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"It Rains Here" is the debut album from Manchester's Yadava - the So Flute co-founder and darling of the local scene. Anyone that's been to the esteemed clubnight, or caught this cat in action behind the 1s-n-2s should be more than satisfied with the smorgasbord of sounds and influences contained with.

A melting pot of global styles, the self-confessed Mr. Scruff obsessee has taken the baton of eclecticism and held onto it tightly, as he expresses his own personality over Latin, Tropicalia, house, downbeat and lounge blueprints. Live percussion features heavily throughout the course of the LP, a facet that can also be applied to his outlandish, meandering DJ sets.

There is however, a natural warmth, rich musicality and organic glow that holds the album together in cohesive form; a natural reaction to growing up in the industrialized, often grey, rainy city and our unrelenting pursuit of colour and hedonism through music. It's a languid and laid back affair, but one that should soak the listener in a balmy, sedative patina; perfect for late afternoon beach sessions, back garden BBQ-raves and early evening meadow parties. 


Matt says: So Flute's most attractive member (sorry Dan!) and general all star human being Yad finally drops a full artist statement. Released on taste making label Church, it's been a long time coming, but hammers home the gifted DJ / producer's message of warmth, soul and unity - through house music, broken beat and updates to the funk and soul blueprint. Full marks dude.

Seb Wildblood

Jazz, Vol. 1 (inc. Christopher Rau Remix)

Church Records continue to cut above the usual club muck, bringing us more sensual and sophisticated dance floor tackle. Here they revisit Seb Wildblood's 2016 cut "Jazz Vol. 1", providing a much needed reish of the blue-tinged mood-mover with a new remix from Smallville fam Christopher Rau. Deep pads, sultry rhythms and slinky horns combine into the kind of magical deep house jam you'd expect to hear Larry Heard drop at 2 a.m. On remix duties, Rau toughs it up (a bit) with a little percussive heft then adds a plethora of spectral fx to trip things out a little. Surely a future Naturist classic?

Nicholas returns to Church with a six track mini LP. Starting with the funky "Lonnie's Reprise", rich with rolling congas and piano trills and further embellished by soulful sax work, there's an almost Sacred Rhythm feel to this opening number. "Dahilia" is more subdued, somewhere between Jose Rico's Downbeat label and the deep house of Ron Trent. "Rara Lake" flips the mood for pure mellowed out introspection, dreamy piano chords inviting us into its bosom. Side B opens with "The Answer" which return to bouncy and jubilant tribal house antics. "Resolution" features Paul Cut and sees pure beatdown jazz house explored with aplomb while final track, "Black Juniper" keeps Paul on board for a sumptuous saxophone-led jam which is redolent of sun-scorched days skipping around Peckham or Lisbon. Top stuff.

Really strong debut LP here from Laurence Guy, a producer who's been turning heads in the shop due to some brilliant 12" releases and manages to make the difficult transition into album territory - enlisting a cameo appearance from no other than Manchester's Contours in the process! Across ten tracks we get a variety of moods and feels; from the spectral, hi-fi sounds previously purveyed on cincin, to the more organic, loosely percussive vibe that aligns itself more with Peckham strong and collaborator Contours; there's also richly textured pools of sound, demonstrated perfectly on "Claudi" and showing a fine-tuned craftsmanship to this skilled producer. The amazing "WLYB" from the sold-out "Kojak EP" makes a welcome reappearance while Steve Spacek appears in sullen, shadowy form, uttering some poetic passages over a suspended, ethereal soundscape on "Orchard Road" - reminding me a little of Kode9 and The Space Ape. Sequenced perfectly and offering a lavish aray of sounds across its duration, this is a truly great statement from Guy.

Chris Watson and Chris Coupe, two of the nicest and most talented guys in Peckham right now drop a doozy for the Church label. I've personally become an absolute sucker for their sexy, trickski and totally understated sound. House music that makes (no, forces) you to listen to all the intricacies and nuances hidden within. "Home Alone" strikes home this message immediately, focusing a meandering horn line over skitty, sparse beats that unconsciously make your hips shuffle in a suggestive manner. "House Dog" follows suit and flips the vibe. Making for a reduced sunshine house anthem that all the best low-key DJs'll be playing out this Summer. Fuck the main stage and get to the backrooms where you'll find tracks by FYI Chris having more cultural impact than Kanye West's twitter account. "Courtyard" rolls out a bubbling, shimmering, ethereal kinda track that sounds like bursts of sunshine breaking through the curtains of a long but euphoric after party. Top stuff indeed! 


Matt says: Big release for the pleasantly under-hyped FYI Chris. Detailed and classy but avoiding any self indulgent chin-stroking, this is party music of the highest order.

Next up for Church is Berlin via Manchester based James Booth. One of the early pioneers of that 100% Silky, synthetic house sound circa 2011; taking cues from Legowelt and other hardware veterans and adding a dreamy, metropolitan vibe. "Silver Blaze" kicks things off with a serene hue, a simple chord progression elevating plenty of synthy goodness as Booth's drum machines purr away in the background. "Soup" opens the floodgates of glacial backwash, glistening sonics raining down an icy slope peppered with percussion artefacts and reflecting crystals. "Vanish" ups the energy for a late night club excursion with tough kicks and massaging licks, Booth's hypnotic flow in full effect has he soundtrack's some deep space exploration. Finally, "Why Would You Not" concludes with a great piece of post-peak relaxation, a gentle 4/4 holding us tight as we drift off into cosmic abandon. Great stuff as always from this staple of the hardware scene.

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