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Things We Have In Common

    Danish band Efterklang returns with their seventh studio album 'Things We Have In Common’, set for release on September 27th via City Slang.

    An album about friendship, belonging, faith and understanding, themes which are palpable in the music, which is gentle and uplifting, healing and rousing.

    Efterklang has become an open community with three permanent members: Mads Brauer, Casper Clausen and Rasmus Stolberg. On this album the core trio re-connected with their old friend and founding Efterklang member Rune Mølgaard who left the band in 2007 to join the mormon church, and ultimately withdrew from the church in 2022. His profound spiritual journey significantly influences the album's content and tone, on which he has co-written seven of the nine songs.

    'Things We Have In Common' coincides with the 20th anniversary of the band’s debut album, and presents 2 decades of collaboration, exploration, evolution and reconnection.

    The album features contributions from a variety of international musicians. Zach Condon of Beirut, Finnish drummer Tatu Rönkkö, Venezuelan guitarist Hector Tosta and Guatemalan cellist and singer Mabe Fratti all became key collaborators. Italian award- winning mixer Francesco Donadello and South Denmark Girls’ Choir both left their indelible mark on the record, as their did with the band’s 2012 album ‘Piramida’.


    1. Balancing Stones (feat. Mabe Fratti)
    2. Plant (feat. Mabe Fratti)
    3. Getting Reminders (feat. Beirut)
    4. Ambulance
    5. Leave It All Behind
    6. Animated Heart (feat. Sønderjysk Pigekor)
    7. Shelf Break
    8. Sentiment
    9. To A New Day (feat. Sønderjysk Pigekor)

    Every year as spring arrives, a sea of tiny flowers blossom across the Danish forest floor. They’re an explosion of colour, a symbol of hope and change, disappearing as quickly as they arrived and exposing the constant cycle of nature. They are known colloquially as windflowers.

    For over twenty years, Efterklang have been pushing the barriers of experimental, electronic, emotional chamber-pop. Announcing their sixth studio album Windflowers, their first for City Slang, the Danish trio of Mads Brauer, Rasmus Stolberg and Casper Clausen continue a creative journey that’s brought them closer together, even as their lives grow apart. Channelling the motifs of hope and change its namesake flora represents, the album sees their many years of collaboration and experimentation distilled into some of their finest and most direct melodic moments to date.

    With their ability to bring in guests and session musicians restricted, Efterklang had to challenge their usual creative process and accept their own limitations. Recorded over the course of five trips to residential studio Real Farm on the island of Møn, south of Copenhagen, the genesis of Windflowers was back to basics and became an exercise in putting their vast and dynamic experience to play. The album finds Casper singing in English again, for the most part. It’s rich and intimate, the sound of three friends finding each other at a time when the world around them felt unstable. The record is about existing, alone, together and in nature. It’s about reconnecting, and letting each other grow.

    Efterklang’s constant innovation and openness for collaborating extends past the band’s core members and into the world of the listener. Now sharing new music through their Developed platform, fans are invited to collaborate and respond as they listen to the new tracks for the first time. Collaboration and community has always been the compass of Efterklang, and the group keeps looking for new ways to build a meaningful correspondence with their audience, to be inventive and inclusive. “We don’t want to play to people, we want to perform and make music with people,” Rasmus explains.

    After all their years together, Mads, Casper and Rasmus share the real intimacy of family. Windflowers is proof that connection and community can triumph over adversity, and the result is something truly beautiful.


    Barry says: Having been one of my all time favourites, Efterklang have moved from swimming, electronic melodies and blipping Múm-esque percussives to this widescreen pop distillation. Their latest continues the line of synthy pop offerings, but with a renewed confidence and easy-going swing. Another stunner from the 'Klang.


    A1. Alien Arms
    A2. Beautiful Eclipse
    A3. Hold Me Close When You Can
    A4. Lady Of The Rocks
    A5. Dragonfly
    B1. Living Other Lives
    B2. Mindless Center
    B3. House On A Feather
    B4. Åbent Sår (feat. The Field)


    Altid Sammen

      Altid Sammen (meaning “always together”) is deep and sonorous, steeped in the sonic experimentation that has long been their trademark since Tripper, the Danes’ 2004 debut. As bold and ambitious in scope as their last collection of songs, Piramida, Casper Clausen (vocals), Mads Brauer (synths, electronics) and Rasmus Stolberg (bass) have taken another creative U-turn, this time fusing baroque instrumentation with their signature expansive sound.

