Ten Fingerz produces tracks bursting with dancefloor energy, influenced in turn by acid house, 90s techno, the French Touch, or jazzy Afro-House sounds. An insatiable vinyl collector, it's when he's at the turntables that his ten fingers twitch to play furious, powerful and groovy house, flirting with the funkier side of techno.

With an ep of 4 tracks on the Swiss label Black Pattern Records, he returns to the forefront of the scene accompanied by solid house music warriors such as The Checkup, DJ Merci and Dexter Troy.

TRACK LISTING

A1. High N Risin
A2. High N Risin (DJ Merci & The Checkup Heavy Bottom Remix)
B1. 2 The F
B2. 2 The F (Dexter Troy Remix)

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.

TRACK LISTING

A. Noir & Haze - Around (Solomun Vox)
B1. Noir & Haze - Around (Solomun Vox - Moodymann Edit)
B2. Chicken Lips - He Not In 

4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilizes energetic drums and techy synths to up the ante.

STAFF COMMENTS

Matt says: Resurrecting bona fide classics from the house music cannon, 4 To The Floor turn their attention to two cheeky booty twisters from '94 and 2002.

TRACK LISTING

A. MD X-Spress - God Made Me Phunky (Original Mix) 
B1. Three Kings Featuring Jaygun & Bashy - Shake Dat Booty (A Pal Joey Interpretation) 
B2. Three Kings Featuring Jaygun & Bashy - Shake Dat Booty (Wahoo Main Mix) 

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The fourth edition of the series pays homage to one of the most loved names in house music – Sandy Rivera. Known for his soulful dancefloor cuts he has produced timeless classics, with his long-lasting career and multitude of aliases captured by this 12” release. Opening the A-side is the Moodymann Edit of Kings of Tomorrow’s ‘Fall For You’, featuring the stunning vocals of long-time collaborator April Morgan, followed by Sandy’s grooving ‘Come Into My Room’ which features LT Brown. On the flip is Soul Vision’s ‘Don’t Stop’ with its atmospheric strings and gospel vocal. The release is closed with Kings Of Tomorrow featuring Elzi Hall ‘Show Me’, an atmospheric club cut that shows the versatility of this house legend.

STAFF COMMENTS

Matt says: Worth it from the KOT track alone, "Fall For You" would keep you warm through the coldest of winters. The rest of the EP is pure soul throughout. 4 To The Floor delivering must-have house music at a reasonable price!

TRACK LISTING

A1. Kings Of Tomorrow Featuring April - Fall For You (Sandy Rivera's Classic Mix - Moodymann Edit) 
A2. Sandy Rivera Featuring LT Brown - Come Into My Room (Take It Back Mix) 
B1. Soul Vision - Don't Stop (Remix) 
B2. Kings Of Tomorrow Featuring Elzi Hall - Show Me 

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Now in its fifth edition, the series continues to raise the bar. The A-Side features two mixes of the mid-nineties Mood II Swing production ‘Living In Ecstasy’ by Fonda Rae. The R&B singer who was responsible for cult hits like ‘Touch Me’ delivers silky-smooth vocals that remain the focus in the opening Groove Mix, whereas JC’s Ecstasy Dub follows up with a rumbling bassline to deliver a club-focused version. On the flip we’re greeted by a slice of 2001 goodness with the Original Distant Music Mix of Jon Cutler featuring E-Man ‘It’s Yours’, a seminal house classic. Closing out the release is The Return’s ‘New Day’, originally released on Fourth Floor Records in 1999, twenty years later this sublime and emotive piece of house music history sounds fresh as ever. Classics Volume 5 is another record box essential delivered to you by 4 To The Floor.

