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D. BALL

Earth Ball

It's Yours

    December 2012 I showed up totally exhausted in Vancouver BC after touring stupidly and relentlessly for however many straight months and got a job at a call centre raising money for the Red Cross. It was a scent free office but one time this woman cooked a piece of fish in the microwave for 10 minutes on low and hot boxed the whole office - we got sent home early no pay. There was the other woman I named the Call Centre Coltrane because her pitch and routine usually involved improvised flights of fancy that went off in both directions at once somehow landing back down with a credit card number and a donation. I used to sleep under the desk. I was there a few months and at the time I reconnected with John Brennan who I had played with briefly in Montreal at the Mutek Festival. In Montreal John was running an experimental music night at a burrito shop downtown called Garbage Night. While in Vancouver I began connecting with the music scene there and would go hang out with the Shearing Pinx lads who I think lived with Sydney the bass player at the time. I knew Nic and Jer from an AIDS Wolf Tour and was so stoked to get to know them both better. I really fell in love with that era of Vancouver's music scene.

    Fast Forward to today. 2024

    Actually it was the dying days of 2023 but you get it and John asks if I'll sit in with Earth Ball and I keep thinking about Earth Balance, the vegan butter everyone eats here. I brought my aching bones and my ipads on the beautiful ferry named the Queen of Oak Bay and out to Nanaimo BC, home of the nanaimo bar (a dessert treat - special to this region - that seems to be more popularly found under the weird glass sneeze guards in office building deli's out east in Ontario.... anyhoops ). No one in Nanaimo wants to talk to me about the famous treat. I asked a couple of people. Silence. Nanaimo is like London, Ontario but more fried and by the sea. The town is filled with blown out old sea dawgs with tin coffee pots and loose leaf tobacco, then there's the usual streetfolk you find in this part of the Canadian Pacific Northwest and a bunch of bohemians who I guess have left Vancouver behind - that fine city having become uninhabitable for those not making over 100k a year. And then up the way are all the retirees. Yup Nanaimo is a strange one. They mined the shit out of this region and Nanaimo is surely haunted by those buried in mining shafts or maimed by the heavy machinery or blown up by accident in the explosives store house. And when Earth Ball fire up the amps in Izzy and Jer's basement you can hear the voices of the ghosts hum through electrical lines and out the speakers, Kellen's hued feedback, Izy's sturdy basslines, Jer's paperbag guitar tone and rumble pack zaps, Liam's (aka the Kid) sheets of sound and Brennen's multidirectional drums. You wouldn't guess Earth Ball was auto-composing and from what my rat brain can tell - the lyrics are improvised too...Improvising lyrics and singing them is the hardest thing to do in all of music.. Izzy and Jer are pros. And their attitudes are pro too.

    TRACK LISTING

    1. Moon FM
    2. Antifreeze
    3. Through & Through
    4. A Need To Cool Down
    5. Flash In The Pan
    6. Hollowgramma

    D-Ball

    Moments

      Ourtime returns with 3 tracks from Dave’s archive - A stunning Ep of soulful techno, emotive melodies and lopsided club grooves.

      "Moments” and “Fall” take us on melancholic deep techno journeys to the outer realms & beyond before finally closing with "IAM Pro” a minimal claustrophobic techno track to jam your box 

      The Pioneers

      Some Having A Ball / Whip Them

        This is the first re-release on 7inch vinyl single of the super rare killer single by The Pioneers released in 1968 on Amalgamated Records in Jamaica and on Doctor Bird in the U.K. that same year. The Pioneers were formed in 1962 by two brothers Derrick and Sidney Crooks and their friend Winston Hewitt later replaced by former Heptone Glen Adams. The Pioneers' early singles were not successful, and the group broke up in 1967 Sydney started working at Joe Gibbs shop and then in the studio where he met a talented new young singer: Jackie Robinson. The new Pioneers were reborn as a duo. They recorded several successful singles such as "Longshot" "Jackpot", "Catch the Beat" with Gibbs before joining producer Leslie Kong where they recorded Samfie Man which topped the Jamaican charts. They then recruited Geaorge Agard and became a trio again. They scored in the charts again with "Long Shot (Kick De Bucket)" a sequel to “Long Shot”, the tragic story of a race horse that never won and died racing! “Kick De Bucket” became an instant hit both in Jamaican and in the U.K. particularly among skinheads in 1969. More hits followed and the band moved to the UK in 1970. Over time, their sound changed and became more sophisticated and pop and they eventually recorded soul albums with Eddy Grant as a producer in 1976.

