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DUSTY SPRINGFIELD

Dusty Springfield

See All Her Faces 50th Anniversary (RSD22 EDITION)

    THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

    Expanded edition of this fine record (a compilation of odds and ends that actually made a very cohesive album), not available on vinyl since 1972. Includes 6 additional singles/b-sides from the era.Stunning limited edition of Dusty's 1972 collection, expanded to two discs to celebrate its 50th anniversary in 2022 Features the original album plus a mini-LP of bonus cuts from the period, both re-mastered at Abbey Road - Enhanced artwork with added photos and archive material -Heavyweight BLACK vinyl -Long out of print

    Technically Dusty's seventh studio album, See All Her Faces is a collection of tracks from the late 1960s and early 1970s, and released on the Philips label in 1972. The original album was never released in the U.S., though some of the tracks had appeared on singles there. Amongst the many highlights was the bossa nova-influenced title track, another bossa style number, Come for a Dream, co-written by Antonio Carlos Jobim, as well as beautifully orchestrated pop ballads, like I Start Counting, and a stab at a Motown-style groover Girls It Ain't Easy. There were also some deeply soulful tracks, echoing her "In Memphis" LP, such as Tony Joe White's Willie & Laura Mae Jones, as well as featuring songwriting royalty in the shape of Goffin & King's That Old Sweet Roll (Hi-De-Ho), Jimmy Webb's album-opener Mixed Up Girl and Greenwich and Barry co-writes - What Good Is I Love You and Nothing Is Forever.

    Bonus tracks - This unique package includes an additional LP of rare tracks, recordings from the shelved "Faithful" album along with out-takes from the original album sessions.

    Dusty Springfield

    Complete Atlantic Singles 1968 - Black Friday Edition

      AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

      LIMITED TO ONE PER PERSON.

      In 1968, Dusty Springfield was already an international superstar with 15 hits under her belt for the Philips label when she decided it was time for a change.

      What followed was one of the most legendary and momentous label moves in pop music history: Dusty decamped to Atlantic Records, where, under the tutelage of Jerry Wexler, Tom Dowd, and Arif Mardin, she recorded one of the greatest albums of all time, Dusty in Memphis, and scored such indelible hits as “Son-of-a Preacher Man” and “The Windmills of Your Mind” before moving on to Philly soul (“A Brand New Me).

      We at Real Gone Music have closely examined this crucial period in Dusty’s career over the years, with three previous releases. But there remains one facet of her Atlantic period which has remained largely untouched: her singles. The Complete Atlantic Singles 1968-1971 presents the A and B-sides of all dozen singles she recorded for the label in their original mono single mixes, on vinyl for the first time in over 50 years (most of these single mixes weren’t even available on compact disc until our recent CD release).

      These singular sides highlight how the move to a more R&B sound at Atlantic (also aided by producers Gamble & Huff and Jeff Barry with such players as The Memphis Boys and The Sweet Inspirations) brilliantly capitalized on the smoky tones of Dusty’s mezzo-soprano to create some of the most potent blue-eyed soul ever recorded.

      Mastered by Mike Milchner from original tape sources, annotated by Joe Marchese, and featuring copious photos, The Complete Atlantic Singles 1968-1971 is an absolute must for any Dusty devotee or any soul fan to boot.

      Dusty Springfield

      Dusty... Definitely

        One of the greatest interpreters of the popular song of the last century, Dusty Springfield recorded "Dusty... Definitely" just prior to leaving for the States and recording "Dusty In Memphis" which proved that a white girl could sing soul, blues -whatever. This album got overlooked but there's some good stuff on it and this is a great remastered edition.


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