Search Results for:

COLIN STETSON

Colin Stetson

New History Warfare Vol. 1 - 2026 Reissue

No better is this virtuosic ability heard than on New History Warfare, Volume 1, Stetson‘s first full-length solo recording from Aagoo Records. On this album, the vast musical experiences that Stetson has accumulated over a short period of time have been crafted into 12 songs that defy genres, establishing a sound that is Colin Stetson in full bloom.

TRACK LISTING

SIDE A
1. And It Thought To Escape
2. Stand, Walk
3. Groundswell
4. Time is Advancing with Fitful Irregularity
5. Drown the Rats and Giants
6. As a Bird or Branch

SIDE B
1. OHP
2. Quincy Had a Glandular Problem
3. Nobu Take
4. Tiger Tiger Crane
5. Letter to HST
6. Our Heartbreak Perfect

Colin Stetson

The Love It Took To Leave You

Following last year’s JUNO award winning album 'When We Were That What Wept From The Sea', 'The Love It Took To Leave You' features 11 new pieces of emotionally scorching music.

The album was recorded over a week in 2023 at The Darling Foundry, a 144-year-old former metalworks facility in Montreal with a voluminous main room that still maintains its raw architecture of brick, concrete and steel. From the album’s opening track Stetson charts a carefully sequenced ride, travelling through intense territories punctuated with tragic melodies that seek transcendence, epic and frenzied shredders, and many shades of scary beauty, betrayal, and redemption. This is the art of storytelling wrought instrumentally. 'The Love It Took To Leave You' is a perfect storm of technical, musical and compositional complexity and achievement. 


STAFF COMMENTS

Barry says: It would be putting it mildly to say I don't completely understand what Stetson actually does to produce the sound he does, and this comes from someone who played saxophone for a few years. He's an unfathomable genius at his chosen instrument, obviously but there is always such a strong narrative thread and emotional intensity tied to Stetson's work, that it never seems like the instrumental athleticism is ever the core facet of his music. It's rich, emotional, hypnotic dynamic instrumental music that only Stetson could do.

TRACK LISTING

1. The Love It Took To Leave You
2. The Six
3. The Augur
4. Hollowing
5. To Think We Knew From Fear
6. Malediction
7. Green And Grey And Fading Light
8. Strike Your Forge And Grin
9. Ember
10. So Say The Soaring Bullbats
11. Bloodrest

Colin Stetson

Uzumaki (Anime Original Series Soundtrack)

Step into a world of spiralling terror with the official Uzumaki Series Soundtrack on vinyl! A classic tale of dread and darkness, Uzumaki follows the residents of the Japanese village of Kurozu-Cho as their lives are consumed by an enigmatic curse in the form of a spiral. Born from the twisted mind of mangaka Junji Ito, this beloved horror story has been captivating audiences since its magazine debut in 1998. Now a prestige anime series produced by Production I.G. with author Junji Ito’s blessing, director Hiroshi Nagahama’s highly anticipated anime adaptation of Uzumaki drags a new generation of fans into a nightmare from which there is no escape.

STAFF COMMENTS

Barry says: What a mad looking, superb sounding record this is. Recorded by avant saxophonist and all-round musical genius Colin Steston to soundtrack mad anime series, Uzumaki. It's actually unbelievable what Stetson can do with a saxophone, and this is further evidence of his incomparable skills.

TRACK LISTING

Uzumaki
Join Me In The Spiral
The Eye Follows The Pattern
Obsession
For A Split Second, The Drifting Smoke
Kirie And Shuichi
Ruins Alive
The Labyrinth
Eerily In The Dark
Hey! Are You Trying To Escape?!
The Eternal Spiral
Twisted Souls
Medusa

Colin Stetson

All This I Do For Glory - 2024 Reissue

As a narrative, it exists temporally somewhere between 2015's "Never Were the Way She Was" (with Sarah Neufeld) and the 1st volume of the NHW Trilogy. With this, his first solo outing since 2013's "To See More Light", Colin Stetson ventures into territory both familiar and strange. Here still, is the dogmatically stripped down approach to performance and capture (all songs recorded live with no overdubs or loops) but there is an immediacy to the album that belies a more invasive and thorough miking of the various instruments being utilized and a seeming influence drawn from the early nineties electronica of artists like Aphex Twin and Autechre, evident in the more pointed role played by the instruments' many percussive elements.

