THIS IS A RECORD STORE DAY 2026 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 18TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM (BST) ON MONDAY APRIL 20th).

Green Mind was the fourth studio album by grunge rock royalty Dinosaur Jr., originally released in 1991. It was the band's first release after bassist Lou Barlow's departure, and their first released by a major label.

2026 sees the 35th anniversary of this landmark record, that quickly established the sound of US grunge that would follow throughout the 1990s. This exclusive live set captures the band performing tracks from Green Mind live in Hollywood around the release of this well-loved and critically acclaimed record. This raw live set has never been released on vinyl before and is made available on transparent vinyl exclusively for RSD.

Originally released in June 2012, 'Trouble' is the debut album by Totally Enormous Extinct Dinosaurs - This 2LP re-issue is pressed on high-quality 180g vinyl and faithfully replicates the packaging of the original Polydor UK release.

Totally Enormous Extinct Dinosaurs is the musical project of British producer, singer, and songwriter Orlando Higginbottom. Known for his emotionally rich electronic compositions and playful visual aesthetic, he emerged in the late 2000s with a sound that merges dancefloor energy with melodic songwriting. His work spans house, techno, synth-pop, and experimental electronic music, and he has earned recognition for both his solo releases and his collaborations with artists across the electronic and pop landscape.

TRACK LISTING

1. Promises
2. Trouble
3. Shimmer
4. Your Love
5. American Dream Part II
6. Garden
7. Panpipes
8. Solo
9. Household Goods
10. Closer
11. Tapes & Money
12. Stronger

As part of National Album Day 2025’s celebration of rock, Jagjaguwar are making Dinosaur Jr.’s twelfth album available on limited edition Opaque Light Purple Blast Vinyl. Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr. during the 13th year of their rebirth. Originally scheduled for issue in mid-2020, this record’s temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. Sweep It Into Space is a masterpiece of zoned dialing. Recorded, as usual, at Amherst’s Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/ South East tour. The only extra musician used this time was Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album’s dozen tunes and Murph’s pure-Flinstonian drumming drives the record like a go-cart from Hell. Lou’s songs here are as elegant as always. But there are very few moments where you wouldn’t know you were hearing Dinosaur Jr. in blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.

TRACK LISTING

A1.I Ain't
A2. I Met The Stones
A3. To Be Waiting
A4. I Ran Away
A5. Garden
A6. Hide Another Round

B1. And Me
B2. I Expect It Always
B3. Take It Back
B4. N Say
B5. Walking To You
B6.You Wonder

Overcoming life-threatening illness and finding fresh perspective on true priorities, English alt. rock supremos Dinosaur Pile-Up roar back from the brink with defiant fifth album 'I've Felt Better'.

Struggle. Vulnerability. Pain. Resilience. Love. It's been a hell of a journey. In many ways, brilliant, shapeshifting opener - and lead single - ''Bout To Lose It' begins at the end, dropping us into the shoes of a frontman chomping at the bit to get back to business but low on confidence, unsure if fans still give a damn after so much time away: 'I guess I'm back on the edge / Maybe I never left! / Would have been nice if you cared / But what did I expect?!' He needn't worry. Bursting with attitude, 'I've Felt Better's hook-laden title-track is both confirmation that DPU haven't lost a step and subtle expansion of the broader themes of strength in the face of adversity, transforming from lament for lost momentum to damning critique of a pop-cultural landscape gone mad.

TRACK LISTING

1. 'Bout To Lose It
2. I've Felt Better
3. Punk Kiss
4. Sick Of Being Down
5. My Way / Big Dogs
6. Big You And Me
7. Love's The Worst
8. Quasimodo Melonheart
9. Sunflower
10. Unfamiliar
11. I Don't Love Nothing And Nothing Loves Me

When Dinosaur Jr. reunited, more than 20 years after their formation and legendary dissolution, the worry was that these guys were just flogging the back catalog, taking the old show on the road as a marketing gimmick. But the 2007 release of 'Beyond' gave a hearty Marshall-driven "F**K YOU!" answer to those inquiring ears. Restoring the sound established by the unassailable hat-trick gambit of their first three albums -- 'Dinosaur', 'You're Living All Over Me', and 'Bug' -- 'Beyond' continued the band's march into rock greatness by making old ears smile and new ears bleed afresh.