      Efterklang’s last release, Piramida, centred around a ghost town in the Arctic, was a grand and all-encompassing project that spawned a movie, live album and a series of unforgettable shows (including a live debut at the Sydney Opera House). Their final performance in Sønderborg – the southern Danish town where the band grew up – marked a closing of a chapter, for Piramida and for Efterklang.

      “We needed a break from the album and touring routine, and we needed a break from Efterklang,” says Clausen. “After the Sønderborg show, things felt very exciting – and a bit scary too. We could think freely, and move in new directions again, just focusing on the things that excited the 3 of us.”

      That break saw the trio explore projects outside of the group’s confines. Together they co-wrote and performed an opera with friend and composer Karsten Fundal (LEAVES, The Colour Of Falling) as part of the Copenhagen Opera Festival. Meanwhile, Clausen, Brauer and Stolberg reunited with Efterklang’s touring drummer Tatu Rönkkö for a new band, Liima. In sharp contrast to Efterklang, they scaled down the music process, creating songs in a day, and released two records of icy, grand electronic pop, ii (2016) and 1982 (2017).

      What lured them back as Efterklang was another off-kilter collaboration, this time with B.O.X, a Belgian ensemble founded by lute player Pieter Theuns that performs new music with baroque orchestration. Initially invited by Theuns to compose music for a joint performance, the experience inspired and invigorated the trio to return to the studio for a new Efterklang album proper. For perhaps the first time in the band’s history, they took a less-is-more approach to Altid Sammen, engaging on a more primal and emotional level. The album also sees the trio break from tradition with Clausen singing in his mother tongue some of his most personal lyrics thus far.

      “Altid Sammen’s songs are about belief and togetherness,” Clausen says. “Not in a religious way – none of us are believers of a defined religion. The words are searching for meaning in intimate relationships, in nature, in death and eternity. The bonds we create; to gather, hold hands, sing or share a moment together. We’re all connected, across nations, age, sex and gender. We come together with all of our backgrounds, and we move apart in all sorts of directions, always together.”


      Barry says: I've loved Efterklang for some time now, and it really has been fascinating to see the trajectory of the core band and their former members (Peter Broderick being one of them!). Their newest outing takes the morose poppy melodies of Piramida with some of the electronic scree of their earlier work, and it's a perfectly measured and completely brilliant electronic pop LP. Superb as ever from Clausen & co.


      Vi Er Uendelig
      Uden Ansigt
      I Dine øjne
      Hænder Der åbner Sig
      Verden Forsvinder
      Under Broen Der Ligger Du
      Havet Løfter Sig
      Hold Mine Hænder

      Efterklang With Copenhagen Phil

      The Piramida Concert

        Over the years Efterklang hae developed an insatiable taste for adventure, keen to immerse themselves in different projects and be challenged musically. Collaborating with classical orchestras is one such challenge that the band have never shied away from, and the results have always been stunning. With the release of their fourth album ‘Piramida’, they continued this tradition by performing it for the first time - before the record itself was released - at the iconic Sydney Opera House in May 2012 with the Sydney Symphony Orchestra. An unorthodox way of introducing a new body of work, perhaps, but the moment has become a milestone in Efterklang’s twelveyear history.

        Early on in the gestation process of ‘Piramida’, Efterklang enlisted the talents of renowned composers Missy Mazzoli and Karsten Fundal to provide orchestral arrangements for the Sydney performance. Their invaluable contributions brought the orchestra into sharp focus, becoming the catalyst for the performance rather than an embellishment.

        Since their appearance at the Sydney Opera House, the band have played fifteen other such concerts - dubbed The Piramida Concerts - around the globe, including sold out performances at London’s Barbican with the Northern Sinfonia and New York’s Metropolitan Museum concert hall with The Wordless Music Orchestra.

        The album ‘Piramida’ was released in September 2012. It is named after a forgotten mining settlement on the Norwegian archipelago of Spitsbergen, located just south of the North Pole, abandoned since 1998 and slowly decaying. The trio of Casper Clausen, Mads Brauer and Rasmus Stolberg spent nine days exploring this ghost town, collecting field recordings that would help form the backbone of their fourth studio record. Although cut from the same cloth, The Piramida Concerts differ from Piramida and, keen to present this other side, Efterklang decided to commit one of the performances to tape. Fittingly, they chose the concert they played in their native Denmark, and this will be released as a deluxe double vinyl package (with a copy of the album on CD).

