The latest mini LP from Coyote sees them continue to explore the realms of emotionally charged electronic music. From dreamy horizontal soothers to more ecstatic uplifting refrains. 'Both Gone' is an embrace from the sun as it sets gently into the horizon, 'People Take It' is an early afternoon watching the shimmering sea with a mint tea, 'We Got Lost' is a cautioning tale to all, 'Beltane' a celebratory Pagan dub, 'Show Me' is a poolside midday smiler, 'Cirrus' is an ecstatic sunrise anthem. So hurry up, and Live!

STAFF COMMENTS

Barry says: Is It Balearic? It is a bit Balearic, yeah but it's not the sort of dreamy barely-there Balearic that sends me into an inattentive dream, it's brave and imaginative electronic music that conjurs the feeling of a beachside bar on a sunny day, in the Balearic islands.

TRACK LISTING

Side 1
1. "Both Gone"
2. "People Take It Too Seriously"
3. "We Got Lost"

Side 2
1. "Beltane"
2. "Show Me"
3. "Cirrus"

Fuzz Club's King Gizzard And The Lizard Wizard 'Live At Red Rocks' box set is a heavy-duty, 15 LP monster. Recorded over three nights of the Aussie psych-rock polymaths raining down on the Red Rocks Amphitheatre in Morrison, CO, USA, this bootleg captures nearly nine hours worth of live Gizz spread across 86 tracks and 30 sides of vinyl. Live At Red Rocks was recorded live Oct 10, Oct 11 and Nov 2 2022, mixed by the band's Stu Mackenzie and remastered for vinyl by James Plotkin exclusively for this edition.

Each of the three nights comes in its own 5LP slipcase, all housed together in one giant slipcase alongside a 60-page hardcover book with exclusive Red Rocks live photos by Cidney Bundon.

All 15 LPs come on 180g coloured vinyl (with a unique colour configuration for each night) in their own heavy card jacket with 3mm spine and a black poly-lined inner sleeve. The artwork for each jacket works as a puzzle and forms one giant artwork. Features collage album art and design by Elzo Durt with original elements by Virgil Finlay. Large fold-out poster included. The box-set is packaged in a bespoke foam-lined box to protect it during shipping.

TRACK LISTING

A1. This Version Of You
A2. Behind The Sun
A3. All We Need (ODESZA VIP Remix)
A4. Love Letter (ODESZA VIP Remix)
A5. Say My Name X Late Night

B1. In The Rain
B2. One Day They'll Know (ODESZA VIP Remix)
B3. Wide Awake (feat. Charlie Houston)
B4. Bloom (ODESZA VIP Remix)
B5. Equal X Boy

C1. All My Life
C2. Better Now (feat. MARO)
C3. Line Of Sight (feat. Mansionair & Naomi Wild)
C4. Forgive Me (feat. Izzy Bizu) (ODESZA VIP Remix)
C5. La Ciudad (ODESZA VIP Remix)

D1. Selfish Soul (feat. Sudan Archives) (ODESZA VIP Remix)
D2. TENSE
D3. KEEP MOVING
D4. Sun Models (ODESZA VIP Remix)
D5. Hopeful

E1. Across The Room X Falls (ODESZA VIP Remix)
E2. Loyal
E3. Don't Stop (ODESZA VIP Remix)
E4. Just A Memory (Interlude)

F1. Higher Ground (feat. Naomi Wild)
F2. A Moment Apart (ODESZA VIP Remix)
F3. The Last Goodbye

January 2023, Dorset. Snow is piled at the door, icy roads are closed, and Emily Cross is in a coffin. Not a setting typical for a rebirth. But for Loma, this is where they bring their band back from the brink. “It's like a demon enters the room, whenever we get together”, writer, singer and instrumentalist Cross says of the struggle to bring new Loma music into the world. Following the release of their 2020 second album Don’t Shy Away, Loma’s three members were cast around the globe and the band—not for the first time—entered a deep sleep. Multi-instrumentalist and recording engineer Dan Duszynski remained in his studio in Don’t Shy Away’s central Texas heart, but Cross, a UK citizen, moved to Dorset, and writer and instrumentalist Jonathan Meiburg left the US for Germany to research a book. In the pandemic years, even being in the same room was impossible, and attempts to start a new record faltered.

The following winter, in an attempt to salvage the record and the band, Cross suggested they regroup in the UK, in the tiny stone house—once a coffin-maker’s workshop—where she works as an end-of-life doula. With minimal recording gear and few instruments, Loma turned two whitewashed rooms into a makeshift studio, using a padded coffin as a vocal booth. It was a turning point. They scrapped much of what they'd made, letting a new place set a new course. The one-lane roads, hedgerows and dark skies of Dorset gave the new songs an ineffable but unmistakable Englishness. The band used the ruin of a 12th-century chapel as a reverb chamber—surprising hillwalkers who peeked in to find them singing to no one—and the sounds of Cross’s chilly workshop wormed their way into the recording: a leaky pipe, a drummer’s brushes on a metal lampshade, the voices left on an ancient answering machine.

What emerged was How Will I Live Without A Body?: a gorgeous, unique, and oddly comforting album about partnership, loss, regeneration, and fighting the feeling that we're all in this alone. Many of its songs have a feeling of restless motion; faceless characters drift through meetings and partings, tangling together and slipping away. “I Swallowed A Stone” is like a nightmare with a happy ending; “How It Starts” and “Broken Doorbell” reflect on the challenge (and necessity) of wrestling with agoraphobia. Though the record nods to the trio’s separate lives— a German percussion ensemble, a pair of Texan owls, and the surf at Chesil Beach make guest appearances—the core of Loma's sound remains intact: earthy, organic and deeply human, anchored by Cross's cool, clear voice.

Loma’s previous album, Don’t Shy Away, was galvanized by the unexpected encouragement and contributions of Brian Eno. This time, they found inspiration in another hero, Laurie Anderson, who offered a chance to work with an AI trained on her entire body of work. Meiburg sent her a photo from his book-in-progress about the once and future life of Antarctica; Anderson’s AI responded with two haunting poems. “We used parts of them in a few songs,” he says. “And then Dan noticed that one of its lines, ‘How will I live without a body?’ would be a perfect name for the album, since we nearly lost sight of each other in the recording process.”

In the end, Loma’s efforts to reconnect with one another are the album's central focus: what do you owe a shared past, when everyone and everything has changed? “Making this record tested us all,” says Duszynski. “I think that feeling was alchemized through the music.” Alchemized, because How Will I Live Without A Body? is by no means a stressed-out record: an undercurrent of deep calm runs through it. But maybe ‘relaxed’ isn’t the right word. It’s more like a feeling of relief, of making it through a tough journey together.

TRACK LISTING

1. Please, Come In
2. Arrhythmia
3. Unbraiding
4. I Swallowed A Stone
5. How It Starts
6. Dark Trio
7. A Steady Mind
8. Pink Sky
9. Broken Doorbell
10. Affinity
11. Turnaround

The first live release from The Murlocs is a career-spanning 22 song set recorded at The Teragram Ballroom in Los Angeles. The show capped off a busy 2022 for the Melbourne-based band, which saw the release of their 6th album (Rapscallion) as well as a performance at Red Rocks (supporting King Gizzard, with whom the band share two members) and their biggest US headlining tour to date.

TRACK LISTING

1. Living Under A Rock
2. The Royal Vagabond
3. Virgin Criminal
4. Francesca
5. Wickr Man
6. Withstand
7. Eating At You
8. The Ballad Of Peggy Mae
9. Bowlegged Beautiful
10. Bobbing And Weaving
11. Subsidiary
12. Bellarine Ballerina
13. Russian Roulette
14. Farewell To Clemency
15. What If?
16. Comfort Zone
17. Compos Mentis
18. Growing Pains
19. Skyrocket
20. Reassurance
21. Noble Soldier
22. Rolling On

The acclaimed Can live series continues with the release of Live In Aston 1977, available via Mute and Future Days (the new EU label created by Spoon Records).

The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1977 performance in Aston and features Schmidt (keyboard & synths), Jaki Liebezeit (drums), Michael Karoli (guitars), Holger Czukay (wave receiver & spec.sounds), plus Rosko Gee (bass), who appears for the first time in the series.

This release features sleeve notes by former Sex Pistol, Glen Matlock, sharing his first-hand experience of witnessing CAN's live show.

Live In Aston follows the release of Live In Paris 1973, the first in the series to feature Damo Suzuki’s vocals [“…among the greatest documents of their untouchable alchemy…” – Record Collector 5*]; Live In Brighton 1975 [“Pure dynamite… keep them coming” – MOJO]; Live in Stuttgart 1975, [Uncut’s Reissue of the Year, #2 in MOJO’s Reissues of the Year, #7 in The Wire’s Archive Reissues of the Year plus more]; and Live In Cuxhaven 1976, which again featured heavily in the Reissues of the Year.

TRACK LISTING

Vinyl Tracklist
A1 Aston 77 Eins
A2 Aston 77 Zwei
B1 Aston 77 Drei
B2 Aston 77 Vier

CD Tracklist
1 Aston 77 Eins
2 Aston 77 Zwei
3 Aston 77 Drei
4 Aston 77 Vier

Founded in the mid 70s, Black Uhuru really burst into the reggae scene in the early 80s when Sly & Robbie took over artistic direction duties and produced crucial albums like Showcase, Sinsemilla, Red, Chill Out and Anthem.

Not only were the albums groundbreaking from an artistic standpoint, but the live shows were terrific. An avalanche of heavy-as-lead drum and bass, augmented by borderline metal rock guitars courtesy of the late Darryl Thompson, provided a bedrock of rhythm and energy for Michael Rose's lead vocals and Duckie Simpson's and Puma Jones' backing vocals.

Black Uhuru's first US tour took place in 1982. Back then, Reggae was in its infancy in the US and there were only 3 Reggae radio shows in California: Doug Wendt in San Francisco, Roger Steffens in LA and Lance Linares in Santa Cruz. In addition to running his radio show at KUSP, Lance also booked artists in Santa Cruz and worked with the Soledad Prison to help inmates acquire professional skills that could be used once they would be out of jail. Lance contacted the Black Uhuru organization and offered to organize a concert in the prison itself. To his surprise his idea was enthusiastically accepted and the group performed in front of a full house at Soledad Prison.

What we hear on this double LP is the entire concert, which was broadcast live on KUSP. Its historical significance is huge and can be compared to the reggae equivalent of the legendary live recording at Folsom by America legend Johnny Cash.