And then came 'Farm', the 9th full length record by the original line-up: J Mascis, Lou Barlow, and Murph. If Beyond was Dinosaur Jr.'s return to form, Farm is proof that Dinosaur Jr. could (and still do, to this day!) deliver timeless, exhilarating rock music. 'Farm' encompasses Dinosaur Jr.'s signature palette: soaring and distorted guitar, unshakable hooks, honey-rich melodies. At times wholly 70's guitar-epic, at times perfect for sitting by a babbling brook with Joni and Neil, these songs get into your head and stay there, bouncing happily around. The ear-catching "Plans" is nearly seven minutes of classic whipped-topping rock dessert, while "I Don't Wanna Go There" is a meat-and-potatoes main dish, mixing unapologetic lead guitar with straight-ahead delivery a la James Gang or Humble Pie.

This expanded deluxe edition of 'Farm' features four songs never pressed to vinyl and never given worldwide release:“Houses”, “Whenever You’re Ready” (The Zombies Cover), “Creepies” (Instrumental), and “Show”. “Whenever You’re Ready”, a cover of classic pop-rockers The Zombies, is impossibly good for a hidden gem; Murph stomps in with a sledgehammer to the kit, J and Lou layer low-end and fuzz like two halves of one brain, and right when things feel biggest, airy and colossal, there’s J with a lightning bolt of a guitar solo. Pure electricity and melody like only he can make. Recorded in J Mascis' Bisquiteen studio in Amherst, Massachusetts, Farm was produced by Mascis himself, and delivers the singular, unique energy of one of America's greatest living rock bands. 

TRACK LISTING

1. Pieces
2. I Want You To Know
3. Ocean In The Way
4. Plans
5. Your Weather
6. Over It
7. Friends
8. Said The People
9. There's No Here
10. See You
11. I Don't Wanna Go There
12. Imagination Blind
13. Houses
14. Whenever You're Ready
15. Creepies
16. Show

Bug is the third studio album originally released in 1988. It was the last Dinosaur Jr. album with original bassist Lou Barlow until Beyond in 2007. NME critic Jack Barron deemed Bug "the most comprehensive rock statement of the year so far" in a 1988 review for the magazine, noting Dinosaur Jr.'s predominantly "torpid" approach and commenting that the music "trepidates everyday reality away", while rating the album "8.999999" on a ten-point scale. In a retrospective review of Bug for AllMusic, Stephen Thomas Erlewine described "Freak Scene" as the album's "masterpiece" and opined, "Although the majority of the album is firmly situated in the sprawling, noisy metallic fusion of hard rock and avant noise, Bug also demonstrates that J Mascis has a talent for winding folk-rock". While finding its songs "quite uneven", Erlewine concluded that the album nonetheless constitutes "a major step forward for Mascis". Writing for Drowned in Sound in 2005, Mike Diver said of Bug, "The songwriting has increased tenfold since You're Living All Over Me ... really, if you like music – be it grunge, indie, punk, whatever – you will love this. Period. Go spend some money already." Keith Cameron of Mojo wrote, "Bug marks the emergence of Mascis writing by rote. When applied to such an outlandishly great song as 'Freak Scene' his skills still blazed, however, and as formulaic exercises in discordant alienation go, Bug is better than most.

TRACK LISTING

1. Freak Scene
2. No Bones
3. They Always Come
4. Yeah We Know
5. Let It Ride
6. Pond Song
7. Budge
8. The Post
9. Don't
10. Keep The Glove 

• RECORDED LIVE ON MTV’S 120 MINUTES , MARCH 7 TH 1993.
• THE CLASSIC, FAN - FAVOURITE SESSION, RE - MASTERED FROM THE ORIGINAL TAPES.
• FEATURING TRACKS FROM ACROSS THEIR CATALOGUE.
• NEVER BEFORE RELEASED! VINYL ONLY!

Captured at the height of their powers during the heyday of the grunge movement that they inspired, J Mascis and Dinosaur Jr perform tracks from their back catalogue live on MTV’s 120 Minutes show .

Loud and heavy as ever, the band turn in an inspired performance, which has since become a legendary favourite among fans.

Never officially released until now, and produced in association with MTV and the band, ‘Seventytwohundredseconds’ is the latest in our ongoing extensive exploration of Dinosaur Jr’s brilli ant Sire Records period. A must - hear glimpse of one of the treasures from the rich seam of American alternative rock and grunge artists who reinvigorated guitar - orientated music in the late 1980s and 1990s.