TRACK LISTING

A1. Fonda Rae - Living In Ecstasy (The Groove Mix) 
A2. Fonda Rae - Living In Ecstasy (JC’s Ecstasy Dub) 
B1. Jon Cutler Featuring E-Man - It’s Yours (Original Distant Music Mix) 
B2. The Return - New Day (Original) 

4 To The Floor continues to champion heritage tracks with Volume 7 of the Classics 12” series, ‘The MK EP’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s early career. Opening the A-Side with vocal house masterpiece ‘Burning’, on the flip are two of MK’s most loved collaborations with Alana, first the deep and piano-lined ‘Always’ (Club Mix), before the soulful club anthem ‘Love Changes’. This release highlights the timeless quality of MK’s catalogue, with three cuts that truly stand the test of time.

TRACK LISTING

A. Burning (Vibe Mix)
B1. Always Feat. Alana (MK Club Mix)
B2. Love Changes Feat. Alana (MK Mix) 

Warrington’s Starsailor have scored ten Top 40 Singles in the UK, with ‘Four to the Floor’ being taken from their second LP, ‘Silence Is Easy’. Recorded in Los Angeles and released on EMI Records in 2003, the Album charted at No.2 in the UK and went on to be become gold-certified, with ‘Four to the Floor’ becoming a hit in both the UK and Australia, as well as topping the Single charts in France.

AllMusic described it as an Album of “heartfelt, melodic rockers” with an “overall aesthetic of cinematic pop romanticism”, to which The Guardian added that it was “hard not to be moved by its tenderness." Our version of the melody from this post-Britpop classic evokes its orchestral flourishes, so with hand on heart, be sure right from the start, that you can…have it all, whenever you are near - to this music box!

Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true treasure that deserves a cherished place in the collection of every soul and funk connoisseur. This long-awaited reissue brings back the original magic, preserving the essence and impact it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its status as an essential gem in the annals of musical history.

Now, with this reissue, you have the opportunity to experience the same captivating rhythms and infectious melodies that captivated audiences decades ago. Are you ready to awaken your boogie spirit and infuse your living room with the long-lost spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to the timeless grooves and soulful vibes that will transport you to a bygone era of musical enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before.

TRACK LISTING

Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise

One of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock- star than that? And yet ...“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? But maybe it’s just that I knew what I wanted to write about from the beginning.”

TRACK LISTING

1. Mirrors And Fevers
2. I Will Be Grateful For This Day
3. Trees Get Wheeled Away
4. Drunk Kid Catholic
5. Spent On Rainy Days
6. The Vanishing Act
7. Soon You Will Be Leaving Your Man
8. Blue Angels Air Show
9. Weather Reports
10. Seashell Tale
11. Bad Blood
12. Amy In The White Coat
13. Devil Town
14. I’ve Been Eating (For You)
15. Happy Birthday To Me (February 15)
16. Motion Sickness
17. Act Of Contrition
18. Hungry For A Holiday
19. When The Curious Girl Realizes She Is Under Glass Again
20. Entry Way Song
21. It’s Cool, We Can Still Be Friends

One of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. This last wave contains, in Noise Floor, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock- star than that? And yet ...“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? But maybe it’s just that I knew what I wanted to write about from the beginning.”

TRACK LISTING

1. Nunca Seré Feliz Otra Vez (Companion Version)
2. The Vanishing Act (Companion Version)
3. Soon You Will Be Leaving Your Man (Companion Version)
4. Blue Angels Air Show (Companion Version)
5. I Will Be Grateful For This Day (Companion Version)
6. Motion Sickness (Companion Version)
7. I Won’t Ever Be Happy Again (Companion Version)

The triumvirate of Roky Erickson, Tommy Hall and Stacy Sutherland had to feature. Transcendent slower songs (often) don’t feature full band performances – so, no Splash One. The song had to be a band original. So, no Baby Blue. 13 unlucky for some. This compilation launches a new phase in the 13th Floor Elevators catalogue and previews the forthcoming series THE QUEST FOR PURE SANITY: the release in optimal quality of all surviving source material for all of the band’s recordings. ‘