TRACK LISTING

1. Stage Intro
2. Puff She Puff
3. I Love King Selassie
4. Mondays
5. Youth Of Eglington
6. Chill Out
7. Darkness
8. Whole World Is Africa
9. Happiness
10. Sponji Reggae
11. Sensimilla

TRACK LISTING

Side A (Act 1: Getting Honest)
1. The One That Loves You
2. It’s Alright Kevin (Manhood 2023)
3. I’m Going To Get Free
4. Coming Home

Side B (Act 2: Attitude To Women)
1. The Feminine Divine

Side C (Act 3: The Relationship)
1. My Goddess Is
2. Goddess Rules
3. My Submission
4. Dance With Me

Side D (The Concert: Part 1)
1. Soon/Plan B
2. I’ll Show You
3. All In All (This One Last Wild Waltz)

Side E (The Concert: Part 2)
1. Until I Believe In My Soul
2. Free
3. Come On Eileen

Side F (Encore)
1. Geno
2. Jackie Wilson Said (I’m In Heaven When You Smile)
3. Tell Me When My Light Turns Green
4. Carrickfergus

Live albums are often a ‘hit or miss’ affair but ‘Live Oblivion’ 1 & 2 buck that trend, Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. The group were finishing off a huge US tour that had roared down the east coast then across the Midwest and by the time they hit LA, as Brian recalls “we were all absolutely performing at our height. So I decided that I really needed to record the band live at that point”. Utilising the Wally Heider Mobile Truck, the scene was set for one of the greatest jazz-fusion live recordings to be made. The show opens with a hyper fast version of Beginning Again due to drummer Steve Ferrone being almost an hour late and running high on adrenaline, Brian remembers thinking “I don’t even know if I can play it that fast!” Fortunately, he and the Oblivion Express including stellar vocalist Alex Ligertwood rise to the challenge and the result is akin to some frenetic jazzy drum & bass but also pushes the group onto another level altogether for the rest of the show. Across both volumes there are no fillers and the highlights are many - Bumpin’ On Sunset, Freedom Jazz Dance, and Inner City Blues are all stunning, but especially the epic version of Maiden Voyage which Mos Def sampled on his 1997 'If You Can Huh! You Can Hear', and both DJ Mitsu in 2004 and 2017 Crimeapple both dipped into Live Oblivion to sample that fire for their own projects.

Auger, in the original liner notes opines how live recordings can often have drawbacks but "I hope that spirit shines through" Live Oblivion 1 & 2, 50 years on from being committed to tape, certainly achieve that and much more. 

TRACK LISTING

1. Beginning Again
2. Don't Look Away
3. Bumpin' On Sunset
4. Truth 

Live albums are often a ‘hit or miss’ affair but ‘Live Oblivion’ 1 & 2 buck that trend, Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. The group were finishing off a huge US tour that had roared down the east coast then across the Midwest and by the time they hit LA, as Brian recalls “we were all absolutely performing at our height. So I decided that I really needed to record the band live at that point”. Utilising the Wally Heider Mobile Truck, the scene was set for one of the greatest jazz-fusion live recordings to be made. The show opens with a hyper fast version of Beginning Again due to drummer Steve Ferrone being almost an hour late and running high on adrenaline, Brian remembers thinking “I don’t even know if I can play it that fast!” Fortunately, he and the Oblivion Express including stellar vocalist Alex Ligertwood rise to the challenge and the result is akin to some frenetic jazzy drum & bass but also pushes the group onto another level altogether for the rest of the show. Across both volumes there are no fillers and the highlights are many - Bumpin’ On Sunset, Freedom Jazz Dance, and Inner City Blues are all stunning, but especially the epic version of Maiden Voyage which Mos Def sampled on his 1997 'If You Can Huh! You Can Hear', and both DJ Mitsu in 2004 and 2017 Crimeapple both dipped into Live Oblivion to sample that fire for their own projects.

Auger, in the original liner notes opines how live recordings can often have drawbacks but "I hope that spirit shines through" Live Oblivion 1 & 2, 50 years on from being committed to tape, certainly achieve that and much more. 

TRACK LISTING

1. Freedom Jazz Dance
2. Happiness Is Just Around The Bend
3. Maiden Voyage
4. Second Wind
5. Whenever You're Ready
6. Inner City Blues
7. Straight Ahead
8. Compared To What 

Queen Rock Montreal presents Freddie Mercury, Brian May, Roger Taylor and John Deacon at their most excitingand exhilarating. As Brian May puts it, this is Queen “live and dangerous.” Queen were on all-conquering form when they returned to Montreal, Canada for the fourth time in November 1981 to play two hugeconcerts at the 18,000-seat Forum. This pair of Montreal concerts marked an historic moment for Queen. After their massive success in the 1970s, the band entered the 80s bigger than ever, with the hugely successful The Game album producing their two biggest ever US singles in Another One Bites The Dust and Crazy Little Thing Called Love (both Billboard No.1’s), followed by theUK No.1 single Under Pressure. Queen’s return to Montreal came afteralmost two years of touring, including their very firsttours of South and Central America, which saw the band playing two nights at Sao Paulo’s Morumbi Stadiumtomore than 150,000 devoted fans. As a result, when the band arrived in Canada in November 1981 they were in electrifying form. “Montreal is one of our favourite cities, it’s a great audience there, very full of energy,” says Brian May. “We’d played this particular venue, The Forum, several times before, and it was always full of really enthusiastic people giving us a lot of energy back.”

The original concerts,which took place on November 24 and 25, 1981, were truly ground-breaking. They were arranged specifically to be filmed for a full-length concert film to document their live show. Director Saul Swimmer planned to shoot them using state-of-the-art Double Anamorphic 35mm footage, which allowed it to be projected on a gigantic, five-storey high screen.Backstage tensions between the members of Queen and Swimmer could have caused problems, but instead they propelled the band to new heights.

“We were very, very hyped up, some of the tempos are really fast, there’s a lot of really incisive, angry playing,” says May.

Queen Rock Montreal features a rawer version of the band who had released Bohemian Rhapsodyhalf a decade earlier, showcasingtheirunparalleled musicianship, soaring vocal powerand unstoppable live energy.“There’s no one on the stage apart from us,” says May.

Says Taylor: “It's fascinating to now realize how free we were on stage in 1981. It's a four piece, just the four of us in Queen, and to see Freddie. It's like being on stage with the band because the cameras are very high quality for the time. I've never seen anything that makes you feel quite so involved with the performance.”

From Freddie Mercury’s opening cry of “Hello Montreal… long time no see. You wanna get crazy?” through to the thrilling climactic one-two of We Will Rock You and We Are The Champions, the energy rarely lets up – and even then only for signature ballad Love Of My Life. The powerful vocal acrobatics of Mercury, May’s dazzling six-string pyrotechnics, Deacon’s rock solid heartbeat bass, Taylor’s unstoppable rhythmic display, and not to mention the unique combination of all four voices – Queen Rock Montreal shows the total cohesion and individual strengths of four musicians who were, as Brian May says, “at the top of our game”.

TRACK LISTING

2CD

CD1
1. Intro
2. We Will Rock You (Fast)
3. Let Me Entertain You
4. Play The Game
5. Somebody To Love
6. Killer Queen
7. I'm In Love With My Car
8. Get Down, Make Love
9. Save Me
10. Now I'm Here
11. Dragon Attack
12. Now I'm Here (Reprise)
13. Love Of My Life


CD2
1. Under Pressure
2. Keep Yourself Alive
3. Drum And Tympani Solo
4. Guitar Solo
5. Flash
6. The Hero
7. Crazy Little Thing Called Love
8. Jailhouse Rock
9. Bohemian Rhapsody
10. Tie Your Mother Down
11. Another One Bites The Dust
12. Sheer Heart Attack
13. We Will Rock You

3LP

SIDE A
1. Intro
2. We Will Rock You (Fast)
3. Let Me Entertain You
4. Play The Game
5. Somebody To Love

SIDE B
1. Killer Queen
2. I'm In Love With My Car
3. Get Down, Make Love
4. Save Me

SIDE C
1. Now I'm Here
2. Dragon Attack
3. Now I'm Here (Reprise)
4. Love Of My Life
5. Under Pressure

SIDE D
1. Keep Yourself Alive
2. Drum And Tympani Solo
3. Guitar Solo
4. Flash
5. The Hero

SIDE E
1. Crazy Little Thing Called Love
2. Jailhouse Rock
3. Bohemian Rhapsody
4. Tie Your Mother Down

SIDE F
1. Another One Bites The Dust
2. Sheer Heart Attack
3. We Will Rock You
4. We Are The Champions
5. God Save The Queen

In January 2023, Tom Skinner and his ensemble performed material from his recently released album Voices of Bishara at London club “mu”— a venue founded by the curators at Brilliant Corners and named after the seminal Don Cherry live album. The set was augmented by a rendition of Tony Williams’ “Red” and three pieces by Abdul Wadud, whose 1977 self-released solo cello album, By Myself, was a primary inspiration for Voices of Bishara.

The soloists featured on the album — Shabaka Hutchings and Nubya Garcia— are replaced in Skinner's live ensemble with saxophonist Robert Stillman (who also plays with Skinner in The Smile) and saxophonist / flutist Chelsea Carmichael. The extended rhythm section of Tom Herbert (double bass) and Kareem Dayes (cello) round out the lineup, with Skinner on drums. It’s clear from the jump that this band’s aim is to excavate the deep corners of this material, kicking the set off with a 15-minute rendition of Skinner’s own composition “Bishara” that employs the same relationship to rhythmic and tonal freedom found in the Abdul Wadud cello work that inspired it. That aesthetic connection is even more clear by the time the group moves into their 20-minute exploration of Waded’s “Oasis,” the stunning centerpiece of the set.

Hearing Skinner’s compositions - flexed and stretched with extended improvisation, and in context with works by Wadud and Williams - both places them and this band firmly in the creative music continuum they honor, and provides us with an unobstructed view of where that continuum is leading us.

TRACK LISTING

1. Bishara
2. Red 2
3. The Journey
4. The Day After Tomorrow
5. Oasis
6. Camille
7. Happiness

'Aethernal Score', Aisha Devi’s commission for the BBC Concert Orchestra, is an attempt to intensify the vibrational capacities of the orchestra and divert the expected course of classical-electronic collaboration. Devi has always used her art to push against cultural presumptions, so it made sense to assemble the initial framework for the piece from some of her acclaimed back catalogue, meshing it with new compositions and reworking everything with orchestral elements that follow Devi's radical metaphysical and theoretical guidelines. It's best described as a twenty-minute "mixtape" that embodies the connections between the concert hall, the club and the sacred ritual - or even a demonstration of the orchestra's hidden potential.

Inspired by her Himalayan heritage, Devi has been exploring the entrancing sonic application of monastic practices such as throat singing for many years, as well as developing psychoacoustic methods. This led her to perceive sound as a way of expanding brain activity - something that also plays a shrouded role in the world of chamber music. Applying this to the orchestra, she began thinking about each instrument as a discrete frequency range, searching for its ethereal properties rather than fixating on an object saddled with cultural baggage. Using the density, amplitude and vibrational impact of the sounds in unison, Devi was able to summon the club environment, seizing that space's inherent power - Devi was making orchestral rave.

