A Place To Bury Strangers, Gnod, The Sonics). On the sessions, the intensity of which is mirrored in the fierce uncompromising attitude of the music itself, the band said: “Bob’s contribution to this album was essential. He pushed us beyond our limits. It was difficult, we can’t hide it, but it really was worth it.” Although the album is still shot through with moments of lacerating noise-rock ('Mashilla' and 'Eat Acid See God'), songs like 'Love Me Do Again' and 'Bye Bye Boy' deal in a timeless hedonistic punk sound. Elsewhere, the politically charged 'Breath' and 'FYBBD' see The Gluts turn their sonic belligerence towards fascists and systemic racial violence to rallying effect.

                                                                                                                                    TRACK LISTING

                                                                                                                                    1) Mashilla
                                                                                                                                    2) Love Me Do Again
                                                                                                                                    3) Black Widow
                                                                                                                                    4) Breath
                                                                                                                                    5) Leyla, Lazy Girl From The Moon
                                                                                                                                    6) Something Surreal
                                                                                                                                    7) Ciotola Di Satana
                                                                                                                                    8) Bye Bye Boy
                                                                                                                                    9) FYBBD
                                                                                                                                    10) Eat Acid See God

                                                                                                                                    10 000 Russos

                                                                                                                                    Superinertia

                                                                                                                                      Portuguese experimental trio 10 000 Russos are gearing up for the release of their fifth album ‘Superinertia’, which is due out September 10th on Fuzz Club Records. Following on from 2019’s ‘Kompromat’ LP and tour dates around the UK, Europe and Mexico in support, the Porto-based band describe ‘Superinertia’ as a record addressing the “state of inertia that humans live in the West nowadays. It isn’t a record about the past or future. It’s about now.” For all that ‘Superinertia’ might take aim at a world without motion, however, the same cannot be said of 10 000 Russos themselves.

                                                                                                                                      On the one hand, since their 2013 debut LP and the three that have followed on Fuzz Club since (2015’s self-titled, 2017’s ‘Distress Distress’ and ‘Kompromat’), 10 000 Russos’ music has always been about as kinetic as it gets: a truly unrelenting and motorik sonic force. On the other hand, ‘Superinertia’ also sees the band itself move into whole new musical territories – aided especially by the recent addition of synth player Nils Meisel to the line-up (who replaces former bassist André Couto.)

                                                                                                                                      “The synths really opened up the sound of the band and gave more routes for the music to journey down. The most important thing on this album was to not repeat ourselves. A new arc in our sound is coming to life”, drummer and vocalist João Pimenta explains. On said arc, the Russos sound is expanded to include moments that invoke Ry Cooder’s ‘Paris, Texas’ soundtrack (‘Mexicali/Calexico’), dancey outbursts that transport you to the 90s Summer of Love (‘Super Inertia’), the closest thing Russos have ever done to a pop song (‘A House Full of Garbage’) and even a touch of banjo (albeit one that sounds like a country band on amphetamines playing over a feedback-blasted Stooges beat.)

                                                                                                                                      TRACK LISTING

                                                                                                                                      1) Station Europa
                                                                                                                                      2) Saw The Damp
                                                                                                                                      3) Super Inertia
                                                                                                                                      4) A House Full Of Garbage
                                                                                                                                      5) Mexicali / Calexico

                                                                                                                                      JuJu

                                                                                                                                      Fuzz Club Session

                                                                                                                                        Juju is the brainchild of Sicilian multi-instrumentalist Gioele Valenti (Lay Llamas, Herself) and this Fuzz Club Session LP finds Valenti and band (Vincenzo Schillaci, Simone Sfameli) storming through four tracks at I Candelai in Palermo, Italy. The resulting session is released as a series of videos and pressed on vinyl.

                                                                                                                                        Due for release August 13th on London-based label Fuzz Club, the session comprises two tracks from their 2017 second album 'Our Mother Was A Plant' ('In A Ghetto' and 'And Play A Game') and two from 2019's 'Maps and Territory' LP ('Master and Servants' and 'Motherfucker Core'). Juju's worldly, genre-bending experimentalism fuses psychedelia, new wave and krautrock with touches of afrobeat, funk and zamrock and it's in a live setting, such as that captured here, where that captivating blending of sounds is at its most spellbinding and hypnotic.

                                                                                                                                        Juju's Fuzz Club Session (the latest in a series which has previously included the likes of A Place to Bury Strangers, Night Beats, Holy Wave, The Entrance Band and more) makes all too clear why the band have been praised as one that "resets the coordinates and makes the past seem startling new again" (The Quietus).

                                                                                                                                        TRACK LISTING

                                                                                                                                        1) In A Ghetto - Live
                                                                                                                                        2) Master And Servants - Live
                                                                                                                                        3) Motherfucker Core - Live
                                                                                                                                        4) And Play A Game - Live

                                                                                                                                        King Gizzard & The Lizard Wizard

                                                                                                                                        Live In Adelaide '19 (Fuzz Club Official Bootleg)

                                                                                                                                          Both box sets include 62x62cm poster. Artwork and remaster exclusive to Fuzz Club Bootlegs. The live album was recorded when the prolific Australian psych-rock group descended on Thebarton Theatre in Adelaide, Australia on July 12th 2019. This career-spanning live album sees the band storm through tracks from ‘Chunky Shrapnel’, ‘Infest The Rats Nest’, ‘Fishing for Fishies’, ‘I’m In Your Mind Fuzz’, ‘Flying Microtonal Banana’, ‘Polygondwanaland’, and ‘Float Along - Fill Your Lungs’. This ‘Live In Adelaide 19’ bootleg is remastered by Brett Orrison (Jack White, The Black Angels, Roky Erickson) exclusively for Fuzz Club and arrives as a hand-numbered triple LP box-set with exclusive artwork.

                                                                                                                                          TRACK LISTING

                                                                                                                                          1) Evil Star
                                                                                                                                          2) Planet B
                                                                                                                                          3) Mars For The Rich
                                                                                                                                          4) Venusian 1
                                                                                                                                          5) Cyboogie
                                                                                                                                          6) Real’s Not Real
                                                                                                                                          7) Hot Water
                                                                                                                                          8) Open Water
                                                                                                                                          9) Sleep Drifter
                                                                                                                                          10) Billabong Valley
                                                                                                                                          11) The Bird Song
                                                                                                                                          12) Inner Cell
                                                                                                                                          13) Loyalty
                                                                                                                                          14) Horology
                                                                                                                                          15) Plastic Boogie
                                                                                                                                          16) Organ Farmer
                                                                                                                                          17) Self-Immolate
                                                                                                                                          18) Head On/Pill

                                                                                                                                          Cult Of Dom Keller

                                                                                                                                          They Carried The Dead In A U.F.O

                                                                                                                                            Cult of Dom Keller will release their fifth album, ‘They Carried The Dead In A U.F.O’, on May 21st via Fuzz Club Records. Since 2007 the British band have been leaving a trail of sonic fever dreams, dark psychedelia and experimentalism that beats with a heavy industrial heart and the forthcoming LP sees them conjuring their heaviest and most adventurous work to date. Channelling recent limitations and turning them to their advantage, Cult of Dom Keller found themselves radically altering their creative approach and morphing their sound into a whole new beast. On this LP the band hone in on an industrial noise-rock sound that is pushed to the brink. On 'They Carried The Dead In A UFO', the band said: “We managed to create our most experimental and exciting album to date without being in the same room together. U.F.O. was recorded, mixed and produced by ourselves, meaning we had total control over every noise on the record.

                                                                                                                                            This was the exact record we wanted to make: Experimental and playful; moments of light and pure dark... we wanted to f*ck with the listener and pull them in with moments of beauty and chaos. We hope you enjoy the trip!” Cult of Dom Keller have long been at the forefront of the contemporary British psych scene but their notorious reputation also extends much further afield too. They’ve done several tours around the UK, Europe and US and shared the stage with greats like Roky Erickson, Spectrum, Silver Apples and The Sisters of Mercy, as well as contemporaries like The Black Angels, Fat White Family, Sleaford Mods and Temples.

