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DEATHGOD RECORDS

Oh Sees

Orc - 2025 Reissue

    The Oh Sees wasted no time in racing headlong into nightmarish battle with the mighty 'Orc', clawing even farther up the ghastly peak stormed so satisfyingly by their previous 'A Weird Exits'. The band is in tour-greased, anvil-on-a-balance beam, gut-pleasingly heavy form, nimbly braining—with equal dashes of abandon and menace—on this fresh batch of bruisers and brooders, hypnotically stirred into to the cauldron of chaos you’ve come to expect.

    On 'Orc', fresh blood Paul Quattrone joins Dan Rincon to form a phalanx of interlocking double drums, alternately propelling and fleet-footing shifting ground to pinion John Dwyer’s cliff-face guitars to the boogie. Tim Hellman keeps it swinging like a battle-axe to the eyebrows. The tunes veer toward the violence of their live shows, with a few tasty swerves into other lanes: heavy to lush, groovy to stately. Throughout, it remains sinister in its swaggering skulk, manic in its fuzz-fried fugues. They hit all the sweet spots the heads foggily remember, and there’s plenty to sweat over if you just hopped into the sauna.

    More evil…more complex…more narcotic…more screech… more blare…more whisper…there’s even more Brigid. Less “Thee,” but more of everything else.

    TRACK LISTING

    1. The Static God
    2. Nite Expo
    3. Animated Violence
    4. Keys To The Castle
    5. Jettisoned
    6. Cadaver Dog
    7. Paranoise
    8. Cooling Tower
    9. Drowned Beast
    10. Raw Optics

    Thee Oh Sees

    Floating Coffin - 2025 Reissue

      We all know the type: prolific bands that commit every loose thought, stray idea and 90-second song fragment to tape. Bands that pay no attention to little inconveniences like “release cycles” or “self-editing,” and instead decide that quantity equals quality, creating a discography more labyrinthine, imposing and—ultimately—exhausting than the cast of creatures in a sci-fi novel. Here is why none of that applies to THEE OH SEES. Because each of the dozen-plus albums they’ve released since 2004 possesses a distinct personality and represents a different point along the path of JOHN DWYER’s slow transformation from auteur of woozy, bare-bones four-track psychedelia to goggle-eyed garage rock marauder backed at long last by a band that both shares and stokes his singular vision. Because drop a needle on any record and—to their great credit—it takes several songs before you’re convinced it’s Thee Oh Sees. The seasick hundred-bottles-of-rum shanty 'What the Driven Drink', from 2007’s delirious 'Sucks Blood' exists in a different galaxy than the rollercoastering 'Chem-Farmer' from 'Carrion Crawler / The Dream'; the doomy doo-wop of 'Blood on the Deck' hardly seems like the product of the same band that delivered the yelping 'Ruby Go Home' in 2009.

      TRACK LISTING

      1. I Come From The Mountain
      2. Toe Cutter - Thumb Buster
      3. The Floating Coffin
      4. No Spell
      5. Strawberries
      6. Maze Fancier
      7. Night Crawler
      8. Sweets Helicopter
      9. Tunnel Time
      10. Minotaur

      Chime Oblivion

      Chime Oblivion

        New John Dwyer project featuring Dave Barbarossa (Adam & The Ants, Bow Wow Wow, Fine Young Cannibals), Weasel Walter (Flying Luttenbachers, Lydia Lunch's Retrovirus), Tom Dolas (Osees, Mr Elevator), H.L. Nelly (Naked Lights, FKA SMILEY) & Brad Caulkins (Bent Arcana, With Egg)

        CHIME OBLIVION began out of the blue. David Barbarossa reached out to John Dwyer saying he was a fan of OSEES and he was invited to a show in London. The two hung out and hit it off, "then I rabbit holed on Bow wow wow too…," Dwyer recalls. "I reached out to David and suggested that we try and write some songs together... I flew David out, we met at my studio and spent five days writing basin drums ideas." The two got to know each other and had a lot of laughs.

        Dwyer then brought in Weasel Walter, knowing that he would be perfect "to add all that legitimate old-school weird proto-punk no wave guitar scratch to it, which of course he did masterfully." Next came Tom Dolas to play fuzzy marimba, and the fabulous H.L. Nelly, "as I knew her from a record I’d put out back in the day for a band called Naked Lights from Oakland. I knew that she could pull off the vocal style I had in mind." 

        STAFF COMMENTS

        Barry says: More John Dwyer! This time sees the OSEES mastermind pair up with a bunch of super talented noise merchants, forging an LP that's soaked in classic hardcore and wild, trebly garage rock. It's something a little different for Dwyer, but it's not *that* different, and it's got all the hallmarks of another classic OCS related collection.

        TRACK LISTING

        1. INCIDENTAL SYNTH 5
        2. NEIGHBORHOOD DOG
        3. KISS HER OR BE HER
        4. THE FIEND
        5.INCIDENTAL SYNTH 4
        6. HEATED HORSES
        7. THE UNINVITED GUEST
        8. AND AGAIN
        9. THE MYTHOMANIAC
        10. SMOKE RING
        11. INCIDENTAL SYNTH 7
        12. I'M NOT A MIRROR
        13. GRASS
        14. COLD PULSE
        15. THE CATALOGUE


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