13 OF THE BEST’ has been mastered separately to vinyl, CD, and streaming for the best possible sound quality for each format. Each original source has been referenced to the earliest vinyl pressing and meticulously transferred at 96khz 24- bit resolution. Multitrack tapes of the original recording sessions have been newly mixed in strict accordance with the records as first released. ‘You’re Gonna Miss Me’, the band’s seminal single, is presented here for the first time in true stereo. Taken from the original multitrack session tape, the song has been mixed to stereo in accordance with the iconic mono 45 as recorded and engineered by Walt Andrus. ‘Slip Inside This House’ viewed by fans and critics alike as the Elevators’ masterpiece and one of the key psychedelic recordings of the era, is included on the LP as the edited mono single mix so the loudest possible cut can be achieved. The eight-minute stereo version is included on all other formats. ‘Never Another’, ‘Dr Doom’ and ‘Livin’ On’ from the band’s final sessions have been newly mixed but without the overdubs added almost a year after recording. While the session tapes survive, the overdubs do not. ‘Livin’ On’ features Roky Erickson’s original superior vocal performance instead of the overdub used on the ‘BULL OF THE WOODS’ LP. What is uniquely presented here is 100% Elevators as mixed and intended for the LP. No embellishments!

‘13 OF THE BEST’ is produced by 13th Floor Elevators official archivist and historian Paul Drummond who has also written sleeve notes with full track-by-track information.

STAFF COMMENTS

Barry says: There's not much you can say about the 13th Floor Elevators that hasn't already been said, but this stunning collection has been remastered and collected with care and attention, giving Erikson & Co's psychedelic meanderings their finest sheen yet. Ace collection.

TRACK LISTING

1. You’re Gonna Miss Me
2. Through The Rhythm
3. Roller Coaster
4. Reverberation (Doubt)
5. Kingdom Of Heaven
6. I’ve Got Levitation
7. She Lives (In A Time Of Her Own)
8. Slip Inside This House
9. Earthquake
10. Never Another
11. Dr Doom
12. Livin’ On
13. May The Circle Remain Unbroken

“Home” is a tough thing to pinpoint for someone who’s constantly in motion. Scout Gillett knows this well, but since relocating from Kansas City in 2017, she’s found one in Brooklyn’s DIY scene, playing in multiple live bands and even starting her own booking company to organize local shows. Her intrepid nature results from a childhood spent running barefoot through rural Missouri and coming of age in Kansas City’s punk scene. Her debut solo album no roof no floor is a bold and spirited yet warm, intimate meditation on trust, surrender, and what makes a home.

Following the sudden overdose of a lover in 2018 and the onset of the 2020 quarantine, Scout returned to Missouri in search of reprieve. Instead, she was dismayed to find that her hometown was suffering; friends and family members were caught in the grips of drug and alcohol addiction. Overcome by grief and helplessness, she retreated inward, channeling her fears and frustrations, as she always had, into songwriting. The resulting songs were more vulnerable than any of her prior work, and it was a while before the notion of sharing them even occurred to her. Then Nick Kinsey, the album’s producer, called from his recording studio The Chicken Shack in Stanfordville, New York to tell Scout that his friends Ellen Kempner (Palehound) and David Lizmi (MS MR) had relocated upstate, and were interested in working on an album with her.

Recorded in a big wooden barn with the doors wide open, there’s a sense of spaciousness on no roof no floor befitting its title. On some songs, there are even audible cricket chirps. The arrangements, too—which feature contributions from Kempner, Lizmi, and Kevin Copeland (The Big Net)—reflect Scout’s rural roots and her indie spirit; a fusion of upbeat, guitar-driven melodies and folk/country instrumentation like pedal steel, harmonica, and tenor banjo. All of these elements are underpinned by Scout’s signature soaring, velvet vocals and openhearted lyricism. She arrives at her thesis on the haunting six-minute centerpiece “hush, stay quiet”: “you can only save yourself,” she muses over a resolute guitar. We can’t always know what to expect, even in a place we’ve been before. With a little trust, though, we can find a safe place within. No roof required.