        TRACK LISTING

        Some Having A Ball
        Whip Them

        Inell Young

        The Next Ball Game

          One of three monster New Orleans Funk 45s rereleased by Soul Jazz Records.

          Only ever exclusively available on the Soul Jazz Records site and long out of print, these new 45s are pristine loud dancefloor fillers housed in a Soul Jazz recycled card house bag.

          Inell Young’s searing vocal performance backed by the unbelievably funky James Black’s seriously awesome second-line syncopated drumming. The three funkiest drummers in the world are the Meters’ Zigaboo Modeliste, James Brown’s Clyde Stubblefield, and James Black.

          An awesome Eddie Bo arrangement and production. 100% essential.

          TRACK LISTING

          The Next Ball Game
          Part Of The Game

          Inell Young

          The Next Ball Game (Love Record Stores Edition)

            Love Record Stores Edition available from 9am on Saturday June 20th.
            Limited to one per person.


            Here is our 2nd Killer New Orleans Funk £200+ Bomb!

            Featuring Inell Young's searing vocal performance

            + James Black's seriously awesome drumming

            + Eddie Bo arrangement and production!

            100% Essential!

            The White Stripes

            The Big Three Killed My Baby / Red Bowling Ball Ruth

            This is a reissue of the decade-plus out of print only single off the White Stripes self-titled debut album. The A-side is Jack White's tempered screed against the monopoly of American auto companies against the accented thud of Meg's pounding drums. The B-side "Red Bowling Ball Ruth" is exclusive to this single and overflows with AC/DC-inspired rock riffs. Re-mastered direct from the original analog masters!

            Capitol K

            Notes From Life On The Wire With A Wrecking Ball

              Having recorded albums for labels such as XL and Planet Mu, Capitol K returns with full length number six, this time on Faith and Industry. The first track unfolds gradually in classic Capitol K style with the beat-poet driven, nostalgic rave of "Diamond Skys", the energy rises with the deconstructed bossa-nova of "Go Go Go", again influenced by the early days of Beat poetry. Things slow down a little for Steve Lamacq ROTW single "Libertania". Next up, "Acid Favela" takes the gigantic baile funk "Rambo" anthem and mixes in some acid lines and shoe-gazing riffage like only Capitol K can. "Freak" is a progressive hyper-funk freak out over a cut up 2-step rhythm. "Impression", is part two of "Freak", reflecting on a love with a sense of stillness and calm, musically revisiting K's penchant for revealing serene melodies from dictaphone tape cut ups.

              Scott Walker

              And Who Shall Go To The Ball? And What Shall Go To The Ball?

                Scott Walker was commissioned by London's South Bank Centre to write the music for a contemporary dance piece, released here as a limited edition in exquisite deluxe packaging. Entitled "And Who Shall Go To The Ball? And What Shall Go To The Ball?", the entirely instrumental composition is made up of four movements with a total running time of 25 minutes. Scott has this to say about the music: 'Apart from a slow movement given over to solitude, the music is full of edgy and staccato shapes or cuts, reflecting how we cut up the world around us as a consequence of the shape of our bodies. How much of a body does an intelligence need to be potentially socialised in an age of ever-developing AI? This is but one of many questions that informed the approach to the project.'

                Ladyfuzz

                Bouncy Ball

                  Ladyfuzz were fully formed in London in early 2005 when Austrian front woman Liz Neumayr was joined by guitarist Matt Lord and drummer Ben Esser. "Bouncy Ball" is a taste of what to expect from their forthcoming debut album "Kerfuffle".


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