TRACK LISTING

1. Spacetime Expiration Binaural
2. Two Serpents Theme
3. DNA Morphosis
4. Aetherave Theme
5. Graal Interlude
6. Genesis Theme
7. Mind Vapor Interlude
8. Aethernal Binaural
9. And If You Had Eternity?
10. Al Kemie March
11. Neurobytes²
12. Antigravity
13. I’m Not Always Where My Body Is Theme

GoGo Penguin - From The North captures the Manchester-based trio at an exciting moment within their trajectory. For this limited-edition Vinyl, the trio decided to re-arrange a selection of 7 tracks from ‘Between Two Waves’, their first EP on XXIM Records, as well as from their latest album ‘Everything Is Going to Be OK’. The live session was recorded and filmed at Old Granada Studios in Manchester, an iconic studio complex that has played a significant part of the band’s own musical history.

GoGo Penguin is an emotive, break-beat minimalist trio from Manchester, UK. Formed in 2012 its sophomore album 'v2.0' was nominated in 2014 for the Mercury Music Prize and in 2016 the trio signed to Blue Note Records, releasing a trio of acclaimed albums: 'Man Made Object', 'A Humdrum Star' and 'GoGo Penguin', as well as two EP’s and a remix album, 'GGP/RMX'. With their new record label, XXIM Records, the band ushered in a more ambient era with their EP 'Between Two Waves' and ‘Everything Is Going to Be OK’, which marks the latest chapter in the story of GoGo Penguin.

TRACK LISTING

1. Wave Decay
2. Ascent
3. Friday Film Special
4. Everything Is Going To Be OK
5. Unbroken Thread Of Awareness
6. You're Stronger Than You Think
7. Parasite

Joni Mitchell turns 80: Ermitage celebrates the nine times Grammy winner with the release of this vinyl album featuring the artist performing live on the BBC in 1970

Star singer- songwriter of Canadian music and author of songs such as "Big Yellow Taxi", "River" and "A Case of You".

For all the fans around the world always eager for the releases of the great singer- songwriter and particularly since a few months ago she returned to the stage after the brain aneurysm that struck her in 2015 and left her unable to speak or walk let alone play the guitar.

TRACK LISTING

1. Chelsea Morning
2. The Gallery
3. Cactus Tree
4. My Old Man
5. For Free
6. Woodstock
7. All I Want
8. California
9. Big Yellow Taxi
10. Both Sides, Now

25th Anniversary Edition of the pioneering Bristol trio’s album, Roseland NYC Live; recorded and filmed at New York’s Roseland Ballroom with a 28-piece orchestra in 1997, and released in 1998.

The live album and concert film combined have sold over 1 million copies to date, and features performances of the most acclaimed tracks, ‘Glory Box’, ‘Sour Times’, and ‘Roads’, from their debut and sophomore albums, Dummy and Portishead.

Newly remastered, the tracklist has been expanded to include ‘Undenied’ and ‘Numb’ from the concert film, as well as the full length performance of ‘Western Eyes’, which played in part over the credits of the film.

‘Sour Times’ and ‘Roads’ are also now the original Roseland versions (previously substituted on the album release with recordings from other performances). All 5 of these tracks will be on CD and vinyl for the first time.

TRACK LISTING

Vinyl Tracklisting:
Side A
Humming
Cowboys
All Mine
Side B
Mysterons
Only You
Half Day Closing
Over
Side C
Glory Box
Sour Times
Roads
Side D
Strangers
Undenied
Numb
Western Eyes

CD Tracklisting:
Humming
Cowboys
All Mine
Mysterons
Only You
Half Day Closing
Over
Glory Box
Sour Times
Roads
Strangers
Undenied
Numb
Western Eyes

Disco Segreta breathes new life into two of the most elusive and coveted Italo disco tracks of all time!

Originating from the paradisiac island of Sardinia, Italy, Susy Pintus embarked on her musical journey alongside her brother at Radio Cagliari Centrale, one of Sardinia’s very first free radios, which opened its doors in 1977. Her singing career took flight in 1978, and by 1979, she attained national acclaim with her single “C’Est Magnifique,” a disco reinterpretation of the renowned Cole Porter track.

However, Susy’s most sought-after single undoubtedly remains her 1986 Italo-disco 45 featuring the tracks “Fragile” and “Live for Your Love”. These compositions, expertly arranged by Italian jazz piano virtuoso Danilo Rea and superstar musician Aldo Tamborrelli, weave a captivating tapestry of sound using instruments like Yamaha DX7 and CP80, Roland Juno 60 and JX 8P, as well as the omnipresent Linn 9000. The result is a distinctive blend of italo-disco, synth-pop, and a touch of the Balearic vibe.

Originally released in a limited run of 1500 copies on a 45, these tracks have become exceedingly rare over time, finding their way into the wishlists and collections of discerning Italo-disco enthusiasts.

This deluxe edition includes the original tracks, meticulously remastered to meet contemporary standards without destroying the feel of the originals, along with two remixes of “Fragile” and “Live For Your Love” by Italian wonder Cosimo Mandorino aka Cosmo Dance.

TRACK LISTING

A1. Fragile (Original 1986 Version)
A2. Live For Your Love (Original 1986 Version)
B1. Fragile (Cosmo Dance Remix)
B2. Live For Your Love (Cosmo Dance Remix)

‘Live In France: The 1966 Concert In Limoges’ is a previously unissued live solo recording of the ‘Godmother of Rock n’ Roll’, Sister Rosetta Tharpe, captured at the auditorium of the Grand Theatre in Limoges, France on November 11, 1966.

This is an official release on producer Zev Feldman's new Deep Digs record label, in partnership with Elemental Music, and in cooperation with the Sister Rosetta Tharpe Estate and INA France.

Transferred from the original tape reels, this recording was restored and mastered by multi- Grammy award-winning engineer Michael Graves at Osiris Studio, with lacquers cut by the legendary Bernie Grundman at Bernie Grundman Mastering Studios.

TRACK LISTING

1. This Train
2. When My Life Work Is
3. Ended
4. Didn’t It Rain
5. Mother’s Prayer
6. Up Above My Head, I Hear
7. Music In The Air
8. Moonshine
9. Sit Down
10. Down By The Riverside
11. When The Saints Go
12. Marching In
13. Joshua Fought The Battle
14. Of Jericho
15. Jesus Met The Woman At
16. The Well
17. Two Little Fishes, Five
18. Loaves Of Bread
19. Travelling Shoes
20. Beams Of Heaven
21. That’s All / Denomination
22. Blues
23. Going Home
24. Go Ahead
25. Bring Back Those Happy
26. Days
27. Give Me That Old Time
28. Religion
29. If Anybody Above Me
30. Nobody’s Fault By Mine

Popstock was created by the surviving members of the Slates iteration of The Fall to present unusual and alternative versions of the brilliant records they helped create.

These records promise to be unique in that they are the only new Fall releases going forward where actual members of the group are consulted, involved and remunerated at all. Slate Live Again presents live versions of the six songs that make up the original mini- LP, with the incredible versions chosen in order to present the songs at every stage of their live performance, both pre and post recording.

Lovingly curated with input from band members at every stage, including sourcing, mastering and design, and with sleeve notes by Fall Uber- fan Stewart Lee, Slates Live is the type of release that Fall fans have been craving for years.

TRACK LISTING

1. Middle Mass
2. An Old Lover Etc.
3. Prole Art Threat
4. Fit And Working Again
5. Slags, Slates Etc.
6. Leave The Capitol

After a long hiatus from his world of Edits & Overdubs, Joaquin Joe Claussell brings you this Limited Edition 12" sampler taken from the forthcoming Joe Claussell "Praise" 6xLP box set. Joe raids the vaults of the legendary Savoy Records, the Strictly Rhythm of Gospel music! On the A-Side he takes the mid-tempo stomper 'So Much to Live For' by Myrna Summers and invokes the holy ghost, fortifying the drums and rearranging the vocals so you are left humming the chorus long after it has ended. The hook 'So Much to Live For' in itself sums up all of the 'Praise' series, a cry to instill hope and meaning in what is often perceived as the mundane of daily life. On the flip is a previously unreleased Joe Claussell take of 'Jerusalem' by Bishop Jeff Banks. Here the sermon takes off right from the jump, a floor filling call and response four to the floor version finished in classic Claussell style. Wailing organs, driving percussion and vocals that will make you want to jump out of your skin. Both sides cut LOUD at 45RPM! One press and gone forever. 

TRACK LISTING

A1. Myrna Summers And The Combined Choirs Of The Refreshing Strings
So Much To Live For 5:15
B1. Bishop Jeff Banks And The Revival Temple Mass Choir
Jerusalem (New Edit) 8:30

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On the 1st February 2023, the 1975 played their debut album The 1975 in full for the first time since its 2013 release. The album debuted at number one on the UK charts in September 2013, is certified platinum (US) and 2 x platinum (UK), and set the path toward a solid run of international chart-topping, awards, and sell-out arena tours across their subsequent releases. For the 10th anniversary in 2023, the band recorded the gig making this available on digital and CD. RSD2024 sees the album released on vinyl for the first time pressed on white vinyl with brand new artwork.

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Travel back in time to August 3, 1975: America takes the stage at the Hollywood Bowl backed by a symphony conducted by George Martin. The never-before-heard tapes have recently been remastered for the new release Live From The Hollywood Bowl - 1975, featuring the live renditions of Americaís hits like ìSister Golden Hair,î ìHorse With No Name,î ìVentura Highway,î and more. This is an unreleased album from the prime of their career. The RSD exclusive will be a 2LP colour variant and include a printed insert of a set list handwritten & autographed by the band.

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Following her critically acclaimed, Mercury-nominated, debut album ëMessyí released earlier this year, Olivia Dean returns with a limited edition vinyl featuring live audio from her performance at Londonís Jazz CafÈ. Step inside a magical show from one of UK popís most original and versatile voices, featuring performances of The Hardest Part and Be My Boyfriend. This is a hot ticket not to be missed.

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Mercury Studios will be releasing Def Leppardís ìOne Night Only Live at The Leadmill Sheffield May 19, 2023î on silver 2LP exclusively for Record Store Day 2024. The show was recorded at The Leadmill, a club in their hometown of Sheffield, England several days before their tour with Motley Crue played at Sheffieldís Brammall Lane football stadium. The Leadmill show was livestreamed on Veeps at the time of the performance.Please be advised that Record Store Day will be making an official announcement of the titles in early 2024, so please keep this info confidential until we have word on the announce date from them. The canvass for this title will begin in the next couple days.-Synopsis -Def Leppard returns to their hometown of Sheffield to perform a set of hits and rarities in front of a small crowd of about 900 diehard fans in this May 2023 show recorded at The Leadmill, just days before their tour stop with Motley Crue at Sheffieldís Brammall Lane. This Record Store Day exclusive double LP is pressed on silver vinyl.

