Get ready to embark on a hypnotic journey as Full Circle presents the highly anticipated re-release of Danny J Lewis' iconic track, "Spend The Night," accompanied by a brand new Archie Hamilton remix that brings a fresh new perspective to the classic garage anthem. Not to mention not one but two mesmerizing dub versions by H-Man and DJL VIP. These carefully crafted dubs take the original masterpiece to new heights, offering unique perspectives on the timeless classic.

TRACK LISTING

A1. H-Man Dub
A2. Archie Hamilton Remix
B1. VIP Dub
B2. Disco Dub

SP:MC returns with another 12" on his own imprint Declassified Records. This, his fifth release continues to explore the UKG framework - whilst incorporating his influences & previous work in dubstep & jungle / D&B. The A side 'It's Over Now' is an upbeat affair, reminiscent of much-played track 'All Night' on Declassified 003. Tight snappy drums, soulful stabs with cheeky splices of an old R&B acapella. Not forgetting that trademark chest shaking low-end! The B side 'Full Circle' welcomes the first guest to the label - dubstep pioneer DJ Youngsta. A decade on from their last collaboration on the legendary Tempa label, the two pick up where they left off with a deep tribal cut - harking back the the formative years of the dubstep genre. Echoes of dub techno & Horsepower Productions are clearly evident here.

STAFF COMMENTS

Matt says: Tight and weighty UKG flavours by a producer who knows how to engineer bass brilliantly.

TRACK LISTING

A. It's Over Now
B. Full Circle Ft. Youngsta 

The second full-length LP from Jungle Brown, ‘Full Circle’, drops on Mr Bongo and features collaborations with Sampa The Great, Fliptrix (High Focus) and Terri Walker amongst other super-talents. The trio - Ric Flo, MAEAR & Tony Bones - have spent the last two years redefining soulful hip-hop - the sound is bigger, more thought-provoking, and it has matured with a rich soulful underpinning. They have also entered territories fans are yet to hear as they glide effortlessly over Tony Bones’ productions that introduce trap and house into their repertoire. The project is an eclectic array of their influences, twisted and blended together to create a ground-breaking release for UK music.

TRACK LISTING

Keep It Movin
Wicked Ft Fliptrix
Ikoja Ft Elde
Huami Ft Terri Walker
Sometimes Ft Ruby
Wayside
Time Ticks
U&I
We On Ft Sampa The Great
Situationships Ft K. Waltz
Custom Made Ft Ayo The Yung African Pioneer

Their NEW album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.

Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carry lots of deft studio work that many a producer would give their right arm for. Hawkshaw’s arrangements allow the drums, guitar, bass, strings, Hammond, flute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.

Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been afforded the care and attention it rightly deserves. Essential.

STAFF COMMENTS

Patrick says: The kings of the KPM library scene, groove barons Alan Hawkshaw and Brian Bennett hit the studio together for the first time in years and treat us to an eagerly anticipated LP of new material. As you'd expect from this pair of heroes, it's a far out and funky affair. KPM x BeWith for the win!!!

TRACK LISTING

Flying
Hole In One
Reignited
Straight Up
Serengeti
Open Road
In The Clouds
Corcovado
On The Nile
Marrakech
Oasis
Midnight Jazz

Ever since his debut album Dolls of Highland was released on Sub Pop in 2016, Kyle Craft has been a critic's dream. Based in Portland, he serves up all the observational, storytelling talent with none of the attitude that so often comes with male singer-songwriter territory. “I've found my place,” he says. “I'm not one of those people that approaches music for anyone other than myself. My favorite part about music is when it's just me and a notebook.” Speaking of, his second forthcoming album Full Circle Nightmare is entirely autobiographical. Sonically, thematically, lyrically, it's a huge leap forward from his 2016 release.

 The title Full Circle Nightmare refers to a moment where Craft saw his life for what it is and told himself to be satisfied. “But that's nightmarish to me,” he laughs. He described his debut record as: “like walking down this long hall of bizarre characters and surreal experiences, moving through the spider web of love and loss.” This album is when you get to the end of that hallway, turn around and see all the stuff you've been through, then walk through the door, close it and start a new chapter in an even crazier hallway. A straight-up rollicking rock'n'roll album, it traverses all the different nuances of the genre; from the bluegrass twang of 'Exile Rag,’ to the gothic style of 'Gold Calf Moan,' it's a timeless piece that could exist in any of the past five decades.
In terms of contemporary peers, Craft likes to stay in his own lane. He's an old soul who sticks to his tried and tested influences. Social media is not his game - it's just not interesting to him. He's not fussed about preaching his politics or discussing the status quo either. “I don't really like writing a time piece. I don't wanna get trapped in the 'Donald Trump era of Kyle Craft,' you know? I'm a very off-the-grid sort of person. As much as I am traveling across this giant place sometimes I just feel so outside of it. Also, I'm not necessarily a stand-up citizen so it's hard for me to say: here's Kyle Craft's America, ladies and gentlemen.”

The ironic thing is that Full Circle Nightmare sounds exactly like Kyle Craft's America. That is what he's built for us: the story of one man's trials and tribulations to find his passion and voice for art and creativity in this vast opportunistic country. Where did he find it? Among the historic riches of America's most honest sounds.

STAFF COMMENTS

Barry says: Sliding guitars, tinkling pianos and the percussive sound of saloon doors opening in a hurry, tastefully hinting at classic Americana anthems, but tempering them with a melodic and progressive sensibility rarely heard in classic country rock.

TRACK LISTING

1. Fever Dream Girl
2. Full Circle Nightmare
3. Heartbreak Junky
4. The Rager
5. Exile Rag
6. Belmont (One Trick Pony)
7. Slick & Delta Queen
8. Fake Magic Angel
9. Bridge City Rose
10. Gold Calf Moan