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ELECTRONIC

Electronic

Raise The Pressure - 2025 Reissue

    Electronic were Bernard Sumner (New Order) and Johnny Marr (The Smiths), who together produced critically-acclaimed alternative dance, and gave both Bernard and Johnny the creative freedom to fully express themselves.

    'Raise The Pressure' will be out on vinyl for the first time since its original release in 1996, as a 2LP for superior sound quality. Its original release was on 1LP.

    This album had the added touch of Karl Bartos from Kraftwerk.

    TRACK LISTING

    1. Forbidden City
    2. For You
    3. Dark Angel
    4. One Day
    5. Until The End Of Time
    6. Second Nature
    7. If You've Got Love
    8. Out Of My League
    9. Interlude
    10. Freefall
    11. Visit Me
    12. How Long
    13. Time Can Tell

    Electronic

    Twisted Tenderness - 2025 Reissue

      Electronic were Bernard Sumner (New Order) and Johnny Marr (The Smiths), who together produced critically-acclaimed alternative dance, and gave both Bernard and Johnny the creative freedom to fully express themselves.

      'Twisted Tenderness' has never been released on vinyl and will also be released on 2LP.

      The album was recorded alongside bassist Jimi Goodwin from Doves, and drummer Ged Lynch of Black Grape.

      TRACK LISTING

      1. Make It Happen
      2. Haze
      3. Vivid
      4. Breakdown
      5. Can't Find My Way Home
      6. Twisted Tenderness
      7. Like No Other
      8. Late At Night
      9. Prodigal Son
      10. When She's Gone
      11. Flicker

      George Harrison

      Electronic Sound - 2025 Repress

        As a direct result of the Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds". George’s 'Electronic Sound' and John Lennon and Yoko Ono’s 'Unfinished Music No. 2: Life With the Lions', both released in May 1969, were Zapple’s only releases before it was closed down. 'Electronic Sound’s cover art, painted by George, depicts his Moog IIIp (which was later used on four tracks by the Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the 'Eletronic Sound' LP featured one exploratory long-form work.

        TRACK LISTING

        1. Under The Mersey Wall
        2. No Time Or Space

        Sunroof

        Electronic Music Improvisations

          Sunroof, aka Daniel Miller & Gareth Jones, release their brand new album, Electronic Music Improvisations Volume 3, via Mute’s Parallel Series.

          Electronic Music Improvisations Volume 3 is a collection of nine improvised tracks, recorded using the duo’s Eurorack modular systems, and builds upon the self-imposed parameters laid out on their 2021 debut.

          Daniel Miller, the Founder and Chairman of Mute, and Gareth Jones, producer and engineer, notable for working with Depeche Mode, Einstürzende Neubauten, Erasure and Yann Tiersen, have been collaborating for four decades. Although neither dwell on their past work, preferring to constantly explore new ways to create, Miller and Mute’s legacy is given a nod on the track ‘Splendid’ which opens with the distinct hiss of cassette over a rhythmic heartbeat before oscillators burst and collide. This track was recorded using the original 4-track TEAC that Miller picked up second hand in the late 70s and recorded The Normal’s ‘Warm Leatherette’ 7” on.

          This record follows their debut Electronic Music Improvisations Vo1.1 (2021) and second album Electronic Music Improvisations Vol.2 (2023), along with their Bandcamp exclusive release Electronic Music Improvisations Live in London and Frankfurt, which captured their live shows at Frankfurt’s Museum of Modern Electronic Music and London’s IKLECTIK.

          STAFF COMMENTS

          Barry says: Drifting electronic beauty from Sunroof here, with shifting platters of noise and drone sitting beneath paddling modular synth freakouts and swirling, psychedelic echoes.

          TRACK LISTING

          A1 Splendid
          A2 Brotherly
          A3 Ensnare
          A4 Stratum
          B1 Freezer
          B2 Earthen
          B3 Second Thoughts
          B4 Link
          B5 Conspiracies

          Various Artists

          Nigeria Special Volume 3: Electronic Innovation Meets Culture & Tradition 1978-93

            Soundway Records presents a collection of nineteen tracks chronicling a time when drum machines, synthesisers, imported pop, reggae, disco and soul collided with highlife, juju and cultural music in Nigeria.

