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DISRUPT

Disrupt

Samurai Showdown / Last Blade

Originally out as a free Net-7inch on Jahtari in 2008 to pay respects at the shrine of arcade machine fighting games, these undying hip-hop-infused martial arts dubs by Disrupt are finally reaching their intended destination: white blood-splattered 7inch vinyl (attention: not actual blood!).

"Samurai Showdown" (which eventually became Solo Banton's classic "Kung Fu Master", from his "Music Addict EP" in 2010) is taking place at sunrise, of course, when two master swordsmen are matching blades in a battle to the death. Can the wave-cutting technique of the Jahtari-school prevail?

The B-side is the meditation after the battle, mentally re-creating the epic struggle move by move and in slow motion...So draw your Katana and prepare for beats as sharp as a battle sword, deadly moves of Ninja swiftness and basslines coming straight from the six paths of hell.

STAFF COMMENTS

Matt says: Jahtari been in this shit for 21 years! Such an iconic label. 8-bit digi-dub! Roster all star Disrupt switches on the arcade beat 'em ups of the late 90s for a double edged, 8-bit battle weapon. En guard!

TRACK LISTING

Samurai Showdown
Last Blade

Grey Daturas

Return To Disruption

    Melbourne, Australia based trio Grey Daturas draw sonic influence from a vast ocean of musical styles including free jazz, the avant garde, psychedelic rock, punk, metal, industrial and noise, Grey Daturas have developed a blend of harsh and dark psychedelia unmistakably their own. From their more nihilistic, sheer noise based beginnings improvising sound tracks to silent horror classics and sixties physics animations, Grey Daturas have over the course of the last six years morphed into a surreal auditory nightmare, blending dark pulsating drones, slow low-end sludge riffs, crushing percussion, and walls of ear torturing noise. As with all follow up releases comparisons to the predecessor are inevitable. Between "Dead In The Woods" and "Return To Disruption" the most obvious difference is the improved production values. Where "Dead In The Woods" took a modest month to complete on 8-track tape, "Return To Disruption" spanned a lengthy 18 months on 24-track tape.


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