There are ancestries, motivic and timbral, woven through these six songs that plainly anchor them within the shared universe of his Trilogy, though the overall experience is one of extreme intimacy, the sounds and imagery more tangible and immersive than previous offerings. The brief and brutal "In the Clinches" recalls (or presages) echoes of songs like "Judges", though now feeling like one has fallen down the bell of Stetson's ancient bass saxophone itself. "Spindrift", crystalline and serene, calls to mind the ambient works of Aphex Twin, while "Between Water and Wind" with its "Immigrant Song" swagger, relentlessly carves its way into the bedrock here, paving the way with an increasing focus on the minute and the minimal, with a deepened sense of patience shared by most of the album's six tracks.

Engineered and mixed by Stetson himself, this album represents a decidedly independent approach across the entire creative process and finds him at the top of his game, both as a composer and instrumentalist as well as a producer.

TRACK LISTING

1. All This I Do For Glory
2. Wolves On The Fold
3. Between Water & Wind 
4. Spindrift
5. In The Clinches
6. The Lure Of The Mine

Colin Stetson

All This I Do For Glory

"All This I Do For Glory" is a reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the greek tragedies. As a narrative, it exists temporally somewhere between 2015's "Never were the way she was" (with Sarah Neufeld) and the 1st volume of the NHW Trilogy.

With this, his first solo outing since 2013's "To See More Light", Colin Stetson ventures into territory both familiar and strange. Here still, is the dogmatically stripped down approach to performance and capture (all songs recorded live with no overdubs or loops) but there is an immediacy to the album that belies a more invasive and thorough miking of the various instruments being utilized and a seeming influence drawn from the early nineties electronica of artists like Aphex Twin and Autechre, evident in the more pointed role played by the instruments' many percussive elements.

There are ancestries, motivic and timbral, woven through these six songs that plainly anchor them within the shared universe of his Trilogy. The brief and brutal "In the clinches" recalls (or presages) echoes of songs like "Judges", though now feeling like one has fallen down the bell of Stetson's ancient bass saxophone itself. "Spindrift", crystalline and serene, calls to mind the ambient works of Aphex Twin, while "Between Water and Wind" with it's "Immigrant Song" swagger, relentlessly carves it's way into the bedrock here, paving the way with an increasing focus on the minute and the minimal, with a deepened sense of patience shared by most of the album's six tracks.

STAFF COMMENTS

Barry says: It's been high up on my to-listen list for a while this one. Being a big fan of his work with Sarah Neufeld, and constellation records work in general, this was a no-brainer. Turns out it is decidedly more direct and forceful than his previous work, casting ambience in the abyss in favour of a more thundering, jagged approach to sound design. It's brilliant, brutal in places, but thoroughly worth your attention.

TRACK LISTING

All This I Do For Glory
Like Wolves On The Fold
Between Water And Wind 
Spindrift
In The Clinches
The Lure Of The Mine

Colin Stetson

Presents Sorrow - A Reimagining Of Gorecki's 3rd Symphony

Colin Stetson is an American saxophonist and multireedist who has collaborated with an number of influential indie rock acts such as Arcade Fire, Bon Iver and Bell Orchestre. This new release 'SORROW', led by Stetson, is a reimagining of Henryk Górecki's most famous piece, performed by a 12-piece band including Arcade Fire's Sarah Neufeld, Saltland's Rebecca Foon, Greg Fox of Liturgy, Megan Stetson and more and recorded in 2015 in Brooklyn, New York.

 "We all have those moments when we experience a piece of music that transforms us, and this was one of those moments for me," says Stetson. "Over the years, I went on to listen to this record countless times, always determined to absorb every instance of it, to know it throughout and fully. And this dedication to a thorough knowledge of the piece eventually gave way to a need to perform it." "The concept was simple, and true to the original score. I haven't changed existing notation, but rather have worked with altering instrumentation, utilizing a group consisting heavily of woodwinds, synthesizers, and electric guitars... The arrangement draws heavily from the world of black metal, early electronic music, and from my own body of solo saxophone music. The result is an intact rendition of Henryk Górecki's 3rd Symphony, though one which has been filtered through the lens of my particular musical aesthetic and experience."


Latest Pre-Sales

204 NEW ITEMS

E-newsletter —
Sign up
Back to top