            A period of experimentation, adaptation, modification and innovation saw artists and producers using new technology to renew and refresh cultural traditions. Nigerian music continued to evolve in a country that musically rarely stands still.

            Triple Vinyl gatefold LP Includes a large 8 page booklet with detailed liner notes,record scans and photos.

            For Fans Of: Doing It In Lagos, Ghana Special, Nkono Teles, Steve Monite, Charles Amoah.

            TRACK LISTING

            1. Ozzobia - Ndi Oma
            2. Sammy Obot - Edue Ukot Akpa Itong
            3. Eppi Fanio - Farofa Dancer
            4. Etiene T. Boy - Jealousy
            5. Ayo Manuel - Do Good (Dub)
            6. Feladey – Experience
            7. Chimex G Udensity And His Afrikan Band - Okpoko Na Azo Eze (Edit)
            8. I.S.C.A.C. Band - Igbo Nwe Egwu (Edit)
            9. Jeje - Jeje
            10. Dizzy K - Omoge
            11. Blackman Akeeb Kareem - Oya A (Eje Kajo)
            12. Jimi Solanke - Owo Orisa - Ancestral Respects
            13. Soki Ohale - Wumaya Awuma
            14. Jap Band & Feladey - Japadodo
            15. Pal Sagie - Esan
            16. Mannix Okonkwo - Ka Anyi Gbaa Egwu
            17. Sonny Okosuns - Highlife (Dub)
            18. Wura Fadaka Band - Eyo

            The peerless Dark Entries is back with another comprehensive new collection, Deep Entries: Gay Electronic Excursions 1979-1985, which is a well curated collection of ten rare queer synth tracks that explore the hidden corners of gay musical history. They span a pivotal period of six years and the songs range from sultry to angsty to camp with plenty of lovely 808 snares and textural analogue synths. This period in particular saw the gay community having to deal with the onset of the HIV/AIDS crisis and these tracks capture the era's mix of love and longing. Patrick Cowley's music is always going to stand out wherever you hear it and that is the case here on 'Love Me Hot,' while Megamen's proto-electroclash 'Designed for Living' and Paula Villagra's techno-pop anthem 'Happy Song' are also real gems.

            STAFF COMMENTS

            Mine says: Biiiig one from Dark Entries. This one should fulfil all your disco, synth and minimal wave needs for the rest of the year and beyond. Buy now or cry later!

            TRACK LISTING

            Maxx Mann - Just Like A Razor
            Boytronic - Tonight (Alternate Mix)
            Muzak - The Happy Song
            Dereck Higgins - This Was Something
            Transistor Jet - Master Of The Universe (BW's F-w)
            Patrick Cowley - Love Me Hot (feat Paul Parker)
            Polar Praxis - (I Want) To Be Different
            Nightmoves - Nightdrive
            Megamen - Designed For Living
            Bachelors Anonymous - A Stranger's Bed

            Simon Reynolds

            Futuromania : Electronic Dreams, Desiring Machines And Tomorrow’s Music Today

              Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future - the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other.

              Starting with an extraordinary chapter on Giorgio Moroder and Donna Summer, taking in illuminating profiles of Ryuichi Sakamoto, Boards of Canada, Burial, and Daft Punk, and arguing for Auto-Tune as the defining sound of 21st century pop, Futuromania shapes over two-dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now. Reynolds explores the interface between pop music and science fiction's utopian dreams and nightmare visions, always emphasising the quirky human individuals abusing the technology as much as the era-defining advances in electronic hardware and digital software. A tapestry of the scenes and subcultures that have proliferated in that febrile, sexy and contested space where man meets machine, Futuromania is an enthused listening guide that will propel readers towards adventures in sound.

              There is a lifetime of electronic listening here.