TRACK LISTING

Side A
1. Severed Lips
2. Budge
3. Get Me
Side B
1. Thumb
2. Raisans

Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record’s temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing.

Recorded, as usual, at Amherst’s Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/ South East tour. The only extra musician used this time with Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album’s dozen tunes and Murph’s pure-Flinstonian drumming drives the record like a go cart from Hell. Lou’s songs here are as elegant as always. But there are very few moments where you wouldn’t know you were hearing Dinosaur Jr. in blindfolded needle drop.

They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.

STAFF COMMENTS

Barry says: There's something unmistakeable about the Dinosaur Jr sound. Not only do the melodic guitars and major-key melodies scream DJR, but Mascis' vocals bring back every memory of hazy summers spent listening to 'Green Mind' as a young teenager. 'Sweep It Into Space' has every bit of the charm and groove of their early years but with a maturity and musicianship that can only come from a band at this stage of their career.

TRACK LISTING

SIDE A:
1. I Ain’t
2. I Met The Stones
3. To Be Waiting
4. I Ran Away
5. Garden
6. Hide Another Round

SIDE B:
7. And Me
8. I Expect It Always
9. Take It Back
10. N Say
11. Walking To You
12. You Wonder

With all the insanity that is stalking the Earth in 2016, it’s nice to have something to rely on. Who’d’ve dared to think it’d be Dinosaur Jr.? There’s no doubt about it - this is the record that the fans have been waiting for since the original line up reformed.

The songs on ‘Give A Glimpse Of What Yer Not’ were recorded over the past year or so, again at Amherst’s Bisquiteen Studio (located in a secret nook of J’s basement). The sound is great and roaring with J’s various bleeding ear psychedelic guitar touches oozing their way into the smudge-pop modelling, while Murph’s drums pound like Fred Flintstone’s feet and Lou’s bass weaves back and forth between proggy melodicism and post-core thug-hunch.

STAFF COMMENTS

Barry says: As you would expect from Dinosaur Jr, this is an anthemic grunge tour-de force. Hard-hitting drums and distortion abound all topped with Mascis' snarling but perfectly tuned vocals. Rousing chord progressions are rife here, but not the only thing on offer,'Be A Part' shows a bit of single-note twiddling before breaking out into a melancholic minor-key chord fare. 'Knocked Around' could be the soundtrack to a particularly heartwrenching college-party romantic failure montage. A brilliant return to form for Dinosaur Jr, as exciting, dynamic and emotive as ever. Highly recommended.

TRACK LISTING

1. Goin' Down
2. Tiny
3. Be A Part
4. I Told Everyone
5. Love Is..
6. Good To Know
7. I Walk For Miles
8. Lost All Day
9. Knocked Around
10 Mirror
11. Left/Right

After the phenomenal Acid Pauli 'Get Lost V' album, Totally Enormous Extinct Dinosaurs has mixed the next in the DJ mix series, 'Get Lost VI'. TEED delivers a fantastic sonic collage over a double CD, including a new exclusive track by TEED and Eats Everything. Programed over two CDs (or unmixed double vinyl) the first CD features the more eclectic side of Orlando’s DJ style whilst CD2 is more club orientated DJ mix.

The album is full of rare and illusive sonic nuggets that have been lovingly compiled here by TEED including Richard H. Kirk, Kenny Glasgow and Kevin Harrison all on vinyl for the first time ever! A great compilation including the esoteric gems ‘Honey Drips’ by fLako, ground-breaking early 80s German electronica from Deutsche Wertarbeit, seminal British bleep from LFO, Japan exoticism from Asa Chang and Junray floor-filling barnstormers from Italy’s Visnadi and Detroit’s DJ Bone, along with the piano anthems from Future Four and Separate Minds. Quite simply an essential package!

