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CREEDENCE CLEARWATER REVIVAL

Cover of At The Royal Albert Hall by Creedence Clearwater Revival.

Creedence Clearwater Revival

At The Royal Albert Hall

Craft Recordings

    Craft recordings announces never-before-released live album from Creedence Clearwater Revival’s legendary 1970 London performance: Creedence Clearwater Revival at the Royal Albert Hall.

    After 50 years, the meticulously restored album will be released alongside the documentary concert film Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall Narrated by Jeff Bridges, Directed by Bob Smeaton (The Beatles Anthology) and restored and mixed by Giles Martin and engineer Sam Okell. Featuring the fabled performance in its entirety, the recording includes such enduring hits as “Fortunate Son,” “Proud Mary,” and “Bad Moon Rising”. 

    TRACK LISTING

    Born On The Bayou
    Green River
    Tombstone Shadow
    Travelin’ Band
    Fortunate Son
    Commotion
    Midnight Special
    Bad Moon Rising
    Proud Mary
    The Night Time Is The Right Time
    Good Golly Miss Molly
    Keep On Chooglin’

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    Cover of Live At The Albert Hall (RSD22 EDITION) by Creedence Clearwater Revival.

    Creedence Clearwater Revival

    Live At The Albert Hall (RSD22 EDITION)

    Concord

      THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      For years, rumors have circulated about a long-lost Creedence recording, captured in 1970 during the bandís appearance at Londonís Royal Albert Hall. Now, more than 50 years later, fans can now a piece of rock 'n' roll lore with this collectible 7-inch.†Mirroring the original double-sided 45 released in 1970, Side A features the Albert Hall performance of ìTraveliní Band,î marking the debut release of this rare recording, while Side B offers ìWhoíll Stop the Rain,î live at Oakland Coliseum, CA.†

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      Cover of Bad Moon Rising: The Collection by Creedence Clearwater Revival.

      Creedence Clearwater Revival

      Bad Moon Rising: The Collection

      UMC

        During an all too short four-year run that spanned 1968 to 1972, Creedence Clearwater Revival crafted some of the most popular, influential and enduring music that the world has ever known. Californian-based John Fogerty, Tom Fogerty, Doug Clifford and Stu Cook fused the raw, organic honesty of country music with the fire and urgency of rock ‘n’ roll to create a catalogue that even five decades later still sounds fresh and vibrant. This collection brings together some of Creedence’s biggest and best recordings and also features two live tracks to showcase what a formidable live act the group were. 

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        Cover of Green River by Creedence Clearwater Revival.

        Creedence Clearwater Revival

        Green River

        UMC

          "If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally. Perhaps that's why Green River has fear, anger, dread, and weariness creeping on the edges of gleeful music. This was a band that played rock & roll so joyously that they masked the, well, "sinister" undercurrents in Fogerty's songs. "Bad Moon Rising" has the famous line "Hope you've got your things together/Hope you're quite prepared to die," but that was only the most obvious indication of Fogerty's gloom. Consider all the other dark touches: the "Sinister purpose knocking at your door"; the chaos of "Commotion"; the threat of death in "Tombstone Shadow"; you only return to the idyllic "Green River" once you get lost and realize the "world is smolderin'." Even the ballads have a strong melancholy undercurrent, highlighted by "Lodi," where Fogerty imagines himself stuck playing in dead-end towns for the rest of his life. Not the typical thoughts of a newly famous rock & roller, but certainly an indication of Fogerty's inner tumult. For all its darkness, Green River is ultimately welcoming music, since the band rocks hard and bright and the melancholy feels comforting, not alienating." - All Music.

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