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Why You So Crazy is The Dandy Warhol’s 10th studio album arriving on the 25th anniversary of the band. Brimming with catchy melodies and that trademark Dandy's drawl, they run through a sturdy and reliably brilliant distillation of country, psych and anthemic indie to great effect, swinging effortlessly through genres like a knife through butter. A wry look at life through a lens only the Dandy Warhols could provide. 


Barry says: Perfectly epitomising the Dandy's warmingly obtuse creative output, 'Why You So Crazy' swings easily from shadowy synth-pop ('Terraform') through classic angular Dandies pop ('Thee Elegant Bum') and hazy west-coast pop ('Small Town Girls') with grace and skill. Lovely stuff.


1. Fred N Ginger
2. Terraform
3. Highlife
4. Be Alright
5. Thee Elegant Bum
6. Sins Are Forgiven
7. Next Thing I Know
8. Small Town Girls
9. To The Church
10. Motor City Steel
11. Forever
12. Ondine

LP 1 – Side A
1. Fred N Ginger
2. Terraform
3. Highlife
4. Be Alright
5. Thee Elegant Bum
6. Sins Are Forgiven
7. Next Thing I Know

LP 1 – Side B
1. Small Town Girls
2. To The Church
3. Motor City Steel
4. Forever
5. Ondine

Yukon Blonde

Critical Hit

    After the last show of their final European Tour, in support of their 2015 Album, 'On Blonde,' Yukon Blonde were not ready to come home to Canada - So they didn't. Instead, front man Jeff Innes relocated to Madrid, Spain; to be joined by his band mates over the following months. "Critical Hit" is Yukon Blonde's first album to be released following this period and the songs were written in the gardens of the El Retiro, over beers and tapas at Restaraunte Padron, in a one room apartment on San Bernardo, Malasana, and from a haunted 16th century farm house in Andalusia, overlooking North Africa.

    After coming back to Canada the band retreated to their home on the West Coast, and their studio on Galiano Island; an island of less than 1000 people off the coast of British Columbia. It was here that the band began piecing the last two years back together and started the recording process. The album was completed with Thom Darcy at Taurus Recording, Toronto, Steve Bays at Tugboat Studios, Vancouver, and mixed by Tony Hoffer.

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