                                                                                                                                            TRACK LISTING

                                                                                                                                            1) Run From The Gullskinna
                                                                                                                                            2) Lyssa
                                                                                                                                            3) Cage The Masters
                                                                                                                                            4) She Turned Into A Serpent
                                                                                                                                            5) Infernal Heads
                                                                                                                                            6) Psychic Surgery
                                                                                                                                            7) Amazing Enemy
                                                                                                                                            8) Last King Of Hell

                                                                                                                                            Night Beats

                                                                                                                                            Outlaw R&B

                                                                                                                                              Following the recent ‘That’s All You Got’ 7”, Night Beats’ latest long-player lands May 4th via Fuzz Club Records. Made during the height of the California wildfires (where Danny now resides), rioting in the streets and a nation in lockdown, ‘Outlaw R&B’ deals in a psychedelic and R&B-infused garage-rock sound that’s “bathed in post-apocalyptic bliss”.

                                                                                                                                              STAFF COMMENTS

                                                                                                                                              Barry says: You're always in good hands with Fuzz Club, and this latest Night Beats LP is a perfect example. Though there is a noteable country influence to the sound, it's a distinctly psychy affair and perfectly toes the line between bombastic, heavy riffs and shimmering melodic Americana. Brilliantly evocative and endlessly stirring, another classic from Night Beats.

                                                                                                                                              TRACK LISTING

                                                                                                                                              SIDE A

                                                                                                                                              1. Stuck In The Morning
                                                                                                                                              2. Revolution
                                                                                                                                              3. New Day
                                                                                                                                              4. Hell In Texas
                                                                                                                                              5. Thorns
                                                                                                                                              6. Never Look Back (feat. Robert Levon Been)

                                                                                                                                              SIDE B

                                                                                                                                              1. Shadow
                                                                                                                                              2. Crypt
                                                                                                                                              3. Cream Johnny
                                                                                                                                              4. Ticket
                                                                                                                                              5. Holy Roller

                                                                                                                                              Dead Sea Apes & Black Tempest

                                                                                                                                              Sun Behind The Sun

                                                                                                                                                Cardinal Fuzz and Feeding Tube Records are proud to present a long awaited reissue of Dead Sea Apes & Black Tempest – The Sun Behind The Sun. This re-issue is presented in a reflective Mirri Board reflective outer sleeve. Manchester’s Dead Sea Apes and Godalming’s Black Tempest engage in a mind meld of galactic proportions on this; both band’s first outing on vinyl.

                                                                                                                                                Both entities weave together seamlessly as Grey Alphabets recalls Goblin’s giallo soundtracks, whilst Wilder Penfield pulses with post-punk metal-loid Harmonia kraut vibes. Side 2 is given over to the 25+minute Heliopause - a dubby astral meditation, where Oneida meet Tangerine Dream in an elongated Komische drift. For fans of: Harmonia, Oneida,Goblin, Mogwai, Tangerine Dream.

                                                                                                                                                Saccades

                                                                                                                                                Flowing Fades

                                                                                                                                                  As with all Fuzz Club releases this is for Indies only. ‘Flowing Fades’, the second Saccades album from The KVB’s Nicholas Wood, is due for release April 9th on Fuzz Club Records. Where Wood’s work in The KVB (Invada Records) trades in minimalist postpunk/coldwave, the Manchester-based artist’s solo material under the Saccades moniker is an exercise in escapist psychedelic pop. On ‘Flowing Fades’ we find a world of blissed-out synths, languid carefree guitars, dreamy vocals and influences that range from J.G. Ballard and Serge Gainsbourg to 80s dream pop and yacht-rock. “I began to properly work on this album after returning from The KVB’s North American Tour in late 2019, my head filled with new inspiration for this project and a clear idea on how this album should sound”, Wood remembers: “I wanted to create something soothing and immersive. Music for escapism, which can be listened to at sunrise or sunset. Even though it’s lighter and mellower than my usual output, I feel like there are strong hints of melancholia in there too, reflecting the world in which it was created.” With the bulk of the album written whilst Wood was cooped up in his apartment over lockdown, the album inevitably reflects the social unrest that was unfolding outside - touching on everything from lockdown paranoia and fractured relationships to missing life on the road.

                                                                                                                                                  TRACK LISTING

                                                                                                                                                  1) Islands Past
                                                                                                                                                  2) On Your Mind
                                                                                                                                                  3) All Divided Selves
                                                                                                                                                  4) Like Everyday
                                                                                                                                                  5) Tonight We Can Expect The Same
                                                                                                                                                  6) Breezy
                                                                                                                                                  7) Day Dreamer
                                                                                                                                                  8) Older Than Tomorrow
                                                                                                                                                  9) Heat
                                                                                                                                                  10) Endless Spring
                                                                                                                                                  11) Flowing Fades
                                                                                                                                                  12) Lady Blue

                                                                                                                                                  Mt. Mountain

                                                                                                                                                  Centre

                                                                                                                                                    Australian five-piece Mt. Mountain will release their fourth album, ‘Centre’, on February 26th 2021 via London’s Fuzz Club Records. Hailing from Perth, Australia, Mt. Mountain deal in a sprawling, motorik psychedelic rock sound that journeys between tranquil, drone-like meditations and raucous, full-throttle wig-outs that’ll blow your mind as much as your speakers. Taking cues from Krautrock pioneers like Neu! and Can whilst existing in a similar world to contemporaries like Moon Duo, Kikagaku Moyo and Minami Deutsch, Mt. Mountain are formidable torchbearers of the minimal-ismaximal tradition. Musically, the band’s sound is born out of long improvised jams so naturally much of the album was recorded live to capture the band at their most freewheeling.

                                                                                                                                                    Growing up surrounded by religion but not a follower himself, Stephen Bailey (vocals / organ / flute) describes how, thematically, much of ‘Centre’ is a dissection of faith – both spiritual and secular – and his personal, often complicated relationship to it: “The album for me, lyrically, is mostly about my experience of religion. It explores these concepts and the rules that were told to me from childhood to adulthood and my thoughts on my own connection to them. Similar themes arise between the tracks whether it be lyrically or structural, both a play on repetition and simplicity.” With a number of EPs and singles and three albums behind them – their 2016 debut ‘Cosmos Terros’, 2017’s ‘Dust’ and 2018’s ‘Golden Rise’ – the Perth quintet have picked up a formidable reputation in their homeland and further afield, thanks especially to their wildly all-consuming live shows. Constantly touring across Australia with each release, they’ve also shared the stage with notable down-under comrades like King Gizzard & The Lizard Wizard and ORB, as well as a long list of international heavy-hitters including Sleep, MONO, Thee Oh Sees, Acid Mothers Temple and Moon Duo.

                                                                                                                                                    TRACK LISTING

                                                                                                                                                    1) Tassels
                                                                                                                                                    2) Hands Together
                                                                                                                                                    3) Dawn
                                                                                                                                                    4) The List
                                                                                                                                                    5) Two Minds
                                                                                                                                                    6) Aplomb
                                                                                                                                                    7) Peregrination
                                                                                                                                                    8) Second Home
                                                                                                                                                    9) Deluge

                                                                                                                                                    Lumerians

                                                                                                                                                    Fuzz Club Session

                                                                                                                                                      Up until disbanding last year announced via a social media post saying they “were off to get some smokes” Oakland cosmonauts Lumerians were one of the most prolific and genre-bending bands to reside on the outer edges of contemporary psychedelia. Since their formation 2006 they went on to tour around the world and share the stage with everyone from My Bloody Valentine to Killing Joke and Black Moth Super Rainbow. Constantly evolving, their sound has been known to journey from synthesised ambient excursions to far-out space-rock and kosmische post-punk, often dabbling with touches of dub, free jazz and the works. What might very well be the final Lumerians LP comes in the shape of a new live session recorded for Fuzz Club Records when the band stopped off in London as part of a European tour in 2019. Recorded live at Love Buzz Productions and pressed to 180gm vinyl, Lumerians’ Fuzz Club Session LP is comprised of four tracks, new and old. 'Longwave' and 'Corkscrew Trepanation' are lifted from the band's 2011 Partisan Records-released 'Transmalinna' LP and their 2008 self-titled debut EP, respectively.