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Previously unissued live radio broadcast from September 20, 1968. Including rare performances of "Mack The Knife", "Love Street", and "You're Lost Little Girl". It's a great sounding recording of a great performance of The Doors at their peak

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Previously unissued live radio broadcast from September 20, 1968. Including rare performances of "Mack The Knife", "Love Street", and "You're Lost Little Girl". It's a great sounding recording of a great performance of The Doors at their peak

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Audio currently only available on YouTube in live video series - this would be an exclusive audio release

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Gabriels will be releasing an exclusive Record Store Day LP - the 12" will include 5 live versions of tracks from recent Somerset House and Union Chapel gigs. 

TRACK LISTING

Side A
1. Private Dancer (Live From Somerset House)
2. Glory (Live From Somerset House)
3. Back To Life Feat. Jaila Simms-Garbutt (Live From Somerset House)
Side B
1. If You Only Knew (Live From Union Chapel)
2. Amazing Grace (Live From Union Chapel)

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Neon Green x6 trk LP Vinyl. Recorded @ Maida Vale in 2006.

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As part of Record Store Day 2024, Keane's full concert recording, Live at Paradiso 29.11.2004, will be released on 2LP coloured vinyl for the first time.The set list includes hits from their 9 x Platinum album, Hopes And Fears, including Bedshaped, Everybody's Changing, and Somewhere Only We Know.

The wide-spine single sleeve contains a transparent red LP1, and solid white LP2 housed within printed inners, as well as liner notes by the band recalling the atmosphere of the Amsterdam concert. In the UK, this album will be included in the War Child titles.

Live at Paradiso 29.11.2004 compliments the 20th anniversary celebrations of Hopes And Fears this year, which includes a multi format, deluxe release and global tour.

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For Recordstore Day 2024 Universal Music Recordings and Virgin Records will be celebrating the 50th anniversary of the album ëMonty Python Live At Drury Laneí. Inspired by Terry Gilliamís unmistakable animations and graphics, the original artwork was created by Kate Hepburn (who later created visuals for Pink Floyd, and the Rolling Stones) and has been adapted for a first release on picture disc by Darren Evans and Holly Gilliam, who were also responsible for 2019 ëLife Of Brianí RSD release.Following the success of four studio albums ñ ëMonty Pythonís Flying Circusí (1970), ëAnother Monty Python Recordí (1971), ëMonty Pythonís Previous Recordí (1972), and ëThe Monty Python Matching Tie and Handkerchiefí (1973) ñ ëMonty Python Live At Drury Laneí was recorded in March 1974 on the last night of a sell-out four week-run at the London theatre. It peaked at No. 19 on the UK album chart that July, where it nestled between Marvin Hamlischís soundtrack to The Sting, and the debut album from Bad Company.The album features live versions of sketches made famous on the BBC TV progamme Monty Pythonís Flying Circus, written and performed by Graham Chapman, John Cleese, Terr Gilliam, Eric Idle, Terry Jones, and Michael Palin, with support from Lyn Ashley and Neil Innes. This 50th anniversary celebration can only mean that the following message, that appeared on the original 1974 artwork, was a little premature: ìThis could be, but by no means definitely, perhaps almost your very last chance but one to hear some of these classic rib-ticklers, before they are all handed over to the British Museum archives (Loopy and Dappy Things Department).î

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First time on vinyl; breakout of live material from Tim (Let It Bleed Edition) featuring the original lineup performing in January 1986 the week of their infamous performance on Saturday Night Live (hence the title).

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This Record Store Day, Suede release a live version of their critically acclaimed album Autofiction, which debuted at #2 in the UK Album Chart and marked Suede's highest charting LP since 1999ís Head Music, available on limited edition grey vinyl in a fold out envelope sleeve. Following the release of ëAutofiction: Expandedí in December 2023 digitally and on 3CD, the ëAutofiction: Liveí limited edition LP will feature live recordings from the bandís highly anticipated headline tour of the UK in March 2023, for the first time on vinyl and exclusive to Record Store Day.

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A 2-track, Record Store Day exclusive commemorating U2ís globally-acclaimed 40-date run of their pioneering show 'U2:UV Achtung Baby Live At Sphereí in Las Vegas. Featuring a brand new live performance recording of ëAtomic Cityí captured at the worldís most cutting-edge venue, alongside a remix by Mike WiLL Made-It, available for the first time physically. Pressed on transparent limited edition red vinyl and includes a poster. Side A ñ ëAtomic Cityí Live -Side B ñ ëAtomic Cityí - Mike WiLL Made-It Remix

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In front of an adoring sold-out crowd in Los Angeles, The Weeknd brings fans up-close with this intimate and epic special concert event, exclusively on HBO. Cinematically captured to bring viewers onstage and in the audience, The Weeknd: Live at SoFi Stadium offers a front-row seat to the versatile artist's thrilling 95-minute setlist ñ which includes such #1 hits as "Starboy," "Blinding Lights," "Can't Feel My Face," "I Feel It Coming," and so much more. With his mesmerizing dancers, spectacular lasers, and explosive pyrotechnics, The Weeknd (winner of four Grammys, 20 Billboard Music Awards, and six AMAs, and nominated for an Emmy) brings down the house ñ and your living room ñ ahead of the performer's highly anticipated star turn in HBO's upcoming drama series The Idol. Never before on vinyl

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Vinyl of live audio taken form the band's homecoming headline show (in Leeds 2023)Side A 1. Intro (Live at Brudenell Social Club) 2. The Worldís Biggest Paving Slab (Live at Brudenell Social Club) 3. Albatross (Live at Brudenell Social Club) 4. A55 (Live at Brudenell Social Club) 5. Mastermind Specialism (Live BrudenellSocial Club)6. You Blister My Paint (Live at Brudenell Social Club) 7. Broken Biscuits (Live at Brudenell Social Club) 8. Nearly Daffodils (Live at Brudenell Social Club) 9. R&B (Live at Brudenell Social Club) 10. Albert Road (Live at Brudenell Social Club) 11. This Could Be Texas (Live at Brudenell Social Club) 12. Good Grief (Live at Brudenell Social Club)

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A clear vinyl Record Store Day edition of this classic live album newly remastered from the first-generation master tapes. Originally released in 1980, the album saw Hawkwind storm the UK charts and spawned the hit single ìShot Down in the Nightî, along with the first appearance of the classic ìMotorway Cityî on vinyl.

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Recorded live at Racket, NYC on October 19th 2023. Previously only available as a bonus disc on the 2CD version of Hackney Diamonds, the band's first studio album since 2005. Heavyweight solid white vinyl.

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Previously unreleased in full, this celebrated live performance recorded live in 1977 for WCOZ that originally appeared on "The Name of This Band Is Talking Heads" is available as a 2LP collection. Cut at 45rpm and featuring fourteen tracks (seven are previously unheard from the original two-track tapes) recorded at Northern Studios on November 17, 1977, this blistering performances includes "Psycho Killer", "Pulled Up", "Uh-Oh, Love Comes to Town", "A Clean Break (Let's Work)" and more.

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From the Acclaimed Live and Dangerous box set, this for the first time on vinyl is one of the stand-out shows from the collection and shows the band at their peak, pressed on 180gm Vinyl with a gatefold sleeve.

The Fall’s first studio album, reissued on black vinyl in its 45th Anniversary year. This black vinyl version is 180GSM with an inner bag and features the US artwork and track-listing.

Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith’s distinctive vocals and often cryptic lyrics.

“They are always different; they are always the same.” JOHN PEEL

“Live At The Witch Trials” is the debut studio album – released 16th March 1979 – these editions celebrate the fortieth anniversary of this seminal album. Originally released through record label Step-Forward, it was recorded in a single day and mixed by producer Bob Sargeant. Mark E. Smith’s lyrics include his unique commentary on the music business (‘Music Scene’), poorly paid jobs (‘Industrial Estate’) and drugs (‘No Xmas For John Quays’, ‘Like To Blow’, ‘Frightened’, ‘Underground Medecin’)

Sounds gave it five stars at the time of release, writing: “an album of staggeringly rich, mature music, inner questioning hand in hand with rock and roll at its fiercest, its finest, its most honest, rock and roll at its naked, most stimulating”

Featuring the one and only Mark E. Smith alongside Martin Bramah, Marc Riley, Karl Burns and Yvonne Pawlett.

TRACK LISTING

SIDE ONE
1. FRIGHTENED
2. CRAP RAP 2/LIKE TO BLOW
3. REBELLIOUS JUKEBOX
4. NO XMAS FOR JOHN QUAYS
5. VARIOUS TIMES

SIDE TWO
1. UNDERGROUND MEDECIN
2. TWO STEPS BACK
3. LIVE AT THE WITCH TRIALS
4. FUTURES AND PASTS
5. MUSIC SCENE

Greg Foat's Greek Jazz quartet featuring Sokratis Votskos, Warren Hampshire and Ayo Salawu recorded live in Mykonos. Big fat Synth bass lines with Psychedelic Guitar, Hypnotic Bass Clarinet, mystical Flute and Killer Drums.

TRACK LISTING

1. Tsamykonos (feat. Warren Hampshire & Ayo Salawu)
2. Kiki's Tavern (For Vasilis) [feat. Warren Hampshire & Ayo Salawu]
3. On The Rose Bush (feat. Warren Hampshire & Ayo Salawu)
4. Secret World, Pt. 1 (feat. Warren Hampshire & Ayo Salawu)
5. Secret World, Pt. 2 (feat. Warren Hampshire & Ayo Salawu)
6. Secret World, Pt. 3 (feat. Warren Hampshire & Ayo Salawu)

You Only Live 2wice is the third studio album from Freddie Gibbs. Following a tumultuous time in Gibbs’ personal life, the album focuses on Freddie overcoming his obstacles and rising from the ashes anew, as reflected in the album art depicting the resurrection of Jesus. At 8 tracks, the album has no features, instead using the space to let Gibbs bear his soul. The album includes the chilling violin-laced single, “Crushed Glass,” as well as standout hits, “20 Karat Jesus,” &”Amnesia.” Executive produced by Ben “Lambo” Lambert & Gibbs himself, the album sees production from BADBADNOTGOOD, Kaytranada, Speakerbomb, Dupri, Jay Nari, Teddy Walton, Blair Norf & more. 