TRACK LISTING

1. Lonesome Dove
2. Slow Dancin’
3. No Roof No Floor
4. 444 Marcy Ave
5. Signal
6. Hush, Stay Quiet
7. Mother Of Myself
8. Strangers In Silence
9. Western Eyes
10. Crooked

Initially written and recorded when Atmosphere and fledgling label Rhymesayers Entertainment were still making a name for themselves in the Minneapolis hip-hop scene, “God’s Bathroom Floor” was an early standout for the group. Turning heads and drawing new fans in with Slug’s introspective raps over producer Stress’ hypnotic jazzy beat, the song was performed live frequently, becoming an audience favorite before ever appearing on an actual release. Even then, it was only a live performance they made available, and only on a limited mixtape they released in 1996.

It would be another year before the 4-track studio recording would surface on Atmosphere’s Overcast! EP, a collection of focus tracks promoting their debut full-length album, but “God’s Bathroom Floor” never made it onto the album itself and slowly slipped into obscurity from there. Now, in celebration of its 25th anniversary, the original recording has been unearthed, remastered, and pressed on this limited edition 7-inch vinyl. Plus, in a nod to the song’s original release as a live version, we’ve included a new live performance of the song, recorded recently in Montreal, mixed and mastered exclusively for this special release. Whether you’re a lifelong fan whose first introduction to the group was through this song, a new fan looking to explore the group’s historical roots further, or somewhere in between, this release will be a welcome addition to your Atmosphere collection.

TRACK LISTING

A. God’s Bathroom Floor
B. God’s Bathroom Floor(live In Montreal)

Touch and Go release a double LP of music from the film Girl on the Third Floor; "creepy instrumental music" as described by co-creator Steve Albini. When director Travis Stevens called about composing music for his new horror film, Steve Albini (Shellac) found himself with a new creative challenge. After meeting with Stevens and Greg Newman from Queensbury Pictures, Steve signed on and recruited Tim Midyett (Mint Mile, Silkworm) and Alison Chesley (Helen Money) to complete the ensemble that would compose and record the soundtrack. Guest vocals on “Irish” by Gaelynn Lea. Upon completion of the soundtrack, Albini reflected, "Tim and Alison are a joy to work with, very open-minded and eager, and master musicians. Just great. That whole part of it, writing and playing with them, was fucking fantastic and effortless, and I wish I could do it all the time."

First release in a new multi-part series of solo releases by Wolf Eyes frontman Nate Young. An evolution from the previous Regression material, taking in elements of classic synth soundtracks, ambient and electronic body music but filtered through a typically off-centre Michigan underground sensibility.

In the Regression series - ‘Regression’ (2009), ‘Stay Asleep’ (2011), ‘Other Days’ (2012), ‘Blinding Confusion’ (2013) - Young drew a compositional aesthetic from Italian library music and musique concrète. Since then, Young has been interpreting the traditional musical methods of rhythm and melody into complex synthesizer compositions.

These songs were commonly made as a distraction from grief, seasonal depression and isolation. Sometimes severely ridiculous and unrelenting, other times slow, sparse and strange, this material didn’t fit in with the Regression series. It was archived and unreleased until now.

Nate Young is a Detroit-based musician working in experimental electronic sound for over twenty years. In 1998, Young founded legendary noise group Wolf Eyes. Solo and as Wolf Eyes, Young has toured the world, released countless records, collaborated with Anthony Braxton and Marshall Allen and inspired a generation of electronic musicians. Recent accomplishments include performing his compositions with the BBC Scottish Symphony Orchestra and creating Trip Metal Fest, an annual free experimental music festival in Detroit that has brought luminaries such as Morton Subotnick and the Art Ensemble of Chicago to the city. In 2016, Young co-created (with John Olson) Lower Floor Music with assistance from iconic electronic label Warp Records.

