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Derek Carr is a shining light in the world techno. Born and raised on a diet of soulful machine music, this Irish artist has honed his sound over decades. It is this wealth of knowledge and experience that forms the backdrop of Arrival.

Carr is greatly influenced by the complex, yet warm, style that characterised UK techno in the 1990s. This inspiration flows through the LP, a ten-track trip that begins with the understated elegance of the title piece. And elegance is an undoubted quality of this album. Drums are bold and melodies delicate in “Alaska Blue” with “Lunar Cycles” tracing a journey back to the halcyon days of deep electronics. The skies above, or the heavens, are a definite creative source for Carr. “Anoat System,” with its soaring strings, and “Droid World,” whose sparks of electro grow to a superb brightness, tell of a fictional fascination with space. The parred back grandeur of “Apollo” tells another story. From a base of brittle beats and static rinses, orbiting notes bend and reflect as a measured musical epic unfolds. Across the album, an unrivalled sense of balance is achieved. The bolder kicks of “Haemoglobin” give space for cascading, fragile keys. That same bedrock proves fertile ground for the crafted textures and smooth harmonies of “Inside Out.” The closer, “MCR”, brings another element to the proceedings. A raft of drum patterns and a liquid bassline give rise to a final foray into the stars, twinkling notes ebbing to twilight.

“Arrival” is emblematic of Derek Carr’s talent. Travelling across ten tracks, this audio journey explores the splendours of this world, and beyond, through lovingly crafted compositions. Timeless electronics from a modern-day master.


1. Arrival
2. Alaska Blue
3. Lunar Cycles
4 Anoat System
5. Venus Impact
6. Haemoglobin
7. Droid World
8. Apollo
9. Inside Out
10. MCR

Steevio is perhaps one of the most influential electronic artists you’ve never come across. With more than forty years of knob-twiddling experience, this modular magician boasts enough cable to bring you to the moon and back. Away from the blinking racks, Steevio runs music festivals, like Freerotation, manages record labels and generally paves the way. Now this pioneer and Firescope are teaming up for a very special EP.

With "Acatalepsy", this veteran dives deep into his machines before resurfacing with four tracks of melting organic techno. “Tarantism” comes to life with drums, percussive textures that prove fertile ground for ever more intricate patterns while orange blossom keys bloom. From understated chatter, a hive of beats soon forms around “Cynefin” as dewy notes float on the warmth of a new dawn. The natural world is an integral part of these compositions, the industrious movement of rhythms, the change and reshaping that comes with growth. Another presence on the 12” is the musician himself and his own influences. These early inspirations come to the fore in the hazy hi-hats of “Oxytocin” with its satellite-like bleeps and dreamy basslines that echo both the armchair and club of sounds of 90s techno. Those bleeps grow ever more distant in the fragile finale of “Intonation.” A melody precariously perches, thawing like ice, above delicate echoes that ghost behind modular bulges as drums fade.

"Acatalepsy" encapsulates the ephemeral nature of sound. Through this selection of one-off recordings, through these live jam sessions, Steevio captures a palpable and primal energy with an expert’s ear. An EP that casts spells from beginning to end, an EP from a true waveform wizard.


A1. Tarantism
A2. Cynefin
B1. Oxytocin
B2. Intonation

Roger Van Lunteren is an artist of enviable experience. For more than two decades the dutchman has been developing and perfecting his sound. After his first steps on Heimelektro Ulm in 1999, Van Lunteren has shown his talents on labels like 030303, Diffuse Reality and Something Happening, Somewhere. It is this knowledge, and his musical craftsmanship, that Van Lunteren draws upon for his debut on FireScope: Future Wounds.

The EP is a veritable universe of delights. At either ends of the galaxy you’ll find two takes of the same piece. The textured “Stop (Sync In)” opens. Satellite bleeps bob on a flotsam and jetsam of pads as strings soar above hedged claps. “Stop (Original) flows in a beatless ambience, heady yet light and ephemeral. Coquettish and playful, “Spätzünder” is an altogether different entity. Dancing between braindance and house, this jam has all the spontaneity of a live track with flourishes of the silken-funk of Chicago. Clouds gather for “IRF4.” Haunted modulations and reel scratches lurk before a slow rhythm lumbers forth. Stalking through a moonless sky, the track is chillingly atmospheric with an undeniable lo-fi groove. Drums stagger and swell in the sweetness of “Coinc.” Bright and dreamy, the track cherry-picks from a spread of influences and sounds and is emblematic of the EP.

Future Wounds is a constellation of Roger Van Lunteren’s music. From cheerful and innocent to shadowy and subtle, this quintet is a cross-section of this artist’s abilities. Rich and infinitely varied, five tracks to explore and return to.


Matt says: Unfathomably intricate, sumptuously delicate; a truly brilliant edition to braindance /IDM soundscapes also populated by John Shima, Space Dimension Controller, Morphology etc.


A1. Stop (Sync In)
A2. Spätzünder
B1. IRF4
B2. Coinc
B3. Stop (Original)

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