TRACK LISTING

A1. 20 Karat Jesus
A2. Alexys
A3. Crushed Glass
A4. Dear Maria
B1. Amnesia
B2. Andrea
B3. Phone Lit
B4. Homesick

To celebrate the 20th anniversary of the band’s debut live double album, Fu Manchu is releasing the first ever repress of Go For It…Live!, which has been out of print since the original pressing. The 22 song release was recorded on the band’s 2002 California Crossing World Tour, which marked the debut of drummer Scott Reeder. Fu Manchu is renowned for their live performances and this set doesn’t disappoint, with incendiary renditions of fan favorites such as: “Hell On Wheels,” “Mongoose,” “King Of The Road,” “Evil Eye” and their always requested cover of “Godzilla.” As AllMusic.com said, “Go for It...Live! is an absolute must for those enamored by Fu Manchu's buzzy sound, and a great introduction for those curious about a band woefully ignored by radio stations and video channels.”

This limited edition vinyl run of 2000 units has one LP pressed on Neon Yellow and the other on Neon Orange vinyl and is packaged in a gatefold sleeve with brand new artwork including never before seen photos of the band and flyers from the associated tour along with printed dust sleeves with additional new images. This new pressing has been specifically remastered for vinyl by Carl Saff for optimum fidelity. 

The limited edition 1000 unit CD run also features the updated art and a digital specific remaster. 

TRACK LISTING

LP1
1. “Hell On Wheels”
2. “Laserbl’ast!”
3. “Asphalt Risin’”
4. “Mongoose”
5. “Downtown In Dogtown”
6. “Boogie Van”
7. “Tilt”
8. “Ojo Rojo”
9. “Strato-Streak”
10. “King Of The Road”
11. “Anodizer”

LP2
1. “Evil Eye”
2. “Hang On”
3. “Wurkin’”
4. “California Crossing”
5. “Over The Edge”
6. “Regal Begal”
7. “Godzilla”
8. “Superbird”
9. “Weird Beard”
10. “Squash That Fly”
11. “Saturn III”

"I’ve had the pleasure of being a Fall fan since I was a teen.

I was lucky enough to have some guidance from my local record shop stoner-lords.

They turned me on to many of my heroes, but once I heard my first slanted and barky Fall song, I was part of the army for life.

The word prolific gets tossed around a lot.

It almost seems like a slag-off in the press, as if they wish the artist would produce less so they wouldn’t have to do their self imposed job of judging releases for the rabble.

The Fall is subjected to this lazy word often.

Yet I can honestly say that I am SO thankful for any nugget of Fall that lands at my feet and in my brain.

Live Fall performances are always a pleasure because they seem to take what already made the Fall great and push it even a bit more into the rough and bloody uncharted wasteland that is drug scorched proto-punk and heady political poetry.

So, it is with great pleasure that we introduce this Fall bootleg soundboard recording to you.

Recorded during one of the many strong points in the bands vast and mighty history.

They really burn bright here and bring every ounce of what you expect from this formidable force.

We have reached out to every surviving member of the band, the sound person, the bootlegger who recorded it and the photographer and received their blessings & help piecing it all together.

Castle Face will be donating 50% of our profits to Centrepoint which helps the homeless in the Manchester area get back on their feet, so the local and deserving Fall fans get a little, and give a little back, too.

Nothing but the hits here folks and as raw as you dig it.

This one really is exceptional in terms of live sound for The Fall.

All the stars were aligned over St. Helens that eve.

And it wouldn’t be complete with a bit of Fall fan saltiness so, fuck you too, Jason.” - John Dwyer

STAFF COMMENTS

Barry says: Well look at this. It's a Fall live recording, which is obviously superb but it's also presented by Castle Face records, who have a superb reputation for bringing lovely vinyl packages that sound great. If you like The Fall, then this really is a no-brainer.

TRACK LISTING

Blob ’59
Prole Art Threat
Jawbone And The Air Rifle
Middle Mass
Rowche Rumble
An Older Lover
City Hobgoblins
Leave The Capitol
The NWRA
Gramme Friday
Fit And Working Again
Muzorewi’s Daughter
Slates, Slags, Etc

In their decade-plus together, the four-piece Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals)—have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album.

Album opener “Hollow” sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro’s voice, even while grappling with feeling lost and stuck. “The older I get,” Shapiro says of the lyrics, “the more I realize that I might just always feel this way, and it’s more about sitting with the feeling and accepting it, rather than trying to fight it.” That wisdom seems to anchor Live Laugh Love. Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there’s a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all.

Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there’s room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It’s never been more apparent that they are creative siblings, cut from the same belt. “We’ve been playing music with each other for over a decade,” says Shapiro, “so it really does feel like we’re all fluent in the same language, and a lot of it just happens naturally.”

“Laugh” seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you’re already missing before it’s gone; the heavier guitar tones on “Chemtrails” streak ominous chord progressions over Grimm’s precision timekeeping, lamenting memories that won’t fade easily. During a transitional time, Truscott came across a note in their phone that read, “it's not hard all day, just sometimes,” which inspired a poignant line in the chorus of “Kool-Aid,” their first song as lead vocalist on a Chastity Belt recording. Another standout, “I-90 Bridge” shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: “Tell your girlfriend she’s got nothing to fear/I’m set in my head/My body’s a different story.” The track “Blue” saunters nonchalantly with a wink; you can almost hear Shapiro’s smile as she sings “Faking it big time/So I can hit my stride/Man, it feels good to be alive,” channeling early Chastity Belt channeling early ’90s before channeling the late Elliott Smith in a spiral of distortion and insight: “Don’t get upset about it/It’s gonna pass/Tell all your friends about it/They’re gonna laugh.” “We have such a strong sense of each other’s musical inclinations” says Lund. “I think this allows for a lot of playfulness…we can kinda surprise each other, like a good punchline would.”

STAFF COMMENTS

Barry says: Jangling indie guitars float beautifully around airy vocal melodies, crafting a beautifully honed noise that lands somewhere between shoegaze, folk and art-rock. Brilliantly inventive throughout, but never shy a melody or two. Lovely stuff.

TRACK LISTING

Hollow
Funny
Clumsy
It’s Cool
Kool-Aid
Chemtrails
Blue
Tethered
1-90 Bridge
Laugh
Like That

Seven songs performed live and naked by these slightly off-kilter Texan envelope pushers. Remember: before Pepper, there was an entire decade that the band probably doesn't even recall, but damn, was it good for the rest of us! Recorded at the Meridean in San Antonio, TX in 1984. 

Now remastered under supervision from the group.

TRACK LISTING

Cowboy Bob
Bar-B-Q Pope
Dance Of The Cobras
The Shah Sleeps In Lee Harvey's Grave
Wichita Cathedral
Hey
Something

Star Creature regular E. Live returns with his third album for the label. "Soft Approach" begins with the west coast feels of the title track and features a more jazz-funk approach than we usually get from this boogie don. Infact, there's definite whiffs of Herbie Hancock throughout, with its laid back syncopation and elevating chord progressions. 

There's an amazing cover of Skyy's "First Time Around", entitled "Make Me Move". I say cover, it simply uses the vocal hook 'make me move, make me feel like my whole world's on fire', transforming it into an erotic funk ultra-anthem; and one that you'll be spinning back for multiple plays time and time again.

There's a seriously high level of instrumentation at play, and although E Live makes use of the large array of synthesizers featured on the album's sleeve, there's plenty of live drums, guitar and bass that make you think you're witnessing a live band in full swing. To consider that he's written and recorded this all by himself it quite a feat! 

Anyway, enough waffle - let the music do the talking. One of the strongest, grooviest and uplifting records we've had from the boogie / jazz-funk cannon for a while, and comes highly recommended from us here at Picc HQ. 

TRACK LISTING

Side 1
1. Soft Approach 
2. Wet Summer 
3. Make Me Move 
4. North Star 
Side 2
1. Bossa Banger 
2. Hidden Oasis 
3. Night Raid 
4. Desert Caravan 

1991’s double live album Live was recorded at Donnington Park and Birmingham in the UK, Edmonton in Canada and Moscow.

To honour AC/DC’s 50-year reign as the world’s greatest rock and roll band, the band’s catalogue will be available as gold coloured vinyl LPs. Each of these limited edition LPs comes with an album-specific 12”x12” print featuring new AC/DC 50 artwork, suitable for framing. 

Special Poolside Analogue Synth and drum machine session recorded live in Ibiza. Bearing in mind the setting this beautiful album was recorded in and the calming album cover, the whole thing evokes a sense of relaxation. Greg Foat is a master of the combination of Ambient, Balearic and Funk.

TRACK LISTING

1. Pool Side Part 1 (Live)
2. Pool Side Part 2 (Live)
3. Pool Side Part 3 (Live)
4. Pool Side Part 4 (Live)
5. Dining Table Grooves (Live)
6. Sunset Part 1 (Live)
7. Sunset Part 2 (Live)

Coinciding with a sold-out tour, Pixies at the BBC, 1988-91 is being released on March 8th on 4AD. Being pressed for the first time on vinyl, it’s also going to be available on double CD.

Between 1988 and 1991 – during the band’s 4AD years – Pixies recorded six sessions for the BBC, five for John Peel and one for Mark Goodier. Catching the raw energy of the band’s live performances, these sessions felt immediately noteworthy, timestamping a moment when Black Francis, Kim Deal, Joey Santiago and David Lovering were motoring out front.

Among the twenty-four tracks they recorded in this period (inc. two doubles - ‘Allison’ and ‘Wave of Mutilation’) are favourites from mini-album Come on Pilgrim and three of their four 4AD studio albums. Also recorded were three covers; reworks of The Beatles’ ‘Wild Honey Pie’, Eraserhead’s ‘(In Heaven) Lady in the Radiator Song’ and The Beach Boys’ ‘Hang On To Your Ego’, a track Black Francis covered a few years later on his debut Frank Black solo album.

Originally released on CD in 1998, this reboot now sees all tracks from the six sessions included and presented in chronological order. Something fans have been asking for. Coming as both a triple black vinyl LP and double CD, the sleeve is also new with a wonderful black and gold design by Chris Bigg now adorning it. A design that really stands out, Chris pays loving tribute to the band’s late-visual director Vaughan Oliver, using unseen archival Pixies imagery by long-time collaborator Simon Larbalestier.

STAFF COMMENTS

Barry says: There are few bands that have such a stellar live reputation as The Pixies, and this release sees their incomparable BBC sessions committed to the physical format, in it's entirety. Their legendary peel sessions form 5/6 of the release, and then the Mark Goodier session from 1990 (including the arguably better sounding version of the brilliant 'Wave Of Mutilation') rounds out the sextet. Top stuff.