              Richard Evans

              Listening To The Music The Machines Make : Inventing Electronic Pop 1978-1983

                Listening to the Music the Machines Make is the revolutionary story of electronic pop from 1978 to 1983, a true golden age of British music. This definitive account explores how krautrock, disco, glam rock and punk inspired a new generation to rip up the rulebook and venture toward a new frontier of electronic music - one that laid the foundations for Hip-Hop, house, techno and beyond. Including an extensive collection of archive images throughout, Richard Evans's kaleidoscopic narrative draws on years of research, a plethora of archive press materials and the input of key figures, including Vince Clarke (Depeche Mode, Yazoo, Erasure), Martyn Ware (The Human League, B.E.F., Heaven 17) and Daniel Miller (The Normal, Mute Records).

                From the gritty and experimental to the camp and theatrical, this book charts the careers and impact of electronic pop's earliest innovators and luminaries, from Devo, The Normal, Telex and Cabaret Voltaire to Soft Cell, Gary Numan, OMD, Duran Duran, Depeche Mode.

                Various Artists

                ALFA/YEN Records 1980-1987: Techno Pop And Other Electronic Adventures In Tokyo (LITA Exclusive)

                  Recording technology was completely revolutionized in the 80s by the multitrack recorder, with the popularity of 24-channel SSL consoles sweeping the world. Japanese pop music created during this wave of digital improvement is now recognized worldwide as ""City Pop."" Techno Pop was another offshoot born of the same revolution.

                  Precise, computer-controlled beats produced by groups like Yellow Magic Orchestra (YMO) introduced a different type of sound to the masses. By now, these works have been brought into the international limelight and continue to be a major influence on today's music.

                  At the center of Tokyo’s Techno Pop scene was ALFA/YEN Records. The label left behind an impressive body of work, but much of it wasn't made widely available... until now!

                  This new, definitive compilation focuses on the music archives of the YEN Records catalog, available for the first time exclusively at Light in the Attic. This is a true celebration of Japan's Techno Pop scene of the 80s, reissued with the intent that future generations, internationally, will be able to discover, enjoy, and appreciate ALFA/YEN and its significant contributions to the sonic landscape of the 80s and beyond.


                  TRACK LISTING

                  1. SEOUL MUSIC - YELLOW MAGIC ORCHESTRA
                  2. ZOOT KOOK - SANDII
                  3. Sakisaka To Momonai No Gokigen Ikaga One Two Three - You An’ Me Orgasmus Orchestra
                  4. Drip Dry Eyes - Yukihiro Takahashi
                  5. SUKI-SUKI-DAISUKI - Jun Togawa
                  6. Parallelisme - Miharu Koshi
                  7. Bikkuri Party No Theme - Haruomi Hosono & Yukihiro Takahashi
                  8. Sakasa Kenjin Eagas - Apogee & Perigee
                  9. Yumemiru Yakusoku - Haruomi Hosono
                  10. ROCK - Hajime Tachibana
                  11. Riot In Lagos - Ryuichi Sakamoto
                  12. Radarman - Jun Togawa
                  13. Platonic - Haruomi Hosono
                  14. BEAT THE RAP- Super Eccentric Theater
                  15. Rap Phenomena - YELLOW MAGIC ORCHESTRA
                  16. LEXINGTON QUEEN - Ryuichi Sakamoto
                  17. Chanel No #5 No On The Rock - Sheena
                  18. Beach Girl - TESTPATTERN
                  19. FLASHBACK - Yukihiro Takahashi
                  20. Automne Dans Un Miroir - Tamao Koike
                  21. Ascending - INTERIOR

                  Various Artists

                  Ghana Special (Volume 2): Electronic Highlife & Afro Sounds In The Diaspora 1980​-​93

                    Highlighting a time when the burgeoning Ghanaian diaspora across Europe and North America was utilising new music technology and recording techniques. A period of movement, emigration and innovation.

                    The dawn of the 80s saw an increase in emigration following a period of political upheaval at home, with many Ghanaians moving to Europe - especially Germany - to find work. Musicians recording both at home and abroad began to blend highlife with outside influences, taking inspiration from US disco and boogie, European new wave and Caribbean zouk and soca, reflecting new surroundings and cementing musical connections forged in London, Hamburg, Toronto and New York.