TRACK LISTING

CD1:
1. Flako – Honey Drips
2. Keith Harrison – All Night Long
3. Valentina – Wolves (Roman Flugel Remix)
4. Alex Bowman - Kilnsman
5. Jorge Velez - Floo
6. Christophe – Comeback (Casino Times Remix)
7. Matthias Zimmerman - Vicente
8. Dave Aju - Anyway
9. Millennium - ICU
10. Kenny Glasgow Dance 2 Da House
11. Traumprinz - Eachstep
12. Pitto – Mono Desire
13. Gold Panda – Burnt Out Car In A Forest
14. LFO – Track 4
15. Albinos - Bakatribe
16. Asa-Chang & Junray- Hana

CD2
1. Deutsche Wertarbeit – Auf Engelsfluegeln
2. Underground Resistance – Base Alpha 808
3. Richard H. Kirk – I Want More
4. Visnadi – Hunt’s Up
5. Trus’me – It’s Slow
6. Breach & Dark Sky – The Click
7. Eats Everything & TEED – Lion, The Lion
8. Tiga – Plush (Ame Remix)
9. DJ Bone – Thursday Night
10. Future Four – Into Orbit
11. Jamie Jones – Tonight In Tokyo (Breach Remix)
12. Subb-an & Tom Trago Ft. Seth Troxler - Time
13. Bernard Badie – Time Reveals
14. Hayden Andre Project – Tribal Life
15. Mathew Jonson – Automaton
16. Separate Minds – Troubled World

LP Tracklisting:


A1. Flako - Honey Drips
A2. Kevin Harrison - All Night Long
B1. Jorge Velez - Floo
B2. Kenny Glasgow - Dance 2 Da House
C1. LFO - Track Four
C2. Asa Chang & Junray - Hana
D1. Deutsche Wertarbeit - Auf Engelsflugeln
D2. Richard H Kirk - I Want More
E1. Visnadi - Hunt's Up
E2. DJ Bone - Thursday Night
F1. Future Four - Into Orbit
F2. Seperate Minds - Troubled World

Coming out of Massachusetts in 1985, this album brought the young, socially inadequate and self-absorbed J.Mascis dimly into focus. Dysfunction always rocks and J's solution / release was to build a wall of noise, with unbelievably loud guitars which were sometimes hazy, sometimes sprawling. The results were mesmerising. Like an East Coast version of The Meat Puppets, there was loser folk mumblings mixed with lo-fi hardcore mixed with psych-metal mixed with nervy U.K new-wave and even Goth! Add Neil Young guitar sprawls and bingo: this is music you've never heard in your life before. This debut is ramshackle and hotch-potch in places, but beneath the noise there's plenty of clever songs mixing pretty melody with brutal power.

TRACK LISTING

Forget The Swan
Cats In A Bowl
The Leper
Does It Float
Pointless
Repulsion
Gargoyle
Severed Lips
Mountain Man
Quest

This 1988 LP is the final recording by the original line-up, and it opens with one of the greatest songs ever written! "Freak Scene" was massive in Manchester (just like everywhere else, I guess) in 1988 and the video for this perfect track was shot in John Robb's garden in West Didsbury! It's worth the price of the album alone. The rest of the tracks although perhaps never quite scaling those unbelievable heights, are some of Dinosaur's best work, fantastic song after fantastic song. J. Mascis had single-handedly resurrected the guitar as a freewheeling transcendental instrument, hurrah!!!! It was just a shame that the band hated each other, and this was to be their last as this line-up, but there can be no better way to go out than this. A true stone-wall CLASSIC!!!!

TRACK LISTING

Freak Scene
No Bones
They Always Come
Yeah We Know
Let It Ride
Pond Song
Budge
The Post
Don’t

This is an in-depth study of the visceral slacker classic from 1987, an album that influenced enormously the nascent alternative scene. Dinosaur Jr, the stereotypical slackers. Mascis, Barlow, Murph (just Murph): three early-twenty somethings still overburdened by a torpid adolescence and a disastrous dress sense.

With battered guitar, bass, and kit, they carry around a catalogue of songs that betrays identities half-formed at best, schizoid at worst. But listen. "1987", a new album, a snapshot of a moment when a furious musical intensity swung upwards and pushed their lyrics and Mascis' vocal whine far into the margins.

Searing riffs, mountainous solos, and the tightest of fills - underpinned by stream-of-consciousness structures and a palette of crazed effects - steal the show. These three build a one-off sound that stirred up the hardening alternative mainstream and drove it to distraction. "You're Living All Over Me": supposedly Mascis' indictment of what it was like to tour in a van with these other two misfits, but also testimony to the obsession - an itch, a disease - that the band's disengagement from their world had produced.

This record cares so little it cares a lot.

Catch Twenty Two are back with another heartfelt collection of punk / soul / metal / Mowtown / ska / pop gems, delivered with their customary inspiration and energy. 11 new songs about love, loss and drinking, beautifully crafted around insanely catchy horn and exuberant guitar leads and very, very highly recommended.