TRACK LISTING

John Peel Session 3rd May 1988
1. Levitate Me
2. Hey
3. In Heaven (Lady In The Radiator Song)
4. Wild Honey Pie
5. Caribou

John Peel Session 9th October 1988
6. Dead
7. Tame
8. There Goes My Gun
9. Manta Ray

John Peel Session 16th April 1989
10. Down To The Well
11. Into The White
12. Wave Of Mutilation

John Peel Session 11th June 1990
13. Allison
14. Velouria
15. Hang On To Your Ego
16. Is She Weird

Mark Goodier Session 18th August 1990
17. Monkey Gone To Heaven
18. Ana
19. Allison
20. Wave Of Mutilation

John Peel Session 23rd June 1991
21. Palace Of The Brine
22. Letter To Memphis
23. Motorway To Roswell
24. Subbacultcha

The Rolling Stones embarked on the Licks World Tour in 2002 & 2003 to celebrate their 40th anniversary, featuring the band performing in arenas and stadiums, in addition to the occasional theater. In November 2002, the Stones arrived in Los Angeles to perform at a packed Wiltern Theatre, treating fans to a set heavy on rarities which feel right at home in such an intimate setting. While some of the hits are performed, this night at the Wiltern is for the rarely played classics, including “Stray Cat Blues”, “No Expectations” and a cover of “Everybody Needs Somebody To Love” featuring a guest spot by the legendary Solomon Burke, who opened the show that night.

TRACK LISTING

3LP Tracklisting:
Side A:
Jumpin’ Jack Flash
Live With Me
Neighbours
Hand Of Fate
Side B:
No Expectations
Beast Of Burden
Stray Cat Blues
Side C:
Dance, Part 1
Everybody Needs Somebody To Love (with Solomon Burke)
That’s How Strong My Love Is
Going To A Go-Go
Side D:
Thru And Thru
You Don’t Have To Mean It
Can’t You Hear Me Knocking
Side E:
Rock Me Baby
Bitch
Honky Tonk Women
Start Me Up
Side F:
Brown Sugar
Tumbling Dice

2CD Tracklisting:
CD1:
Jumpin’ Jack Flash
Live With Me
Neighbours
Hand Of Fate
No Expectations
Beast Of Burden
Stray Cat Blues
Dance, Part 1
Everybody Needs Somebody To Love (with Solomon Burke)
That’s How Strong My Love Is
Going To A Go-Go
Band Introductions
CD2:
Thru And Thru
You Don’t Have To Mean It
Can’t You Hear Me Knocking
Rock Me Baby
Bitch
Honky Tonk Women
Start Me Up
Brown Sugar
Tumbling Dice

Steve Wynn and Kendra Smith founded The Dream Syndicate in 1981 and the band was a mainstay of the Paisley Underground movement. Reformed in 2012 by Steve Wynn, the band is still touring and recording.

The LA Times said the Dream Syndicate “rocked with the highest degree of unbridled passion and conviction.”

‘Live Through the Past, Darkly’ is available on CD or coloured vinyl double LP, with both formats including a DVD of the The Dream Syndicate’s ‘How Did We Find Ourselves Here?’ documentary.

DVD includes previously unreleased bonus video of a complete 1984 live show from The Roxy in LA.

The documentary includes Chris Robinson, Stephen McCarthy, Ryan Adams, Chris Cacavas, Chris D., David Fricke, Russ Tolman, Tim Devine, Tom Gracyk, Pat Thomas, Karen Schoemer, Kari Pearson, Scott McCaughey, Sandy Pearlman, Dan Stuart and Howe Gelb.

TRACK LISTING

The Medicine Show (1983) The Roxy
Still Holding On To You (1983) Club Lingerie
Halloween (1984) Tokyo
Forest For The Trees (1986) Roskilde Festival
Now I Ride Alone (1988) Vitoria Gasteiz
See That My Grave Is Kept Clean (1988) Vitoria Gasteiz
That’s What You Always Say (2014) KEXP
How Did I Find Myself Here? (2017) KEXP
Glide (2019) WXPN
Bullet Holes (2019) WXPN
John Coltrane Stereo Blues (2023) The Lexington

Iconic singer/songwriter Richard Hawley recorded live at the beautiful Piece Hall in Halifax on Saturday 4 September 2021. Live at Halifax Piece Hall captures, for the first time, Richard Hawley in concert with his band in full force. Recorded on a beautiful autumn night in September 2021 and in spectacular settings, the album features many Hawley classics as well as songs from his most recent album ‘Further’, augmented by a 4 piece string ensemble. Simply put, it is Hawley at his best.

TRACK LISTING

1. Off My Mind
2. Alone
3. Standing At The Sky's Edge
4. I'm Looking For Someone To Find Me
5. Tonight The Streets Are Ours
6. Coles Corner
7. Galley Girl
8. Don't Stare At The Sun
9. Open Up Your Door
10. Down In The Woods
11. Is There A Pill
12. For Your Lover Give Some Time
13. There's A Storm A Comin'
14. Heart Of Oak

The Who’s 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and they wouldn’t tour again until 1989. The tour promoted the recent “It’s Hard” album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This release features the show from the second of their two nights at New York’s Shea Stadium and was recorded on October 13th 1982. Although a couple of tracks have appeared on compilations, this is the first official release of the audio from the full show.

TRACK LISTING

3LP:
A1. Substitute
A2. I Can’t Explain
A3. Dangerous
A4. Sister Disco
A5. The Quiet One
B1. It’s Hard
B2. Eminence Front
B3. Behind Blue Eyes
B4. Baba O’Riley
C1. I’m One
C2. The Punk And The Godfather
C3. Drowned
C4. Tattoo
D1. Cry If You Want
D2. Who Are You
D3. Pinball Wizard
D4. See Me Feel Me
E1. Love Reign O’er Me
E2. Long Live Rock
E3. Won’t Get Fooled Again
F1. Young Man Blues
F2. Naked Eye
F3. I Saw Her Standing There
F4. Summertime Blues
F5. Twist And Shout

2CD:
(CD1)
1. Substitute
2. I Can’t Explain
3. Dangerous
4. Sister Disco
5. The Quiet One
6. It’s Hard
7. Eminence Front
8. Behind Blue Eyes
9. Baba O’Riley
10. I’m One
11. The Punk And The Godfather
12. Drowned
13. Tattoo
14. Cry If You Want
(CD2)
1. Who Are You
2. Pinball Wizard
3. See Me Feel Me
4. Love Reign O’er Me
5. Long Live Rock
6. Won’t Get Fooled Again
7. Young Man Blues
8. Naked Eye
9. I Saw Her Standing There
10. Summertime Blues
11. Twist And Shout

In August of 2012, Jason Isbell and The 400 Unit assembled in their home state of Alabama in front of a couple of sold-out concert halls to record their first live album, Live From Alabama.

After years of hard touring, the critically-lauded band has gelled into a versatile rock and roll squad that is equally at ease performing Muscle Shoals soul to hardcore country to balls-out rock. Live From Alabama's tracklist mines some of Isbell's most popular songs and includes a pair of inspired covers in Neil Young's "Like a Hurricane" and Candi Staton's "Heart on a String."

TRACK LISTING

1. Tour Of Duty
2. Decoration Day
3. Goddamn Lonely Love
4. Heart On A String
5. Danko / Manuel
6. In A Razor Town
7. Alabama Pines
8. Outfit
9. Cigarettes And Wine
10. TVA
11. The Blue
12. Dress Blues
13. Like A Hurricane

Multi-instrumentalist, producer, and composer Yussef Dayes releases The Yussef Dayes Experience (Live from Malibu), featuring music from his critically acclaimed debut solo album, Black Classical Music. Dayes is joined by his longtime collaborators Rocco Palladino, Venna, Elijah Fox, and Alexander Bourt on the new release, which was originally shared as a live-performance video filmed in the Malibu mountains last year and is available on YouTube.

TRACK LISTING

A1. Istanbul
A2. Tioga Pass
A3. Tidal Wave
A4. Portrait Of Tracy

B1. Black Classical Music
B2. Malibu
B3. Mountain Steppa
B4. The Colour Purple

Mute and Spoon Records present the next instalment of the curated CAN live concert series, LIVE IN PARIS 1973—the first in the series to feature Damo Suzuki's vocals.

The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1973 performance in Paris and features Irmin Schmidt on keyboard & synths, Jaki Liebezeit on drums, Michael Karoli on guitars, Holger Czukay on bass, and Damo Suzuki on vocals for one of his final shows with the band.

Available on double vinyl and 2-disc CD, with exclusive sleeve notes by journalist Wyndham Wallace.

STAFF COMMENTS

Barry says: Paris 1973 sees one of the last live shows that the great Damo Suzuki did with Can, and thus sees the band in one of it's most famous shows, in the most coveted lineup. It's perfectly recorded too, and captures the band at their incendiary best. The latest in a stunning series.

TRACK LISTING

A1 Paris 73 Eins (Part 1)
B1 Paris 73 Eins (Part 2)
C1 Paris 73 Zwei
C2 Paris 73 Drei
D1 Paris 73 Vier
D2 Paris 73 Fünf

E. Live is back again at Star Creature HQ with another boogie blast off of the jazz-funk variety. The Bay Area boogie king leans in on the jazzier side of disco while still maintaining the usual dancefloor vibes we know and love about the label. A perfect mix of accessible, crowd friendly sophisticated sounds - if you like Roy Ayers, Patrice Rushen, Khruangbin, FKJ, Toro Y Moi, this will be a welcome addition to record box. As usual, copies are limited. 

STAFF COMMENTS

Matt says: How Star Creature manage to be so prolific yet rarely release a duff track with such a modest number of musicians on their roster is really quite astonishing. E. Live drops one of his hottest double headers yet for his team.

TRACK LISTING

1. Wet Summer 
2. Night Raid 

Live recording of The 1975’s sold out ‘At Their Very Best’ performance from New York’s iconic Madison Square Garden, recorded on 7th November 2022 and now pressed on double orange vinyl.

Formed in Manchester in 2002, The 1975 have established themselves as one of the defining bands of their generation with their distinctive aesthetic, ardent fan base and unique sonic approach. Their latest offering Being Funny In A Foreign Language became their 5th consecutive UK No.1 album. The critically acclaimed band were crowned ‘Best Group’ at the BRIT Awards in 2017 & 2019, with their third album ‘A Brief Enquiry Into Online Relationships’ winning the ‘Mastercard British Album of the Year’ in 2019.

STAFF COMMENTS

Barry says: It's a document of one of the most legendary live performances from 1975's tour last year, and i've been assured it was a great tour too. Our Liam is a big fan. As for the record, it's ram-packed full of perfectly paced indie-pop drifters, all the 1975 classics. Lovely.