Presented in a reverse board sleeve with A2 double-sided newsprint poster. Includes digital download card featuring bonus track ‘Pardon The Mess’.

TRACK LISTING

Tracklisting
In The Shadow Of
Mindless Voices
The Weeping Babe
Crumpled Body
Vents Of Blue
Dribbling Insane
Flushing
On Repeat

On ‘LOVEPLAYDANCE’, legendary Tokyo DJ and producer Toshio Matsuura charts a new direction. Casting musical cornerstones in a fresh light, the Toshio Matsuura Group features Tom Skinner (drummer for Sons of Kemet and Owiny Sigoma Band amongst others) as its musical director, as well as some of the UK’s most exciting jazz-influenced musicians. Drawing on years of surveying and curating different corners of music, Matsuura deftly combines this talented pool of players into one singular, wide-ranging album.

A co-founder of Japan’s United Future Organisation (aka U.F.O.), this new record sees Matsuura reconnect with longstanding friend and collaborator Gilles Peterson. Releasing the album via Brownswood Recordings in the UK, it’s a continuation of a relationship which started as a bridge between London’s then-blossoming jazz scene and Tokyo’s new musical vanguard of the early ‘90s. This album continues that two-way dialogue between Japan and the UK.

The project is focused on covers, putting classic or influential tracks in a new context, spanning a cross-section of Matsuura’s taste. On ‘Black Gold of the Sun’, Cuban vocalist Daymé Arocena fronts a new take on the Rotary Connection classic, along with a band – guided by Tom Skinner – that features her prodigious Havana-based players. Elsewhere, Byron Morris and Unity’s ‘Kitty Bey’, a Dingwalls classic, is knocked into a tight, high energy new shape (by a band that includes Yussef Dayes, Yazz Ahmed and Nubya Garcia.)

The scope of the music reflects the breadth of Matsuura’s interests. It ranges from Bugges Wesseltoft’s Detroit-influenced, dancefloor-minded jazz, stretched out into a more meditative contemplation, to Flying Lotus’ LA-rooted, Brainfeeder beatmaking, translated from laptop-to-live, given a new, equally idiosyncratic lease of life. Elsewhere, Carl Craig’s iconic ‘At Les’ is taken in a looser direction, the overtones of euphoria cast in a different hue.

They’re touchpoints which hint at interests in the different, diffuse corners of electronic music, and how they connect to jazz and improvisation. Coming to this project from the perspective of a DJ, producer and curator, it’s an album that shows his grasp of the bigger picture. This album shows him finding the threads which connect those different scenes together, exploring a to-and-fro – between live, played instruments, and the possibilities found in laptops and samplers – which has long been a backdrop to music aimed at dancefloors.

STAFF COMMENTS

Millie says: Brownswood yet again producing the best jazz around, the twist of classic jazz presented in a contemporary way is fab! A favourite of mine has to be the Flying Lotus cover Do The Astral Plane!

TRACK LISTING

1. Change
2. High Noon
3. L.M. II (Full Length)
4. I Am The Black Gold Of The Sun
5. Kitty Bey
6. Brown Paper Bag
7. Do The Astral Plane

Brand new music from the capital here, Flow 2 The Floor presenting an EP of mixed house music from Hungary's Captain Knuckles & J Prorok alongside remixes from established producers Sobok and Sasha Dive. "Delicious Sequence" gets us underway with dreamy chime melodies cascading through reversed guitar sequences, reverb drenched vox and a very ethereal atmosphere. The psychedelic yet dancefloor nature of the track recalls classic Deep Dish DJ sets: hypnotic, expansive and kicking. Fellow Hungarian Sobek remixes the track, pulling out the tribal elements and locking us into a mesmerizing tom tom passage onto which he layers up male voice chants and steadily rising arpeggios. The resulting breakdown halfway through the tracks sees the intensity levels soar as the concentric arps and crashing white noise snares converge on the mix. Again, one for the house heads of the early 00's, this one recalls a mid-session Osunlade or Danny Tenaglia with its unrivalled primal power. Flip the disc and we're treated to a grinding tech-house workout courtesy of "Some Day". This one has the white isle's infamous superclubs inscribed into its DNA - sweaty, main room tech house with the perfect balance of tension, drama and big drops. Low pads bubbling away, swinging hats and stupendously catchy technoid refrains; think Carl Cox at Space and you're there! Frankfurt house royalty, Sasha Dive remixes "Some Day" for the EPs final track. Stylishly conjuring up another slice of simmering yet driving tech-house, Dive utilizes the bubbling low end pads wonderfully, creating new rhythms as he wraps a buoyant 4/4 around the stems.

