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DELTASONIC

Mark McKowski & Nick Power

Throat

'Throat' consists of two artists on sabbatical from their day jobs - Nick Power from The Coral, and McKowski as one half of The Lost Brothers, film score composer (Quantum Cowboys) screen writer (The Spin) and touring musician (Jolie Holland, Howe Gelb, M. Ward). Recorded in the period of 2021 and 2024 between Omagh, Northern Ireland and Merseyside, Throat is a journey through McKowski and Power’s shared imagination.

It’s a sense of outsiderness that links Throat’s disparate parts: folk-horror, VHS video nasties, poetry, the natural world, hauntology, true crime, John Laurie films, teenage acid trips, twisted road songs. 'Throat' is a way of giving a platform to this secret world, while almost moonlighting as a run-of-the-mill ‘album’. Soon after the title track was complete, Mark began recording and sending more music to Power, who’d write words while driving around Merseyside at night. As the tracks began taking shape, a pattern emerged, and with it, certain rules. All recordings go down in the first take. Mistakes stay in. Only play what’s to hand, even if it’s a tin pot. It’s within these limitations that 'Throat' blossomed - eschewing traditional song structures for discordant instrumental breaks, passages of spoken word, the sound of footsteps on a wooden staircase.

TRACK LISTING

1. Throat
2. One
3. The Master
4. Death Of Ghillie Man
5. Nick Powers Dream
6. Moon Over Tesco
7. Dead Cars
8. New Brighton Speedway 1972
9. The Tailor And The Mouse.
10. Return Of Ghillie Man
11. Jody Forever

The Coral

Singles Collection

The heart of The Coral has always been the tension between the classic songwriting that runs through their veins and produced such singles as "Pass It On", "Jacqueline", "Dreaming Of You" and "Bill McCai" and the experimentalism that was first spotted on debut EP "Shadows Fall" and led through the compilation album, "Nightfreak And The Sons Of Becker" to the sea shanty of "Remember Me" on "Roots And Echoes". The Coral are a rarity in music, a band that make tunes that appeal to everyman whilst producing those tunes in such a way and with such understanding of their medium that critics are minded to say 'James Skelly is one of the finest writers, and voices, in British music today' (Q).


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