                    Ghana Special celebrates this key period of musical innovation and cultural
                    exchange that redefined the parameters of Ghanaian music and accelerated the cultural exchange between West Africa and Europe.

                    TRACK LISTING

                    1. The Godfathers - Ebe Ye Yie Ni
                    2. Pat Thomas - Gye Wani
                    3. Pepper, Onion, Ginger & Salt - M.C. Mambo
                    4. Andy Vans - Adjoa Amisa
                    5. George Darko - Kaakyire Nua
                    6. Rex Gyamfi - Obiara Bewu
                    7. Starlite - Anoma Koro
                    8. Abdul Raheem - Alaiye
                    9. Jon K - Asafo
                    10. Kwasi Afari Minta - Barima Nsu
                    11. Marijata (feat. Ata Kak) - Otanhunu
                    12. Gyedu Blay Ambolley - Apple
                    13. Dadadi - Jigi Jigi
                    14. Charles Amoah - Fre Me (Call Me)
                    15. Ernest Honny - New Dance
                    16. Bessa Simons - Sii Nana
                    17. Nan Mayen - Mumude
                    18. Nana Budjei - Asobrachie

                    Electronic

                    Get The Message - The Best Of Electronic - 2023 Reissue

                      First released in 2006, ‘Get the Message: The Best Of Electronic’ is the career spanning collection from the Johnny Marr and Bernard Sumner band who released a string of critically acclaimed hits including their debut single ‘Getting Away With It’, ‘Get The Message’ ‘Disappointed’ and ‘Feel Every Beat’. This compilation captures the very essence of their groundbreaking sound, blending Marr’s distinctive guitar work with Sumner’s vocals and guest features from Pet Shop Boys’ Neil Tennant (Getting Away With It, Disappointed) and Kraftwerk’s Karl Bartos (For You, Imitation Of Life). 


                      TRACK LISTING

                      Vinyl:
                      Side A
                      1. Forbidden City
                      2. Getting Away With It
                      3. Get The Message (Single Remix)
                      4. Feel Every Beat
                      Side B
                      1. Disappointed (Single Mix)
                      2. Vivid (Radio Edit)
                      3. Second Nature
                      4. All That I Need
                      Side C
                      1. Prodigal Son
                      2. For You
                      3. Imitation Of Life (New Edit)
                      Side D
                      1. Out Of My League
                      2. Like No Other
                      3. Twisted Tenderness
                      4. Late At Night (Radio Edit)

                      CD:
                      CD1
                      1. Forbidden City
                      2. Getting Away With It
                      3. Get The Message (Single Remix)
                      4. Feel Every Beat
                      5. Disappointed (Single Mix)
                      6. Vivid (Radio Edit)
                      7. Second Nature
                      8. All That I Need
                      9. Prodigal Son
                      10. For You
                      11. Imitation Of Life (New Edit)
                      12. Out Of My League
                      13. Like No Other
                      14. Twisted Tenderness
                      15. Late At Night (Radio Edit)
                      CD2
                      1. Getting Away With It (Vocal Remix)
                      2. Lucky Bag
                      3. Feel Every Beat (DNA Remix)
                      4. Lean To The Inside (2013 Edit)
                      5. Get The Message (DNA Groove Mix)
                      6. Free Will (Edit)
                      7. Disappointed (12” 808 State Remix)
                      8. Idiot Country Two (Edit)
                      9. Gangster (FBI Mix)
                      10. I Feel Alright
                      11. A New Religion
                      12. Turning Point
                      13. Until The End Of Time (Fluffy Dice Remix)
                      14. King For A Day
                      15. Radiation

                      Various Artists

                      Happy Land (A Compendium Of Electronic Music From The British Isles 1992-1996 Volume 1)

                        Future Jazzers, notorious experimentalists and outfield eccentrics stumble onto the dancefloor. In the 90s. In the UK.

                        From an electronic music perspective, the period 1992 to 1996 in the UK that this compilation celebrates, was one of dizzying sonic diversification.