                                                                                                                                                      On this record, though, we hear the songs take on a whole new life: "Both of these songs had mutated into different animals over the years and were frequently played together as a finale during our live shows. We wanted to document their transformation since we really liked what they had become", the band reflect. As well as those reimagined Lumerians cuts, the Fuzz Club Session also features two previously unreleased jams. They describe 'Light The Beacon' as "a snapshot of a piece of music we had been using to open our shows for tours in 2018 and 2019. It started as a simple oscillator drone that would lead into the first song but eventually became a song in and of itself.

                                                                                                                                                      The song never really had a name, but since we used it as a way to signal the show was beginning and draw people towards the stage, 'Light the Beacon' seemed appropriate for this version." 'Transmission Overture', on the other hand, was a spontaneous composition that they'd never played before and haven't since: "This is basically the process by which we wrote all of our songs. We'd record our improvisations, listen back and then select the parts that stood out most and learn how to play it again. Some seemed so fully formed out of the gate that we'd call them "transmissions" as documented on our 'Transmissions from Telos' EP series.

                                                                                                                                                      TRACK LISTING

                                                                                                                                                      1) Light The Beacon
                                                                                                                                                      2) Transmission Overture
                                                                                                                                                      3) Corkscrew Trepanation
                                                                                                                                                      4) Longwave

                                                                                                                                                      Undergound Youth

                                                                                                                                                      The Falling

                                                                                                                                                        The Underground Youth is a Manchester-born, Berlin-based group led by Craig Dyer that, on March 12th 2021, will release their tenth album, ‘The Falling’, via Fuzz Club Records. The new full-length sees Craig and band trade their acerbic post-punk melancholy for a more refined and stripped-back sound that, instead, enters the world of romantic, shadowy folk-noir. A marked departure from the primal intensity often heard on the band’s previous work, ‘The Falling’ showcases a softer, more cinematic musical landscape shaped by acoustic guitars, piano, accordion and a heavy presence of violin and string arrangements. It’s not just the instrumentation and atmospherics that have undergone a transformation on this record, it is also Craig’s most sincere and introspective work to date. “Lyrically this album finds me at my most honest and autobiographical. I still shroud the reality of what I have written within something of a fictional setting, but the honesty and the romance that shines throughout the record is more sincere than it has been in my previous work. The idea was to strip back the band to allow for lyrical breathing space”, Craig reflects on the album.

                                                                                                                                                        With the original plans of heading into the studio upon their return from their 2020 USA tour grinding to a halt – the tour cancelled midway through due to the Covid-19 outbreak and followed by months of isolation in their Berlin apartments – the album is also very much a product of the distressing and unfamiliar world we now find ourselves in. As a result of the pandemic, ‘The Falling’ was recorded between Craig and guitarist/producer Leo Kaage’s apartments-turned-home-studios (also in the band is Craig’s wife, the artist Olya Dyer, and Max James, who formerly played in Johnny Marr’s live band): “The album sees me going back to my writing approach from our earliest records, writing the demos as stripped back acoustic tracks at home. What started out as a set of romantic and deeply personal songs also took on the surrounding frustrations and feelings towards the situation we found ourselves in. Born from the heartbreak of how the worldwide pandemic has changed the industry we were thriving within, this album also functions as a love letter to the past.”

                                                                                                                                                        STAFF COMMENTS

                                                                                                                                                        Barry says: The gloomy, post-punk atmospherics of Undergound Youth past is eschewed for a more subdued, Dylanny guitar and harmonica vibe. It's a testament to an act when they can shift direction quite so capably and 'The Falling' shows every bit of the skill of previous releases, but wrapped in a new skin.

                                                                                                                                                        TRACK LISTING

                                                                                                                                                        1) The Falling
                                                                                                                                                        2) Vergiss Mich Night
                                                                                                                                                        3) Egyptian Queen
                                                                                                                                                        4) And I…
                                                                                                                                                        5) A Sorrowful Race
                                                                                                                                                        6) For You Are The One
                                                                                                                                                        7) Cabinet Of Curiosities
                                                                                                                                                        8) Letter From A Young Lover 

                                                                                                                                                        Prana Crafter

                                                                                                                                                        MorphoMystic

                                                                                                                                                          Prana Crafter is William Sol, a musical mystic who blends the raw energies of nature with guitars, synthesizers, singing bowls, and a dose of flow-consciousness. The resulting sonic nectar flows out from the amplifier, cascading in the mind of the listener, splashing mantras against the listener’s third ear. Some music is meant to entertain, to be consumed like flashing patterns on a TV screen. Not so with the music of Prana Crafter. This music is a sonic-tapestry of energies that are meant to envelop the listener and deliver a message that, as Sol puts it, cannot be known through symbol or through sign.

                                                                                                                                                          Likened to artists across the psychedelic and folk spectrums—Popul Vuh, Agitation Free, Six Organs/Ben Chasny, —Sol’s self-professed mentors-in-spirit Jerry Garcia, Jimi Hendrix, and Manuel Göttsching are present as well in familiar and surprising ways. In review it has been said that Prana Crafter’s music is “an example of psych-folk at its finest” (Raven Sings the Blues), “like a long lost pressing from the early 70s, it’s a mist shrouded mysterious meditation” (Shindig Magazine), and even that, “few other musicians are making music as ambitious and genuine as Prana Crafter” (The Active Listener).

                                                                                                                                                          Will has said he thinks of himself as a conduit when recording and with ‘MorphoMystic’ Prana Crafter are creating truly Cosmic Music, a synthesized mediation – think if you will of Terry Reilly and Sandy Bull blending their hypnotic energy flow together. ‘MorphoMystic’ is a 35 minute kosmische inspired acid opus that lets your mind venture in the slipstream, between the viaducts of your dream before gently flaoting you back down to earth.

                                                                                                                                                          Presented in a lush Gloss Laminated Outer Sleeve with exquisite artwork design by John Nicol.

                                                                                                                                                          The Vacant Lots

                                                                                                                                                          Departure (Robert Levon Been Remix)

                                                                                                                                                            Arriving off the back of their recent 'Interzone' LP, Brooklyn electro post-punk duo The Vacant Lots are putting out a new remixed song, titled 'Departure', which has been produced by Black Rebel Motorcycle Club's Robert Levon Been. A long-standing crowd-favourite, the track is now set for release for the very first time and is bolstered by the remixing duties of the BRMC guitarist and vocalist, whom The Vacant Lots became close friends with after both bands toured together on several occasions. Blending proto-punk and psych as effortlessly as you’d expect from a Vacant Lots release, the ‘Departure’ remix – due for release October 16th on Fuzz Club – sees throbbing 'Nightclubbing'-esque electronics interlaced with distorted, hard-hitting guitars and vocals that are just as snarling as they are detached. First conceived when The Vacant Lots were writing their 2014 ‘Departure’ LP but left unreleased and having now evolved over the years since, the song became a staple of the band’s visceral live performances and is now set for a long-overdue vinyl release in the form of a 7” with an etched B-side that’s limited to 500 copies. The remix is mastered by Maurizio Baggio (Boy Harsher, The Soft Moon, Merchandise) and housed in stark, minimalistic artwork by longtime visual collaborator Ivan Liechti

                                                                                                                                                            The Janitors

                                                                                                                                                            Noisolation Sessions Vol. 1

                                                                                                                                                              Cardinal Fuzz and Little Cloud Records are proud to bring to you for your listening pleasure the 5th album by your favorite Swedish purveyors of heavy drones, fuzzed nightmares and stökpsych – The Janitors – ‘Noisolation Sessions Vol.1’.

                                                                                                                                                              ‘Noisolation Sessions Vol.1’ is a testament of three months in disturbing times. In March 2020 The Janitors had their new Album written and studio time booked -ready to unleash their latest shamanic fuzz meltdowns, then corona hit and everything changed. They figured they would go down into their own studio to work on those tunes some more until things passed over. While working there they recorded what they felt was a most apt tune for that moment back in Spring 2020 – A cover of Joy Divisions – ‘Isolation’ – It was epic and the reaction they got confirmed it. It re-energised The Janitors and in doing so the creative juices flowed and a though kicked in - that the next week they just start writing new songs, but with the same dogmatic rules, one night of recording, one week of mixing and then it's done - A challenge of just letting the creativity flow but then leaving the song as a testament to that moment.