TRACK LISTING

Side A
1. The 1975
2. Looking For Somebody (To Love)
3. Happiness
4. Part Of The Band
5. Oh Caroline
6. I’m In Love With You
7. All I Need To Hear
Side B
8. Roadkill
9. Fallingforyou
10. I Like America & America Likes Me
11. About You
12. When We Are Together
Side C
1. If You’re Too Shy
2. TOOTIMETOOTIMETOOTIME
3. Me & You Together Song
4. It’s Not Living (If It’s Not With You)
5. Paris
6. Robbers
Side D
7. Somebody Else
8. I Always Wanna Die (Sometimes)
9. Love It If We Made It
10. The Sound
11. Sex
12. Give Yourself A Try

Recorded at a packed-out Paper Dress Vintage in London, it's a discography-spanning set that sees the band storm through tracks from their highly-praised 2023 album 'God Intentions' (which they were touring in support of at the time), as well as 2020's 'This Can Only Lead To Chaos' and their 2017 self-titled debut. Talking about the album, vocalist/guitarist John-Paul Hughes recalls: "We played a sold-out Paper Dress Vintage in Hackney, London, on Sunday 30th July 2023, as the last date on our summer UK tour. Helicon is a band built on live performance and musicianship, not fancy studio production tricks. We recorded our Fuzz Club Live Session back in 2020 but to capture the power and energy of a Helicon live show in front of an audience is a buzz. This setlist has songs from all 3 studio albums released on Fuzz Club, so it's a nice way to tie that period of work together."

TRACK LISTING

1) Dark Matter (Live)
2) Flume (Live)
3) Heliconia (Live)
4) Zen Roller (Live)
5) Devil On Your Tongue (Live)
6) Permo (Live)
7) What You Love Will Kill You
8) Seraph (Live)
9) Tae The Moon (Live)

Live at Max's Kansas City is a live album by the Velvet Underground recorded at the famous nightclub and restaurant at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records.

2LP Expanded Edition of the legendary final concerts with Lou Reed recorded in 1970. Limited Edition Purple and Magenta Vinyl. Includes “I’m Waiting for the Man”, “Sweet Jane”, “Pale Blue Eyes”, “Femme Fatale” and more.

Yussef Dayes releases Live At Joshua Tree, the sound recording from a naturalistic video shot in Joshua Tree, California in collaboration with Soulection. Featuring Venna on sax, Rocco Palladino on bass, Alexander Bourt on percussion and Elijah Fox on keys, the vinyl release of this stellar session includes the exclusive vinyl-only track ‘For My Ladies’.

TRACK LISTING

A1. Raisins Under The Sun (Desert Version)
A2. For My Ladies (Feat. Elijah Fox)
A3. Odyssey
A4. Golden Hour (Feat. Rocco Palladino)
A5. Mystics (Feat. Venna)
A6. Rhythms Of Xango (feat. Alexander Bourt)

Philip Selway and Elysian Collective announce ‘Live At Evolution Studios’ via Bella Union, a companion piece of sorts to his album ‘Strange Dance’, also released this year.

This superb new live recording features Selway collaborating with celebrated string quartet Elysian Collective and percussionist Chris Vatalaro, reimagining his songs in a slimmed-down setting.

Commenting on the album, Selway says: “This session with Elysian Collective and Chris Vatalaro was recorded at Evolution Studios in Oxford, where I recorded the bulk of ‘Strange Dance’ and also my soundtrack work. It took place at the end of April ’23, just before I went out to do my UK and European dates. I originally brought this ensemble together to play at the launch event for ‘Strange Dance’ back in February, as I felt this combination of string quartet and percussion, together with my vocals, piano and guitar would be a compact way to capture the scope of the varied musical textures on the album. I was so made up with how it sounded and how it reframed the songs, that I wanted to capture this dynamic in a recording. As well as songs from ‘Strange Dance’, there is also a version of one of my soundtrack pieces, ‘People Of The Sea’ (the original is on ‘Liminal’, the bonus album) and a track called ‘Song For Us’. This one was written as a pitch piece for a TV show. I didn’t get the gig, but I was delighted with how this song turned out. It’s how I sound as a one man band and it felt as though it rounded off the record nicely. I’ve worked extensively with Elysian Collective and Chris Vatalaro since my second solo album, ‘Weatherhouse’.”

TRACK LISTING

1. The Heart Of It All
2. Picking Up Pieces
3. People Of The Sea
4. The Other Side
5. Little Things
6. Check For Signs Of Life
7. There'll Be Better Days
8. Songs For Us

In the mid ’80s, in the midst and direct aftermath of the era defining Miner’s Strike, the Redskins, as political activists, delivered their electrifying and radical Socialist Workers Party missives and broadsides through the ministry of their music - a unique post-punk rock/soul hybrid that gained their lead singer, Chris Dean, the sobriquet ‘Tamla Motormouth’.The Redskins were taking a stand for the working man and by standing up, they stood out - and never so forcefully as in the live arena! With their stellar musicianship and crack brass section honed through a never ending whorl of ‘fighting fund’ benefit gigs, they were the furious flames that kept the anti-Thatcher fires of dissent burning throughout those challenging years marked by her seeming unassailability.

These Furious Flames!’ is a 25 track documentation of the energy, commitment and drive of the Redskins as that campaigning live act. Issued in 2xCD capacity wallet, double vinyl and digital editions, each format couples together a recording of the full set of the finale concert of their 1985 ‘Kick Over Apartheid!’ tour - including guest appearances from Jerry Dammers and Billy Bragg - with the BBC broadcast tracks from their 1986 concert at the Town And Country Club.

The double CD edition comes with a 40 page booklet that compiles new and period quotes by band members Martin Hewes, Chris Dean, Paul Hookham and Kevin Robertson as well as thoughts by an array of associates and celebrity fans including poet Atilla The Stockbroker, Billy Bragg, Colin Revolting, their studio album producers Pat Foley & Chris Silagyi and DJ Gary Crowley. The booklet also contains gig reviews, photographs and a condensed digest of media quotes about the band.

The double vinyl LP format has printed inner bags replete with evocative archive photographs and a written introduction by Redskins founding member Martin Hewes, with whose co-operation and input this celebratory release has been curated."

TRACK LISTING

1. Lean On Me
2. Reds Strike The Blues!
3. Hold On!
4. Unionize!
5. Kick Over The Statues!
6. 99 And A Half (Won’t Do)
7. It Can Be Done!
8. Turnin’ Loose (These Furious Flames)
9. Plateful Of Hateful
10. Bring It Down!
11. Don’t Talk To Me About Whether
12. The Power Is Yours…

The live version of French pianist's covers album available for the first time on vinyl. Songs covered along with a couple of originals by The Pixies Joy Division, Arcade Fire, Nirvana, Depeche Mode. Also included are a new exclusive rework of The Pixies 'Where Is My Mind' by the Toxic Avenger.

TRACK LISTING

1. Please Have A Seat (Maxence Cyrin)
2. Disorder (Joy Division)
3. Behind The Wheel (Depeche Mode)
4. No Cars Go (Arcade Fire)
5. Lithium (Nirvana)
6. Empty Church (Maxence Cyrin)
7. Where Is My Mind ? (The Pixies)
8. Where Is My Mind ? (The Pixies) - The Toxic Avenger Rework

In 2022, Nick Cave and Warren Ellis returned to their native Australia for 16 shows, taking their acclaimed 2021 album ‘Carnage’ on the road, along with songs from the Nick Cave & The Bad Seeds catalogue. Three performances at the Sydney Opera House on December 16th, 17th and 18th were the climactic shows of an emotional trip, captured for a luminous new live album, ‘Australian Carnage - Live At The Sydney Opera House’.

STAFF COMMENTS

Barry says: Performers don't come much more experienced or capable than the songwriting powerhouse of Nick Cave & Warren Ellis, and 'live At The Sydney Opera House' perfectly captures a striking string of live performances of their most seminal works, new and old. It's a must-have.

TRACK LISTING

SIDE A
1. Bright Horses (Live At The Sydney Opera House)
2. Carnage (Live At The Sydney Opera House)
3. White Elephant (Live At The Sydney Opera House)
4. Leviathan (Live At The Sydney Opera House)

SIDE B
1. Ghosteen (Live At The Sydney Opera House)
2. Waiting For You (Live At The Sydney Opera House)
3. Breathless (Live At The Sydney Opera House)
4. Balcony Man (Live At The Sydney Opera House)

Khruangbin’s series of live LPs traces just one small slice of the band’s flight plan through the years: it’s a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording’s home turf, just a little something extra for the fans that bring a little something extra. Across five releases, this series ignites both sides of Khruangbin’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. Closing out this collection, Live at Sydney Opera House is a double LP of front-toback Khruangbin. Here, career-spanning songs like “A Calf Born in Winter”, “Maria También”, “So We Won’t Forget”, “Shida” and “Friday Morning” arrive in their full interplanetary glory, recorded at one of the most celebrated venues on earth, the Sydney Opera House.

STAFF COMMENTS

Barry says: Continuing on from the striking visual aesthetic of the rest of the Khrangbin Live series, 'The Pink One' sees K-Bin performing a set of songs, perfectly at the legendary Sydney Opera House and here you too can feel like you were there. Lovely stuff.

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Three months after the release of their classic album Yoshimi Battles The Pink Robots, the Flaming Lips played a small show at The Paradise Lounge in Boston for the local alternative radio station WBOS. The small crowd of competition winners and invited fans were treated to a 40 minute set that included “Do You Realize??” and “Fight Test”, plus covers of Pink Floyd’s “Lucifer Sam” and Beck’s “The Golden Age”. One feature of this show were the song intros by Wayne Coyne.This is the first release on vinyl and it’s on limited edition pink!

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

The Doors Live in Bakersfield is one of the more unique shows from The Doors during a tumultuous 1970 when Jim Morrison was on trial on trumped-up charges in Miami. The band had been playing together live for five years, and were tight enough to be able to veer into the unknown. That’s what they opted for in this California agriculture town on a hot summer night. Featuring improvisations and medleys of The Doors many beloved hits from across their albums, Live in Bakersfield is a shamanic adventure for all who listen. Recorded August 21, 1970.

Renowned musician Andy Crofts (The Moons / Paul Weller) unveils captivating new album 'Live at the 100 Club' featuring The Lunar String Quartet. In an eagerly awaited musical event, celebrated artist Andy Crofts is set to release his latest album, 'Live at the 100 Club,' featuring the mesmerizing accompaniment of The Lunar String Quartet. Music enthusiasts can mark their calendars for November 10th, when this exceptional album will be available on limited edition red/blue transparent vinyl and all major digital platforms. 'Live at the 100 Club' captures the magic of Andy Crofts' dynamic performance at the historic 100 Club, renowned for its pivotal role in the British music scene. With his distinct blend of rock, pop, and orchestral elements, Crofts takes audiences on a sonic journey unlike any other. All songs written by Andy Crofts except track 12 (Isolation) John Lennon. 

TRACK LISTING

1. Chinese Whispers
2. Sometimes
3. The Old Brigade
4. How Long?
5. Sleep
6. Westway
7. Far Away
8. Maybe I’m The Perfect Man (For You)
9. English Summer
10. Wondering
11. The Lone Wolf
12. Isolation
13. Jennifer (Sits Alone)
14. An Ordinary Romance

MNEA are a collective of artists based across the U.K collaborating remotely to produce their take on Hip Hop in 2023. End of Your Era is a nostalgic tale, a tale of what inspires us, what changes as we grow and what shapes us to be who we are.