                        It was also a particularly turbulent time in the UK, not only politically and economically, but also culturally too. Economic catastrophe in ‘92 was followed by widespread poverty, a cost of living crisis and countless political scandals. Meanwhile, John Major’s Tory government pandered to its political base via unpleasant, authoritarian legislation that seemingly sought to crush rave culture, alternative lifestyles, and traveller communities. The UK was not so much a ‘Happy Land’ – to quote the name of this compilation – as an angry and divided one. Sounds familiar, doesn’t it?

                        Throughout, the music created by producers based across these Isles remained uniquely British, speeding up a process begun in the late 1980s through the emergence of street soul, bleep & bass and breakbeat hardcore – musical styles whose roots in multicultural inner-city communities made them distinctly different from the Black American sounds that had inspired their creators. It was here, rather than in the indie pubs of Camden, that real musical revolutions were taking place.

                        This deep diving selection brings together some truly adventurous and original electronic music from this period, much of it very hard to find. Major label outings connect with white label oddities with ease. Perhaps it could even be argued that many of these unearthed gems fit more easily into DJ sets in 2023 than they ever did at the time. The off-kilter swing of Richard D James’ obscure and highly sought after Strider B outing, ‘Bradley’s Robot’ is joined by further rare cuts from Cabaret Voltaire and the Black Dog, and artists as diverse as Ultramarine, Herbert, Fretless AZM, and Radioactive Lamb, amongst others.

                        This collection has been lovingly selected, compiled and mastered for maximum sonic playback. This very special release boasts sublime pastoral themed artwork, as well as informative and passionate liner notes by celebrated music scribe Matt Anniss (‘Join The Future’).


                        TRACK LISTING

                        A1. Cabaret Voltaire - Soul Vine (70 Billion People)
                        A2. Ultramarine - Happy Land (ft. Robert Wyatt)
                        B. Thunderhead The Word By Eden - True Romance
                        C1. Xeper - Carceres Ex Novum
                        C2. Herbert - Housewife
                        D1. Liquid Son - Big Decision
                        D2. Syzgzy - Meditation

                        Sunroof

                        Electronic Music Improvisations Vol. 2

                          Electronic Music Improvisations Volume 2 is the second collection of improvised modular pieces recorded by Sunroof, aka Daniel Miller, the Founder and Chairman of Mute and Gareth Jones, a producer and engineer, notable for working with Depeche Mode, Einstürzende Neubauten, Erasure and Yann Tiersen. The album recorded through 2022, is available on CD and white vinyl.

                          TRACK LISTING

                          1. January #2
                          2. July #2
                          3. November
                          4. July #3
                          5. October
                          6. September
                          7. July #1
                          8. January #1

                          Chris Carter

                          Electronic Ambient Remixes Three

                            Electronic Ambient Remixes Three was originally released in 2001 and includes ambient remixes and soundscapes utilising Chris Carter’s original Throbbing Gristle rhythm tapes from the 70s and 80s. Tracks from this instrumental series have been used internationally in gallery installations, performed at numerous electronic music festivals, featured on TV and radio broadcasts and within Hollywood movie trailers.

                            Chris Carter

                            Electronic Ambient Remixes One - Reissue

                              Electronic Ambient Remixes One was originally released in 2000 and includes ambient remixes and reinventions of the album ‘The Space Between’. Tracks from this instrumental series have been used internationally in gallery installations, performed at numerous electronic music festivals, featured on TV and radio broadcasts and within Hollywood movie trailers. Electronic Ambient Remixes One is now available for the first time on double violet coloured vinyl as well as CD, download and streaming.

                              Sunroof

                              Electronic Music Improvisations Vol. 1

                                Electronic Music Improvisations Volume 1 is a collection of eight improvised modular pieces recorded in various studio spaces across London in the spring and summer of 2019 by Sunroof, aka Daniel Miller, the Founder and Chairman of Mute and Gareth Jones, a producer and engineer, notable for working with Depeche Mode, Einstürzende Neubauten, Erasure and Yann Tiersen.