                                                                                                                                                              These six songs are the product, All of it The Janitors came up with on the spot, all ideas were welcome as improvisations leads to new and far-out places, but also the occasional wrong note, lyrics reflecting the strange days we were witnessing and how they affected us, the people we love and the world. The Janitors say this is by far their least worked through art, but it turned out to be some of the best songs The Janitors have ever produced.
                                                                                                                                                              The next album will be recorded as soon as corona is gone, until then we'll see if there will be a volume 2 of the Noisolation series. Always and forever, fuck all right wing and capitalist oppressors. To create is to resist. To resist is to create.

                                                                                                                                                              Fuzz love from The Janitors

                                                                                                                                                              Singapore Sling

                                                                                                                                                              Good Sick Fun

                                                                                                                                                                Reykjavík maverick Henrik Björnsson is due to release ‘Good Sick Fun’, his eleventh album under the Singapore Sling project. Inspired by goth-rock, dub and big-band jazz on top of the usual fuzzed-out rock’n’roll touchstones that are seared into Henrik’s work, the latest Singapore Sling full-length is as perversely hedonistic as they come – and that’s not without competition by any means. An invitation to “rejoice in doing wrong”, in Henrik’s own words, ‘Good Sick Fun’ is the latest morbid and characteristically-depraved addition to a back-catalogue spanning nearly two decades from the cult Icelandic band. Arriving off the back of the 2019 ‘Killer Classics’ LP, Henrik says of the new album: “Old rock´n´roll is the main influence on this record, as on most of my records. When I release a record it means rock´n´roll has saved my life, my mind and my soul once again. And it does that quite frequently. Sometimes I start running astray, getting sucked into pointless garbage and thinking it actually matters. Then I realize that it´s absolute garbage and that nothing matters but rock´n´roll so I go and make a record instead.” 

                                                                                                                                                                TRACK LISTING

                                                                                                                                                                1. Touch The Filth
                                                                                                                                                                2. Soul Kicks
                                                                                                                                                                3. Good Sick Fun
                                                                                                                                                                4. Summertime Blues
                                                                                                                                                                5. Love Sick Love Fuck
                                                                                                                                                                6. Vindication
                                                                                                                                                                7. Sick Fuck
                                                                                                                                                                8. Sickin Street
                                                                                                                                                                9. Like The Breeze
                                                                                                                                                                10. No Fire
                                                                                                                                                                11. Girl Inside Your Hand
                                                                                                                                                                12. Friday Bye Bye

                                                                                                                                                                The Heads

                                                                                                                                                                Reverberations Vol. 2

                                                                                                                                                                  Cardinal Fuzz / Rooster are pleased to bring to you the latest volume in the Reverberations series – 'The Heads – Reverberations Volume 2'. This time we dive into The Heads archives for the Reverberations Series to bring you The Heads recorded live at the Thekla (6th December 2001) as part of the ‘The Gnostic Bash: A Tribute to Kenneth Anger'. This was part of a tribute programme (which included a performance of John Zorn and others playing to Anger’s ‘Magick Lantern Cycle at the Anthology Film Archives in New York) to help raise money for Anger’s long- cherished ambition to make a film of Aleister Crowley's Gnostic Mass, and documentary film-maker Jon Ausbrooks' then work in progress documentary about Anger, ‘Inside the Eye of Scorpio Rising’.

                                                                                                                                                                  Sean Cook was tasked with putting a bill of artists together in which bands played to a partial recreation of Anger’s ‘Equinox of the Gods’ a live film of The Magick Powerhouse Of Oz band who featured Bobby Beausoleil (later imprisoned for life for the Manson Family-related murder of Gary Hinman). The energy captured within these grooves here is extraordinary; for over 40 minutes (with no breaks to catch your breath and get your head together) you are treated to primo Heads in full flight.

                                                                                                                                                                  This two track performance starts with an utterly mind destroying version of k.r.t that lasts for near on 30 minutes. Playing to a back drop of Anger screenings and a barrage of strobes and smoke The Heads create an effect akin to your head been sucked through time and space and turned inside out – and that is before we even get to the grande finale of ‘Spliff Riff’ – a relentless onslaught that has you picking your head off the floor only for it to be sucked straight back down again. Take a deep breath, dive in and grin.

                                                                                                                                                                  The Vacant Lots

                                                                                                                                                                  Interzone

                                                                                                                                                                    'Interzone' is the third full-length album by New York’s electro post-punk duo The Vacant Lots, to be released via Fuzz Club. A genre-blending synthesis of dance and psych, 'Interzone' is made for secluded listeners and all-night partygoers, meant for headphones and the club. Uninhibited by the limitations of two people and continuing their mission of “minimal means maximum effect,” The Vacant Lots’ Jared Artaud and Brian MacFadyen create an industrial amalgam of icy electronics and cold beats with detached vocals and hard hitting guitars.

                                                                                                                                                                    'Interzone's trance-like opener ‘Endless Rain’ and the kinetic Krautrock stomper ‘Into The Depths’ are followed by scintillating dark disco anthems 'Rescue' and 'Exit’. Side 2 kicks off with 80’s synth-pop track ‘Fracture’ and haunting after-hours minimal wave ‘Payoff,’ while ‘Station’ and album closer 'Party's Over' deal with disillusionment and conquering one’s indifference to make real change. The album creates order from chaos and delves into escapism, isolation, relationship conflicts, and decay. With nods to William S. Burroughs and Joy Division’s song of the same name, “Interzone is like existing between two zones,” Jared says. “Interzone doesn't mean one thing. It can mean different things to different people depending on their interpretation. Working on this album was a constant struggle reconciling internal conflicts with all that’s going on externally in the world. Interzone, in one word, is duality."

                                                                                                                                                                    On Interzone, the band produced the 8 songs, 30 minutes record and teamed up with long term collaborators Ivan Liechti who designed the album artwork, and Ted Young who engineered the record. Maurizio Baggio mixed the record and contributed additional production and it was mastered by Gianni Peri. The Vacant Lots have released singles with Mexican Summer and Reverberation Appreciation Society, collaborated on their debut album 'Departure' with Spacemen 3’s Sonic Boom, their second album 'Endless Night' with Alan Vega, and most recently on their two EPs, 'Berlin' and 'Exit', with Brian Jonestown Massacre’s Anton Newcombe at his studio in Berlin. The group has toured with Black Rebel Motorcycle Club, Suicide, Brian Jonestown Massacre, The Growlers, Dean Wareham, The Dandy Warhols, and Spectrum. 

                                                                                                                                                                    STAFF COMMENTS

                                                                                                                                                                    Barry says: Sounding like an amped-up Dandy Warhols, the Vacant Lots have always perfectly toed the line between distorted, power-chord rock and hypnotic psychedelic electronica, and 'Interzone' is the indication that they've hit their creative zenith. Rich, deep and hypnotic without ever being self-indulgent.

                                                                                                                                                                    TRACK LISTING

                                                                                                                                                                    1. Endless Rain
                                                                                                                                                                    2. Into The Depths
                                                                                                                                                                    3. Rescue
                                                                                                                                                                    4. Exit
                                                                                                                                                                    5. Fracture
                                                                                                                                                                    6. Playoff
                                                                                                                                                                    7. Station
                                                                                                                                                                    8. Party's Over 

                                                                                                                                                                    Pretty Lightning

                                                                                                                                                                    Jangle Bowl

                                                                                                                                                                      For over a decade, the duo comprising Christian Berghoff and Sebastian Haas have been busy dealing in swampy, fuzzed-out delta blues with a penchant for strung-out psychedelic drones and on their latest effort, picking up where 2017’s ‘The Rhythm of Ooze’ left off, they return sounding better than ever.

