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DAN DEACON

With Mystic Familiar, Dan gives us the result of years of obsessive work, play, and self-discovery. It’s at once his most emotionally open record and his most transcendent, 11 kaleidoscopic tracks of majestic synth-pop that exponentially expand his sound with unfettered imagination and newfound vulnerability.

Since 2015’s Gliss Riffer, Deacon has branched out into an array of collaborative projects including film scores to Rat Film, HBO’sWell Groomed, ESPN’s30 for 30: Subject to Review; collaborating with the NYCBallet’s resident choreographer Justin Peck, LAPhil and Baltimore Symphony Orchestra.

While fulfilling, these projects lacked Dan’s singing voice. In the midst of that whirlwind of activity, he returned whenever he could to a personal oasis⁠—the songs that would become Mystic Familiar, informed by all these collaborations but built from within. Deacon’s writing took an exploratory new direction developed with therapeutic practices of self-compassion and mindfulness, daily prompts from Brian Eno’s deck of Oblique Strategies and the use of meditation. These techniques produced songs that paint life as a psychedelic journey brimming with bliss and disruption, darkness and light.

It’s a vulnerable shift in a songbook abundant with characters, metaphors, and modulations. This voice-focused album is also the first record in which each song was built around one central concept—the Mystic Familiar, a supernatural other being that we carry with us everywhere in our head, which only we can hear and with whom we live our lives in eternal conversation.

Mystic Familiar takes a propulsive leap with the robot-performed drums and soaring melodies of “Sat By a Tree.” Lyrically, the song conjures campfire reflections on key memories with the hard-won clarity of time, a dialogue with an anthropomorphic tree on chilling out, and befores and afters of life and death. The video, directed by Daren Rabinovitch offilm and animation studioEncyclopedia Pictura and starring comedian Aparna Nancherla, uses natural world elements, vivid colors, and a cartoon-like aesthetic to reflect on time and the precious shortness of life (not for those with an aversion to bugs).


STAFF COMMENTS

Barry says: 2015's 'Glass Riffer' didn't some off my turntable for quite some time, and i'm pretty sure this will meet the same fate. Huge swathes of synth and bright percussives shine through below the off-piste vocals and chaotic bitcrushed scree. It's marvellous, and completely insane.

TRACK LISTING

1. Become A Mountain
2. Hypnagogic
3. Sat By A Tree
4. Arp I: Wide Eyed
5. Arp II: Float Away
6. Arp III: Far From Shore
7. Arp IV: Any Moment
8. Weeping Birch
9. Fell Into The Ocean
10. My Friend
11. Bumble Bee Crown King

Dan Deacon

Rat Film: Original Motion Picture Soundtrack

Domino Soundtracks are proud to present their first release, an original soundtrack recording from Dan Deacon of the provocative essay-film ‘Rat Film’, to be released in October 2017.

‘Rat Film’ marks Deacon’s first full record devoted to modern composition. In between his four ecstatic electronic-pop albums, Deacon has frequently flexed the 21st Century classical muscles he first developed studying at SUNY Purchase’s Conservatory Of Music.

‘Rat Film’ offers the first recorded document of this parallel career - and both as a self-contained album and a companion piece to an equally potent film, it astounds.

“The aesthetic audacity alone is intriguing; combined with Maureen Jones’s icily robotic narration and Dan Deacon’s eerie electronic score, the effect is somewhere between confounding and mesmerizing.” - New York Times

“‘Rat Film’, in other words, is not your typical documentary, and its mesmerizing electronica score by Dan Deacon - full of whirring, bleeping and blipping, cacophonous noise, and ominous tonal swells - only enhances its eccentricity.” - The Daily Beast

TRACK LISTING

Redlining
Horn Phase
Pelican
OCME
Harold
Reed Clouds
Seagull
Calhoun
Rat Poison
Video Game
Harold’s Lament
Map Overlays

Dan Deacon

Spiderman Of The Rings

'Spiderman of the Rings', originally released on CD and LP in 2007, was the album that introduced the music world at large to the songs of Baltimore’s Dan Deacon. For years, Deacon had been honing his compositional and performing chops with a relentless DIY touring schedule. 'Spiderman of the Rings' presents a picture of a songwriter-performer at an early creative growth spurt and is the first full-length album on which disparate, experimental, conceptual pieces made way for infectious, road-tested, noise-pop hits. Spiderman was almost universally lauded by the music press upon its first release, and the record is littered with live staples and fan favourites, such as “Crystal Cat”, “Wham City”, and “Okie Dokie”.

Deacon went on to reach yet greater critical and commercial heights with his 2009 two-disc opus 'Bromst'. The success of 'Bromst' and the news of Deacon’s soundtrack for Francis Ford Coppola’s upcoming film Twixt have inspired many to rediscover Dan’s breakout album, 'Spiderman'.


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