                                STAFF COMMENTS

                                Barry says: A selection of deep modular cuts, blipping oscillators and paddling arpeggios, imbued with the spirit of experimental German synth music but brought to you by a couple of already legendary names in the music biz. It's entrancing and immersive experimental synth music at its best.

                                Anthoney Hart returns with his second Basic Rhythm album for Planet Mu. 'Electronic Labyrinth' is a maturing of his sound that draws a line under his work as Basic Rhythm thus far. The title itself conveys the overarching theme of the album, evoking the journey through a musical labyrinth that Hart has undertaken over the last 30 years or so, following a path through to the centre where these disparate strands have coalesced and solidified into a coherent whole.

                                The underlying themes are of a more personal nature, intimated by the cover photo of St Fabian Tower where Hart first joined the now infamous Rude FM in the late 90s, the sometimes misleading directness of the track titles, as well as explicit references to books such as Wilson Harris’ Palace of the Peacocks, the ontological promiscuity of Harris’ writing mirrored here in Hart's own musical endeavours. What you end up with is an album that not only draws upon a wide range of influences from both the musical and literary worlds, intertwining them within a deeply personal context that imbues the music with a depth of meaning, but that is also somehow more coherent despite such a wide range of references and hidden meanings. It is at once both an album of subtexts open to interpretation, and a cohesive whole that fits together perfectly.


                                TRACK LISTING

                                A:

                                1/Craft
                                2/Hayward Road
                                3/Acid Track
                                4/Larkin Around

                                B:

                                1/Electronic Labyrinth
                                2/Techno
                                3/Palace Of The Peacock
                                4/The Secret Ladder

                                Electronic

                                Electronic

                                  Electronic are proud to present the release of their self-titled album. Pressed on 180g black vinyl, this reissue features the black cover on vinyl for the very first time, which was first used on the CD version released in 1994.

                                  Electronic were the coming together of Bernard Sumner and Johnny Marr in 1987. This was the year of the sudden and wholly unexpected demise of The Smiths, who imploded in July after Marr left the group. Two months later, midway through a North American tour, Bernard Sumner shocked his bandmates by announcing that he planned to take time out from New Order.

                                  Marr and Sumner had met in 1984 when Marr added guitar to Atom Rock by Quando Quango, an electro-dance track co-produced by Sumner. Marr sums up their coming together for Electronic; ‘We were two musicians who wanted to get away from the suffocating politics of the band. At the same time, it was OK for duos and DJs and non-groups to make records, and that really appealed to Bernard and me.”

                                  The project was a joyous Venn Diagram of Sumner and Marr’s influences. Although ostensibly coming from different disciplines, the experimental dance-pop of New Order and the fullbodied jangle of The Smiths, their common interests were many: dance music, a good tune and pushing musical boundaries. At the time of release (May 1991), ‘Electronic’ was met with huge acclaim and stands up as one of the most important electronica albums of all time.



                                  TRACK LISTING

                                  Side One

                                  Idiot Country
                                  Reality
                                  Tighten Up
                                  The Patience Of A Saint
                                  Gangster


                                  Side Two

                                  Soviet
                                  Get The Message
                                  Try All You Want
                                  Some Distant Memory
                                  Feel Every Beat

                                  Various Artists

                                  Body Beat: Soca-Dub And Electronic Calypso (1979-98)

                                    17 obscure Soca B-side versions, dubs, instrumentals and edits as well as vocal tracks influenced by disco, boogie, house-music, soul and the more conscious lyrics of roots reggae. Owing as much to New York, Toronto and London as to the Caribbean cities of Port of Spain, Bridgetown and Kingstown this compilation traces the genre from its explosion in the late 1970s right up to the period just before contemporary soca became established around the end of the 1990s. Compiled by Soundway Records label founder Miles Cleret and DJ/collector Jeremy Spellacey, Body Beat, as with many compilations on the label, explores the fringes of this often maligned (by outsiders) genre. Boiled down to the bare bones of the matter though: soca is party music.

