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DARKER THAN WAX

Steady Weather

Steady Weather

    Born in the heartland of Melbourne suburb Fitzroy, Steady Weather (comprised of scene stalwarts Ben Grayson and Tamil Rogeon) bring to light organic dance music from Melbourne’s rich neo-soul and jazz community. With a lineage that leads directly to the founding of groups like Australian funk royalty The Bamboos and orchestral beat music pioneers The Raah Project, Rogeon and Grayson not only bring that heritage to their music, they bring a philosophy of raw emotion and soulfulness to their productions. Tamil also plays strings for Harvey Sutherland’s Bermuda, with the group’s musical DNA echoing in Steady Weather’s productions.

    The self-titled record features the gloriously meditative, raw soul vocals of Allysha Joy and Rita Satch. Allysha Joy’s potent lyricism, unique musicianship & killer vocals have garnered legions of attentive fans the world over. She’s an integral member of the Melbourne soul jazz scene, known as part of the acclaimed 30/70 Collective & for her own equally revered solo work. A modern day siren, Rita Satch is fast becoming an unforgettable presence in Australia’s neo-soul movement.

    Steady Weather will be right at home on the most soulful of dancefloors. The record traverses through diverse musical territory and melds together a number of sounds, from the jazzy stomper ‘Burning So Hot’ (to which CC:DISCO! provides her magic editing touch), to the boogie and disco-tinged funk of ‘CP3’ and ‘Love Came Along’, into the deeper shades of house music found on ‘Robert St’. Though incorporating diverse influences, all the cuts are tied together with a consistently organic, hand-made, and earnest production style.


    TRACK LISTING

    A1. Burning So Hot (CC DISCO! Edit - Ft. Allysha Joy)
    A2. Ben With Nets
    A3. Love Came Along (ft. Kylie Auldist)
    B1. CP3 (ft. Rita Satch)
    B2. Robert St
    B3. Innocent You (ft. Rita Satch)

    Cain

    Sarissa

      Known for crafting infectious rhythms infused with an otherworldly strangeness, UK-based producer CAIN makes his debut on Darker Than Wax with Sarissa - a seven tracker driven by his signature percussive style. Written in his native highlands of Scotland and heavily influenced by the mountainous landscapes, Sarissa seeks to fuse together organic and synthetic sounds in unusual ways. True to his ethos of joining the dots between folk music from cultures around the world, the melodies and rhythms explored throughout are tied together by their timeless, ethereal quality.

      Interlocking rhythms lead the way as the skeleton in this music with cinematic harmonies woven in and out, leading the listener through dark valleys and emotional peaks. Each tune tells its own story and has a distinct feel from the next – from the jilting rhythms and hazy rave feel of ‘Sarissa’, the crawling basslines of ‘Gecko’, and the ethereal lightness of ‘Marwa’ to the harmonic weight of Kuro. The seven cuts making up Sarissa are equally effective as dancefloor weapons, or as accompaniments on long foggy walks.

      TRACK LISTING

      A1. Gecko
      A2. Sarissa
      A3. Marwa
      A4. Juba
      B1. Argon
      B2. Kuro
      B3. Tyre

      Clafrica

      Never Not Balling

        Sicilian-born, UK-based DJ and producer Clafrica has been heavily influenced by the dub and reggae sounds from a very early age and the geographical proximity to Africa allowed him to soak in the various cultures that exists in Sicily - moulding him into the musician that he is today. Fast forward, he makes his Darker Than Wax debut with Never Not Balling - a dazzling sonic exploration of nostalgia, vintage circuits, and basketball. Owing his first musical exposure to the Space Jam soundtrack and 90s basketball video games, as well as his first time seeing a DJ courtside at the And1 Mixtape European tour, Clafrica’s love of both music and basketball have always gone hand in hand. After honing his craft as a DJ and studio engineer from as early as 12 years old, and moving from Sicily to Edinburgh in 2010 to further his studies of sound design, Clafrica has emerged as a certified production mad scientist and studio boffin in his own right. Fast forward to 2019, Clafrica emerged as one of the most exciting new producers on the scene with a string of releases on labels such as Axe On Wax, Vakum, Deep&Roll, and Perpetua.

        A collection of tracks created over the last 2 years, Never Not Balling is one of Clafrica’s most well rounded offerings to date, expressing a number of moods and emotions through his signature style, all the while showcasing the artist’s mastery of studio techniques and hardware. In the theme of fusing his love of sport and music, ‘Skip Thru Dat Lane’ is a midlockdown electro reflection

        on overcoming difficult times, with the artist envisioning himself dodging negativity like Allen Iverson skipping through the lane. On the heavier side, ‘U Can’t Guard Me’ is a pure release of stress and frustration, driven by unstoppable hi-hats and a punishing bassline. ‘Halftime’ fuses the sound of old Amiga sound chips with raw drum machines as an ode to the basketball video games of Clafrica’s youth. At every point in the record, Clafrica’s sonic depth and stylish approach is on display, driven by raw and unrelenting dance music energy.

        TRACK LISTING

        A1. U Reach I Teach
        A2. U Can’t Guard Me!
        A3. Skip Thru That Lane
        B1. Halftime
        B2. Ride The Defense
        B3. Sharpshoota


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