Set to infectious head-nod production by Conbel Evrence with co-production from Dweller, the beat sits on a soulful piano loop that sets the scene for vocals from Northern duo SimpleSamples laced with the precision cuts of DJ Simon C.

The flip side holds an uber summery remix from the one and only French powerhouse of Hip Hop production Djar One. Breezing on a West Coast feel with a pumped-up snare drum and simple synth notes punctuating the melodic loop underneath them.

STAFF COMMENTS

Barry says: A superb duo of production from MCR / UK based collective MNEA. Classic cuts and deep vocals are offset with a superb remix on the flipside. Superb modern hip-hop.

TRACK LISTING

1. End Of Your Era 04:07 
2. End Of Your Era (Djar One Remix) 03:32

A Certain Ratio present their recording of the ‘Loco Live at Hope Mill Studios’ session, originally a live stream of the band’s sensational 2020 album ‘ACR Loco’.

After a 12-year hiatus releasing albums, ‘ACR Loco’ was created by a confident and revitalised ACR. The band had jumped back into the studio after their most successful tour in over 20 years to record ‘ACR Loco’, and in the lead up to the release, they filmed and recorded this live session at the heart of the Manchester music scene - Hope Mill Studios. The session featured Maria Uzor of Sink Ya Teeth on vocals and the recorded vocals of the much-missed Denise Johnson.

“‘ACR Loco’ feels more than anything like a celebration - the long awaited re-arrival of one of the best bands to ever bring post-punk to the dancefloor.” - Treble

“Ladies and gentlemen, welcome to ‘ACR:Loco’, a forward-looking genre-defying slice of musical majesty.” - Narc

“On their first new album in over a decade, Manchester’s funkiest post-punk band offer an imperfect distillation of their 40-year legacy, updating their classic sound with nods to contemporary beat-driven music and political strife.” - Pop Matters

TRACK LISTING

Friends Around Us (Live At Hope Mill Studios)
Bouncy Bouncy (Live At Hope Mill Studios)
Yo Yo Gi (Live At Hope Mill Studios)
Supafreak (Live At Hope Mill Studios)
Always In Love (Live At Hope Mill Studios)
Family (Live At Hope Mill Studios)
Get A Grip (Live At Hope Mill Studios)
Berlin (Live At Hope Mill Studios)
What’s Wrong (Live At Hope Mill Studios)
Taxi Guy (Live At Hope Mill Studios)

Previously unreleased live concert from the Jimi Hendrix Experience from 1967. The concert, which took place at the Hollywood Bowl in California in August 1967, features the original Experience line up of Mitch Mitchell on drums and Noel Redding on bass.

The concert followed their incendiary American live debut at the Monterey Pop Festival that June - and immediately preceded the US release of 'Are You Experienced', their debut album - and saw the Experience opening for The Mamas & The Papas.

Before a sold-out audience of 17,000 people, the Experience overwhelmed an unsuspecting audience with a superb show that encompassed his renditions of songs by The Beatles, Bob Dylan, Howlin' Wolf and Muddy Waters as well as signature songs such as 'Purple Haze' and 'The Wind Cries Mary'. This recording has never been bootlegged and captures the Jimi Hendrix Experience at a unique moment in their illustrious career. 

Recorded live at O2 Academy Liverpool in January 2022 during their 25th
Anniversary tour to celebrate the release of their debut album - All
Change.

TRACK LISTING

Promised Land
Mankind
Reflections
Back of My Mind
Sandstorm
Fine Time
Four Walls
Walkaway
History
Tell It Like It Is
Two Of A Kind
Alright
Magic Hour
Live The Dream
I'm So Lonely
Beat Mama
Flying
Guiding Star
Free Me

It’s been a little over ten years since Hailu Mergia re- emerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival.

Finally, we have a recorded document of the keyboard player’s powerful DC-based trio—which practices each weekend in his basement—featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA’s expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities.

Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like “Tizita” or “Anchihoye Lene”) upside down and inside out until they emerge as molten new works, often spontaneously. Mergia’s original compositions (like “Yegle Nesh”) shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments—often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age.

Pioneer Works Swing (Live) brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents.

Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he’s been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.

TRACK LISTING

1. Yegle Nesh (6:22) €

'Live in Maui' is a live performance from 1970 featuring Hendrix, Billy Cox, and Mitch Mitchell at the height of their playing powers - restored and mixed by longtime Hendrix engineer Eddie Kramer. 

Originally released on x2 CD and x3 LP in 2020 (to accompany the feature length documentary Music, Money, Madness… Jimi Hendrix In Maui), this new x1 LP Vinyl version presents highlights from two legendary live shows on 30th July 1970.

Originally released at the tail end of summer in 2001, Explosions In The Sky’s second album, Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever was a visceral, speaker-destroying escalation from the modest minimalism of their debut, How Strange, Innocence.

Remastered with subtle grace by Bob Weston at Chicago Mastering Service, Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever – Anniversary Edition is beautifully packaged with restored original full-color artwork and heavyweight full-color inner sleeve. Exquisitely pressed onto colored vinyl for the first time ever, this is Those Who Tell the Truth at the absolute peak of its ineffable power.

TRACK LISTING

1. Greet Death (7:19)
2. Yasmin The Light (7:04)
3. The Moon Is Down (10:03)
4. Have You Passed Through This Night? (7:19)
5. A Poor Man’s Memory (6:05)
6. With Tired Eyes, Tired Minds, Tired Souls, We Slept (12:05)

In the early 2000s, San Francisco's Black Rebel Motorcycle Club were part of a vanguard of acts spearheading a garage rock revival - each a beacon of the staying power of gritty guitar music: The White Stripes and Dirtbombs in Detroit, The Kills in London, The Strokes and Interpol in New York, The Raveonettes in Copenhagen - the list goes on. Each made their mark, and BRMC’s take on rock and roll in the 20th century was particularly alluring - dark and atmospheric, their debut LP took them immediately out of the underground and onto stages worldwide, bringing their rock and roll manifesto to a new generation of music fans and artists.

TRACK LISTING

1. Red Eyes And Tears
2. Funny Games
3. Six Barrel Shotgun
4. Beat The Devil's Tattoo
5. Whatever Happened To My Rock And Roll
6. Spread Your Love
7. Lose Yourself
8. Fire Walker

The Flaming Lips 2002 album “Yoshimi Battles The Pink Robots” was a huge album in the UK, selling over 300,000 units on its way to Platinum certification. The success was driven by 4 hit singles, including the title track and the Lip’s most popular song “Do You Realize”. The band frequently toured the UK during the album cycle, playing larger venues than previous tours, and were frequent guests on several radio shows.

This release is a recording of the last show of the UK dates in January 2003 at London’s Forum Theatre. The 15-song show was broadcast nationally by the BBC. In addition to playing key songs from “Yoshimi” album, the set list includes fan-favourites such as “She Don’t Use Jelly”, “Waitin’ For A Superman” and “Race For The Prize”.

TRACK LISTING

1. Introduction
2. Race For The Prize
3. Fight Test
4. Lucifer Sam
5. Yoshimi Battles The Pink Robots
6. Lightning Strikes The Postman
7. In The Morning Of The Magicians
8. Happy Birthdays
9. She Don't Use Jelly
10. All We Have Is Now
11. Do You Realize??
12. Waitin' For A Superman
13. A Spoonful Weighs A Ton
14. What Is The Light?
15. The Observer

ABC perform their classic album "Lexicon Of Love" in it's entirety, plus their other greatest hits.

Sheffield's finest, ABC, were back in their hometown for a very special anniversary show which marked exactly 40 years to the day since the album was released on the 21st June 1982.

ABC were joined by the original orchestral team of Southbank Sinfonia and longtime collaborator and arranger Anne Dudley who conducted the evening.

TRACK LISTING

LP TRACKLISTING
Disc 1
Side 1
1. Overture
2. When Smokey Sings
3. Viva Love
Side 2
1. The Night You Murdered Love
2. (How To Be A) Millionaire
3. The Flames Of Desire
4. The Love Inside The Love
Disc 2
Side 1
1. Ten Below Zero
2. One Better World
3. Ocean Blue
4. Be Near Me
Side 2
1. Show Me
2. Poison Arrow
3. Many Happy Returns
4. Tears Are Not Enough
Disc 3
Side 1
1. Valentine's Day
2. The Look Of Love
3. Date Stamp
Side 2
1. 4 Ever 2 Gether
2. All Of My Heart
3. The Look Of Love (Part Four)
4. The Look Of Love (Encore)

2CD TRACKLIST
Disc 1
1. Overture
2. When Smokey Sings
3. Viva Love
4. The Night You Murdered Love
5. (How To Be A) Millionaire
6. The Flames Of Desire
7. The Love Inside The Love
8. Ten Below Zero
9. One Better World
10. Ocean Blue
11. Be Near Me
Disc 2
1. Show Me
2. Poison Arrow
3. Many Happy Returns
4. Tears Are Not Enough
5. Valentine's Day
6. The Look Of Love
7. Date Stamp
8. 4 Ever 2 Gether
9. All Of My Heart
10. The Look Of Love (Part Four)
11. The Look Of Love (Encore)

3CD TRACKLISTING
Disc 1
1. Overture
2. When Smokey Sings
3. Viva Love
4. The Night You Murdered Love
5. (How To Be A) Millionaire
6. The Flames Of Desire
7. The Love Inside The Love
8. Ten Below Zero
9. One Better World
10. Ocean Blue
11. Be Near Me
Disc 2
1. Show Me
2. Poison Arrow
3. Many Happy Returns
4. Tears Are Not Enough
5. Valentine's Day
6. The Look Of Love
7. Date Stamp
8. 4 Ever 2 Gether
9. All Of My Heart
10. The Look Of Love (Part Four)
11. The Look Of Love (Encore)
Disc 3
1. Overture
2. Show Me
3. Poison Arrow
4. Many Happy Returns
5. Tears Are Not Enough
6. Valentine's Day
7. The Look Of Love
8. Date Stamp
9. 4 Ever 2 Gether
10. All Of My Heart
11. The Look Of Love (Part Four)
12. The Look Of Love (Encore)

"Half multimedia art studio, half experimental musical group- the Vancouver-based collective better known as Crack Cloud took over Evolutionary Arts Hackney with their massive genre-bending sound in October 2022.

Fresh from the September 16th release of their sophomore record Tough Baby, this performance with six piece choir and strings (the band totalled seventeen on stage), for one night only was recorded and documented on film and presented here as Crack Cloud - Crackin Up Live in London. A legendary band at a legendary venue"