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In contrast to her 2016 lauded album New View, which Eleanor arranged and recorded with her touring band, Rebound was recorded mostly by Eleanor alone with assistance from producer Clemens Knieper. The resulting album is an entirely new sound for Eleanor, exchanging live instrumentation for programmed drums, a Juno synthesizer, and muted guitars, creating a sonic landscape where influences range from Stereolab and Suicide to Lena Platonos and Yellow Magic Orchestra. In addition to a new sonic palette, Rebound takes significant inspiration from Eleanor’s time spent in Greece. Half-Greek herself, Eleanor frequently traveled to Greece to see family, but decided in 2016 to really immerse herself in the culture. Rebound is the incredible next step in a lauded, brilliant recording career by one of the most prolific, daring independent artists of our time. From her days spent in The Fiery Furnaces, creating melodically off-kilter, idiosyncratic mini-epics, to her three acclaimed previous solo albums, Eleanor Friedberger continues to create exactly what we need to hear when we need to hear it.
STAFF COMMENTS
Andy says: Beautifully smooth synthetic soundscapes, deep and rich harmonic flow all topped by Friedberger's haunting but strangely soothing vocal accentuations. Rich and immersive, and beautifully written throughout.
New View, the third solo album by Eleanor Friedberger, was rehearsed in the Los Angeles neighbourhood of Echo Park and recorded in upstate New York. In the past, she was a member of the much loved Brooklyn two-piece, The Fiery Furnaces.
The songs were recorded live to tape with simple instrumentation: drums, bass, Wurlitzer and 12-string acoustic guitar on almost every track. These come courtesy of the band Icewater (Malcolm Perkins, Jonathan Rosen, Michael Rosen, Noah Hecht), with Dorian DeAngelo contributing a handful of well-placed guitar solos. Producer Knieper (son of Jurgen Knieper, the German composer whose credits include the score to Wim Wenders' Wings of Desire) gives the album a classic sound, like something that's existed forever on a record collector's shelf, wedged in with Dylan's New Morning and John Cale's Vintage Violence.
For everything new about New View, it still fits comfortably in the continuity of Friedberger's work. Songs like "Open Season" recall the Furnaces at their most magisterial. The wry, plainspoken "Because I Asked You" builds on the style Friedberger first polished on her solo debut Last Summer. And then there's "A Long Walk," the sun-striped finale that lends a memorable afterglow to New View. She's never lacked confidence -- this is someone who once took a fractured nine-minute ballad about the international blueberry trade and put it across like it was "Thunder Road" -- but there's a new kind of confidence on this record. It's a sweet, aching goodbye from an album that seems full of them
The songs were recorded live to tape with simple instrumentation: drums, bass, Wurlitzer and 12-string acoustic guitar on almost every track. These come courtesy of the band Icewater (Malcolm Perkins, Jonathan Rosen, Michael Rosen, Noah Hecht), with Dorian DeAngelo contributing a handful of well-placed guitar solos. Producer Knieper (son of Jurgen Knieper, the German composer whose credits include the score to Wim Wenders' Wings of Desire) gives the album a classic sound, like something that's existed forever on a record collector's shelf, wedged in with Dylan's New Morning and John Cale's Vintage Violence.
For everything new about New View, it still fits comfortably in the continuity of Friedberger's work. Songs like "Open Season" recall the Furnaces at their most magisterial. The wry, plainspoken "Because I Asked You" builds on the style Friedberger first polished on her solo debut Last Summer. And then there's "A Long Walk," the sun-striped finale that lends a memorable afterglow to New View. She's never lacked confidence -- this is someone who once took a fractured nine-minute ballad about the international blueberry trade and put it across like it was "Thunder Road" -- but there's a new kind of confidence on this record. It's a sweet, aching goodbye from an album that seems full of them
Devin’s debut EP entitled ‘You’re Mine’ is three tracks of classic rock & roll infused with elements of soul and punk; the passion of his vocal delivery combined with the high energy melodies introduce Devin as an exceptionally exciting artist. ‘You’re Mine’ was written while Devin worked at a Brooklyn shipping warehouse and contains what he calls his “first good songs.
STAFF COMMENTS
Laura says: Love this! Raw garage rock that hurtles along at 100mph. Think The Strokes knack for a catchy tune mixed with the upbeat energy of The Hives.
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