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DELL%27ORSO RECORDS

Goblin / Gianni Dell'Orso

Virus OST (RSD24 EDITION)

    THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.



    The Wirral’s By The Sea release their debut album mixed by their friend Bill Ryder - Jones

    "We hope it sounds like a series of failed Springsteen anthems played with too many chorus pedals. That is the theme."

    By The Sea make music that can’t contain itself, that is so bursting with joy it sounds like it is tripping over itself in its desire to get out of the speakers. And yet whilst some of these songs sound like anthems, there is a constant introspection that stops them from ever sounding bloated.

    There have been comparisons to early Stone Roses, The Go-Betweens and dreampop, but like fellow young Northerners, MONEY, they are pulling on past influences and making them sound like the the most disorientating love affair that ever failed.

    This album comes out on Dell’Orso and on vinyl by our friends at Great Pop Supplement. Dream Waters is the current GPS 7” single, and Alone Together will come out as a single in January with a remix of Game Of Circles by label mate, Cian Ciaran (Super Furry Animals)

    “By The Sea are a hugely exciting Merseyside based band who are more than successfully crafting that melancholic yet entirely satisfied sensation; the one that feels like you’re semi-drunk on England’s annual baking hot afternoon, even though it’s pissing down with the ferocity of Charlie Brooker outside” - Not Many Experts

    TRACK LISTING

    01 By The Sea
    02 Dreamwaters
    03 So Long, So Far
    04 Eveline 
    05 Waltz Away
    06 A Sail Floats...
    07 Wait A Day
    08 Alone Together
    09Game Of Circles

    Cian Ciaran

    Outside In

      "Here he comes. The dark horse. The bloke at the back. The odd one. Cian Ciaran is a founder member of that democratic state of music known as Super Furry Animals.

      He’s got this album, right. It’s a real beauty, songs of love and longing; delicate, fragile and understated. People who know about these kind of things have been whispering about it ever since Cian started messing about in the studio. This is a bit special, they said.

      Just so you know, Cian is the baby of the SFA bunch. He has a performing history in music stretching back to his early teens. His first love was acid house and he didn’t hear anything by Neil Young until he was 21 years old.

      In our desire to understand one of the most intriguing groups of their time, we gave the Super Furries name tags and job descriptions, praying they wouldn’t move around too much to confuse us.

      That made Cian the one who sat at a keyboard and added vocal harmonies when they played live. On occasion, he released techno tracks of his own making. That was him sorted.

      So it’s no wonder this debut album comes as a surprise, even to those who’ve known Cian for donkeys. It was written entirely on the piano and features contributions from fellow-Furries Dafydd Ieuan and Guto Pryce, as well as regular collaborators Osian and Mei Gwynedd (from Sibrydion) Outside In is an album that asks: ‘What’s it all about, then?’ and is smart enough not to try to answer the question in line twelve of track eight.
      And just in case you’re looking for musical signposts, Cian has spent the past year or so listening to hip-hop, r’n’b, experimental electronica and bits of doo-wop. The album sounds nothing like any of it." - Iestyn George.


      TRACK LISTING

      1) You & Me
      2) 'Till I Die
      3) Love Thee Dearest
      4) 3rd Time Lucky
      5) Martina Franca
      6) 1st Time
      7) Rollercoaster Ride
      8) Red Or Green?
      9) Here And Now
      10) So Long
      11) Fool
      12) What Will Be
      13) Upside Downers

      The See See

      Fountayne Mountain

        Less than a year after releasing their debut, and with their lineup now settled, The See See return with their second album for Dell'Orso. With this new release, The See See have created an album far more dynamic than its predecessor. Aligning a brash love of U.S. West Coast psychedelia to latter-day European influences (Spacemen 3 particularly), ‘Fountayne Mountain' weaves harmonized laments through McGuinn-esque guitars.

