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DRAHLA

Drahla

Angeltape

    Drahla make their long-awaited return with their astounding second record angeltape, offering an intriguing world for audiences to explore while eschewing conventional melodic structures and embracing uncertainty. Their latest material gives an unfiltered insight into the challenging transitional period the band found themselves in following the release of their 2019 critically acclaimed debut, Useless Coordinates. angeltape is an altogether more introspective and abstract examination of the self, an avant garde document of the events that unfolded over the five-year gap between records. Over the last few years, the band have experienced devastating personal losses, while expanding their sound with guitarist Ewan Barr joining vocalist and guitarist Luciel Brown, bassist Rob Riggs and drummer Mike Ainsley. These recent experiences – collective and individual – culminate in a sound that is considerably darker and tonally more complex and conceptual in its essence. Delving into themes of grief and trauma whilst simultaneously celebrating moments of sentimentality and support during difficult times, angeltape shifts between being a challenging, comforting and ultimately rewarding record for both artist and audience.

    The addition of Ewan Barr to Drahla’s visceral and vital arrangements signaled a significant shift in the band’s dynamic, ultimately reshaping the way they approach their angular arrangements. Crucially, it allowed Drahla to dismantle previous limitations and carve out new sonic avenues to experiment with form more than ever before. The exhilarating interplay of driving bass riffs and charged drum patterns provide a captivating contrast to Brown’s melodic spoken delivery. The enveloping atmosphere emanating from the quartet is heightened by searing saxophone accompaniments from long-standing collaborator Chris Duffin. There’s an irresistible and unwavering potency surging throughout this masterful second record, one that stays with you long after you first step into Drahla’s enticing world.


    TRACK LISTING

    1. Under The Glass
    2. Default Parody
    3. Zig-zag
    4. Second Rhythm
    5. Talk Ing Radiance
    6. Concrete Lily
    7. Lip Sync
    8. A
    9. Venus
    10. Grief In Phantasia

    Leeds-formed Drahla have defined their own vital subset of art-rock with "Useless Coordinates", a debut album that’s as fearless as it is enthralling.

    Speaking from her current base in south-east London with bassist Rob Riggs, singer / guitarist Luciel Brown recounts the record’s somewhat chaotic gestation. 'Most of last year was spent touring, so we were squeezing writing and recording in from the beginning of 2018 until end of August.' In-between a headline tour, support slots with Ought and METZ, and multiple festival appearances - including at Meltdown at the request of The Cure’s Robert Smith - Brown, Riggs and Wakefield-based drummer Mike Ainsley managed 10 days in the studio in total. It was the unsettled nature of the period that part-inspired the album’s title. 'Useless Coordinates] summarised all of our situations,' Brown explains.

    The set’s sharp angles, stark tones and claustrophobic textures are reflected in the album’s artwork. Designed by Brown and Riggs - as per all previous record sleeves and promotional videos - the minimalist, mixed media creation takes inspiration from Talking Heads and Gang Of Four album art, the work of American artist Cy Twombly, and the economical, regimented aesthetic of the Bauhaus movement. 'Drahla came about off the back of needing an outlet for creative expression,' Brown explains. 'So the whole aesthetic is hugely important. As important as the music.'

    Whatever the medium, Brown’s interests lie in looking beyond the immediate to the abstract and indefinable. Her lyrics are developed from observations, notes and poems, and the fragmented imagery is spliced together to disorientating effect. On "Gilded Cloud" elegant snapshots from the golden age of Hollywood are juxtaposed with abrasive guitar textures, "Pyramid Estate" draws parallels between Ancient Egypt and the present day, and "Serenity" evokes the violent energy of a Francis Bacon painting. Beneath the abstraction are a diverse array of themes, including gender fluidity ("Invisible Sex"), city living ("Primitive Rhythm") and artistic expression ("Unwound"). The result is an uncompromising but deeply rewarding debut where the internal and external, cerebral and visceral coalesce to quite startling effect.


    TRACK LISTING

    1. Gilded Cloud
    2. Serenity
    3. Pyramid Estate
    4. Stimulus For Living
    5. React / Revolt
    6. Primitive Rhythm
    7. Serotonin Level
    8. Twelve Divisions Of The Day
    9. Unwound
    10. Invisible Sex


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