                                    Soca was originally a re-invention of Calypso music; a genre that in the 1970s was fast becoming usurped around the Caribbean by Jamaican reggae and American soul, funk and later disco. The originator of soca (or sokah as he called it), the calypsonian Lord Shorty, began experimenting and modernising on the formulation of calypso in the early 1970s. His first album featured a strong emphasis on East African rhythms and a punchier recording style that emphasised the beat, and introduced arrangements that often owed as much to American funk and soul as to calypso.

                                    Filled with up-tempo tracks from start to finish, the compilation’s lead single “I Want Your Love” by Peter Britto is a soca-house number which originally came out on NYC-based label Hometown Music in 1998. It features the recognisable soca synth beat, along with Caribbean steel drums and horns - but with the obvious influence of New York’s booming house scene, making it an ultimate crossover track for club dancefloors and carnivals alike.

                                    So here you go - seventeen slabs of soca crossover, rapso, electronic calypso, and Caribbean ‘soca-soul’ for your enjoyment - and bound to fit well into modern, open-minded DJ sets alongside the resurgence of burger-highlife, digi-reggae, soukous and zouk.

                                    TRACK LISTING

                                    Cito Jarvis - Fighting Soldier
                                    Roger Bain - Stand Up & Rock Your Body (Instrumental)
                                    *D* Ivan - Fire (Extended Dub Edit)
                                    Bill Campbell - Body Beat
                                    Brother Resistance - Move It (Version)
                                    Adonijah - It’s Alright
                                    Peter Britto - I
                                    Want Your Love
                                    Juno D - Hotter And Hotter (Dub Edit)
                                    Colin Jackman - D’Jab
                                    Jab Dance (Bad Lad Mix)
                                    Levi John - S-O-C-A
                                    Spiking - Liberation Train
                                    Mohjah - Zion Gates (Dub)
                                    Andre Tanker - Wild Indian Band
                                    Touch - Touch Music (Edit)
                                    D’ Rebel Band - Solid
                                    The Millers - Last Days
                                    Chocolate Affaire - Jump To Calypso

                                    In support of their forthcoming Bob Moog documentary 'Electronic Voyager', Waveshaper Media have produced a compilation LP of Moog recordings from the 1960s. The first compilation of its kind, "Electronic Voyages: Early Moog recordings 1964-1969" contains tracks by Robert Arthur Moog, Herbert Deutsch, Joel Chadabe, Lothar and the Hand People, Intersystems, Ruth White, Max Brand, and Paul Earls. All of these tracks, released here on vinyl in an edition of 1000 copies, have been scarcely heard and difficult to track down, with all but three of them previously unreleased on vinyl.

                                    Bypassing the Moog synthesizer’s backseat appearance on key pop recordings by the likes of the Beatles, the Doors, and the Beach Boys, "Electronic Voyages..." aims to highlight the diverse approach of 1960s musicians and composers who adopted the Moog as their primary instrument; these recordings all feature the Moog synthesizer front and centre. Beginning with an audio letter ("The Abominatron") from Bob Moog to his musician-muse Herbert Deutsch, demonstrating some of the first Moog synthesizer prototype’s capabilities, "Electronic Voyages" veers from avant-garde and electronic soundscapes, to psychedelic madness and summer-of-love pop. In the 1960s, the Moog synthesizer was a new, groundbreaking instrument, and its use was completely uncharted territory. The pioneering use of the Moog on all of these recordings sounds fresh today - you can sense the wide-eyed exploratory delight unfolding, and the disparate results range from endearingly naive (Lothar and the Hand People, Paul Earls) to downright eerie (Ruth White, Intersystems).

                                    The musicians and composers behind these "Electronic Voyages" may have been among the first to adopt Moog synthesizers, but the fact that they so readily found within them expressivity, heart, and a means to translate their wondrous sense of discovery, speaks far more to Bob Moog’s visionary invention and enduring legacy. A triumph!


