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Fontaines D.C.

A Hero's Death

    Preorder the album from us for an invite to a very special album release show, filmed at 2FM Radio's studio in Dublin. "A Night In Montrose, Dublin" will air on Monday 3rd August at 8pm BST, 9pm CEST / 3pm EDT.

    All you have to do is order the album from us before midnight on Sunday 2nd August and we will email you a link to the show. IMPORTANT!!!: Links will be emailed after 4pm on Monday 3rd August, make sure you check your junk mail if it hasn't arrived in your inbox.

    Fontaines D.C. will perform new album A Hero’s Death in its entirety for the very first time, along with selected tracks from their award-winning debut Dogrel. A live Q&A with the band will also mark the occasion.

    See you down the front!!!

    You can also sign up to the bands mailing list for an invite.

    Barely a year after the release of their hugely acclaimed debut album 'Dogrel', which earned a Mercury Prize nomination and Album of the Year 2019 at both BBC 6Music and Rough Trade record store, Dublin’s Fontaines D.C. have returned with an intensely confident, patient, and complex follow up album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty. 


    Barry says: Well, well.. Fontaines follow up the stunning Dogrel with yet another killer LP. We get the brash distortion and rawkous chant-along melodies from the previous outing but imbued with a more mature songwriting focus and more refined sound. Stunner.


    Coloured LP Info: Limited Edition Stormy Blue Vinyl.

    2xDeluxe LP Info: 45rpm cut double-LP on 180g black vinyl.
    Cut at Abbey Road Studios.
    Double gatefold LP.
    Comes with 12”x12” photo/lyric book.

    After a handful of singles (all of are included here), one of the most talked about new bands of the last 12 months finally release their debut album. Their visceral pop has drawn comparisons to Idles amongst others, but what really stands out and sets them apart is their roots. Straight from the off, there is no doubt where they’re from; Irish through and through. Their hometown of Dublin is a constant reference point throughout from it’s literary past to modern day life in the city. Considering the band have only actually been a band for three years, this is a remarkably assured debut that’s hard to ignore.


    Andy says: One of the year's most eagerly awaited albums did not disappoint when it arrived in April. A punk/post punk rock'n'roll band who actually sing about stuff, this record hits with the power of an early Smiths, Arctic Monkeys or even Oasis (more in attitude than anything else). It's like a poem to Dublin, getting out as much as revelling in, and singer Grian Chatten is the most authentic frontman we've heard in a long time.

    Fontaines D.C.

    Too Real

      Partisan Records are proud to release the upcoming 7” from Fontaines D.C., titled ‘Too Real’. Fontaines D.C. met as a quintet in Dublin, influenced and driven in equal measure by the rich history of their hometown’s counter-culture, their response has been to make concise and immediately authentic indie punk that has done anything but fall on deaf ears.

      The last six months have seen Fontaines D.C. release three hotly received double A-side singles, both of which were named as Single Of The Week by many retailers and garnered early support from the likes of Steve Lamacq and others on 6 Music, as well as earning feature space from every major Irish publication. Similarly, the band have played a number of shows across Europe, Ireland and the UK earning a reputation for their brooding and trenchant live performances, supporting the likes of The Horrors, Girl Band and The Lemon Twigs, as well as playing festival slots at Electric Picnic, Hard Working Class Heroes and Other Voices.

      Previous singles such as ‘Liberty Belle’, ‘Hurricane Laughter’ and ‘Chequeless Reckless’ call to mind the likes of the Modern Lovers, The Fall, Iggy Pop and The Strokes, seamlessly blending immediate lyrical hooks with melodic golden-era indie instrumentation and 70s Stooges punk thrust, all of which is strewn with defiant rock and roll overtones.

      “The energy, the urgency and the emotion of these brilliant new songs made me stand up and take notice that this is the band I’ve been waiting for” - John Richards (KEXP, Seattle)

      “Snarling, Swaggering Post Punk” - Stereogum

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