Having been a fan of Reinhardt for some time, I was pretty excited to hear of this one coming out on the great Deep Distance (moody sibling of the equally brilliant Polytechnic Youth). Reinhardt trades in a variety of synth moods, ranging from the Italo-tinged dystopian futurelands of 'Mask Of The Maker' to the more meandering airy excursions of 'Music For The Tactile Dome', his LP's have always been a fascinating and rewarding journey.
The autonomous beginnings of 'Balk Moreau' set the scene, cleansing the palate with swathes of shimmering oscillators, soaring over the horizon as paddling drums blur into view before fading away into the industrial hum of 'Automatic Fanfare'.
On the flipside, we get more of the static charged arpeggios fighting for space within a sea of electrical flotsam, threatening to burst out into ________ (insert euphoric overload / semi-conscious breakdown as required).
It's interesting that Reinhardt has just released a split LP with Jurgen Muller (Panabrite / Norm Chambers), because trying frantically to find something that filled me with the same wide-eyed wonder as 'Pavilion' was what led me to Reinhardt in the first place, and is still the most perfect fit to my dream aesthetic. This is a wonder, full of spellbinding, hypnotic synthetic clouds.