                                    TRACK LISTING

                                    A1. Robert Arthur Moog - The Abominatron (1964)
                                    A2. Herbert Deutsch - Jazz Images, A Worksong And Blues (1967)
                                    A3. Joel Chadabe - Blues Mix (1966)
                                    B1. Lothar And The Hand People - Milkweed Love (1968)
                                    B2. Intersystems - Changing Colours (1968)
                                    B3. Ruth White - The Clock (1969)
                                    B4. Max Brand - Triptych (1969)
                                    B5. Paul Earls - Monday Music (1968) 

                                    Dennis Young

                                    Synthesis / Electronic Music 1984-1988

                                      Dennis Young is best known as the percussionist of the New York band LIQUID LIQUID, which is known for their piece "Cavern" from 1983, which in turn became very well known because Grandmaster Flash sampled it and used it as the basis for their hit "White Lines". But Young was more than just a member of the band, he produced plenty of his own music, much of it reflecting his passion for analog electronics. He was fascinated by the pioneers of the genre. In 2016 Bureau B released "Wave", a collection of pieces Young had issued on cassettes between 1985-1988. "Synthesis", by contrast, features tracks from 1984-1988 which have never been previously released.

                                      Rudi Esch

                                      Electri_City: The Dusseldorf School Of Electronic Music

                                        Just like Memphis for Rock'n'Roll, Dusseldorf is regarded as the Mecca for electronic music. The capital of North Rhine-Westphalia became the centre of an analog electronic movement which changed the course of all popular music to come.

                                        Electri_City is the oral account of the city's most influential bands, including Kraftwerk, NEU!, DAF, Die Krupps and many more. This history uncovers the myths and reality of the bands emerging from the artistic backdrop of a wealthy, modern, post-WWII German city; the conditions that fostered such a creative explosion.

                                        Interviews include Daniel Miller (Mute Records), Paul Humphreys and Andy McCluskey (OMD), Martyn Ware (Human League), Glenn Gregory (Heaven 17), Rusty Egan (Visage) Ryuichi Sakamoto and producer, Giorgio Moroder.

                                        'I believe the use of noise to make music will continue and increase until we reach a music produced through the aid of electrical instruments which will make available for musical purposes any and all sounds that can be heard.' - John Cage 1937. Although John Cage occasionally worked in large, sophisticated studios - for example, when he composed Fontana Mix in 1958 - his approach to electronic and tape music was often uncomplicated, makeshift, and pragmatic, employing simple tabletop devices: tape machines, phonograph cartridges, contact microphones, record players, portable radios, etc. He developed a soundworld that was utterly new, radical and demanding. It heralded the age of the loudspeaker, mass communication and Marshall McLuhan's 'global village.' The hiss, crackle and hum of electronic circuits, and the disembodied sounds, snatched by radio from the ether, spoke of the 20th century.

                                        Langham Research Centre works within the tradition firmly established by Cage, using resources that would have been available to him. For the realisation of Cartridge Music, moving iron phonograph pickups were sourced and restored. These have a knurled screw designed to hold a steel phonograph needle and, in the piece, other objects are inserted and amplified: pieces of wire, toothpicks, paperclips, etc. The realisation of Fontana Mix includes the individual mono tracks from Cage's original tapes created in 1958. These are played using open-reel tape machines. These practices ensure we work within the limitations that Cage experienced and enable us to get close to the soundworld he inhabited. (Robert Worby, LRC).

                                        TRACK LISTING

                                        CD:
                                        01 Fontana Mix With Aria 1958 / 13'36
                                        02 Imaginary Landscape N°.5 1952 / 3'00
                                        03 WBAI 1960 / 7'00
                                        04 Cartridge Music 1960 / 10'00
                                        05 0'00'' 1962 / 2'36
                                        06 Variations I 1960 / 10'00 Tracklisting LP

                                        VINYL:
                                        SIDE A
                                        01 Fontana Mix With Aria 1958 / 13'36
                                        02 Imaginary Landscape N°.5 1952 / 3'00
                                        03 WBAI 1960 / 7'00

                                        SIDE B
                                        01 Cartridge Music 1960 / 10'00
                                        02 0'00'' 1962 / 2'36
                                        03 Variations I 1960 / 10'00


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