Search Results for:

EXPLODING IN SOUND RECORDS

Beck Zegans

Engraving Of Armor

On her new record, NYC songwriter Beck Zegans explores the strange architecture of emotional defense, through a series of songs that flash between fiery rock, experimental folk and psychedelia. Centering on themes of emotional defense and desire, 'Engraving Of Armor' sings to the invisible shields we build around ourselves, the weight they carry, and those fragile moments when it all starts to unravel. Released via Exploding In Sound Records, 'Engraving Of Armor' is built of nine new songs that move between confrontation and contemplation. An immersive body of work, the songs here are grounded by cyclical, meditative drums, bursts of heavy guitars, and the occasional warm pulse of analogue synths. At its heart, the album digs into what it means to wear emotional armor, and Zegans seeks the answer to this question through songs that touch upon longing, ambivalence, and avoidance; the complicated exhilaration of falling in love. Of both wanting deeply, and resisting that want at the same time. Musically, the album sits in conversation with a wide range of influences, just as comfortable when leaning into the textural experimentation of Autolux and Sonic Youth, as it when pulling from the intimate songwriting of Nick Drake or the modern urgency of Fontaines D.C. Those inspirations conjure a sound that is emotionally direct, sonically adventurous, and quietly hypnotic.

TRACK LISTING

1. When You Were In My Bed
2. Record Tamer
3. Love In The End Times
4. I Want You
5. Even On The Phone
6. Slither
7. Riddle
8. Woods
9.  Armor (Susan's Poem)

Urq

This Dismal Village

Venturing into “a limbo world between medieval tropes and modern-day decay”, New Orleans musician Urq (half of art punk duo Spllit) returns with a new solo offering. Recorded over a single, intense month, 'This Dismal Village' is a homespun document that sits somewhere between jittery punk, dreary psychedelia, and hooky bedroom pop. Recorded to 4-track, the record embraces limitation as a creative engine, resulting in a sound that is raw, unsettled, and deeply atmospheric. The album is set not in a fixed point in time or geography, but a liminal environment where dystopic visions and archaic fixtures exist side by side. In the dismal village, kings and witches share space with televisions, skyscrapers, and modern enterprise; organ fanfares echo down streets populated by disgruntled townsfolk and whispered gossip. It is simultaneously the dark ages, 1950s suburbia, and a 21st-century metropolis. Embracing anachronism was central to the project’s identity, an attempt to collapse history into a single, uneasy present. Sonically and philosophically, the album sits firmly in the tradition of rough and raw cassette rock. Guided By Voices’ Bee Thousand looms large as an influence, particularly its ability to build an entire world through unpolished, first-take recordings. Robert Pollard’s idea of the “four P’s” (psych, punk, prog, and pop) serves as a neat summary of the artist’s musical instincts and each element can be traced right through the heart of 'This Dismal Village'. Further inspiration comes from post-punk’s so-called “Calgary Sound,” a loose movement blending psych pop, post-punk, and math/prog elements with a home-recorded, unpretentious ethos. The result is an album that unrolls like a place wandered through, uneasy, occasionally familiar, and impossible to pin down in time. All captured on tape before it could disappear like an apparition, like a dream only half-remembered.

TRACK LISTING

1. Another Mystery
2. Glutton's Coupon
3. Airs Of The Sledgehammered
4. This Dismal Village
5. An Honest Film
6. Took Blest
7. Kings In Bed
8. Watching The Soothsayers
9. We Don't Need This Song

Stuck

Optimizer

Have you ever felt like you were trapped riding shotgun in a car spinning out of control? Stuck, the Chicago post-punk group comprised of Greg Obis (vocals, guitar), David Algrim (bass), and Tim Green (drums, keys) know the feeling well. This nightmarish joyride with a malicious stranger at the wheel comes straight from the lyrics of 'GG', the closing track on their latest full length album 'Optimizer', their second release for Exploding in Sound and third album overall.

The feeling of being unable to stop a machine hurtling toward danger by its own momentum pervades across the whole record. 'Optimizer' reports live from the front lines of a society on the decline, where every attempt toward self-improvement only locks you into a more efficient downward spiral. As with every Stuck release, the central theme flows through every aspect, from the art to the music.

'Optimizer’s cover, designed as always by Green, depicts a classical statue trapped in buffering hell while the album’s title below it sinks along a declining trajectory. Obis’ lyrics trace the same futility, taking stock not just of the delusional patterns around him but the diminishing returns of sticking to your guns with nothing but air left in the chambers. Turning his eye for political lyrics instead to more directly social subjects, Obis sees the world as one big commercial gym packed to the gills with debt-ridden and desperate marks who only tear their gaze away from the mirror to watch the latest pitch from the latest digital huckster promising a better you at a reasonable fee.

Obis doesn’t spare himself either. Written directly on the heels of the band’s tour for 2023’s 'Freak Frequency', the album also grapples with the personal costs of devoting your life to music while the music industry crumbles around you.

TRACK LISTING

1. Totally Vexed
2. Instakill
3. Sicko
4. Deadlift
5. Less Is More
6. Fire, Man
7. Net Negative
8. It Isn’t
9. Punchline
10. GG


Just In

49 NEW ITEMS

Latest Pre-Sales

221 NEW ITEMS

E-newsletter —
Sign up
Back to top