                                                                                                                                                                      If you ever wondered what’d happen if two best friends who share a collective mission to not take life too seriously spent just as much time soaking up the muddy blues of Mississippi as they did the kosmisch experimentations of West Germany (the pair also play in Krautrock collective Datashock) then Pretty Lightning are your answer. Unsurprising, then, that as often as their sound is indeed full to the brim with crunch, swagger and feedback, they’re also just capable as easing off on that oft-abused accelerator and dealing in something more far hypnotic and drone-like

                                                                                                                                                                      TRACK LISTING

                                                                                                                                                                      1. Swamp Ritual
                                                                                                                                                                      2. Jangle Bowls
                                                                                                                                                                      3. Greyhound
                                                                                                                                                                      4. 123 Eternity
                                                                                                                                                                      5. Voo Doo Boo 
                                                                                                                                                                      6. Boogie At The Shrine
                                                                                                                                                                      7. RaRaRa 
                                                                                                                                                                      8. Hum 
                                                                                                                                                                      9. There Is Ozoze On Our Shooze
                                                                                                                                                                      10. Shovel Blues

                                                                                                                                                                      Lumerians

                                                                                                                                                                      Yellowcake

                                                                                                                                                                        Throughout their career, Oakland’s Lumerians have consistently been a shape-shifting psychedelic force, traversing krautrock, drone, dub and jazz in their quest to create truly cosmic music. Hot off the heels of their 2018 album Call Of The Void’, the band’s dizzying space-rock opus, Lumerians have stripped things back to their raw fundamentals with the single ‘Yellowcake’. ‘Yellowcake’ sees the band trim away the fat in favour of a highly-focused psychedelic garage rock jam. Winding, contorted guitars meld with motorik drums and a rumbling bassline that stretches out into eternity. Driven by the axe wizardry of Jason Miller and Tyler Green, atop the track’s skeleton they constantly spin webs of claustrophobic Contortions-esque guitar flourishes. The single is, in the words of the band, “about someone waiting on a train platform before sunrise to go to work, staring at the city and fantasizing about what it would be like if a nuclear bomb went off." The lyrics are ambiguous at best, delivered by a careless Damo Suzuki-esque whisper from deep within the track’s dense soundscape, but the chaotic darkness of the song is on the surface for all to hear. The B-side is ‘C Rock’, an angular, krautrock-inflected cover of the 1977 song of the same name by Italian synth-pop/post-punk combo Chrisma

                                                                                                                                                                        TRACK LISTING

                                                                                                                                                                        1. Yellowcake
                                                                                                                                                                        2. C Rock

                                                                                                                                                                        Rev Rev Rev

                                                                                                                                                                        Kykeon

                                                                                                                                                                          Kykeon is the long-awaited third album from Italy’s finest shoegazing noise-rockers Rev Rev Rev, following on from their 2016 LP Des Fleurs Magiques Bourdonnaient. The band say of the new record: “Kykeon is about exploring the obscure. It’s a ritual descent into the underworld, but also a flight through the cold spaces amid the stars. There’s stripped-back song structures, trance-like drumming, fuzzy reverberated guitars, abrasive atonal sounds and tonnes of feedback.” Kicking off the album with a relentless torrent of noise is ‘Waiting For Gödel’ and ‘Clutching The Blade’: two cuts of blistering psychedelic noise-rock that take no prisoners.

                                                                                                                                                                          The band say of the latter: “Clutching The Blade’ is a good snapshot of our sonic virulence. Among the new songs, it’s the one that truly conveys the energy of our live show. The song itself is about being trapped in the quicksand of a certain situation and the appalling feeling that the more you struggle, the faster you sink.” This sense of danger and losing control runs throughout the album, manifested perfectly in the claustrophobic noise-rock of ‘Sealand’ and ‘Egocandy’: primal and piercing, both tracks are dominated by screeching feedback and slabs of unforgiving fuzzed-out guitars that are more than capable of blowing both amplifiers and eardrums. Kykeon isn’t always quite such an intense affair though. Tracks like ‘Summer Clouds’ and ‘Adrift In The Chaosmos’ deal in a sublime Loveless-esque shoegaze sound; Laura Iacuzio’s shadowy, ethereal vocals emerging through all-consuming walls-of-noise. Then there’s the murky, ritualistic drone-rock found on ‘Gate Of The Dark Female’ and ‘One Illusion Is Very Much Like Another’ which keep hold of the band’s trademark fuzz onslaughts but gear them more towards explorations into repetition and texture. ‘One Illusion…’, especially, is bolstered by modular synths, DIY guitar pedals built by guitarist Sebastian Lugli and the use of a tanpura, a stringed drone instrument originating from India. Their finest work yet, Kykeon proves that Rev Rev Rev – based in Modena, Italy – are without a doubt one of the finest bands today to be carrying the torch for shoegazers far and wide, old and new – praise that’s already been justly lauded on them countless times since they formed back in 2013

                                                                                                                                                                          TRACK LISTING

                                                                                                                                                                          1 Waiting For Gödel
                                                                                                                                                                          2 Clutching The Blade
                                                                                                                                                                          3 3 Not 3
                                                                                                                                                                          4 Gate Of The Dark Female
                                                                                                                                                                          5 One Illusion Is Very Much Like Another
                                                                                                                                                                          6 Egocandy
                                                                                                                                                                          7 Sealand
                                                                                                                                                                          8 Adrift In The Chaosmos
                                                                                                                                                                          9 Summer Clouds
                                                                                                                                                                          10 Cyclopes
                                                                                                                                                                          11 Spots On A Dice

                                                                                                                                                                          Singapore Sling

                                                                                                                                                                          Killer Classics

                                                                                                                                                                            Discordant, claustrophobic and unforgiving, Icelandic psych-rock heavyweights Singapore Sling – the project of Reykjavík-based noisenik Henrik Björnsson – have been conjuring their own scuzzy nihilistic anthems for nearly two decades and have picked-up a cult-like following along the way. Two years on from the Kill Kill Kill (Songs About Nothing) LP, the band are now back with their tenth full-length, Killer Classics. An eleven-track collection of macabre rock’n’roll scuzz, Killer Classics sees Singapore Sling return on top form. Throughout its running time, the record pools together the primal gusto of The Stooges paired with a (un)healthy smattering of Mary Chain fuzz-pedal belligerence and Suicide-esque proto-punk.

                                                                                                                                                                            More than the sum of their influences, though, each song is delivered with the same trademark charm – or perhaps, lack of – that the band have been cultivating since Henrik founded the project back in 2000. Outlining his mission statement for the record, Henrik says: “The last record [‘Kill Kill Kill’] was about music. This one is about songs. The title of the record is ‘Killer Classics’ because that is what I set out to make: Killer Classics. Just simple, catchy rock’n´roll songs. As rock’n’roll songs should be. Of course.” The album borne out of a particularly challenging period in his life, which he wound up channelling into the new material, he goes on to explain: “Before I recorded this new album I had many frustrating months where I didn’t have the time, space or peace of mind to write and record. When I was finally able to do that again I had to let all that frustration out and I did that by making a lot of noise and saying fuck a lot.” 

                                                                                                                                                                            TRACK LISTING

                                                                                                                                                                            1.  All The Way In
                                                                                                                                                                            2.  Sugar And Shite
                                                                                                                                                                            3.  Highway Reject
                                                                                                                                                                            4.  Lynchbilly
                                                                                                                                                                            5. It's A Hit
                                                                                                                                                                            6.  Switchblade
                                                                                                                                                                            7.  Nothing Matters But Rock N Roll
                                                                                                                                                                            8.  Underground Man
                                                                                                                                                                            9.  Dub Swirl
                                                                                                                                                                            10.  Confusion Then Death

                                                                                                                                                                            The ethos of London-based indie label Fuzz Club is a desire to uncover and celebrate the best in fuzz, reverb and drone from every corner of the globe. As well as via their extensive back-catalogue and their Fuzz Club Eindhoven festival, one such particular medium through which they do this is their annual Reverb Conspiracy compilation albums. Where the first five volumes were hailed as a Nuggets-like documentation of the European psych scene, Reverb Conspiracy Vol 6 sees the compilation go global: bringing together bands from South Africa, Australia, the USA, Germany, Brazil, the UK, Italy and Russia.

                                                                                                                                                                            Amongst a number of the label’s own bands – including Medicine Boy’s shadowy noise-pop (DE) and Nest Egg’s motorik “mood music for nihilists” (US), plus Steeple Remove’s dub-inflected post-punk (FR) and Crimen’s heady, repetitive psych-rock (IT) – there is Aussie garage-psych outfit Nice Biscuit, an exclusive cut of Bikini Kill-meets-Oh Sees noise from Julia Robert (SA), as well as lo-fi garage-pop from Super Paradise (UK) and the double-barreled psych-blues wig-outs of Frankie & The Witch Fingers (US). In the compilations darker moments, though, there is the hypnotically face-melting “space-surf” of Japanese Television (UK), goth-tinged post-punk from Float (UK), murky psychedelic stoner-rock from Brazil’s Firefriend, relentlessly driving krautrock courtesy of Verstärker (USA), the heavy space-rock drones of Psychic Lemon (UK) and Moscow’s Selbram, who deal in a jagged alt-rock sound that takes its cues from No Wave, psych and the “pulse and noise” of city life. 