TRACK LISTING

Delicious Sequence 
Delicious Sequence (Sobek #420 Remix)
Some Day 
Some Day (Sasha Dive FX Dub)

Two years in the making, Close To The Noise Floor is a 4CD, 61-track set exploring the origins of electronica in the UK. Featuring tracks from key figures on the cassette label underground alongside early releases by future stars of the movement, this is part primitive rave, part synthesiser porn & part history lesson. Enthralled by the mysterious electronics of Pink Floyd, Hawkwind, Gong & German Kosmische artists such as Tangerine Dream, Harmonia & Cluster, & inspired by the DIY ethos of punk, a quiet revolution took place across the UK in the late 70s & early 80s. The rise of the microchip & the advent of affordable synthesisers enabled countless artists for whom guitars, drums & bass had become old hat, & in grubby bedsits, unremarkable living rooms & art school halls across the British Isles, UK electronica was born.

Exploring every corner of this fascinating & often overlooked chapter in musical history. For proto synth-pop look no further than 100% Manmade Fibre & Spoon Fazer, whilst British Standard Unit & Five Times Of Dust lay out techno templates which wouldn’t take full form until many years later. Elsewhere, the synthesiser laden ambient music of Zorch & the found sound collages of A Tent sit comfortably alongside early forays by familiar names – Blancmange, The Human League, OMD & Throbbing Gristle – in over four hours of futurist, entirely modern music.

TRACK LISTING

Disc: 1
1. Computer Bank - Five Times Of Dust
2. R.A.M. - The Klingons
3. Re-Education Through Labour - Chris And Cosey
4. Sedation Strokes - Malcolm Brown
5. Little Bob Minor - Storm Bugs
6. Tight As A Drum - Thomas Leer
7. Holiday Camp - Blancmange
8. Fractured Smile - Inner City Static
9. Sexuality - We Be Echo
10. God With Us - Bourbonese Qualk
11. Faith - Nagamatzu
12. Disco Song - O Yuki Conjugate
13. Optimum Chant - British Electric Foundation
14. All Night Long - Kevin Harrison
15. Stopping And Starting - Voice Of Authority

Disc: 2
1. I Am Your Shadow - Colin Potter
2. D'ya Think I'm Sexy - British Standard Unit
3. The Single Off The Album - Five Times Of Dust
4. Back To Beginning - Spöön Fazer
5. Gerry And The Holograms - Gerry & The Holograms
6. Drugface - The Passage
7. A New Kind Of Man - John Foxx
8. Green For Go - 100% Manmade Fibre
9. Sentimental - Those Little Aliens
10. Protect And Survive - Final Program
11. Being Boiled - The Human League
12. New Muzak - Instant Automatons
13. Materialistic Man - Cultural Amnesia
14. (Leaving Me) Now - Worldbackwards
15. Music To Save The World By - Alan Burnham
16. Almost - Orchestral Manoeuvres In The Dark
17. Kodak Ghosts Run Amok - Eyeless In Gaza
18. Broken Vein - Schleimer K
19. The Distance From Koln - Native Europe