        This is a band who have now become a lush sum of their parts. Led by Richard Olson (who previously fronted acid folk rock band Eighteenth Day Of May) this London based group have on this record pooled their influences together to make an album of a perfect two halves, dishing up spun out ballads (Big Wheels, Fix Me Up), alongside euphoric, lazer guided instrumentals (Sunbleached) and ritualistic, daisy-chained rollercoasters (The Day That Was The Day).

        This album will be released on compact disc and through digital formats on Dell'Orso and on limited edition tri-coloured vinyl via our friends at Great Pop Supplement.

        GPS will also be releasing the first single from the album, Gold & Honey' on 7" only backed by a superb kraut-remix of Sunbleached by Eat Lights Become Lights. To coincide with this single release The See See have just supported one of our all time favourites, Olivia Tremor Control at Cargo, London.

        STAFF COMMENTS

        Darryl says: Like a sweet psyche dappled mix of The Byrds and Spacemen 3. Highly recommended!

        Wayne Robbins & The Hellsayers

        All You Need To Sleep

        It is now three years since Dell’Orso heard rough mixes of these album tracks when Wayne Robbins & The Hellsayers visited the U.K to tour with their friends, Band Of Horses. At that point The Hellsayers were over from their home town Asheville, North Carolina to promote their debut album "The Lonesome Sea", a country-cosmic rock jewel Dell’Orso discovered via a Beachwood Sparks fan site.

        Picking up from where their debut left off, Wayne describes "All You Need" as 'the night album, about the wee small hours'. Far heavier than its predecessor, the album has already been described as 'an atmospheric blend of Buffalo Springfield harmonies and Sonic Youth guitar blasts', lap steel guitar jostling with piles of Yo La Tengo distortion.

        Like "The Lonesome Sea" this album was recorded in a school bus repair shop (though bizarrely not the same one) with no heating in the dead of winter. The albums gestation was hampered by the familiar tale of lack of resources, but also a terrier determination to mix such a dense record littered with dozens of vocal tracks and guitar overdubs perfectly.

        Eventually the band mixed the album with Mitch Easter particularly known for his work on early REM records, with the exception of the crestfallen "Rowboat Of Stone" which Cian Ciaran from Super Furry Animals has put his magic to (Cian having recently mixed albums by Sibrydion and El Goodo for Dell’Orso).

        Appropriately since this album was finished The Hellsayers have recently recorded an EP with Brent Rademaker from Beachwood Sparks which will appear later in the year.

        'Genuinely inspired merging of pre-electric and post psychedelic Americana. Neil Young and Giant Sand provide pointers, but Wayne & co chart a spry, original course' - Uncut Magazine.

        STAFF COMMENTS

        Darryl says: Sweet and summery indie-Americana infused with occasional Sonic Youth-esque distortion blasts. Recommended.

        TRACK LISTING

        1. C#7
        2. I Saw An Angel
        3. All Roads Lead To Helen
        4. The Island Of Malta
        5. The Devil Has A Map
        6. Rowboat Of Stone
        7. The Lonesome

        Wayne Robbins & The Hellsayers

        The Lonesome Sea

          Hailing from Asheville, North Carolina, Wayne Robbins describes this debut as 'a love letter to the ocean from the mountains of North Carolina' (Asheville is located on the crest of The Blue Ridge Mountains). The title of the album is a Carter Family reference to a song called "Sinking In The Lonesome Sea". Robbins: 'One September night I wandered into the Carter fold in rural Virginia and was surprised to witness Johnny Cash and June Carter singing the song and I thought it matched a lot of what I was writing at the time. Actually the album really originates with Dylan's "Basement Tapes". The two guitarists in the band, Jeff Whitworth and Jonas Cole are fans of everything from Doc Watson to Super Furry Animals'. This album reminds us of everything we love about Galaxie 500, Neil Young and Mercury Rev (check out the sonic guitar sound on "Jesus"). It was self-recorded in a venue in North Carolina 'The Grey Eagle' on nights it was closed.


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