Search Results for:

EMILY JANE WHITE

Emily Jane White

Alluvion

    Emily Jane White is a musician, songwriter, and poet from Oakland, CA. She began performing under her own name in 2003 and released her first album "Dark Undercoat" in 2007.

    Rooted in a moment of catastrophe, Alluvion is an album about personal and collective grief resulting from the loss of human life and the continued loss of our natural world. We live in a moment of merging traumas, of converging environ- mental, social, and political crises. These crises are exacerbated by our lack of cultural practices for individual and also shared, public grieving--which is not without consequence. We often find ourselves mired in "disenfranchised grief," a grieving that cannot be recognized, shared, or named. Emily's album offers a space to consider where grieving is absent in our world, and where it is deeply necessary. Grief moves in waves and cycles, and through its flood we can build anew.

    Alluvion: the gradual addition to the land by the wash of water against a shore. How can we mourn what we cannot know we've lost? While living through the "sixth extinction," we may not always perceive the mass death that surrounds us, even as we sometimes remain unconscious of pervasive violence against women, or racist police violence. Emily's new album is an act of public grieving, grieving as breathing: breathing the space in which we might be able to gather up ourselves and move toward the wake of this disaster, the spark of what is yet to come.

    Produced and arranged by multi-instrumentalist Anton Patzner (Foxtails Brigade, Judgement Day), Alluvion was written and recorded during the height of the pandemic. Although Nick Ott's drums and John Courage's guitars were recorded in studios with all parties present, most of the instruments were recorded while Emily and Anton were in different locations. More so than on any previous release, Emily almost completely eschews folk arrangements and instrumentation. Alluvion edges the borders of shoegaze and electronic pop without losing sight of the light within the gloom, the hope inside the void.

    TRACK LISTING

    1. Show Me The War
    2. Crepuscule
    3. Heresy
    4. Poisoned
    5. Body Against The Gun
    6. The Hands Above Me
    7. Mute Swan
    8. Hold Them Alive
    9. Hollow Years
    10. I Spent The Years Frozen
    11. Battle Call

    Emily Jane White

    Immanent Fire

      Emily Jane White's new album juxtaposes a heavy melancholy with an intimate touching lightness through her singular alto voice backed by orchestral percussion, soaring strings, heavy guitars, a choir of voices, and an overall cinematic presentation of dynamic songwriting.

      Ten songs, all written in minor keys, present a deepening storm of melody that offers the hopeful ray of Emily's voice as the waves of rhythm crash and dance around her. Her voice is the listener's guide, a steady and reassuring presence as they march through eerie landscapes, caverns of reverb, church organs and synthetic arpeggios. The occasional samples of birds, insects, and thunder mix with the blend of electronic and acoustic instruments, a subtle reminder of the necessary link between the fate of our ecology and the moral use of technology.

      There's a rare confidence to Emily Jane White's songwriting: it's at once generous and tough-minded, reflective and unsentimental. Her work shares some elements with folk music, but the term does not do justice to her ambitious songwriting and robust arrangements. White possesses a singular voice inspired by the raveled threads of the uncanny in American culture, including depression-era blues and classic works of gothic literature such as Toni Morrison's Beloved and Charlotte Perkins Gilman's The Yellow Wallpaper.

      Emily's previous two albums were composed of songs written by her but collaboratively arranged with her band prior to recording. "Blood / Lines" is a different, more personal record, one she was free to explore new directions and avenues, though not altogether by herself. The bass tracks were written by Darwin Meiners, the orchestral string by Shawn Alpay, and the drums by Nick Ott. Emily Jane White also feels blessed to have Marissa Nadler's presence on two tracks ('Faster Than The Devil', "Dandelion Daze') . "Blood / Lines" is a fresh, inspiring and somewhat experimental record in terms of song writing, recording and producing.



      Just In

      119 NEW ITEMS

      Latest Pre-Sales

      165 NEW ITEMS

      E-newsletter —
      Sign up
      Back to top