Disc: 3
1. Adrenalin (Return Of The Elohim Pt 1) - Zorch
2. Robot Dance - Sea Of Wires
3. Sea Of Tranquility - Ron Berry
4. Mistral - MFH
5. Joe Goes To New York - Adrian Smith
6. Embryo (Extract) - Mark Shreeve
7. Tripych - EG Oblique Graph
8. Encounter - Carl Matthews
9. Ynys Scaith - Paul Nagle
10. Sedation - O Yuki Conjugate
11. Western Vein - Konstruktivist
12. Dead Of Night (Excerpt) - Attrition

Disc: 4
1. What A Day - Throbbing Gristle
2. No Way Of Knowing - A Tent
3. Go For The Throat - Portion Control
4. Eco Beat - DC3
5. Dying Inside - Renaldo & The Loaf
6. In The Army - Blah Blah Blah
7. God Speed - Legendary Pink Dots
8. Muslin Gauze Muslim Prayer - Muslimgauze
9. Live At Longborne - Suisse
10. Menial Disorders, Extract B2 - Alien Brains
11. Himeal (And She Blew) - Storm Bugs
12. In The Room - Third Door From The Left
13. Dignity Of Labour - Al Robertson
14. Mzui (Extract) - BC Gilbert, G Lewis & Russell Mills

The Wombats follow their Top 5 album ‘This Modern Glitch’ with the release of their third full-length ‘Glitterbug’ via 14th Floor Records / Warner Bros. Records. Already named as Zane Lowe’s Hottest Record, the album’s lead single ‘Greek Tragedy’ was accompanied by a darkly compelling video in which one young fan takes her obsession with the band to disturbing extremes. Produced by Mark Crew (Bastille) and The Wombats – frontman Matthew ‘Murph’ Murphy, bassist Tord Øverland Knudsen and drummer Dan Haggis – the album’s themes were inspired by core songwriter Murph’s experiences in Los Angeles. Drawn to the city’s mix of “opulence and anxiety”, his songwriting for the album focused upon the idea of writing about a tumultuous relationship with a fictional woman from Los Angeles.

“That became the main inspiration for most of the songs, this false world that I’d created for myself,” he explains. “As time progressed, I’d go to L.A. more and more, and the idea kept on building. The album’s about the envy and the struggle and the pretence and the worry and the fear that L.A. – and every major city in the world – encompasses.”

Approximately halfway through the writing process, events conspired to curve full-circle from fiction into fact when Murph started dating a seemingly unattainable woman from the city. And so imaginary stories evolved into real life concerns: the fading embers of his relationship back in London and the challenges of maintaining a long distance relationship. Instrumentally, most of the songs took one of two directions: back in Liverpool, bassist Tord and drummer Dan’s rush of creativity would result in them delivering backing tracks as a foundation for Murph to then build upon in L.A. or London; alternatively Murph would develop the essence of a song on guitar or piano for the band to collectively flesh out. Despite the initial geographic displacement of the trio, subsequent sessions at Mark Crew’s London studio demonstrated that The Wombats’ inter-band dynamics are as strong as ever before.

‘Greek Tragedy’ floats an East Asian-infused synth riff over booming, distorted drum beats, while another immediate stand-out, the uplifting ‘Give Me A Try’ (inspired by Murph’s blossoming new relationship) represents the band’s most positive lyric to date. Other highlights include the elastic bass and pulsating disco rhythm that permeates throughout ‘Be Your Shadow’; the almost unrecognisably different ‘Emoticons’; and ‘This is Not A Party’ which addresses Murph’s swing from celebratory hedonism to a borderline existential crisis over the course of some “fairly sizeable” nights out in the summer of 2013.

TRACK LISTING

1. Emoticons
2. Give Me A Try
3. Greek Tragedy
4. Be Your Shadow
5. Headspace
6. This Is Not A Party
7. Isabel
8. Your Body Is A Weapon
9. The English Summer
10. Pink Lemonade
11. Curveballs

Limited edition Young Galaxy ‘Privileged Poor’ remix 12” featuring Factory Floor, TOY and Dan Lissvik (Studio). Debut release from new label, 586.