                                                                                                                                                                            STAFF COMMENTS

                                                                                                                                                                            Barry says: You don't get on to the 6th instalment of your compilation without doing something right, and this outing from Fuzz Club's Reverb Conspiracy is a perfect lesson in how to smash out a great comp. Stuff you've never heard of, varied in both tone and drive, fitted together excellently and at a great price. What more could you want?

                                                                                                                                                                            TRACK LISTING

                                                                                                                                                                            1. Julia Robert - Mud Girl
                                                                                                                                                                            2. Nice Biscuit - Out Of Sight
                                                                                                                                                                            3. Frankie And The Witch Fingers - Underneath You
                                                                                                                                                                            4. Medicine Boy - Water Girl
                                                                                                                                                                            5. Firefriend - Surface To Air
                                                                                                                                                                            6. Nest Egg – DMTIV
                                                                                                                                                                            7. Steeple Remove - Ferris Noir
                                                                                                                                                                            8. Float – Watch
                                                                                                                                                                            9. Crimen – Flahzz
                                                                                                                                                                            10. Japanese Television - Tick Tock
                                                                                                                                                                            11. Selbram - This City You Know
                                                                                                                                                                            12. Super Paradise - 6:30
                                                                                                                                                                            13. Verstärker - Mit Glück
                                                                                                                                                                            14. Psychic Lemon - Interstellar Fuzz Star 

                                                                                                                                                                            Cosmonauts

                                                                                                                                                                            Star 69

                                                                                                                                                                              European pressing of Star 69, the fifth album from Los Angeles garage heavyweights Cosmonauts! With the album out now in the US and the band currently on a run of dates with Night Beats and The Dandy Warhols – with European dates in the pipeline which may or may not coincide with a certain festival in Eindhoven – we’re really stoked to be teaming up with fellow fuzz-fiends Burger Records to release the duo’s latest album on this side of the pond. The vinyl is due for release June 28th but in the meantime, you can stream Star 69 in full and check out the video for lead single ‘Seven Sisters’ below. A perfect insight into the new record set against hypnotising visuals of them playing on a rooftop, ‘Seven Sisters’ is a piece of primal, visceral garage-psych that sounds like Spacemen 3, The Stooges and The Jesus & Mary Chain left out to bake in the California sun for a little too long. 

                                                                                                                                                                              TRACK LISTING

                                                                                                                                                                              1 Crystal
                                                                                                                                                                              2 Seven Sisters
                                                                                                                                                                              3 Medio Litro
                                                                                                                                                                              4 Cold Nature
                                                                                                                                                                              5 Wicked City (Outer Space)
                                                                                                                                                                              6 Heart Of Texas
                                                                                                                                                                              7 Faces For Radio
                                                                                                                                                                              8 Molly On Grass
                                                                                                                                                                              9 Humming
                                                                                                                                                                              10 The Gold Line
                                                                                                                                                                              11 Suburban Hearts

                                                                                                                                                                              RMFTM

                                                                                                                                                                              Bliss

                                                                                                                                                                                Eindhoven-based industrialists RMFTM (Radar Men From The Moon) are back with new material in the shape of an EP titled Bliss. The three-track EP arrives via long-term label Fuzz Club and follows on from a split 7” with cult Norweigan noise-rock/metal band Årabrot (2019), the third and final volume in their Subversive album trilogy, Subversive III: De Spelende Mens (2017), as well as a collaborative record with Salford collective Gnod under the Temple Ov BBV moniker 2017). With a new full-length in the works, Bliss offers a welcome introduction into what’s to come: a world of apocalyptic drone and ambient nightmares. Taking influence from such avant-garde innovators as Cabaret Voltaire and Nurse With Wound – whilst also following a similar path to it’s more contemporary proponents in Shit & Shine, Container and collaborators Gnod – RMFTM say of the new release: “The Bliss EP is made up out of three songs that were conceived on the 2018 Secret Howls For Europe Tour, in support of Subversive III. When we came back from that tour we recorded them immediately. These three K-Hole anthems are an experimental exercise in ambient, drone and dark electronics.”

                                                                                                                                                                                The titular, opening track ‘Bliss’ – “a Dionysian meditation put to sound” – offers a menacing insight into what’s to follow on the rest of the EP. Across it’s 12-minute running length, the Dutch band envelope the listener with a deluge of dark, droning electronics, eerie chiming bells and a propulsive beat that’s submerged beneath a stormy sea of feedback that twists, throbs and hisses away from start to finish. ‘Moon’ is something of a comedown from the former; in absence of the previous track’s 4/4 beat ‘Moon’ is instead a piece of shadowy ambient drone that sounds like La Monte Young in the clutches of a terrifying hallucinogenic-induced fever dream. Upping the ante once again, final track ‘Naked’ sees the band approach industrial techno territory, the claustrophobic drone still looming in the background but what drives the track is a pulverising mechanical beat that never lets loose for a second. RMFTM formed in Eindhoven in 2010 and is comprised of Glenn Peeters, Tony Lathouwers, Titus Verkuijlen and Bram van Zuijlen. 

                                                                                                                                                                                TRACK LISTING

                                                                                                                                                                                1) Bliss
                                                                                                                                                                                2) Moon
                                                                                                                                                                                3) Naked

                                                                                                                                                                                You Said Strange

                                                                                                                                                                                Fuzz Club Session

                                                                                                                                                                                  French outfit You Said Strange are the latest to join the Fuzz Club Session ranks alongside the likes of A Place To Bury Strangers, The Myrrors, Night Beats, Heaters, The Entrance Band, Holy Wave, Heaters and many more. When last in the UK in support of their debut LP, Salvation Prayer, the four-piece took to London’s Lovebuzz Studios to lay down a live session comprising four tracks of warm, jangly psychedelic bliss taken from their aforementioned debut. The resulting session will be released on vinyl and digital via Fuzz Club. Emerging out of Giverny, Normandy, You Said Strange became a mainstay of the European underground long before they headed over to Portland to record their highly-anticipated debut album with Peter Holmstrom of The Dandy Warhols - whom the band set out on tour with back in 2015, solidifying a friendship that would see Holmstrom take on production duties for another band for the very first time.

                                                                                                                                                                                  Dining on an influence of The Velvet Underground, The Brian Jonestown Massacre and Ride – though delivered with their own insatiable, forward-looking French charm – You Said Strange carve out an intoxicating, heady sound of shimmering guitars and reverb cloaked vocals that’s just as potent when drifting into full-blown fuzz-overloads as it is when dealing in jubilant, earworm melodies that’ll get stuck in your head for hours. The live recording of the session sees both of those sides shine brighter than ever, making it undeniably clear why the band has spent the last several years bringing their sublime live show to countless venues and psych festivals across Europe and beyond. 

                                                                                                                                                                                  TRACK LISTING

                                                                                                                                                                                  1) Brain
                                                                                                                                                                                  2) Cold Crusader
                                                                                                                                                                                  3) Extend
                                                                                                                                                                                  4) Leave The Lord

                                                                                                                                                                                  Diagram

                                                                                                                                                                                  Transmission Response

                                                                                                                                                                                    The Berlin-based musician Hákon Aðalsteinsson, originally hailing from Iceland, can be found fronting neo-psych outfit The Third Sound and gloomy alt-country troupe Gunman & The Holy Ghost, as well as being the live guitarist for The Brian Jonestown Massacre and Anton Newcombe’s ongoing collaborations with Tess Parks. Now, Hákon is also turning his attention to another project: an electronics-inflected solo endeavour going by the name of Diagram. His debut album under the new moniker, titled Transmission Response consists of 12 tracks that find a home somewhere between a pared-back, synthy post-punk sound and atmospheric dream-pop hues. Detailing the self-recorded album, a marked departure from his usual rock-oriented work, Hákon explains: “The sound is inspired by the minimalism of Suicide, Chrome and 70s German electronica, as well as the film music of Angelo Badalamenti and John Carpenter,” he continues: “In the beginning I had this one beat-up keyboard and limited knowledge of making electronic music so I was just learning as I went. As this was a process of exploration I ended up with around 40 song ideas before I even thought about making an album. After deciding I wanted to take things further I set upon the task of reworking all those ideas and cutting a lot of them to put together a record that worked as a whole, and this is the result.” Always one to immerse himself in new projects, Hákon Aðalsteinsson’s new material as Diagram witnesses him enter a whole new world, and a sublimely cinematic one at that. With plans for a live show in the works it’s more than likely we’ll be hearing quite a lot from this one too. 

