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FRIENDSHIP

Michael Pedersen

Boy Friends - A Memoir Of Joy, Grief And Male Friendship

    An intimate and original memoir of love, grief and male friendship by one of Scotland's brightest young talents.

    Ever feel like you were fated to be friends with someone? An alchemy in your meeting, instant fondness – part chemical, part kismet. This is how I’ve felt about every friend I’ve fallen in love with – none so much as you.

    In 2018, Michael Pedersen lost a most cherished friend soon after their collective voyage into the landscape and luminosity of the Scottish Highlands. Sitting at a desk at The Curfew Tower, Northern Ireland, Michael begins to write to his departed friend – Scott Hutchison. What starts as a love letter to one magical, coruscating human soon becomes a paean to many friendships – perhaps all friendship.

    In Boy Friends, Pedersen confronts the bewildering process of grief. As memories rise to the surface – both heart-wrenching and hilarious – he recalls his younger self: the overly sensitive boy growing up in working-class Edinburgh; his befuddling stint in an ancient collegiate university; a short-lived, combustible career as a lawyer; and, foremost, the gorgeous male friendships that have transformed his life.

    Written to glitter, with intoxicating energy, Boy Friends is a powerful depiction of friendship and loss, a homage to the beauty of moments shared.

    Friendship

    Love The Stranger

      Friendship’s Merge debut, Love the Stranger, moves like a country record skipping in just the right spot, leaving its fellow travelers longing for a place they’ve only visited in their dreams. Guitarist Peter Gill, drummer Michael Cormier-O’Leary, bassist Jon Samuels, and hawkeyed balladeer Dan Wriggins map out the group’s particular, breathtaking landscape and invite the listener to share in its glory.

      Love the Stranger’s invitation is all the more wondrous because its characters have clearly been hurt before. “I need solitude and I also need you,” Wriggins reckons in “Ugly Little Victory.”

      Wide awake, vulnerable, and gimmickless, Friendship won’t hesitate to confide in us, or even ask for help when the moment calls, like on the lyrical centerpiece of “Alive Twice”: Under your eyeball spell, I was losing myself/ Not in the good way you used to talk about / I remember a day, Cedar Park Cafe/ I was in a bad place and you set me straight/ With your on-the-nose advice.

      Between instrumental pit stops at “Kum & Go” and “Quickchek,” local references in Love the Stranger create a catalog of human perception, presented as roadside attractions. From grape jelly residue (“Ramekin”) to the site of a demolished cathedral (“St. Bonaventure”) to King of the Hill quotations (“Smooth Pursuit”), the record’s images craft a symbolic language of high and low Americana, both evocative and consistently accessible. Spending time with Love the Stranger creates a community one in which the window between the listener and the music[1]maker shatters in full, until all that remains are the fragments you decide to pick up together.

      Like its sprawling lyrical references, Love the Stranger’s production is both familiar and capacious enough for pedal steel, synth strings, airy folk guitar field recordings, and MIDI pad exploration to work in vital harmony. Influenced by Friendship’s punk and indie peers as much as road-star forebears like Lucinda Williams and Lambchop, Wriggins says of the recording sessions: “We all got to stretch out, chase our personal musical fixations, and build on each others’ work.

      Bradford Krieger, our engineer at Big Nice Studio, has a mind-blowing creative energy and hundreds (thousands?) of instruments.” He recalls further: “I wanted the album to sound like Emmylou Harris and the Hot Band in the ’70s. Pete wanted it to sound like a semi full of spent fuel rods, barreling towards a runaway truck ramp. Jon kept reminding us that the studio is an instrument, and Michael wanted it to sound like the breakdown two-and-a-half minutes into Shuggie Otis’ ‘Strawberry Letter 23.’”

      Some breakdowns, however, are irreparable. Wriggins, a manual laborer and poet, calls “Hank” “a song about when you go to fix something that’s broken and realize the tools you’re supposed to fix it with are also broken.” Form follows function on the mesmerizing outro of the single, which buzzes with the sound of a shoddy Craigslist guitar from Woonsocket, RI (incidentally, the home of the Museum of Work & Culture) getting chainsawed in two. Friendship is probably already your favorite band’s favorite band, a long-revered IYKYK of DIY with a devoted cult following from Wawa to In-N-Out. With Love the Stranger, the Friendship universe only continues to expand and grow more open-hearted, more inviting, with every passing note. It’s a record that locates the listener exactly where the listener is, and wherever that may be, makes a friend out of them, too. All said and done, the age-old maxim of “Mr. Chill” holds true: “You be real with me and I’ll be real with you”

      TRACK LISTING

      SIDE A
      1 St. Bonaventure
      2 What’s The Move
      3 Blue Canoe
      4 Hank
      5 Chomp Chomp
      6 Love’s
      7 No Way
      8 Alive Twice
      SIDE B
      9 Quickchek
      10 Ramekin
      11 Mr. Chill
      12 UDF
      13 Ryde
      14 Season
      15 Kum & Go
      16 Ugly Little Victory
      17 Smooth Pursuit

      Surfbort

      Friendship Music

        Fat Possum and Julian Casablancas' Cult Records are partnering to release NY Punks Surfbort record, "Friendship Music". Surfbort, a four-piece punk band from Brooklyn, New York made up of David Head, Alex Kilgore, Sean Powell and led by Dani Miller, channels inspiration from the 80’s punk scene to produce rousing, explosive music. Surfbort’s live experience is visceral and confrontational. Their feedback-strafed, guitar-shredding punk music says no to a digital age full of intolerance; they radiate love and friendship. All are welcome in the SURFBORT FREAK FAMILY! In the last three years they have supported acts such as The Dickies, Thee Oh Sees, Fat White Family, White Fang, Martin Rev, The Garden, Tijuana Panthers, The Mystery Lights, Tomorrows Tulips, Sunflower Bean, DIIV, GOGGS, The Dune Rats, Leftover Crack etc, Meatbodies, Ex-Cult, Hinds among others…

        TRACK LISTING

        1. Burn
        2. High Anxiety
        3. Feed
        4. Rats
        5. ACAB
        6. Slushy
        7. Hillside Stranger
        8. Pretty Little Fucker
        9. Stalker
        10. Sunshine
        11. Forty Five
        12. Lets Be In Love
        13. Selfie
        14. Trashworld
        15. Dope
        16. Friendship Music
        17. White People


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