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DELTASONIC

Mark McKowski & Nick Power

Throat

    'Throat' consists of two artists on sabbatical from their day jobs - Nick Power from The Coral, and McKowski as one half of The Lost Brothers, film score composer (Quantum Cowboys) screen writer (The Spin) and touring musician (Jolie Holland, Howe Gelb, M. Ward). Recorded in the period of 2021 and 2024 between Omagh, Northern Ireland and Merseyside, Throat is a journey through McKowski and Power’s shared imagination.

    It’s a sense of outsiderness that links Throat’s disparate parts: folk-horror, VHS video nasties, poetry, the natural world, hauntology, true crime, John Laurie films, teenage acid trips, twisted road songs. 'Throat' is a way of giving a platform to this secret world, while almost moonlighting as a run-of-the-mill ‘album’. Soon after the title track was complete, Mark began recording and sending more music to Power, who’d write words while driving around Merseyside at night. As the tracks began taking shape, a pattern emerged, and with it, certain rules. All recordings go down in the first take. Mistakes stay in. Only play what’s to hand, even if it’s a tin pot. It’s within these limitations that 'Throat' blossomed - eschewing traditional song structures for discordant instrumental breaks, passages of spoken word, the sound of footsteps on a wooden staircase.

    TRACK LISTING

    1. Throat
    2. One
    3. The Master
    4. Death Of Ghillie Man
    5. Nick Powers Dream
    6. Moon Over Tesco
    7. Dead Cars
    8. New Brighton Speedway 1972
    9. The Tailor And The Mouse.
    10. Return Of Ghillie Man
    11. Jody Forever

    McKowski

    Notes From The Boneyard

      Envisioning a fictional world known as ‘The Boneyard’, McKowski’s debut is a purely instrumental album of atmospheric folk and otherworldly soundscapes to capture your imagination and seep into your soul.

      Utilising a unique blend of acoustic guitars, strings, analog synths, and electronic toys, Mckowski creates a haunting and evocative journey across its transient 35 minutes. Gifted with the talents of some old allies, ‘Notes From The Boneyard’ sees guest musicianship from the likes of Steve Wickham (viola), Howe Gelb (guitar), Laura Mcafadden (cello), Dave Murphy (pedal steel), with St Francis Hotel also adding further elements of atmosphere and production.

      With one foot rooted in a dark woodland and the other foot stepping into unknown territory, the end result is a must-listen for fans of soundtracks, the surreal, or simply those searching for the unexpected. Like the wooden beauty of Angelo Badalementi’s ‘Straight Story’ mixed with the dark synth undertones such as Carpenter-esque Moog; it’s the ideal companion for those pensive days and long nocturnal hours.

      Explaining his vision for the new album, McKowski says: "For me the best stuff comes from that dance between good and evil, light and dark. It's a balancing act. This album started off as a small candle burning, the only bit of light in a vast dark cave. I needed to balance out the dark with some light. The spark of music was the seed, and this record is the first branch of the tree that grew from the fire. In the process I accidentally soundtracked my surroundings in real-time and ended up with this creation. I'm not sure exactly how I would describe it, but if my life was a movie, this would be the soundtrack.’’ 


      TRACK LISTING

      1. Lake
      2. Madman
      3. Return Of Pygmy Pony
      4. Sartain
      5. A Distant Thresher Cutting Through A Field In Slow Motion
      6. Ode To Sunday
      7. Frank
      8. Ak The Dust
      9. Cantina (The Mezcal Waltz)
      10. One By Buk

      The Coral

      Singles Collection

        The heart of The Coral has always been the tension between the classic songwriting that runs through their veins and produced such singles as "Pass It On", "Jacqueline", "Dreaming Of You" and "Bill McCai" and the experimentalism that was first spotted on debut EP "Shadows Fall" and led through the compilation album, "Nightfreak And The Sons Of Becker" to the sea shanty of "Remember Me" on "Roots And Echoes". The Coral are a rarity in music, a band that make tunes that appeal to everyman whilst producing those tunes in such a way and with such understanding of their medium that critics are minded to say 'James Skelly is one of the finest writers, and voices, in British music today' (Q).


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