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DINE ALONE

Bedouin Soundclash

We Will Meet In A Hurricane

    As this album represents a spiritual return to a foundational past, sonically this record is likewise about going back to our fundamentals and our roots; when Eon and I were two kids with guitars in a bedroom figuring out some songs. Our last album, Mass, featured so many parts. We recorded it in New Orleans at Preservation Hall with a thirteen-piece horn section, percussionists, strings, etc. For the most part, it’s tough to find any guitar on the record. So we decided to simplify and reconnect with what inspired us. We kept the ingredients limited, the palate simple. We went back to our beginnings and rediscovered the joy of just playing on an acoustic, and a bass through a small amp, with a vocal. We spent our days like we used to when we were younger. We hung out and talked about music. If it was sunny we went to the beach. We played some tennis. Then in the afternoon we might play through some ideas. If it sounded good in the front room of the house, we took it to the studio.

    TRACK LISTING

    1. We Will Meet In A Hurricane
    2. Walk Through Fire (feat. Amiee Interrupter Of The Interrupters)
    3. Longer Days In Shorter Years
    4. Birds Of A Feather (feat. Ashleigh Ball)
    5. Beyond Four Walls
    6. Man From Cascades
    7. Something Lost + Something Found
    8. Shine On (feat. Marcia From The Skints)
    9. A Torn Jacket With Silver Lining
    10. Margie, Do Your Best
    11. Hard Road
    12. Into The Black…

    Yukon Blonde

    Critical Hit

      After the last show of their final European Tour, in support of their 2015 Album, 'On Blonde,' Yukon Blonde were not ready to come home to Canada - So they didn't. Instead, front man Jeff Innes relocated to Madrid, Spain; to be joined by his band mates over the following months. "Critical Hit" is Yukon Blonde's first album to be released following this period and the songs were written in the gardens of the El Retiro, over beers and tapas at Restaraunte Padron, in a one room apartment on San Bernardo, Malasana, and from a haunted 16th century farm house in Andalusia, overlooking North Africa.

      After coming back to Canada the band retreated to their home on the West Coast, and their studio on Galiano Island; an island of less than 1000 people off the coast of British Columbia. It was here that the band began piecing the last two years back together and started the recording process. The album was completed with Thom Darcy at Taurus Recording, Toronto, Steve Bays at Tugboat Studios, Vancouver, and mixed by Tony Hoffer.


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