                                                                                                                                                                                    STAFF COMMENTS

                                                                                                                                                                                    Barry says: Like the electronics and percussion of Nine Inch Nails, mixed with the twinkling, melodic juxtaposition of 80's new-romantic synths and industrial vocal echoes all brought together with a strong rhythmic undercurrent, this is a heady and addictive mix perfect for the dancefloor or LOUD on your home stereo.

                                                                                                                                                                                    TRACK LISTING

                                                                                                                                                                                    1) Electroconclusive
                                                                                                                                                                                    2) In My Heart, In My Soul
                                                                                                                                                                                    3) Dark Omen
                                                                                                                                                                                    4) All Night
                                                                                                                                                                                    5) Radione
                                                                                                                                                                                    6) Remove The Veil
                                                                                                                                                                                    7) Our Fate
                                                                                                                                                                                    8) Gateway
                                                                                                                                                                                    9) Go To Pub (MES Tribute)
                                                                                                                                                                                    10) Panic Evoked
                                                                                                                                                                                    11) Eisern Union
                                                                                                                                                                                    12) Sleepwalking

                                                                                                                                                                                    Juju

                                                                                                                                                                                    Maps And Territory

                                                                                                                                                                                      Juju's third album Maps And Territory reaffirms and at the same time transcends Juju's unique formula. A blend of Neo-psychedelia and Mediterranean Folk, New Wave and African tribalism, the sound of Juju is now deconstructed, reassembled and expanded, even bordering Jazz territories with the contribution avant-garde composer and improviser Amy Denio. The album also featuring guest appearance by Goatman from Goat. The album is beautifully wrapped in the artwork of Marco Baldassari (one half of Sonic Jesus), where the liquidity and movement of the Mediterranean blue (the territory) is counterpoised to the soily colour of the ground (the map). 

                                                                                                                                                                                      TRACK LISTING

                                                                                                                                                                                      1) Master And Servants
                                                                                                                                                                                      2) I'm In Trance
                                                                                                                                                                                      3) Motherfucker Core
                                                                                                                                                                                      4) If You Will Fall
                                                                                                                                                                                      5) God Is A Rover
                                                                                                                                                                                      6) Archontes Take Control

                                                                                                                                                                                      Birth

                                                                                                                                                                                      Live In Tucson

                                                                                                                                                                                        Cardinal Fuzz are proud to present to you Birth – Live In Tucson. Birth is the project of Grant Beyachau and Nik Rayne from The Myrrors who performed as Birth for this live improvisational performance in Tucson (USA). The performance was captured onto a handheld recorder (you can hear instrument leads buzz and cut out for a second here and there as things start up) as Birth, seated on the floor, journey towards a state of transcendence in front of a small but appreciative audience.

                                                                                                                                                                                        Taking cues from Terry Riley, LaMonte Young as well as Spacemen 3 (Dreamweapon) – minimalist artists who offer no concessions to the listener except to surrender yourself to the drone. Grant creates swirling cyclic passages via analogue synthesizer and tape machine loops as Nik conjures subliminal notes via guitar and space echo. Over 25 minutes they create an experience of devotional music influenced by Middle Eastern and Sufism cultures – as notes bleed and swirl together in a lysergic haze. Its fluidity is its greatest strength as the piece offers no navigation points – all they ask is that through a mixture of drone, repetition and simple melodies that you surrender yourself to the trance-like and hallucinatory delirium created. It is captivating.

                                                                                                                                                                                        Live in Tucson is a one off 300 pressing – all black vinyl. Housed in a 350gsm sleeve and given a private press like presentation via the sleeve and labels. Download Code Included.



                                                                                                                                                                                        The Underground Youth

                                                                                                                                                                                        Montage Images Of Lust And Fear

                                                                                                                                                                                          Berlin via Manchester outfit The Underground Youth present their ninth album, Montage Images of Lust & Fear, on Fuzz Club Records. In support of the new album, and keeping to their prodigious work ethic, the band have also announced details of a mammoth tour across the UK, Europe, Asia and Australia that’ll see them visit 25 different countries. In its rawest moments (‘The Death of the Author’, ‘Blind II’), The Underground Youth’s haunting post-punk melancholia recalls the abrasive banshee-like noise of The Birthday Party and Suicide; jagged, shrieking guitars twist and turn as Craig Dyer’s dour vocals jerk from morose and impassioned to macabre screams.

                                                                                                                                                                                          Though this is an album of two sides; the more intense and challenging songs punctuated by heartfelt and solemn ballads (‘Too Innocent To Be True’, ‘This Anaesthetised World’) that are aided by the additional lap steel guitar of Kristof Hahn (Swans) who plays on six of the album’s nine songs. This is The Underground Youth’s most intense and honest record yet - in the ambitious songwriting and live recording (a first for the band), as well as the lyrical subject matter. Talking about the album, Craig explains “Montage Images of Lust & Fear is inspired by the succession of experiences we are increasingly dealt by the media. Sex, violence, love, suspicion, desire, distress, etc.

                                                                                                                                                                                          The album acts as a montage itself, the subject of each song dealing with an aspect of either lust or fear. Like flicking through the channels on a television. Until the end you are overcome by white noise. Static.” Since the release of their aptly-titled eighth full-length, What Kind Of Dystopian Hellhole Is This?, in February 2017, the band have set out on four UK/European tours clocking in at over 100 shows (not including stand-alone gigs). If all that time touring has taught the band anything, it’s how to work together as a collective and Montage Images Of Lust & Fear is all the better for it - the first The Underground Youth record with all the band members involved in the writing. “Unlike previous albums in which I’ve written the tracks and taken them into the studio to record with or without the band, this record is the product of us all working on the music and arranging the songs together,” Craig explains: “We recorded the album live with the four of us playing in the same small room and with our guitarist Leo as producer, running back and forth from the mixing desk to the live room. As a result, the recording perfectly captures the raw intensity of our live performance, something we’ve never done before.

                                                                                                                                                                                          TRACK LISTING

                                                                                                                                                                                          1. Sins
                                                                                                                                                                                          2. Last Exit To Nowhere
                                                                                                                                                                                          3. The Death Of The Author
                                                                                                                                                                                          4. This Is But A Dream
                                                                                                                                                                                          5. Too Innocent To Be True
                                                                                                                                                                                          6. Blind
                                                                                                                                                                                          7. Blind II
                                                                                                                                                                                          8. I Can't Resist
                                                                                                                                                                                          9. This Anaesthetised 

                                                                                                                                                                                          Ellis

                                                                                                                                                                                          The Fuzz EP

                                                                                                                                                                                            This is the debut EP from new Fat Possum signing Ellis. The six-track release presents an uncommonly fully-realized aesthetic to match the strength of Siggelkow's songwriting. Built from simple instrumentation, but deftly arranged to lend a grandeur and devastating scale to Siggelkow's skillfully rendered laments, the release is a resounding statement from a young artist who is poised for a reception that equals the scope of her remarkable gifts. Ellis, who, after generating buzz in her local scene on the back of opening stints with the likes of Soccer Mommy, Gabby's World, Chastity, Palehound, and Free Cake For Every Creature, garnered international acclaim with the release of a series of singles, earning comparisons to Mazzy Star, Alvvays and Slowdive from outlets like Pitchfork, Noisey and Stereogum, who marked her out as one of "a new generation of exciting songwriters."

                                                                                                                                                                                            TRACK LISTING

                                                                                                                                                                                            Side A
                                                                                                                                                                                            1. The Drain
                                                                                                                                                                                            2. Frostbite
                                                                                                                                                                                            3. What A Mess!

