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COCKTAIL D'AMORE GERMANY

Yuri Shulgin is a multi-instrumentalist music producer from Tajikistan. His discography includes a small number of releases from the Greek label Modernista and the French Escapade Recordings. Animal Planet is his contribution on Cocktail d'Amore Music.

This EP is a live-recorded masterpiece that will lift dance floors into heavenly heights. A1 takes the record title. It's an acid based, genre-blurring piece of music, enveloping and disorienting at the same time. Infinite strings melt together to a constant build up, reminiscent of Steve Reich - Double Sextet/2x5.

Boogie Space feels like the continuation of the previous track, evoking a cloud of glitter in absence of gravity.

Walking starts off the B side. Its funk future jazz-influenced groove is supported by an organic, as bouncy as timeless bassline.

While the stripped down Dubby Body goes to deep realms, the outro Recordtake closes this surreal EP.

Other relea

Iury Lech is a transdisciplinary artist of Ukrainian origin part of the few pioneers in the Spanish electronic and digital audio-visual scene that began to develop during the 80's.

His open and unclassifiable style made of eerie sonic atmospheres, arrhythmic structures and dense textures create hypnotic ambiance and a new way to conceive experimentalism.

Wrongly described as New Age music at that time, "Musica para el fin de los cantos" is a stunning and deeply emotive ambient work, that stares down at the eternal enigma, giving a glimpse of Iury Lech's classical music of the future.
Iury recorded this blissful masterpiece in his Barcelona's studio in 1989. It was then published in 1990 by the unique Spanish label Hyades Arts.

It's 2017 and it's time to unearth this magical piece of vibrating chords to please your sensitive yet hungry ears. Sit back and enjoy the meditative state.

Iury Lech

Musica Para El Fin De Los Cantos: Reinterpretaciones (Powder, Suzanne Kraft, Hatchback & Zavoloka Mixes)

After the reissue of Iury Lech's Span-bient masterpiece "Musica Para El Fin De Los Cantos", Berlin's Cocktail d'Amore Music presents us with a collection of remixes and reinterpretations of the great unclassic. Piccadilly favourite and rising star Powder is first up to the plate with her reinterpretation of Barreras. Sticking with her now trademark sound design and in complete ownership of her Japanese heritage, Powder's mix marries minimalist dreamscape with rhythmic reshape, becoming an underwater deep-house/deep- techno dance floor experience. On the same side Suzanne Kraft contributes with a rather cinematic vision on "Cuando Rocio Dispara Sus Flechas", putting the club thump on the back-burner in favour of something more spacious and comtemplative. Hatchback opens up the B-side with an evocative version of "Posmeridiano", lending a touch of Californian sunshine and open air to the landscape of the original song. Closing the EP Ukrainian producer Zavoloka reinterprets Ukraina with a vortex of three-dimensional sonic layering, serving up a brainfizzing avant garde opus.


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