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FINDERS KEEPERS RECORDS

Suzanne Ciani

Xenon (RSD21 EDITION)

    THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JUNE 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JUNE 12TH).


    First-ever release of Suzanne Ciani's groundbreaking musical effects for Xenon, in their isolated form, for the first time ever heard outside of the confines of the machine which recently earned the composer her own induction to the Pinball Expo Hall Of Fame. Xenon bumper blue vinyl 7" singel in die-cut 7' sleeve

    Masahiko Sato

    Belladonna Of Sadness EP (RSD21 EDITION)

      THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JUNE 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

      IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JUNE 12TH).


      Not content with liberating the Belladonna Of Sadness soundtrack, widely considered to be the rarest soundtrack on BOTH the cut-throat Italian and Japanese collectors markets, Finders Keepers records return to the composer Masahiko Sato's bottomless well in an attempt to retrieve the elixir which enticed us in the first place. From a clutch of 13 lost cues which never appeared on the mythical Italian-only sound track album, this limited 45 single finally combines the two elusive freak-fuzz tracks that aficionados unanimously agree to be the film finest themes.

      Emma De Angelis

      Emma De Angelis

      As one of the most enigmatic figures of the 1970s Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography rivalling many of the long-standing bastions of the otherwise male-orientated business. With encouragement from her brothers, Emma, who would also write music under the pseudonym of Juniper, would record a tight clutch of solo-penned material and seldom credited studio contributions to Guido And Maurizio’s film commissions, such as the score for Giuliano Carnimeo’s ‘Simone e Matteo: Un gioco da ragazzi’ (aka ‘Convoy Buddies’). While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, whose up-and-coming Flirt label was finding success providing custom-built mood music for use in TV and film. Alongside important composers like Alessandro Alessandroni, Gerardo Iacoucci and A. R. Luciani, the young Emma Di Angelis would record a small number of tracks for a compilation called ‘Underground Mood’ (credited in the small print to E De Angelis - not to be confused with Italian singer Edoardo De Angelis). It is from this rare LP that the record you are now holding is compiled. Within the Flirt family of labels Emma De Angelis would also share schedules with other important female composers such as Daniela Casa and Giulia ‘Kema’ De Mutiis - both of whom have appeared on dedicated Finders Keepers releases. As one of the most enigmatic figures of the 1970’s Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk.


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