                                                                                                                                                                                            Side B
                                                                                                                                                                                            1. All This Time
                                                                                                                                                                                            2. The Fuzz
                                                                                                                                                                                            3. NYE

                                                                                                                                                                                            Black Bombaim

                                                                                                                                                                                            Zone Of Resident Bodies

                                                                                                                                                                                              Cardinal Fuzz and Lovers & Lollipops are proud to bring to you the new magnum opus from Black Bombaim titled 'Zone Of Resident Bodies'. Black Bombaim approached their latest creation with the mindset of pushing the boundaries of their musicianship by working with three different electronic composers in three unique recording settings -an old workers auditorium, a huge empty space on the postal office building and on a reverberation room on the university of engineering. Working with Jonathan Saldanha, Luís Fernandes, Pedro Augusto helped Black Bombaim break free of the constraints of a band in a recording studio as each new recording environment and composer brought new textures and ambiance to the music created. It really is rather special to hear.

                                                                                                                                                                                              “this is an amazing album of collaborations that I am sure has taken the participants outside of their respective comfort zones to produce a set that is innovative and explorative. You really will need to hear it all to fully appreciate its strength and breadth because it is outside those zones of familiarity where true expression can flourish… and flourish it certainly does here.” Psych Insight.

                                                                                                                                                                                              Nonn

                                                                                                                                                                                              XVII

                                                                                                                                                                                                Back in May last year Christian Eldefors released his debut album as NONN, a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII. Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion.

                                                                                                                                                                                                The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals - but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade. This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks. It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer.

                                                                                                                                                                                                 It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.

                                                                                                                                                                                                Old Mexico

                                                                                                                                                                                                Old Mexico

                                                                                                                                                                                                  In 2016 Dead Meadow’s Jason Simon ventured north to San Francisco to take part in the Family Folk Explosion: a Last Waltz-style concert series hosted by Trans Van Santos and what the SF Weekly has called "his band of Merry Pranksters." Simon picked a handful of songs to perform with the Trans Van Santos band, leaning heavily on unrecorded material and selections from his last solo album. When he arrived in San Francisco for rehearsals he was immediately taken with the band’s much jazzier interpretations of his songs; a particular revelation coming from the loose and idiosyncratic swing of San Francisco drummer and Spirit Jazz elder Dave Mihaly (known for his work with Jolie Holland and his own group; Dave Mihaly & The Shimmering Leaves Ensemble).

                                                                                                                                                                                                  Of all the songs that Jason Simon brought to the table that evening, none were more important to the future NorCal/SoCal collaboration between these two sonic tribes than “Past the Western Wall;" a song Simon felt necessitated a Free Jazz approach that had proven difficult to capture. Not so in San Francisco, where the song became the lengthy and searching centerpiece of the set. Behind Dave Mihaly’s inspired work on the trap kit, Jason Simon’s exploration of Indian motifs on lead guitar, and the Bob Weir-like rhythmic accompaniment of Trans Van Santos, the song found its wings, stretching freely in the open landscape of the songs middle section. Clocking in at nearly fifteen minutes, “Past the Western Wall" was the clear highlight of a show that featured more than a few bright moments. The next morning Jason Simon drove back to Los Angeles with a copy of Dave Mihaly’s most recent album and an invitation to join Trans Van Santos at the TVS2 sessions in Joshua Tree, California the next month.

                                                                                                                                                                                                  Jason Simon listened to the Dave Mihaly album on the drive back to Los Angeles and then he listened to it again, and again. The next month in Joshua Tree he presented Trans Van Santos with a proposition to record an album featuring material from the three songwriters. They pow-wowed and smoked the peace pipe and formulated a plan: the album was to be recorded in both San Francisco and Los Angeles, in the northern reaches of Old Mexico, and feature contributions from members of their respective solo projects. Songs would be recorded live over a couple of sessions with very few overdubs. “Western Wall" would be the foundation that the album would be built upon. Jason Simon would produce and steer the ship through the process and toward completion. This album is the fruit of that cross genre and multigenerational collaboration out on the edges of West. Welcome to Old Mexico.

                                                                                                                                                                                                  Sunflare

                                                                                                                                                                                                  On

                                                                                                                                                                                                    Cardinal Fuzz are excited to bring to you at last the long awaited Sunflare LP - “ON”. After three previous releases of brain frying high volume pedal to the metal freak-outs Sunflare are at last back to bring some serious brain buzzing primitive punk scorch to a prevailing M.O.R. psych scene in need of some serious face melting. Hailing from Lisboa, Portugal - Sunflare are a scorchin’ power trio specialising in High Energy Psychedelic Speed Freak wipe outs. ON is here to fry minds and with a driving rhythm section that brings new meaning to the word relentless and a guitar player that is perpetually free form feedback soloing over every second committed to wax via the gnarliest of fuzz and wah-wah pedal abuse. Over two sides of vinyl there is never any let up as Sunflare deliver a blazing eruption of ear piercing sound. With ON also comes a second LP of the long out of print “C-30 Red Tape” release (only ever available as a Cassette back in 2010). As soon as you put this on you will see WHY they were so desperate to include this as part of the ON package and commit it to vinyl at long last. If you like High Rise, Comets On Fire and drinking petrol then this is the band and record for you. 

                                                                                                                                                                                                    Steeple Remove

                                                                                                                                                                                                    Vonal-Axis

                                                                                                                                                                                                      On ‘Vonal-Axis’, their fifth album in a career spanning two decades, Steeple Remove have signed to Fuzz Club and carved out an album that warps their Moog-devotion into a whole new beast. One that journeys from shoegaze-drones that weigh heavy on your chest (“Oval Strii”, “Monochrome Continuum”), to kosmische psychedelic pop (“Waters”) and dub-inflected post-punk (“Ferris Noir”) that falls somewhere between Metal Box-era PiL and the shimmering, textural guitars of The Durutti Column. Vonal-Axis is the bands finest work yet - their latest in a very lengthy career that’s seen them remain a mysterious presence on the fringes of the experimental French underground since forming the project back in 1997. Emerging out of Rouen, a small city in the Normandy region of France, the four-piece arrived with their now impossible-to-find debut album, The Importance Of Being Steeple Remove (1998) - released on the cult label Sordide Sentimental who put out earlier works from the likes of Joy Division, Throbbing Gristle and Psychic TV.

                                                                                                                                                                                                      After that they all but disappeared, not returning until eight years later with Radio Silence (2006) and Electric Suite (2008), both marking a departure from their early experimental electronica into a wider pool of kraut, psychedelic rock and atmospheric pop. Save for the odd single and live show, it took another six years to hear a full record from the band – that being the 2014 LP Position Normal which left them to pick up glowing, long-overdue praise across Europe.

                                                                                                                                                                                                      Choosing not to leave it quite so long this time, enter Vonal-Axis: a nine-track LP that sees them attempt to hone in on their near quarter-century of experimentation to produce a collection of tracks that are sometimes poppy, sometimes heavy, but always exploratory. The album was recorded by the band themselves on an old 8-track recorder, taking half-written songs into the studio and then improvising on top of them to maintain the energy the songs had when played live. Lending his production prowess on the mixing duties was Demian Castellanos, the mastermind behind The Oscillation, whom Steeple Remove became good friends with after both bands played together several years ago. Among the long list of other bands Steeple Remove have shared the stage with is krautrock leviathans Faust and Damo Suzuki, London punk-rockers Wire and D.C. stoner rock troupe Dead Meadow - offering a pretty clear insight into the many sonic worlds Steeple Remove have journeyed into and found a home through the years. Steeple Remove is Arno Van Colen (Vocals/Synths), Walter Thomas (Percussion), Mana Audisio (Guitars) and David B (Bass). 

                                                                                                                                                                                                      TRACK LISTING

                                                                                                                                                                                                      1) Oval-Strii
                                                                                                                                                                                                      2) Blood Veins
                                                                                                                                                                                                      3) Ferris Noir
                                                                                                                                                                                                      4) Set It
                                                                                                                                                                                                      5) In Dreams
                                                                                                                                                                                                      6) Monochrome Continuum
                                                                                                                                                                                                      7) In The Waves
                                                                                                                                                                                                      8) Waters
                                                                                                                                                                                                      9) Pink Ferris


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