        ‘The Piramida Concert’ by Efterklang & Copenhagen Phil was recorded live at Copenhagen’s Royal Academy Of Music Concert Hall in October 2012. Over the course of two sold-out nights Efterklang - plus special guests Peter Broderick, Katinka Fogh Vindelev and Budgie (Siouxsie and The Banshees, The Creatures) - teamed up with the 33-strong Copenhagen Phil orchestra and German conductor André de Ridder to perform ‘Piramida’ in its entirety.

        The concert also features ‘So’, a song written during recording sessions for ‘Piramida’, and ‘Vælv’, a classical piece commissioned by Efterklang and composed by Karsten Fundal.

        Mixed to tape by Francesco Donadello at the Vox-Ton studio in Berlin, the deluxe gatefold double vinyl will consist of one black disc and one white, designed by Danish artists and long-time Efterklang collaborators Hvass&Hannibal.


        Parades & Under Giant Trees - Special Edition

          One of two double CD reissues containing Efterklang’s first two full-length albums, together with their accompanying Eps, in deluxe foldout card packaging with new 16-page booklets containing sleeve notes written by the band.

          Watershed second album "Parades" is now joined by the long-deleted "Under Giant Trees" mini-album. This also features two live recordings of tracks from the album.


          1. Polygyne
          2. Mirador
          3. Him Poe Poe
          4. Horseback Tenors
          5. Mimeo
          6. Frida Found A Friend
          7. Maison De Réflexion
          8. Blowing Lungs Like Bubbles
          9. Caravan
          10. Illuminant
          11. Cutting Ice To Snow

          1. Falling Horses
          2. Himmelbjerget
          3. Hands Playing Butterfly
          4. Towards The Bare Hill
          5. Jojo
          6. Mirador (Live)
          7. Cutting Ice To Snow (Live)


          Magic Chairs

            Since 2000, Copenhagen-based quartet Efterklang (plus an ever evolving number of collaborators) have been quietly honing their craft, fusing left-of-centre electronic beats with grand orchestral gestures. Self-sufficient by nature and necessity, the band have, until now, always written, recorded and produced every element of their music from the comfort of their Copenhagen bunker. In this time, they have also released records through their own Rumraket label, working with the likes of Grizzly Bear, Amiina and Slaraffenland. So far, the results have been nothing short of revelatory; in particular, 2007’s hugely ambitious "Parades", an album that was difficult to define but even harder to fault, it raised their profile enormously, and with "Magic Chairs" they continue their evolution, exploring previously unchartered territory.
            The result is an intimate and immediate record that exudes warmth. The grandiose classical structures heard so prominently and admired so highly in previous albums "Tripper" and "Parades" have been replaced by something far more streamlined, deconstructed and altogether melodious. Opening track "Modern Drift" is a statement of intent with its intricate and looping arpeggios whilst "I Was Playing Drums" is arguably their most accessible pop song to date, the echoes of its refrain linger irresistibly in the ear. ‘Magic Chairs’ still bears the occasional signature moment (an electronic buzz here, a choral flair there) but, all told, it is an album that is an even bolder step forward.

            STAFF COMMENTS

            Darryl says: Featuring a host of guest musicians including Peter Broderick, "Magic Chairs" is an immense melodic strewn avant epic, that snuggles nicely in your collection between the latest Animal Collective and Grizzly Bear albums.

            Efterklang & The Danish National Chamber Orchestra

            Performing Parades

              "Performing Parades" is a limited edition album featuring Efterklang performing their 2007 album Parades in full, accompanied by The Danish National Chamber Orchestra. Mojo magazine enjoyed the show so much, they gave it a glowing full page live review! The concert was recorded in their hometown of Copenhagen in September 2008, and will be performed again at the Barbican in London on October 28th, this time with The Britten Sinfonia. Mojo described the Copenhagen concert as 'uplifting, celebratory and gloriously ridiculous, like an alternate national anthem for a new northern utopia of untrammelled happiness'. The stunning live recordings will be issued as a limited edition deluxe CD+DVD package and a limited edition 2LP+DVD in a lush gatefold sleeve, with brilliant design to match the quality of "Parades" and "Under Giant Trees". These special editions are surefire future collectors' items. The live audio recording is packaged with a 55-minute concert film on DVD. The DVD includes plenty of extras, including a behind the scenes documentary of the preparations for the event, and all six videos made for tracks from "Parades", including lead single "Mirador", which has racked up over one million (1,000,000!) views on Youtube.

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