Young Galaxy’s ‘Privileged Poor’ is taken from the Polaris Music Prize short-listed album 'Ultramarine'. Factory Floor's remix comes hot on the heels of the band’s acclaimed debut album on DFA, and has similar sound designs. Their mix strips away the vocals, pads and pop touches, leaving us with a taut, driving analogue techno / house number. If you didn't know it was a remix you would think it was one of Factory Floor's own tracks. TOY’s Dom and Ale continue to emerge as world class remixers as they transform 'Privileged Poor' into a hypnotic, motorik psychedelic freak out. While less synthy than the original, Dan Lissvik keeps the pop edges of the original and an extra bump for the dancefloor.

TRACK LISTING

A1. Privileged Poor (Factory Floor Remix)
AA1. Privileged Poor (TOY Remix)
AA2. Privileged Poor (Dan Lissvik Remix)

Outta Sight herald the new year with two fabulous floor-packers from the glory days of Northern Soul.

First up is Dobie Gray's “Out On The Floor”. This absolute classic has it all; the perfect lyric married to the perfect dance beat, and now made even better by having Dobie Gray’s perennial mod / soul anthem “The ‘In’ Crowd” on the flip side. These two icons of the scene are brought together for the first time… Northern soul heaven!

In Stoke’s All The Young, we find a band for a generation that's lying twitching on the floor, wailing out for a hit of heady, heavy r 'n' r. Formed by the Dooley brothers, All The Young are - frontman Ryan Dooley, bassist Jack Dooley, drummer Will Heaney and guitarist David Cartwright.

"The thing is, I can understand as much as anyone right now why there's been a lull in proper guitar tunes," states Ryan. "People have been waiting for something bigger to come along. When there’s a lull it made me want it more and fuelled the hunger for it." It's with that same faultless drive, determination and ambition that All The Young burst into the world with an album of brick-breaking powerhouse sounds, brought into catastrophic dimensions by none other than rawk royalty GGGarth Richardson, the man responsible for classic albums from Rage Against The Machine, Red Hot Chili Peppers and Biffy Clyro. A fitting collaboration for a band whose whole manifesto chimes with the age-old tale of the lads from a nowhere town, singing about something better than what's outside their door.

All The Young are readying their own day of reckoning, with a genuine moment of perfect anthemia.

TRACK LISTING

1 Another Miracle
2 Today
3 The First Time
4 New Education
5 The Horizon
6 Quiet Night In
7 Chase
8 Here To Stay
9 Arcane
10 Welcome Home

Produced by Eric Valentine (Queens of the Stone Age Lostprophets) "Tokyo (Vampires & Wolves)" adds an array of new sounds (including sweeping synths and an insistent bassline) to the band’s famously immediate songwriting.

TRACK LISTING

Tokyo (Vampires & Wolves)
Tokyo (Vampires & Wolves) (Grum Remix)

"Noise Floor" collects selected Bright Eyes singles, one-offs, unreleased tracks, collaborations and covers recorded between 1998 and 2005. Variously recorded to cassette four-track, minidisc, reel-to-reel tape machine, ADAT and computer, these songs trace Bright Eyes' evolution from basement project to band of international repute. Many of these gems previously lost to out-of-print obscurity are hereby resurrected.

This is a super follow-up to his much-loved debut and whilst the warm, woody soulfulness of primetime Van Morrisson still shines through there's enough new ground covered to prove that he is indeed a major talent in the making. There's country and blues to add to his rustic soul music, this time with echoes of John Lennon or even Ryan Adams. There's some unsettling, sparse stuff here too; it's an occasionally challenging as well as a comforting listen. Fans are going to love this record!

It's only taken 10 years from it's original recording in 1994 for Floor's debut LP to get released. God knows what happened in the meantime. Worth the wait though - this is a raw, pulverising, creeping wall of chaos characterised by a double headache guitar assault and raging vocals. The sonic equivalent of being slowly, but badly beaten up.